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Journal articles on the topic 'Naomi Feil'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Pokorná, Andrea, and Michaela Sukupová. "Naomi Feil validation® in geriatric care." Kontakt 16, no. 2 (2014): e71-e78. http://dx.doi.org/10.1016/j.kontakt.2014.05.004.

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2

Munsch-Roux, Kathia, and Frédéric Munsch. "La méthode de validation™de Naomi Feil." Gérontologie et société 31 / n° 126, no. 3 (2008): 189. http://dx.doi.org/10.3917/gs.126.0189.

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3

Hanke, Jenny. "Zu Besuch in der Erlebniswelt alter Menschen – Validation nach Naomi Feil." ergopraxis 9, no. 01 (2016): 30–33. http://dx.doi.org/10.1055/s-0041-109288.

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Gündling, Andrea. "Lebenswelt Demenz und Ernährung." Erfahrungsheilkunde 66, no. 02 (2017): 116–21. http://dx.doi.org/10.1055/s-0043-106469.

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ZusammenfassungMenschen mit Demenz leben in eigenen Wirklichkeitsbereichen. Sie haben ein Anrecht darauf, dass ihre Gefühle und Grundbedürfnisse respektiert werden. Nach dem Konzept der „Validation“ von Naomi Feil bedeutet das, die Realität und Lebenswelt, in der sich der Demenzkranke befindet, wertzuschätzen. Gleichzeitig ergibt sich daraus aber auch eine ethisch-moralische Verpflichtung gegenüber den Betroffenen, beispielsweise, wenn diese nicht mehr in ausreichendem Maße für ihre Ernährung sorgen können. Strategien wie die Ernährungsbiografie oder gemeinsame Mahlzeiten in angenehmer Atmosph

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5

Blümner, Kristina, and Katja Bsdok. "Das Konzept der Validationstherapie nach Naomi Feil bei Patienten mit demenziellen Erkrankungen in der neurologischen Rehabilitation." neuroreha 06, no. 04 (2014): 181–84. http://dx.doi.org/10.1055/s-0034-1396114.

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ZusammenfassungAufgrund der stetig steigenden Lebenserwartung in den Industrieländern steigt auch in Deutschland der Versorgungs- und Pflegebedarf enorm an. Ein Großteil des zukünftigen Bedarfs wird durch die Demenzerkrankungen verursacht. Daher bedarf es einer Optimierung der Pflege- und Versorgungskonzepte. Ein solches auf die Bedürfnisse von Demenzkranken ausgerichtetes optimiertes Versorgungskonzept ist die Validationstherapie.

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6

Ondeck, Deborah Anne. "Book reviews : The Validation Breakthrough, by Naomi Feil. Baltimore, Md: Health Professions Press, 1993. 320 pages, softcover, $22.00." Journal of Home Health Care Practice 6, no. 3 (1994): 77–78. http://dx.doi.org/10.1177/108482239400600314.

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Mukherjee, Soumyadeep. "The Validation Breakthrough: Simple Techniques for Communicating with People with Alzheimer's and Other Dementias (3rd ed.) By Naomi Feil and Vicki de Klerk-Rubin." Educational Gerontology 40, no. 6 (2014): 470–72. http://dx.doi.org/10.1080/03601277.2013.844029.

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Sharrow, S. M. "Feil, Naomi (1993). The validation breakthrough: Simple techniques for communication with people with "Alzheimer's type dementia". Baltimore, MD: Health Professions Press. 320 pages. ISBN 1-878812-11-4, $22.95." Music Therapy Perspectives 16, no. 2 (1998): 89. http://dx.doi.org/10.1093/mtp/16.2.89.

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KELLY, FIONA. "Naomi Feil and Vicki de Klerk-Rubin, The Validation Breakthrough: Simple Techniques for Communicating with People with Alzheimer's and Other Dementias, third edition, Health Professions Press, Baltimore, Maryland, 2012, 304 pp., pbk $34.95, ISBN 13: 978 1 932529 93 7." Ageing and Society 33, no. 7 (2013): 1283–85. http://dx.doi.org/10.1017/s0144686x1300038x.

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10

Butwin, Joseph. "The Marriage Plot: Or, How Jews Fell in Love with Love, and with Literature by Naomi Seidman." Shofar: An Interdisciplinary Journal of Jewish Studies 36, no. 2 (2018): 88–91. http://dx.doi.org/10.1353/sho.2018.0034.

