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Journal articles on the topic 'Narco cultura'

Author: Grafiati

Published: 11 September 2021

Last updated: 18 February 2022

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1

Pardo León, Jesús Antonio. "Transformaciones estéticas: la narcocultura, la producción de valores culturales y la validación del fenómeno narco." Calle 14 revista de investigación en el campo del arte 13, no. 24 (July 1, 2018): 400–409. http://dx.doi.org/10.14483/21450706.13534.

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El contexto colombiano de las últimas tres décadas ha generado formas culturales y representaciones sociales emergidas de la crisis e inestabilidad social que ha caracterizado al país durante este período de tiempo. El siguiente trabajo tiene como objetivo realizar una contextualización e interpretación del fenómeno del narcotráfico a nivel local; paralelamente, definiremos herramientas conceptuales para acercarnos a un objeto específico, el caso de la producción de material estético identificado con las nuevas escalas de valor, producto de la cultura generada por el narcotráfico. Por medio de conceptos de tipo sociológico analizaremos estéticamente la configuración e instalación de los nuevos valores “narcos” a través de un estudio del caso Rodrigo D. No Futuro y la producción televisiva alrededor del fenómeno narco.

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2

Miranda Yanes, Massiel, and Shanny Valdes Salas. "Narco-Culture as a distortion of gender stereotypes: An aggravating factor in the situation of violence and conflict in society." Ad-gnosis 8, no. 8 (December 1, 2019): 49–58. http://dx.doi.org/10.21803/adgnosis.v8i8.363.

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Today, Narco-Culture has transformed many aspects in some society. One of the aspects still to be explored is linked to studies of gender stereotypes, because very little research has been done on this subject. For this reason, the main objective of this article is to explore how drug trafficking has distorted gender stereotypes, linking this viewpoint as an aggravating factor in situations of conflict and violence in society, taking Colombian society as a reference and yet it could be applied to other countries and contexts. Thus, the premise of the article is that the Narco-Culture has changed the role of men and women in society. The most significant findings show that the gender perspective provides a holistic view of the phenomenon of violence in society and can therefore help authorities to design effective public policies that break its cycle, Understanding also that society and culture have a great direct and indirect responsibility in the perpetuation of drug trafficking and all manifestations of violence.

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3

Bragança, Maurício De. "O circuito das drogas: mídia e arte na crítica contemporânea." Estudos em Jornalismo e Mídia 16, no. 1 (July 9, 2019): 49–56. http://dx.doi.org/10.5007/1984-6924.2019v16n1p49.

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A exposição Una linea de polvo, arte y drogas en América Latina fez dialogarem o campo das artes plásticas e visuais, e o fenômeno do narcotráfico. Segundo o curador Santiago Rueda, a ideia era entender “as dimensões de um problema global”, fazendo expandir a ideia de “narcotráfico” para uma compreensão maior da questão como um “problema narco”, marcado por uma forte presença da cultura midiática. As obras expostas implodiam as distâncias entre mídia e arte, gerando um deslocamento do lugar da crítica de arte tradicional ao ter que lidar com questões que englobam um campo irrestrito de proposições que passam pela economia, medicina, direito e política internacional no âmbito da estética, ética e cultura. Dessa forma, a crítica de arte se constrói na interface com outros domínios para dar conta desse tipo de produção contemporânea, privilegiando o campo midiático.

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Núñez Sabarís, Xaquín. "Reescrituras del género policíaco en la ficción serial: la muerte, la brújula y el monstruo en "Breaking Bad"." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 31 (February 8, 2019): 359–72. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2019313159.

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La serie Breaking Bad, idea original de Vince Gilligan, representa el auge y legitimación cultural (y académica) de la ficción televisiva en los últimos años. La nueva oferta de series, amparada en un nuevo modelo de negocio televisivo y digital, ha conllevado una renovación de los hábitos culturales, transcendiendo su consideración de géneros audiovisuales menores y estimulando una importante democratización estética. Al incorporar talento creativo en los guiones e interpretación, así como una sobresaliente producción, las series se han situado en la zona noble de la cultura audiovisual y la narración artística contemporánea, incorporando mecanismos propios de otros soportes mediales, como la literatura. La historia de Walter White, padre de familia y despiadado narco, se construye sobre una trama de intriga y persecuciones, que se resuelve por una nota manuscrita en un ejemplar de Leaves of grass. De Whitman a Borges repasaremos los préstamos culturales e intermediales en la creación de este juego de espejos, identidades vacilantes y tramas laberínticas.

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Cerbino, Mauro. "Heridas abiertas en la frontera México-Estados Unidos: migración, feminicidio y narco-cultura. Un diálogo con José Manuel Valenzuela." Íconos - Revista de Ciencias Sociales, no. 39 (September 9, 2013): 169. http://dx.doi.org/10.17141/iconos.39.2011.746.

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6

Zacarías Ponce de León, Ramón Felipe. "Neología e identidad lingüística en el español de México." e-Scripta Romanica 4 (December 27, 2017): 116–24. http://dx.doi.org/10.18778/2392-0718.04.10.

