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Relevant bibliographies by topics / Napoleon Propaganda

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Journal articles

Academic literature on the topic 'Napoleon Propaganda'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Napoleon Propaganda"

1

Sajkowski, Wojciech. "French image of the inhabitants of the Illyrian Provinces and the emergence of South Slavic nationalisms." Balcanica Posnaniensia. Acta et studia 27 (December 13, 2020): 69–80. http://dx.doi.org/10.14746/bp.2020.27.5.

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The Illyrian Provinces, a part of the 1st French Empire which existed in the years 1809-1813, are often portrayed as a political entity which anticipated various projects of the political emancipation of the South Slavs. However, the link between later pan-South-Slavic movements and the Napoleonic political activity is a matter which still remains unclear and deserves some in-depth analysis. Most often the Napoleonic impact on the evolution of the nascent South-Slavic nationalisms is viewed in the perspective of the posterior political attitudes of the Croat, Slovene or Serbian elites towards the French, and their own interpretations of the Napoleonic impact on the pan-South-Slavic movement. The proposed paper will concentrate on the opposite approach and will investigate how French perceived the South Slavs in the perspective of the nascent nationalisms, especially that French propaganda presented Napoleon as the savior of the European nations including the „Illyrian” one. But how French defined this „Illyrian” nation? This question can be answered thanks to the French strive for description of the societies inhabiting Illyrian Provinces.

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2

Sajkowski, Wojciech. "French image of the inhabitants of the Illyrian Provinces and the emergence of South Slavic nationalisms." Balcanica Posnaniensia. Acta et studia 27 (December 13, 2020): 69–80. http://dx.doi.org/10.14746/bp.2020.27.5.

Full text

Abstract:

The Illyrian Provinces, a part of the 1st French Empire which existed in the years 1809-1813, are often portrayed as a political entity which anticipated various projects of the political emancipation of the South Slavs. However, the link between later pan-South-Slavic movements and the Napoleonic political activity is a matter which still remains unclear and deserves some in-depth analysis. Most often the Napoleonic impact on the evolution of the nascent South-Slavic nationalisms is viewed in the perspective of the posterior political attitudes of the Croat, Slovene or Serbian elites towards the French, and their own interpretations of the Napoleonic impact on the pan-South-Slavic movement. The proposed paper will concentrate on the opposite approach and will investigate how French perceived the South Slavs in the perspective of the nascent nationalisms, especially that French propaganda presented Napoleon as the savior of the European nations including the „Illyrian” one. But how French defined this „Illyrian” nation? This question can be answered thanks to the French strive for description of the societies inhabiting Illyrian Provinces.

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3

Rowe, M. "After the Revolution: Antoine-Jean Gros, Painting and Propaganda under Napoleon." French Studies 61, no. 4 (2007): 526–27. http://dx.doi.org/10.1093/fs/knm187.

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4

Best, Janice Jaye. "Power and Propaganda: Theatrical Representations of Napoleon Bonaparte During the Second Empire." Dix-Neuf 22, no. 1-2 (2018): 58–72. http://dx.doi.org/10.1080/14787318.2017.1376392.

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5

Palacios Cerezales, Diego. "Petitioning for empire in Napoleonic Europe." Journal of Modern European History 18, no. 1 (2019): 96–114. http://dx.doi.org/10.1177/1611894419894476.

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Petitions, loyal addresses, plebiscites, and other displays of popular consent accompanied most episodes of the revolutionary and Napoleonic expansion of France between 1789 and 1814. Petitioning had been adapted and transformed in France during the revolution, through which it became associated to popular sovereignty. Historians have often studied popular mobilisation through the prism of the conquest of rights, thereby pitting subordinate groups against entrenched ruling classes. This article surveys a different development, as French revolutionary administrators and generals, and Napoleon himself, adapted and reconfigured petitioning as a top-down tool for territorial expansion and empire-building, using it to invoke the supposed popular acquiescence to their reconfiguration of the political map of Europe. French propaganda portrayed these initiatives within the same interpretative framework that discussed the value of other, more autonomous, petitions. This work will thus analyse the paradox of top-down-controlled mobilisations that, at the same time, reinforced the symbolic pre-eminence of popular consent and participation.

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6

Isaikova, Oleksandra. "«We don’t believe you, Nicolas»: royalist publicism as a source of French anti-Napoleonic caricature." Text and Image: Essential Problems in Art History, no. 2 (2020): 94–108. http://dx.doi.org/10.17721/2519-4801.2020.2.06.

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The article refers to the connection between royalist publicism and anti-Napoleonic caricature through the example of two etchings from the Khanenko Museum collection. The task of royalist propaganda was to undermine the authority of Napoleon Bonaparte and, at the same time, to set society in favor of the Bourbon restoration. This causes the specifics of the anti-Napoleonic pamphlets and caricatures, which were usually focused on creating of the repulsive images of the emperor. At the same time, it is easy to notice that the authors of texts and images operated with a common set of motifs, images, as well as they used similar techniques. Therefore, the analysis of pamphlets provides better understanding of the subject of studied etchings and helps to clarify the meaning of certain details. Furthermore, taking into account that caricature was often secondary to the texts, author strived to find the literary sources of the studied caricatures and came to the conclusion that Charon’s famous engraving “The Height of Cannibalism” was strongly influenced by the François-René Chateaubriand’s “Report on the State of France” (1815). The matching texts, as well as the general consonance of the caricature “Arrival of Nicolas Buonaparte in Tuileries on January 20, 1815” with Rougemaitre’s popular anti-Napoleonic pamphlet “Life of Nicolas” (1815) suggests that the latter was among the caricaturist’s sources of inspiration at least.

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7

Sánchez González, Dolores del Mar. "Protocolo y Administración áulica: la Casa Real de José Napoleón I | Protocol and Royal Household: the Household of Joseph Napoleon I." REVISTA ESTUDIOS INSTITUCIONALES 5, no. 9 (2018): 71. http://dx.doi.org/10.5944/eeii.vol.5.n.9.2018.23117.

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Nada más llegar a España, lo primero que hizo José Napoleón I fue establecer una reglamentación nueva para la Casa Real. Con ello pretendía fortalecer las figuras de su entorno más cercano en un deseo de dotarlas de un especial papel en el entorno propagandístico y legitimador que pretendía crear y que le dotaría de los mejores elementos visuales con los que presentarse ante la población._______________________Upon arrival in Spain, the first thing that José Napoleón I did was to establish a new regulation for the Royal Household. With this he intended to strengthen the figures of his closest environment in a desire to give them a special role in the propaganda and legitimating environment that he intended to create and that would provide him with the best visual elements with which to present himself to the population.

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8

Andrew Carrington Shelton. "After the Revolution: Antoine-Jean Gros, Painting and Propaganda Under Napoleon (review)." Nineteenth Century French Studies 37, no. 1-2 (2008): 153–55. http://dx.doi.org/10.1353/ncf.0.0055.

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9

Frost, Jason D. "Myth and reality: a review of Bonaparte and the British prints and propaganda in the age of Napoleon." National Identities 20, no. 3 (2016): 231–33. http://dx.doi.org/10.1080/14608944.2016.1178686.

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10

Ragozin, German, and Roman Boldryrev. ""Für Gott, Kaiser und Vaterland!" : newspaper "Väterlandische Blätter für Österreichischen Staat" as propaganda organ of Austrian struggle against Napoleon (1808–1809)." Studia historica Brunensia, no. 2 (2017): 45–55. http://dx.doi.org/10.5817/shb2016-2-3.

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