Relevant bibliographies by topics / Nana (Zola, Émile)

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Academic literature on the topic 'Nana (Zola, Émile)'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Nana (Zola, Émile)"

1

Merkle, Denise. "Émile Zola devant la censure victorienne." TTR : traduction, terminologie, rédaction 7, no. 1 (2007): 77–91. http://dx.doi.org/10.7202/037169ar.

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Résumé Emile Zola devant la censure victorienne — Cette étude donne un aperçu sommaire de quatre formes prises par la censure victorienne — la ligue de moralité (« National Vigilance Association »), les bibliothèques de prêt (« circulating libraries »), la justice et l'autocensure (« bowdlerism ») — et leurs effets sur la traduction des romans de Zola. Les oeuvres de ce dernier ont connu un succès de scandale et ont provoqué un débat journalistique en France, mais Zola n'a jamais été traîné en justice à cause de ses écrits. Par contre, en Angleterre, les cercles littéraires établis honnissent
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2

Biasiolo, Monica. "Marinetti e Zola." Italogramma, no. 20 (May 25, 2022): 1–14. http://dx.doi.org/10.58849/italog.2022.bia.

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One of the names in Marinetti’s ranks of futurism’s predecessors is Émile Zola. The author of the famous J’accuse is one of those read by the undisputed leader of the futurist avant-garde in his youth, and is, if not constantly, fairly frequently present in his writings. Zola serves Marinetti as a basis for self-staging, that is as a practice to build pieces of his own identity, as well as a not secondary intertextual reference. Like Zola’s texts, those of Futurism provoke. The aim of the following contribution is to reconstruct the Marinettian path in respect to the French writer, especially
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3

ĆURKO, Daniela. "NANA, OR THE IMMOLATION OF A QUEEN. A READING OF ÉMILE ZOLA’S NOVEL NANA." Lingua Montenegrina 24, no. 2 (2019): 253–75. https://doi.org/10.46584/lm.v24i2.715.

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According to Éléonore Reverzy, Nana’s character in Émile Zola’s eponym novel “does not reach, like Renée, the status of „the scapegoat“ (Reverzy 2007: 83). Yet we propose a reading of the novel Nana using the methodology of anthropology and sociology of religions (Durkheim, Frazer, Mauss, Girard, Tarot) in order to prove that Nana, on the contrary, does possess the double and reversible status of a sacred being, status which can be suddenly reversed from the pure to the impure. That latter status of the sacred impure is the one society attributes to a scapegoat. The crowd’s repeating and cryin
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4

Esser, Helena. "Material Girls: Moulin Rouge!’s Neo-Victorian Spectacle and the Real Courtesans of Paris." Victorian Popular Fictions Journal 4, no. 1 (2022): 112–26. http://dx.doi.org/10.46911/irpl4110.

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This article discusses Baz Luhrmann’s 2001 juke-box musical film Moulin Rouge! and its failure to re-think gender despite its clever remix of late-Victorian mass media. After introductions that consider the film’s postmodern mashups of high and low, commonplaces from nineteenth- and twentieth-century popular cultures, the article examines courtesan narratives rooted in two famous novels that the film plays with: La dame aux camélias (1852) by Alexandre Dumas fils and Nana (1880) by Émile Zola. It contrasts them with the lives of real, French celebrity courtesans in order to show the narrative
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KÖSTELOĞLU, Zeynep. "TOPLUMSAL CİNSİYET ROLLERİ BAĞLAMINDA ÖTEKİLEŞTİRİLEN KADIN(LIĞ)IN ÖTEKİLEŞTİRMESİ." KARE, September 6, 2022. http://dx.doi.org/10.38060/kare.1141823.

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ÖZ
 Toplumlarda cinsiyet rollerinin dağılımı geçmişten bugüne geleneksel yapısını korumaktadır. Bireyler tarafından cinsiyet rollerinin algılanışı sosyolojik yapının getirisi olduğu gibi, özümsenen bu roller bireylerin psikolojik yapılarını da ilgilendirmektedir. Bu çalışmada Émile Zola’nın Nana eseri ile Hüseyin Rahmi Gürpınar’ın Mürebbiye eseri mercek altına alınacaktır. Metinlerdeki bilinen toplumsal cinsiyet rollerinin dışına çıkan karakterlerin, sosyolojik yapının etkisi altında kalan ruh halleri irdelenecektir. Toplumsal cinsiyet faktörünün yanı sıra karakterlerin olaylar karşısında
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Dissertations / Theses on the topic "Nana (Zola, Émile)"

1

Zoghlami, Sabeh. "Etude stylistique de la métonymie chez Zola : l'Assommoir, Nana, Une page d'amour et Pot-bouille." Toulouse 2, 2001. http://www.theses.fr/2001TOU20015.

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Dans cette thèse, nous avons procédé à une étude stylistique de la métronymie dans les quatre œuvres suivantes : L’Assommoir, Nana, Une page d'amour et Pot-Bouille. Pour ce faire, nous avons sélectionné parmi les différents champs d'étude que connaît la stylistique ceux qui nous permettent d'examiner cette figure dont le texte de Zola regorge. L'objectif en cela est de démontrer que cette dernière constitue une dominante ; qui plus est, elle rend compte d'une créativité discursive incessante. La métonymie que nous avons découverte tout au long de ces textes se manifeste sous différentes formes
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Books on the topic "Nana (Zola, Émile)"

1

Zola, Émile. Émile Zola - Nana. Independently Published, 2019.

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Zola, Émile. Émile Zola - Nana. Independently Published, 2019.

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3

Zola, Émile. Émile Zola - Nana. Independently Published, 2018.

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4

Zola, Emile. Émile Zola: Nana-Original Edition. Independently Published, 2020.

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5

Nana: Les Rougon-Macquart Tome 9 Émile Zola. Independently Published, 2021.

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6

Chitnis, Bernice. Reflecting on Nana. Taylor & Francis Group, 2017.

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Reflecting on Nana. Taylor & Francis Group, 2016.

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Reflecting on Nana. Taylor & Francis Group, 2016.

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9

Reflecting on Nana. Taylor & Francis Group, 2016.

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10

Nana Émile Zola: Oeuvre Complète Annotée d'une Biographie 416 Page. Independently Published, 2022.

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Book chapters on the topic "Nana (Zola, Émile)"

1

Mellein, Richard. "Zola, Émile: Nana." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18416-1.

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Thorel-Cailleteau, Sylvie. "Nana (Nana, Émile Zola, 1880)." In The Novel, Volume 2. Princeton University Press, 2006. http://dx.doi.org/10.1515/9780691243740-034.

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THOREL-CAILLETEAU, SYLVIE. "Nana (Nana, Émile Zola, 1880)." In The Novel, Volume 2, translated by Sharon Lubkemann Allen. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv27tctsx.36.

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4

Nelson, Brian. "5. The man-eater." In Émile Zola: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198837565.003.0006.

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‘The man-eater’ turns to Nana, the ninth volume in the Rougon-Macquart cycle. Nana is the story of Gervaise Macquart’s daughter Anna/Nana, a street prostitute turned actress and courtesan. Her spectacular life, (she becomes the most celebrated courtesan in Paris, an almost mythical figure) is a metaphor for the hedonistic Second Empire; she humiliates and destroys all the men she encounters, and eventually dies of smallpox on the day of the outbreak of the Franco-Prussian War. Zola plays to remarkable effect on male fear (including his own) of the ‘natural’ woman, and in particular on fear tha
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