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Desde un punto de vista onomasiológico, el proceso de acuñación de nuevas palabras está determinado por aspectos socioculturales e identitarios de las comunidades lingüísticas (Štekauer 2005; Körtvélyessy y Štekauer 2014). En el desarrollo de una cultura, la creación de léxico secundario está estrechamente relacionada con el devenir histórico y social de los pueblos. No debe sorprender que en las variedades dialectales de la lengua española puedan encontrarse distintas preferencias en la selección de los esquemas de formación de palabras utilizados para nombrar el mundo. En este artículo, analizaremos los procesos lexicogenésicos del español de México y mostraremos que algunos son propios de esta variedad del español y reflejan aspectos actuales de su sociedad y su cultura. Recurriremos al corpus neológico Morfolex (Zacarías, 2016c), que recopila neologismos formados en México en la última década. Se describirán brevemente los procesos de recolección y clasificación de neologismos y los criterios de productividad que permiten reconocer los esquemas de formación de palabras favoritos. Finalmente, se mostrará que entre los esquemas formativos más productivos y que identifican la variante mexicana se encuentran los sufijos azo, iza, erío; el elemento compositivo narco; las palabras compuestas de nombre y adjetivo, y los cruces léxicos.

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7

Gutiérrez, Rafael, Leticia Vega Hoyos, and Valeria Gutiérrez Vega. "Las condiciones socioculturales del desarrollo del síndrome amotivacional asociado a los consumidores crónicos de marihuana." Caleidoscopio - Revista Semestral de Ciencias Sociales y Humanidades 19, no. 34 (January 1, 2016): 119. http://dx.doi.org/10.33064/34crscsh164.

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Se reportan los resultados obtenidos al describir las condiciones socioculturales del desarrollo de los síntomas previstos en la definición del llamado síndrome amotivacional (por ejemplo, desinterés y flojera), en el curso de vida de un usuario crónico de marihuana. Se realizó trabajo de campo, en el que se desarrolló la observación participante, las entrevistas en profundidad y los grupos de discusión con un grupo de usuarios crónicos de marihuana que residían en el Distrito Federal; todos habían fumado por lo menos un cigarro al día durante tres o cuatro décadas. Los principales resultados indican que el desinterés, la flojera o el descuido en el aseo personal (síntomas del síndrome amotivacional), son la expresión de múltiples factores micro (violencia intrafamiliar, estigmatización familiar y escolar, trabajo infantil, cultura callejera) y macro sociales (migración, anomia, implantación de políticas económicas neoliberales, desempleo, etc.), y que conviene que la práctica clínica favorezca la escucha y el dicho de los consumidores crónicos y que las investigaciones se aproximen al consumo de marihuana en el contexto de una sociedad gobernada por un estado narco.

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8

Sánchez, Carlos Alberto. "Philosophy after Narco-Culture." Radical Philosophy Review 24, no. 2 (2021): 227–30. http://dx.doi.org/10.5840/radphilrev2021242113.

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9

Soldán, Edmundo Paz, and Christopher Winks. "Art's Place in Narco Culture: Yuri Herrera'sKingdom Cons." Review: Literature and Arts of the Americas 46, no. 1 (May 2013): 26–32. http://dx.doi.org/10.1080/08905762.2013.780895.

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10

Santos, Danilo, Ainhoa Montserrat Vásquez Mejías, and Ingrid Urgelles. "Introduction: Narco as a Cultural Model. A transcontinental Appropriation." Mitologías hoy 14 (December 15, 2016): 9. http://dx.doi.org/10.5565/rev/mitologias.401.

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11

Christiansen, María L. "¿Narcoinfierno O Narcolandia? Una Epistemología Intempestiva Sobre El Relato Oficial De La Violencia En México." European Scientific Journal, ESJ 12, no. 11 (April 27, 2016): 129. http://dx.doi.org/10.19044/esj.2016.v12n11p129.

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The approach to narcotraffic violence is open to endless explanations, depending on the viewer's perspective. This article introduces a set of ecological metaphors, whose main advantage is to catch sight of the complexities inherent in the link between the narco-world and the legal culture. In clear opposition to the official story and media about this illicit activity, this paper presents arguments that call into question the presentation style that is common in political discourse and massive journalism. By appealing to notions like "narco-habitat", "relational ecosystem", and "narcoecology", the possibility of understanding the phenomenon of drug trafficking without adopting a position will be explored. On the other hand, it is intended to show that the typical way of conceptualizing this phenomenon (narco-violence) suffers from epistemological biases that close creative interpretations and refreshed meanings. For that reason, the kind of linear, individual, essentialist, condemnatory and criminalist points of view (instituted and naturalized in Mexican public opinion) will berejected.

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12

Ronquillo Montes, Cinthya Patricia. "“El Infierno”: A Critical Discourse Analysis of Narco Culture in a Mexican Film." Open Journal for Studies in Arts 3, no. 2 (November 21, 2020): 53–64. http://dx.doi.org/10.32591/coas.ojsa.0302.02053r.

