Academic literature on the topic 'Narcotics – Fiction'

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Journal articles on the topic "Narcotics – Fiction"

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Ripoll, Élodie. "La consommation de chocolat et ses topoï dans la fiction des Lumières." Topiques, études satoriennes 5 (September 22, 2021): 121–42. http://dx.doi.org/10.7202/1081527ar.

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This article investigates chocolate in Ancien Régime society through a selection of treatises, dictionaries, and novels from the Enlightenment. These texts provide valuable information on its benefits, preparation, and consumption – revealing new dietary as well as social rituals, closely linked to the libertine imagination. In addition, the novels inform the evolution of descriptive practices. The analysis of short excerpts enables us to propose a few topoi, such as “to take one’s chocolate,” “to invite to take chocolate,” “to feel pleasure with chocolate” or “(to attempt) to administer poiso
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Kukharuk, Vladimir Vasilevich. "Qualification of illegal drug trafficking as part of commercial products." Право и политика, no. 5 (May 2022): 9–20. http://dx.doi.org/10.7256/2454-0706.2022.5.37501.

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The subject of the study is criminological, historical, legal and international legal aspects of regulating the turnover of seeds of the oilseed food poppy Papaver somniferum Linnaeus and the problems of qualifying the facts of the presence of an admixture of poppy straw in their composition. The global indicators of the public danger of illicit trafficking in opioids and domestic indicators of the state of drug crime during the period of the ban on the cultivation of oilseed poppy are analyzed. The materials of judicial practice were studied in order to establish the formalized grounds for th
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Łoboz, Małgorzata. "Zakryte Zaryte, czyli zakopiańszczyzna na styku kultur. Dygresje na marginesie lektury Witkacego." Góry, Literatura, Kultura 10 (May 25, 2017): 187–95. http://dx.doi.org/10.19195/2084-4107.10.16.

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Zakryte Zaryte, or Zakopane art where cultures met. Digressions following the reading of WitkacyThe article is an attempt to describe the cultural phenomenon of Zakopane in the early 20th century on the basis of Witkacy’s Pożegnanie jesieni [Farewell to Autumn]. In the dynamic and multi-layered plot of his novel Witkacy, emotionally involved but also with his usual sarcastic and critical distance, presents a collection of characters who make up a collective model of a specific group of residents of Zakopane set against the background of a clearly defined mountain space the action of the novel
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Quadros, Wesley, and Akeem Sule. "Depictions of Mental Health in “ Top Boy ”." BJPsych Open 9, S1 (2023): S33. http://dx.doi.org/10.1192/bjo.2023.152.

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AimsSocial psychiatry faces a challenging relationship with pop culture. Understanding pop culture portrayals of mental health culture could be valuable to public mental health. ‘ Top Boy ‘ is a fictional show touching upon the experience of individuals living in the grip of a mental health syndemic in inner-city London.MethodsAS & WQ had structured discussions to analysing themes, social determinants and psychiatric correlations in Top Boy.ResultsTop Boy touches on aspects of mental health including immigration, the impact of violence, the impacts of urbanicity and deprivation syndemics,
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Teixeira, Danilo Bernardes. "Cartesius dissoluto / Dissolute Cartesius." O Eixo e a Roda: Revista de Literatura Brasileira 30, no. 3 (2021): 59. http://dx.doi.org/10.17851/2358-9787.30.3.59-80.

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Resumo: No romance Catatau, de Paulo Leminski, uma personagem reconhecível se projeta: Renatus Cartesius, produtor do imenso solilóquio que constitui a totalidade do texto, parece corresponder a René Descartes, o famoso matemático francês do século XVII. Postado sob uma árvore do Jardim Botânico de Recife, entre as lentes de sua luneta e o cachimbo de erva narcótica que vorazmente aspira, Cartesius toma contato com a selvagem natureza brasileira, ainda que (cartesianamente) organizada sob as formas de um jardim zoobotânico. Este artigo pretende investigar, a princípio, o modo pelo qual o roman
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"Montage Sequences, Diegetic Music and Narcotics in Vince Gilligan‟s Breaking Bad." International Journal of Innovative Technology and Exploring Engineering 9, no. 2 (2019): 500–503. http://dx.doi.org/10.35940/ijitee.b6478.129219.