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Lisek. "“I feel so crazy, like flying the coop”: The Lesser-Known Sarah Schenirer. Side Reflections on Naomi Seidman's Book." Shofar 38, no. 1 (2020): 272. http://dx.doi.org/10.5703/shofar.38.1.0272.

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Lisek, Joanna. ""I feel so crazy, like flying the coop": The Lesser-Known Sarah Schenirer. Side Reflections on Naomi Seidman's Book." Shofar: An Interdisciplinary Journal of Jewish Studies 38, no. 1 (2020): 272–90. http://dx.doi.org/10.1353/sho.2020.0010.

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13

Hryhorov, V. "Monumental and decorative art of the second half of the 20th century in specialized literature." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 99–104. http://dx.doi.org/10.33838/naoma.27.2018.99-104.

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The article deals with a number of issues highlighted in the research of monumental painting during the 1960–2000s, and follows the development of art studies literature during the specified period. Ukrainian monumental painting during the second half of the 20th century evolved rather unequally, which affecte the art criticism reflections. In the 1960's and 80's the active and dynamic development of monumental art took place. Research in this area also reached the peak of its popularity. For example, the article of I. Pronina contains a review of publications from 1973–1974, and the author br

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14

Pinsker, Shachar. "Naomi Seidman. The Marriage Plot: Or, How Jews Fell in Love with Love, and with Literature. Stanford, CA: Stanford University Press, 2016. 386 pp." AJS Review 42, no. 2 (2018): 485–88. http://dx.doi.org/10.1017/s0364009418000740.

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15

Nikitin, A. "Creativity and pedagogical activity of Professor V. Bystriakova." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 159–67. http://dx.doi.org/10.33838/naoma.27.2018.159-167.

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V. Bystriakov – Honored Worker of Arts of Ukraine, member of the National Union of Artists of Ukraine, creative work is well-known to the general public, and teaching activity occupies an important place in the work of the department of drawing of the National Academy of Fine Arts and Architecture. In the work of the artist, he combined his own experience and achievements of artists of past generations, it has always been and is open to creative experiments. His creative pursuits and teaching methods are important for understanding the history of artistic education, in particular the teaching

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Khrapachov, O. "Role of Creative Symposia in forming the Artist." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 235–43. http://dx.doi.org/10.33838/naoma.27.2018.235-243.

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The cooperative creative work in the art has always facilitated the creation of artistic works of high quality and required this process to be organized in a certain way, from both material and ideological perspective. There are plenty of creative symposia and plein-airs in Ukraine. Therefore, in our opinion, it is important to generally characterize this process and to reveal trends and prospects for creative projects in the modern artistic world. The plein-air is instructive from both theoretical and practical perspective. Exactly on the plein-airs an artist experiences a first shock from wh

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Guha, Martin. "The Psychology of Ageing (5th edition)Ian Stuart-Hamilton, London: Jessica Kingsley, 2012, £29.99, paperback, 464 pp. ISBN: 978-1-84905-245-0 - The 36-Hour Day: A Family Guide to Caring for People Who Have Alzheimer's Disease, Related Dementias, and Memory Loss (5th edition)Nancy L Mace and Peter V Rabins, Baltimore MD: Johns Hopkins University Press, 2011, $16.95, paperback, 353 pp. ISBN: 978-1-4214-0280-2 - The Validation Breakthrough: Simple Techniques for Communicating with People with Alzheimer's and Other Dementias (3rd edition)Naomi Feil and Vicki de Klerk-Rubin, Baltimore, MD: Health Professions Press, 2012, $34.95, paperback, 304 pp. ISBN: 978-1-932529-93-7 - Encyclopedia of Alzheimer's Disease: With Directories of Research, Treatment and Care Facilities (2nd edition)Elaine A. Moore with Lisa Moore, Jefferson, NC: McFarland, 2012, £83.95, hardback, 447 pp. ISBN: 978-0-7864-6458-6." International Psychogeriatrics 25, no. 6 (2012): 1035–37. http://dx.doi.org/10.1017/s104161021200186x.

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18

Daukste-Silasproģe, Inguna. "Andreja Johansona jaunības gadu Rīga: atmiņas un kultūrvēsturiskas impresijas." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 85–98. http://dx.doi.org/10.37384/aplkp.2020.25.085.