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The portrayal of narco culture in media has increased in recent years as a result of the War of Drugs in Latin America. This paper, based on critical discourse theory and Halliday’s (1978) Systemic Functional Linguistics (SFL), sheds light on the social and cultural impact of discourse found in a scene of the Mexican film “El Infierno” directed by Luis Estrada in 2010. Through the ideational and interpersonal processes, the dialogues of two speakers are analyzed. Additionally, the social impact of the discourse portrayed in the scene is discussed through Fairclough’s (1992) social theory of discourse. Findings suggest that social reality is reflected in the film through discourse as a means to develop critical thinking and reflection in the audience.

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13

Vásquez Mejías, Ainhoa. "Apropiación cultural de lo narco en Chile: la narcoserie Prófugos." Revista Comunicación 26, no. 2-17 (December 14, 2017): 4. http://dx.doi.org/10.18845/rc.v26i2-17.3452.

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<p>Aunque Chile es, hasta ahora, uno de los países de Latinoamérica con menor tasa<br />de criminalidad derivada del narcotráfico, no ha quedado exento de la influencia de<br />la narcocultura, originada en Colombia y México. Chile ha realizado una apropiación<br />cultural (Subercaseaux, 1988) de las características de lo narco, produciendo<br />sus propias ficciones. En el siguiente documento se analiza la narcoserie chilena<br />Prófugos (2012), como un ejemplo de esta apropiación cultural, ya que –a pesar<br />de incluir elementos propios de la narcocultura: estilística gore, atemporalidad circular,<br />deslegitimidad del Estado (Santos, Vásquez y Urgelles, 2016)– incorpora<br />signos nacionales representativos que dan cuenta de la historia nacional reciente:<br />la dictadura chilena, la lucha estudiantil y el conflicto con el pueblo mapuche. Se<br />concluye que Chile se ha valido de un formato extranjero –la narcocultura– para<br />contar y analizar el contexto socio-histórico del Chile contemporáneo.</p>

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Haidar, Julieta, and Eduardo Chávez Herrera. "Narcoculture? Narco-trafficking as a semiosphere of anticulture." Semiotica 2018, no. 222 (April 25, 2018): 133–62. http://dx.doi.org/10.1515/sem-2016-0151.

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AbstractIn this paper we approach a current issue related to the so-called concept of narcoculture. Several works in Latin America and the United States have addressed this matter and not only accept the term narcoculture, but also stress both the symbolic and aesthetic perspectives. In order to rethink the concept of narcoculture from different angles, we appeal to Juri Lotman and Boris Uspensky’s proposals regarding the concepts of culture, non-culture and anticulture. Rather than accept and reproduce the concept of narcoculture, by means of linking Lotman and Uspensky’s approach with the standpoint of complexity thinking and transdisciplinarity, we propose the treatment of drug trafficking as a semiosphere of anticulture. We emphasize the contradictions inherent in the actors dwelling in this semiosphere, incorporating reflections from chaotic and barbaric processes designed to wreak havoc in Mexican society. The common acceptance of the concept of narcoculture does not acknowledge the current devastation and bloodshed produced by narco-traffickers and others in cahoots with the Mexican government and its militarized drug war strategy. During the last few decades, drug trafficking has inspired organized crime and their actors, spurring the representation of everyday societal features such as music, fashion, architecture, or traffickers’ social status.

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Ferrari, Mariano. "Música de Narcos." Metal, no. 6 (July 26, 2020): e018. http://dx.doi.org/10.24215/4516643e018.

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Las series se han convertido en uno de los formatos audiovisuales más populares de nuestros tiempos y la música —que forma parte de ellas— en un lenguaje que aporta desde lo simbólico como elemento narrativo y comunicacional fundamental. Este artículo propone un análisis en torno a la relación entre los elementos musicales, sonoros y semánticos de la música de la serie estadounidense Narcos y la reproducción de estereotipos socioculturales vinculados al imaginario cultural de lo latinoamericano.

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Minetti, Ricardo. "Yo Narro. Encuentros entre Relato Biográfico y Cultura." De Signos y Sentidos, no. 9 (April 23, 2009): 93–116. http://dx.doi.org/10.14409/ss.v1i9.4048.

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17

Guzmán, R. Andrés. "Natalia Almada’sEl Veladorand the violence of narco-capitalism." Journal of Latin American Cultural Studies 26, no. 1 (January 2, 2017): 109–29. http://dx.doi.org/10.1080/13569325.2016.1272444.

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18

Rockwell, Natalia Mendoza. "Boots, Belt Buckles, and Sombreros: Narco-Culture in the Altar Desert." NACLA Report on the Americas 44, no. 3 (May 2011): 27–30. http://dx.doi.org/10.1080/10714839.2011.11725542.

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Giraldo, Isis. "Machos y mujeres de armas tomar. Patriarcado y subjetividad femenina en la narco-telenovela colombiana contemporánea." La Manzana de la Discordia 10, no. 1 (April 1, 2016): 67. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v10i1.1596.