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Vince Gilligan’s “Breaking Bad” is a neo-Western television crime drama series that was broadcasted on AMC (American pay television channel). Crime Films can be comprehended as a cinematic genre that was inaugurated by crime fiction in literature. The crime film is a complex and variegated object of study. Unlike the other existing genres, “crime film” is not defined as a cinematographic genre. This genre is characterized by stories where there is an impending crime, in some cases the crime would have already taken place and is followed by the consequences. The advancement in technology especi
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Levey, Nick. "“Analysis Paralysis”: The Suspicion of Suspicion in the Fiction of David Foster Wallace." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.383.

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Blaise Pascal once offered the following advice to those perennially worried about knowing fact from fiction: “how few things can be demonstrated! Proofs only convince the mind; custom provides the strongest and most firmly held proofs” (148). The concern about whether or not God existed was for Pascal an unnecessary anxiety: the question couldn’t be answered by human knowledge, and so ultimately one just had to “wager” on whatever stood to be most beneficial, act as if this chosen answer was true, and the mind would eventually fall into line. For Pascal, if one stood to gain from believing in
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Laba, Martin. "Picking through the Trash." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1758.

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In a recent "Arts & Leisure" feature in a national Canadian newspaper, The Globe and Mail (5 June 1999), music critic Robert Everett-Green muses on the invention by the pop music industry of Andrea Bocelli as an opera singer: "call him an airborne virus or a gift from God ... . He is the voice you are most likely to hear while waiting for a double latte." The pop sentimentality industry fast-tracked Bocelli (a pop singer who "sounds" operatic) and created a global entertainment product. In a masterful stroke of high pop spectacle, the holy trinity of musical melodrama joined together -- Bo
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Books on the topic "Narcotics – Fiction"

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Fortuna, Jeffrey L. Street drugs: Fact vs. fiction. Drug Education Consultants, 1987.

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Shiri︠a︡nov, Bai︠a︡n. Duėlʹ. Zebra E., 2003.

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Hemisphere, United States Congress House Committee on International Relations Subcommittee on the Western. War on drugs in the Western Hemisphere: Fact or fiction? : hearing before the Subcommittee on the Western Hemisphere of the Committee on International Relations, House of Representatives, One Hundred Fourth Congress, second session, June 6, 1996. U.S. G.P.O., 1996.

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United States. Congress. House. Committee on International Relations. Subcommittee on the Western Hemisphere. War on drugs in the Western Hemisphere: Fact or fiction? : hearing before the Subcommittee on the Western Hemisphere of the Committee on International Relations, House of Representatives, One Hundred Fourth Congress, second session, June 6, 1996. U.S. G.P.O., 1996.

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Christopher, Buckley. Wet work. Knopf, 1991.

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Christopher, Buckley. Wet work. Allison & Busby, 2003.

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Morey, Walt. Hero. Puffin Books, 1995.

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Sabbag, Robert. Snowblind: A brief career in the cocaine trade. Rebel Inc, 1998.

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Sabbag, Robert. Snowblind: A brief career in the cocaine trade. Vintage Books, 1990.

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Winters, Eden. Collusion. Amber Quill Press, 2013.

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Book chapters on the topic "Narcotics – Fiction"

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Pepper, Andrew. "Crime fiction and narcotics." In The Routledge Companion to Crime Fiction. Routledge, 2020. http://dx.doi.org/10.4324/9780429453342-45.

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Ryan, Tim A., and Jay Watson. "“Go to Jail about This Spoonful”: Narcotic Determinism and Human Agency in “That Evening Sun” and “A Spoonful Blues”." In Faulkner and the Black Literatures of the Americas. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496806345.003.0006.

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William Faulkner was a contemporary and neighbor of one of the leading Mississippi Delta blues singers before World War II, Charley Patton. The striking similarities between “That Evening Sun” (1931) and Patton’s “A Spoonful Blues” (1929) exemplify the numerous and significant thematic parallels between Faulkner’s fiction and the lyrics of the country blues tradition. Both of these texts feature black characters who seem to become destructive automations under the influence of cocaine—but each work simultaneously asserts the essential dignity and agency of African Americans in the face of soci
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