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The article focuses on two books of the poet, essayist, cultural historian Andrejs Johansons (1922–1983), contemplations and reminiscences “Rīgas svārki mugurā” (‘Dressed in Riga suit’, 1966) and “Visi Rīgas nami skan” (‘All the Houses of Riga are Ringing’, 1970). On the one hand, they include a very personal (biographical) layer of memory, and, on the other, they can also be viewed in the context of collective memory, as they are associated with the memories of many refugees of the World War II – about the lost Latvia, Riga and home. In May 1945, Johansons, leaving Kurzeme and Liepāja by one

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19

Kovacich, Joann. "Book Reviews." Anthropology & Aging 34, no. 3 (2013). http://dx.doi.org/10.5195/aa.2013.15.

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Annual Review of Gerontology and Geriatrics 2010-2013 Volume 30, 2010: Focus on Biobehavioral Perspectives on Health in Late Life (Keith E. Whitfield, ed.) Linda J. Keilman , Michigan State University Volume 31, 2011: Pathways Through the Transitions of Care for Older Adults. (Peggye Dilworth-Anderson and Mary H. Palmer, eds.) Rachel Sona Reed, The Pasadena Village Volume 32, 2012: Emerging Perspectives on Resilience in Adulthood and Later Life (Bert Hayslip Jr., Gregory Smith, eds.) Lydia K. Manning, Concordia University, Chicago Volume 33, 2013. Healthy Longevity: A Global Approach (Jean-Mar

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Daukste-Silasproģe, Inguna. "Rīga Andreja Jonahsona dzīves un daiļrades kartē." Letonica, no. 42 (2021). http://dx.doi.org/10.35539/ltnc.2021.0042.i.d.s.0004.

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Keywords: Andrejs Johansons, Riga, literary geography, mapping, memory space This article focuses on the collections of essays Rīgas svārki mugurā (A Riga Jacket on My Back, 1966) and Visi Rīgas nami skan (Riga Houses Resound, 1970) by the cultural historian and scholar Andrejs Johansons (1922–1983), which were written during the author’s exile in Stockholm. On one hand, they involve a very personal (biographical) layer of memories, and on the other, they present an opportunity for the reader to view them in the context of collective memory, for they are a reflection of the memories of many Se

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Fredericks, Bronwyn, and Pamela CroftWarcon. "Always “Tasty”, Regardless: Art, Chocolate and Indigenous Australians." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.751.

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Black women are treated as though we are a box of chocolates presented to individual white women for their eating pleasure, so they can decide for themselves and others which pieces are most tasty (hooks 80). Introduction bell hooks equates African-American women with chocolates, which are picked out and selected for someone else’s pleasure. In her writing about white women who have historically dominated the feminist movement, hooks challenges the ways that people conceptualise the “self” and “other”. She uses a feminist lens to question widespread assumptions about the place of Black women i

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22

Parsemain, Ava Laure. "Crocodile Tears? Authenticity in Televisual Pedagogy." M/C Journal 18, no. 1 (2015). http://dx.doi.org/10.5204/mcj.931.

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This article explores the role of authenticity in televisual teaching and learning based on a case study of Who Do You Think You Are?, a documentary series in which celebrities go on a journey to retrace their family tree. Originally broadcast by the British Broadcasting Corporation, this series has been adapted in eighteen countries, including Australia. The Australian version is produced locally and has been airing on the public channel Special Broadcasting Service (SBS) since 2008. According to its producers, Who Do You Think You Are? teaches history and promotes multiculturalism:We like ma

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White, Peter B., and Naomi White. "Staying Safe and Guilty Pleasures." M/C Journal 10, no. 1 (2007). http://dx.doi.org/10.5204/mcj.2614.

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   Introduction In a period marked by the pervasiveness of new mobile technologies saturating urban areas of the Asia-Pacific region, it can be easy to forget the realities of life in the rural areas. In a location such as Australia, in which 80% of the population lives in urban areas, one must be reminded of the sociotechnological realities of rural existence where often-newer mobile communication devices cease to function. This paper focuses on these black spots – and often forgotten areas – where examples of older, mediated technologies such as UHF Citizen Band (CB) radios

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24

Watson, Greg. "Sites of Protest: Rethinking Everyday Spaces as Sites for Protesting the Marginalisation of Difference." M/C Journal 21, no. 3 (2018). http://dx.doi.org/10.5204/mcj.1426.

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IntroductionContemporary societies are increasingly becoming sites in which it is more difficult for people to respectfully negotiate disagreements about human diversity. This is exemplified by people who must oppose oppressive social conventions that marginalise them because they identify as belonging to one or more minority groups. One of the key factors in this dynamic is how people’s being in particular sites impacts their being as a person. The “fate of the stranger” is shaped by the spaces they inhabit and people are labelled as “insiders or outsiders” (Amin Land 2); for many people this

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Hackett, Lisa J. "Addressing Rage: The Fast Fashion Revolt." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1496.