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Resumen: La producción de narco-ficciones en latelevisión colombiana se ha convertido recientementeen un fenómeno cultural. Si bien ha habido un interésacadémico creciente en la representación del tráficode drogas y de la violencia centrales en este tipo denarrativas, la construcción de la subjetividad femenina,la performatividad del género y el sistema sexo/génerodominantes en las mismas han sido generalmente pasadaspor alto. Este artículo presenta un análisis de ElCartel (2008) y El Capo (2009), dos narco-telenovelascolombianas recientes muy exitosas, centrado en torno aestos asuntos. Se argumenta que tanto El Cartel comoEl Capo construyen sujetos femeninos que abarcanparadigmas pre-feministas, feministas y post-feministasde subjetividad. La construcción de muchos de estossujetos femeninos, así como de los masculinos, reposansobre nociones esencializadoras de género que ignoranla cuestión de la performatividad. Paradójicamente,otras de estas construcciones ponen de relieve estamisma performatividad. Finalmente, ambas narrativasrefuerzan un discurso conservador que reifica unsistema de sexo/género patriarcal donde el sujetofemenino gira en torno al masculino y es confinado ala esfera doméstica, mientras el masculino ostenta elpoder tanto el ámbito doméstico como en el privado.Palabras clave: narco-telenovela, Colombia,subjetividad femenina, patriarcado, post-feminismo,performatividadMachos and Brave Women. Patriarchy and FemaleSubjectivity in the Contemporary ColombianNarco-telenovelaAbstract: The production of Colombian TV showsbased on narco narratives has recently become a culturalphenomenon. Although there has been growingacademic interest in how drug trafficking and violenceare presented in this type of narrative, these studiesusually overlook questions of female subjectivity, genderperformativity, and the male dominated sex/gendersystem so prevalent in drug trafficking circles. Thistext puts these issues centre stage as it analyzes genderconfigurations in two recent, very successful Colombiannarco-telenovelas: El Cartel (2008) and El Capo(2009). I argue, firstly, that these two televisual fictionsconstruct male and female subjects on the basis of essentialistgender notions thus ignoring performativity,while paradoxically also emphasizing it. Secondly, thatthey construct female subjects that straddle pre-feminist,feminist and post-feminist paradigms of subjectivity;Finally, that both narratives reinforce a conservativediscourse which reifies a patriarchal sex/gender systemwhere female subjects revolve around male subjects andare confined to the home, while male subjects wieldpower in both the private and the public spheres.Keywords: narco-telenovela, Colombia, femalesubjectivity, patriarchy, postfeminism, performativityLa manzana

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Ambler, Charles. "Guinea-Bissau: Micro-State to “Narco-State”." Canadian Journal of African Studies / Revue canadienne des études africaines 51, no. 2 (May 4, 2017): 327–29. http://dx.doi.org/10.1080/00083968.2017.1340239.

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Salcedo, Jorge. "“Migration and Violence: Lessons from Colombia for the Americas” A workshop of the Transatlantic Forum on Migration and Integration and the Refugee Research Network (TFMI)." Refuge: Canada's Journal on Refugees 29, no. 1 (October 18, 2013): 131–36. http://dx.doi.org/10.25071/1920-7336.37512.

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The conference, “Migration and Violence: Lessons from Colombia to the Americas” was held in Bogotá D.C., Colombia at the Pontifi cia Universidad Javeriana on June 29, 2012. The main objective of the conference was to develop inter-disciplinary academic research in Central America and Mexico regarding the relationship between violence, particularly narco-violence, and migration. The setting in Bogotá D.C. was deliberate as the participants discussed how lessons learned from Colombia’s experience with narco-induced migration could be leveraged for the benefit of Central America and Mexico. With the participation of experts on international migration, government representatives, academics, and civil society, the conference highlighted research results and relevant intervention experience concerning this problem in Colombia, El Salvador, Guatemala, and Mexico.This article presents an analysis of the presentations given and the discussions held at the conference. It consists of four parts. The first section compares the similarities and differences regarding migration and violence in Colombia and El Salvador, Guatemala, and Mexico. The second section presents the major epistemological challenges emerging from research and models of intervention. The third section presents the implications of the epistemological challenges and their impact on public policy. The fourth section concludes with principal lessons from Colombia for research and intervention in the problem of violence and migration.

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Martinez, Daniel E. "When I Wear My Alligator Boots: Narco-Culture in the U.S.-Mexico Borderlands." Contemporary Sociology: A Journal of Reviews 44, no. 5 (August 31, 2015): 686–87. http://dx.doi.org/10.1177/0094306115599351kk.

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23

Heyman, Josiah. "When I wear my alligator boots: narco-culture in the US–Mexico borderlands." Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes 39, no. 1 (January 2, 2014): 181–83. http://dx.doi.org/10.1080/08263663.2014.985127.

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Abiodun, Dr Temitope Francis, and Dr Joshua Olatunde Fajimbola. "Security and Intelligence Challenges in Guinea-Bissau, Africa’s Narco-State and Issues Beyond Borders." Advances in Social Sciences Research Journal 8, no. 6 (June 15, 2021): 71–82. http://dx.doi.org/10.14738/assrj.86.10316.

