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Books on the topic 'Narcissus and Echo'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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1

Baltser, Mark. Narcissus' echo. Amsterdam: Querido, 1992.

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2

Echo and Narcissus. Durham, NC: Aardwolf Press, 2003.

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3

Narcissus and Echo: Women in the French récit. Manchester, UK: Manchester University Press, 1988.

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4

Echo and Narcissus: Women's voices in classical Hollywood cinema. Berkeley: University of California Press, 1991.

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5

Petek, Polona. Echo and Narcissus: Echolocating the spectator in the age of audience research. Newcastle, UK: Cambridge Scholars Pub., 2008.

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6

L, Manuel Antonio Arango. Mito, naturaleza, religión y alegoría en El Divino Narciso de Sor Juana Inés de la Cruz. Bahía Blanca, Argentina: Centro de Estudios Hispánicos, 2000.

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7

Ann, Rice Robin, ed. El divino Narciso. Pamplona [Spain]: Ediciones Universidad de Navarra, 2005.

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8

Juana Inés de la Cruz. The divine Narcissus =: El divino Narciso. Albuquerque: University of New Mexico Press, 1998.

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9

Ovid. Selections from Ovid's Metamorphoses: Baucis and Philemon Acis, Galatea, and Polyphemus Narcissus and Echo Pentheus. White Plains, N.Y: Longman, 1988.

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10

Ezio, Pellizer, ed. Il mito di Narciso: Immagini e racconti dalla Grecia a oggi. Torino: G. Einaudi, 2003.

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11

Coy, Peter. The echo of a fighting flower: The story of HMS Narcissus and B3 Ocean Escort Group in WWII. Upton upon Severn: Square One, 1997.

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12

Dechêne, Micheline. Au pays des narcisses: Echo de la vie montreusienne. Yens-sur-Morges: Editions Cabédita, 1998.

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13

Echo and Narcissus. Lazy Bee Scripts, 2009.

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14

Segal, Naomi. Narcissus and Echo: Women in the French Recit. Manchester Univ Pr, 1991.

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15

Coolidge, Olivia E. Mythology: Daedalus, Echo and Narcissus, the Fortunate King, Atalanta's Lovers. Silver Burdett Pr, 1989.

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16

Ride, Carol. Narcissus and Echo: Reflections on Narcissistic Themes in Couple Relationships. PsychOz, 2004.

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17

Hartmann, Anna-Maria. While the Winds Breathe, Adore Echo. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807704.003.0006.

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Henry Reynolds’s Mythomystes (1632) is a dynamic response to the tensions between Neo-Platonic claims for the divinity of ancient poetry and a Protestant poetics that rejected syncretism and sought to set the truth of Christianity apart. Reynolds draws on Pico della Mirandola to emphasize the divine knowledge of the ancient pagan poets, who were ‘iointrunners’ with Moses and used fables for the secret communication of wisdom. But in other parts of the book Reynolds carefully separates the pagan and Christian traditions in everything but natural knowledge. These different perspectives can be explained by the rising and falling rhetorical pitch of the mythography and can be compared to Philip Sidney’s practice in his Defence of Poetry. In the end, Reynolds’s mythography returns to a Neo-Platonic conception of the ancient fables, and offers a version of the Narcissus myth that rests upon a Pythagorean symbol.
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18

Juana Inés de la Cruz and Renee Domeier. The Divine Narcissus/El Divino Narciso. Univ of New Mexico Pr, 1998.

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19

Coy, Peter. The Echo of a Fighting Flower: The Story of HMS Narcissus & B3 Ocean Escort in World War Two. Square One Publications, 1997.

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20

Anderson, William S., and Mary Frederick. Selections from Ovid's Metamorphoses: Baucis and Philemon/Acis, Galatea, and Polyphemus/Narcissus and Echo/Pentheus (Longman Latin Reader). Longman Publishing Group, 1987.

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