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Wearing clothing from the past is all the rage now. Different styles and aesthetics of vintage and historical clothing, original or appropriated, are popular with fashion wearers and home sewers. Social media is rich with images of anachronistic clothing and the major pattern companies have a large range of historical sewing patterns available. Butterick McCall, for example, have a Making History range of patterns for sewers of clothing from a range of historical periods up to the 1950s. The 1950s styled fashion is particularly popular with pattern producers. Yet little research exists that ex

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26

Murray, Simone. "Harry Potter, Inc." M/C Journal 5, no. 4 (2002). http://dx.doi.org/10.5204/mcj.1971.

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Engagement in any capacity with mainstream media since mid-2001 has meant immersion in the cross-platform, multimedia phenomenon of Harry Potter: Muggle outcast; boy wizard; corporate franchise. Consumers even casually perusing contemporary popular culture could be forgiven for suspecting they have entered a MÃbius loop in which Harry Potter-related media products and merchandise are ubiquitous: books; magazine cover stories; newspaper articles; websites; television specials; hastily assembled author biographies; advertisements on broadcast and pay television; children's merchandising; and the

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Brien, Donna Lee. "The Real Filth in American Psycho." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2657.

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   1991 An afternoon in late 1991 found me on a Sydney bus reading Brett Easton Ellis’ American Psycho (1991). A disembarking passenger paused at my side and, as I glanced up, hissed, ‘I don’t know how you can read that filth’. As she continued to make her way to the front of the vehicle, I was as stunned as if she had struck me physically. There was real vehemence in both her words and how they were delivered, and I can still see her eyes squeezing into slits as she hesitated while curling her mouth around that final angry word: ‘filth’. Now, almost fifteen years later, the

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Ellis, Katie. "Complicating a Rudimentary List of Characteristics: Communicating Disability with Down Syndrome Dolls." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.544.

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Apparently some people upon coming across [Down Syndrome dolls] were offended. […] Still, it’s curious, and telling, what gives offense. Was it the shock of seeing a doll not modeled on the normative form that caused such offense? Or the assumption that any representation of Down Syndrome must naturally intend ridicule? Either way, it would seem that we might benefit from an examination of such reactions—especially as they relate to instances of the idealisation of the human form that dolls […] represent. (Faulkner) IntroductionWhen Joanne Faulkner describes public criticism of dolls designed

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Simpson, Catherine. "Communicating Uncertainty about Climate Change: The Scientists’ Dilemma." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.348.

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Photograph by Gonzalo Echeverria (2010)We need to get some broad-based support, to capture the public’s imagination … so we have to offer up scary scenarios, make simplified, dramatic statements and make little mention of any doubts … each of us has to decide what the right balance is between being effective and being honest (Hulme 347). Acclaimed climate scientist, the late Stephen Schneider, made this comment in 1988. Later he regretted it and said that there are ways of using metaphors that can “convey both urgency and uncertainty” (Hulme 347). What Schneider encapsulates here is the great

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Solis, Randy Jay C. "Texting Love." M/C Journal 10, no. 1 (2007). http://dx.doi.org/10.5204/mcj.2600.

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   The mobile phone found its way to the Philippines when the first generation of Global Systems for Mobile Communication or GSM handsets was introduced in the country in 1994. This GSM protocol eventually developed to introduce a faster and more efficient means of storing, manipulating, and transmitting data by allowing data to be translated into a series of ones and zeroes. Digital technology furthered the mobile phone’s potentials from being a mere “talking device on the move” (Leung and Wei 316) to a more dynamic participant in the new information age. The capacity to mer

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Lindop, Samantha Jane. "Carmilla, Camilla: The Influence of the Gothic on David Lynch's Mulholland Drive." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.844.

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It is widely acknowledged among film scholars that Lynch’s 2001 neo-noir Mulholland Drive is richly infused with intertextual references and homages — most notably to Charles Vidor’s Gilda (1946), Billy Wilder’s Sunset Boulevard (1950), Alfred Hitchcock’s Vertigo (1958), and Ingmar Bergman’s Persona (1966). What is less recognised is the extent to which J. Sheridan Le Fanu’s 1872 Gothic novella Carmilla has also influenced Mulholland Drive. This article focuses on the dynamics of the relationship between Carmilla and Mulholland Drive, particularly the formation of femme fatale Camilla Rhodes (

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