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This paper focuses on the international security concerns in relation to the disquiets in the tiny West African state, Guinea-Bissau since independence. The country famously known as “narco-state” faces formidable challenges with weak governance negatively impacting on intelligence services. Intelligence and security reform is a building block of democracy, but this has been habitually weakened in Guinea-Bissau during the last four decades. The state remains one of the most fragile nations in the world having had its security culture totally perturbed, occasioned by the military rule since independence from Portugal in 1974. With over nine coup d’états that have been staged with a number of state administrations toppled coupled with an avalanche of internal conflicts, and prevalence of transnational phenomena (cocaine trafficking), and other traditional state-based challenges, the African narco-state has been left with a very weak governance structure, security, and intelligence services. The study examines Guinea-Bissau’s intelligence culture drawing from secondary sources to understand how intelligence has been shaped and how intelligence has influenced the country in the context of poverty and authoritarianism. The study examines the various factors that have shaped the state’s intelligence, analyzing the transformation and reform in the state’s defense and security sector. It provides recommendations so the Bissau-Guinean intelligence community can be more effective. This study uses secondary sources and makes use of descriptive and content analyses techniques.

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Rocha, Simone Maria, and Ana Carolina Soares Costa Vimieiro. "Narcodramas: Sobre o predicado “narco” de produções televisivas colombianas e o caso de Escobar, el patrón del mal." Lumina 12, no. 1 (April 30, 2018): 146–65. http://dx.doi.org/10.34019/1981-4070.2018.v12.21294.

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O propósito deste artigo é o de apresentar uma análise cultural sobre um fenômeno midiático que surgiu na televisão colombiana e que procura abordar a problemática do narcotráfico. Nosso argumento central é o de que tais produções ultrapassam a denominação de gêneros já consagrados, como a telenovela, e devem ser consideradas como um novo sub-gênero que, por força do tema, podem ser chamadas de narco-themed ou narcodramas. Por fim, apresentaremos uma breve reflexão sobre a produção Escobar, el patrón del mal.

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Nickel, Michael, and Franz Brümmer. "In vitro sponge fragment culture of Chondrosia reniformis (Nardo, 1847)." Journal of Biotechnology 100, no. 2 (January 2003): 147–59. http://dx.doi.org/10.1016/s0168-1656(02)00256-0.

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Ahmad, P., S. Sharma, and S. Srivastava P. "In vitro selection of NaHCO₃ tolerant cultivars of Morus alba (Local and Sujanpuri) in response to morphological and biochemical parameters." Horticultural Science 34, No. 3 (January 7, 2008): 114–22. http://dx.doi.org/10.17221/1889-hortsci.

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In vitro experiments were conducted to study the effect of NaHCO<sub>3</sub> (alkalinity) stress on saplings of <i>Morus alba</i> (cv. Local and Sujanpuri) cultured from nodal explants. For shoot multiplication 2.5 mg/l of 6-benzylaminopurine (BAP) with 0.3 mg/l gibberellic acid (GA<sub>3</sub>) were used and root formation was induced with 1.0 mg/l of indolebutyric acid (IBA). NaHCO<sub>3</sub> salt was added to the culture medium in three concentrations, i.e. 3.57, 20.0 and 59.0mM that increased pH to 6.2, 7.2 and 8.2, respectively. The increased salt concentration affected survival and growth parameters, subsequent cultures promoted them. The cultured biomass was analyzed for proline, protein, sugars and chlorophyll content. The results indicate an increase of proline, protein and sugars; however, they declined at higher concentrations of NaHCO<sub>3</sub>. A decrease of chlorophyll was observed at all stress regimes.

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Valentine, Kylie. "Book Review Essay: Intoxicating Culture: Culture on Drugs: Narco-Cultural Studies of High Modernity, Drugs and Popular Culture: Drugs, Media and Identity in Contemporary Society, Pleasure Consuming Medicine: The Queer Politics of Drugs." Contemporary Drug Problems 38, no. 3 (September 2011): 429–40. http://dx.doi.org/10.1177/009145091103800305.

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Bezerra, Beatriz Braga, and Rafael Ofemann. "Humor, ironia e intertextualidade: produção e consumo da série Narcos no Facebook." Signos do Consumo 8, no. 2 (December 21, 2016): 54. http://dx.doi.org/10.11606/issn.1984-5057.v8i2p54-66.

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As webséries já se consolidam como prática cultural contemporânea, estruturando novos modelos de negócio e de consumo no setor audiovisual. Objetivamos analisar a página de Narcos no Facebook buscando compreender sua atuação para informar e cativar o público diante de um cenário de múltiplas plataformas e viralização de conteúdos.

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USIS. "Soberanía e intervención." Chasqui. Revista Latinoamericana de Comunicación, no. 29-30 (January 20, 2015): 52. http://dx.doi.org/10.16921/chasqui.v0i29-30.3028.

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Dossier Comunicación y Drogas. Al evaluar tres de los informes relevantes de los "think-tanks" conservadores respecto a las drogas en América Latina, las conclusiones son inquietantes. Los documentos del Center for Strategic and International Studies, de la Heritage Foundation y del Comité Santa Fe I comparten un criterio básico: La militarización de la lucha anti-narcótlcos: Las recomendaciones que emanan de estos trabajos son claras: Construir fuerzas anti-droqas de carácter multilateral, incrementar la asistencia militar para combatir el narcotráfico y reforzar las acciones represivas contra el "narco-terrorisrno" y las "narcoquerrillas.

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Bergman, Ted L. L. "Jácaras and Narcocorridos in Context: What Early Modern Spain Can Tell Us about Today’s Narco-culture." Romance Notes 55, no. 2 (2015): 241–52. http://dx.doi.org/10.1353/rmc.2015.0026.

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Vega, Rosalynn A. "Coming of Age in the Rio Grande Valley: Race, Class, Gender, and Generations in Narco Culture." Jeunesse: Young People, Texts, Cultures 11, no. 2 (2019): 104–23. http://dx.doi.org/10.1353/jeu.2019.0019.

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Garcia, Victor. "When I Wear My Alligator Boots: Narco-Culture in the U.S.-Mexico Borderlands by Shaylih Muehlmann." American Anthropologist 117, no. 1 (February 22, 2015): 198–99. http://dx.doi.org/10.1111/aman.12213.

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Gao, Jinggui, Xiaoyan Zhao, and Jinggang Zhai. "Optimal control of microbial fed-batch culture involving multiple feeds." Numerical Algebra, Control & Optimization 5, no. 4 (2015): 339–49. http://dx.doi.org/10.3934/naco.2015.5.339.

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Rincón, Omar. "Living in a narco.culture: an essay on the narco -culture and telenovela as ways of becoming modern." Matrizes 7, no. 2 (December 6, 2013): 193. http://dx.doi.org/10.11606/issn.1982-8160.v7i2p193-219.

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Hilal, Reem M. "Refusing the Interrogation." Journal of Popular Music Studies 32, no. 1 (March 1, 2020): 57–77. http://dx.doi.org/10.1525/jpms.2020.32.1.57.

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This paper explores the way in which hip hop artists Iraqi British Lowkey, Iraqi Canadian Narcy, and the Palestinian crew DAM deploy music to challenge narratives of terrorism that are constructed to achieve political objectives and consequently obfuscate geopolitical inequities. Central to these narratives is the figure of the terrorist who is often conflated with Arabs, Muslims, Middle Easterners, and those who express dissent against these narratives. All three artists use hip hop to deconstruct the narratives of terrorism in order to address the perspectives of marginalized groups and to problematize their use. Through their music, Lowkey, Narcy, and DAM contest definitions of terrorism that are differentially applied to certain communities and do not address the use of violence, specifically state violence, to achieve political objectives. These artists suggest an alternative framework where terrorism is not determined by a specific cultural, ethnic, national, or religious affiliation, the root causes of violence are considered, and the complex geopolitical landscape contextualized.

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Borre, Luciana. "Desobediência: uma intervenção urbana com a Pedagogia da Autonomia." Estudos Universitários: revista de cultura 38, no. 1 (September 1, 2021): 477. http://dx.doi.org/10.51359/2675-7354.2021.249913.

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Apresento a intervenção urbana “Desobediência” (2019) e suas repercussões no campo da formação de professoras/es que atuam para/com as infâncias e juventudes. Narro visualmente processos de ensino e de aprendizagem compartilhados com estudantes do Curso de Artes Visuais – Licenciatura – da Universidade Federal de Pernambuco, nas perspectivas da Educação da Cultura Visual. Parto de relatos pessoais e da intervenção poética na obra “Pedagogia da Autonomia”, de Paulo Freire (2002) para ressignificar trajetórias como professores artistas, perguntando: como narrativas autobiográficas ecoam em processos de ensinar, aprender e artistar?

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Shen, Bangyu, Xiaojing Wang, and Chongyang Liu. "Nonlinear state-dependent impulsive system in fed-batch culture and its optimal control." Numerical Algebra, Control & Optimization 5, no. 4 (2015): 369–80. http://dx.doi.org/10.3934/naco.2015.5.369.

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Zhai, Jingang, Guangmao Jiang, and Jianxiong Ye. "Optimal dilution strategy for a microbial continuous culture based on the biological robustness." Numerical Algebra, Control & Optimization 5, no. 1 (2015): 59–69. http://dx.doi.org/10.3934/naco.2015.5.59.

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Córdova Plaza, Rosío, and Ernesto Hernández Sánchez. "En la línea de fuego: Construcción de masculinidades en jóvenes tamaulipecos ligados al narco." Revista de Dialectología y Tradiciones Populares 71, no. 2 (February 13, 2017): 559. http://dx.doi.org/10.3989/rdtp.2016.02.010.

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Este artículo busca examinar las condiciones en las que construyen su masculinidad varones jóvenes que se dedican a las labores de vigilancia y seguridad para los cárteles del narcotráfico, conocidos como «halcones». Analiza la experiencia etnográfica recabada en dos espacios: la Ciudad de Mante, Tamaulipas, y el penal de Coatzacoalcos, Veracruz. Se muestran las formas de reclutamiento, operación y funciones de estos jóvenes y el significado que tiene para sus identidades de género el trabajo con las mafias. Asimismo, se realiza una reflexión sobre la etnografía en contextos de violencia y se propone que herramientas como la ciberetnografía y los sitios web especializados en el tema y sus foros de discusión, son una fuente directa de información con individuos fuera de la ley.

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Penglase, B. "The Bastard Child of the Dictatorship:: The Comando Vermelho and the Birth of "Narco-culture" in Rio de Janeiro." Luso-Brazilian Review 45, no. 1 (June 1, 2008): 118–45. http://dx.doi.org/10.1353/lbr.0.0001.

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Castillo-Palacio, Marysol, Rich Harrill, and Alexander Zuñiga-Collazos. "Back from the brink." Worldwide Hospitality and Tourism Themes 9, no. 3 (June 12, 2017): 300–315. http://dx.doi.org/10.1108/whatt-02-2017-0012.

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Purpose Emerging from 20 years of violence and terrorism, the city of Medellin, Colombia, has used social transformation to improve civic culture, leading to a renaissance. The purpose of this study is to explore how social transformation can lead to urban transformation, forming the basis for sustainable, post-conflict tourism. Design/methodology/approach This case study is based on available descriptive data and direct observation supported by secondary sources. Findings The results of the research help to provide a better understanding of the conditions needed to develop and manage sustainable tourism in post-conflict environments. In so doing, it should be possible to make better policy decisions, with particular reference to social and urban interventions on planning, design and entrepreneurship. Research limitations/implications The transformation of Medellin’s civic culture can be a model for destination with similar histories that present significant destination image and branding challenges – though each will take different paths. Originality/value This paper is one of the first on post-conflict tourism that analyzes the impact on a destination and country of internal turmoil due to narco-terrorism and insurgency over a lengthy period.

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Amaya Trujillo, Janny, and Adrien José Charlois Allende. "Cultural memory and audiovisual fiction in the streaming television era. An exploration around the series Narcos as a transnational memory story." Comunicación y Sociedad, no. 31 (January 1, 2018): 15–44. http://dx.doi.org/10.32870/cys.v0i31.6852.

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Arias Henao, Diana Patricia. "Investigación comparativa transcontextual en relaciones internacionales narcoviolentas." Revista de relaciones internacionales, estrategia y seguridad 9, no. 2 (August 28, 2014): 49–76. http://dx.doi.org/10.18359/ries.22.

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Este artículo tiene por objetivo profundizar en el método de investigación comparada en Relaciones Internacionales - RRII, logrando sumar herramientas metodológicas que optimicen la investigación interdisciplinaria. Una vez realizado un recorrido profundo sobre los métodos comparativos, describiremos cómo la política norteamericana anti-narcótica es determinante en la formulación de las estrategias que aplican los de Estados Colombia y México, que aunque si bien contienen culturas diferentes, las mismas son olvidadas al compararse desde el diagnóstico transcontextual, originado como un factor exógeno.Aportando de dicho diagnóstico, a la teoría de las RRII, los conceptos novedosos de Estados Superados y Guerras Promiscuas, que potencian la intervención norteamericana en forma de cooperación militar, reflejando la excesiva y para nada funcional estrategia unidireccional de la militarización para el tratamiento del fenómeno interdisciplinar y trasnacionalizado de la narcoviolencia. Así, la Empresa Subterránea o Ilícita - ESoI- narco-violenta, se presenta como un actor que supera a los Estados en la consecución de los fines democráticos mediante el uso de Guerras Promiscuas y el funcionalismo que representan las plataformas mediáticas.

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Kervyn, Nicolas, Judith Cavazos Arroyo, Fernando Rey Castillo Villar, and Rosa Andrea Gomez Zuñiga. "¿Qué hacer cuando tú marca es secuestrada por Narcos? El caso del whisky de Buchanan’s." Emerald Emerging Markets Case Studies 9, no. 3 (November 27, 2019): 1–20. http://dx.doi.org/10.1108/eemcs-10-2018-0223.

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Learning outcomes Entender la diferencia entre identidad de marca e imagen de marca. - Aplicar varias herramientas de segmentación - Entender el atractivo aspiracional de la marca y su consecuencia en el consumo privado y público. - Explorar las opciones estratégicas disponibles para una marca que enfrenta una apropiación de marca. - Explorar los pros y los contras de oponerse a una apropiación de marca. Desarrollar un plan para la implementación de esta estrategia - Explorar los pros y los contras de utilizar la estrategia de Laisser-Faire en la apropiación de la marca. Desarrollar un plan para la implementación de esta estrategia - Explorar los pros y los contras de instrumentalizar la apropiación de marca. Desarrollar un plan para la implementación de esta estrategia Case overview/synopsis Este caso pretende ayudar a los alumnos a comprender la diferencia entre la identidad de marca (la que los propietarios de estas pretenden que se perciba) y la imagen de marca (la que los consumidores perciben realmente). Complexity academic level Este caso está diseñado para ser utilizado en un curso de gestión de marketing, estrategias de marca o cultura del consumidor. Especificamente, el caso esta diseñado para estudiantes de último año de licenciatura o maestría en Mercadotecnia ya que tienen nociones básicas de mercadotecnia estratégica. Debería proporcionar bases para las discusiones sobre temas de gestión de marca, cultura del consumidor, gestión de carteras de marca, marketing internacional, estrategia de reposicionamiento, arquitectura de marca, el valor de la marca, los valores de la marca, apropiación de la marca y relaciones de los consumidores con estas. Supplementary materials Teaching Notes are available for educators only. Please contact your library to gain login details or email support@emeraldinsight.com to request teaching notes. Subject code CSS 8: Marketing.

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Woosley, Anne I., and Michael R. Waters. "Reevaluation of Early Cochise Artifact Associations with Pleistocene Lake Cochise, Southeastern Arizona." American Antiquity 55, no. 2 (April 1990): 360–66. http://dx.doi.org/10.2307/281654.

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Materials belonging to the Sulphur Spring stage of the Cochise culture previously were identified on the prominent 1,274 m shoreline of Pleistocene Lake Cochise in southeastern Arizona. Dated ca. 12,000 to 11,000 years ago, the remains were suggested to represent an early Archaic manifestation deposited in ancient beach gravels, possibly contemporary with Clovis levels at the Lehner and Naco sites. New data based on stratigraphic analysis, correlated radiocarbon dates, together with artifactual remains indicate that the association of Sulphur Spring stage artifacts with the shoreline of Lake Cochise is problematical.

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Kervyn, Nicolas, Judith Cavazos Arroyo, Fernando Rey Castillo Villar, and Rosa Andrea Gomez Zuñiga. "What to do when your brand gets kidnapped by Narcos: the case of Buchanan’s whisky." Emerald Emerging Markets Case Studies 9, no. 3 (November 29, 2019): 1–18. http://dx.doi.org/10.1108/eemcs-07-2019-0198.

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Learning outcomes Learning outcomes are as follows: understanding the difference between brand identity and brand image; applying various segmentation tools; understanding the appeal of the aspirational brand and its consequence on private and public consumption; exploring the strategic options available to a brand facing a brand appropriation; exploring the pros and cons of opposing a brand appropriation; and developing a plan for the implementation of this strategy. Case overview/synopsis This case will help students understand the difference between the brand identity that the brand owners intend and the brand image that consumers actually perceive. Complexity academic level This case is designed to be used in marketing management, brand strategy or consumer culture course. Specifically, the case is designed for college seniors or master students with basic strategic marketing training. It should provide the basis of discussions on the topics of brand management, consumer culture, brand portfolio management, international marketing, repositioning strategy, brand architecture, brand equity, brand assets, brand appropriation and consumer relationships with brands. Supplementary materials Teaching Notes are available for educators only. Please contact your library to gain login details or email support@emeraldinsight.com to request teaching notes. Subject code CSS 8: Marketing

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Augustine-Adams, Kif. "Counting Chinese People in a Catholic Country: Religious Difference, Racial Discrimination, and the 1930 Mexican Population Census." Americas 76, no. 4 (October 2019): 607–40. http://dx.doi.org/10.1017/tam.2019.71.

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On May 15, 1930, in the small border town of Naco, Sonora, census enumerator Miguel Robles started to count. When he finished walking his assigned portions of Calle Hidalgo, Avenida Independencia, and Calle Morelos, he had enumerated 143 individuals, each of whom answered the single question regarding religious identity the same way: Catholic. A block over, a carpenter named Ignacio Ledgard left his tools for the day to canvas his own neighborhood, counting 252 individuals, including his own family. They also all identified as Catholic, except for two Chinese men with no religion.

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McDonald, James H. "The Narcoeconomy and Small-town, Rural Mexico." Human Organization 64, no. 2 (May 26, 2005): 115–25. http://dx.doi.org/10.17730/humo.64.2.ln16fx6k6wahxluy.

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Little ethnographic research has been conducted on how the illegal drug trade has affected and transformed rural communities in Mexico and the rest of Mesoamerica. It is a topic that is dif?cult and potentially dangerous to explore, at least directly; thus it is not surprising that relatively few researchers have openly studied it. For those of us working on rural development problems, it means that our analyses are silent on a critical dimension of the local economy. This paper describes the effects of drug traf?cking on a small, rural town in Mexico’s central highlands in which a highly interpenetrated legal-illegal economy has emerged. A series of ethnographic vignettes provide the entry point for exploring how the narcoeconomy manifested itself both materially and in the imaginations of local people. An ordinary town, in fact, had extraordinary inequalities: opulent houses; the subversion of traditional forms of leisure; a new urban-oriented consumer culture; and new farmer entrepreneurs. All were underwritten by narco-activities. The paper closes by considering the broader implications of the narcoeconomy by expanding on themes of globalization and poverty, migration, gender, and violence that run through the descriptive vignettes.

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Guenther, Mathias. "Humans and Elephants, Transforming and Transformed: Two Naro Myths about Ontological Mutability." Folklore 131, no. 4 (October 1, 2020): 371–85. http://dx.doi.org/10.1080/0015587x.2020.1714305.

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