Academic literature on the topic 'Narodno pozorište (Belgrade, Serbia)'

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Journal articles on the topic "Narodno pozorište (Belgrade, Serbia)"

1

Pokrajac, Marija. "A contribution to the study of the construction of the National Theatre in Belgrade in the 19th century." Nasledje, no. 24 (2023): 31–47. http://dx.doi.org/10.5937/nasledje2324031p.

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At a time when Belgrade began to regenerate itself after centuries of Ottoman rule, a desire to create national symbols that would restore faith and identity to the tortured Serbian people began to be expressed. The mechanisms by which the state sought to demonstrate its power were often based in the arts. Building a national theatre was one of the most successful - but at the same time one of the most difficult - ways by which to restore the national and patriotic spirit. On the other hand, it was also a means by which to adopt a path of Europeanization, one that the Principality of Serbia took up with much zeal. The aim of this work is to draw attention to the construction of a National Theatre in Belgrade in the 19th century, an undertaking that faced insurmountable challenges. From the study of newspaper sources, among others, new sources of information were obtained in relation to the establishment of the National Theatre. However, these sources also allowed us to reach the conclusion that the construction of the National Theatre in Belgrade in the 19th century led not only to the creation of the first national symbol, but also to a pioneering structure in terms of the dawning of Academicism within Serbian architecture.
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2

Hadžić, Fatima. "Beethoven’s Anniversary in Sarajevo in 1927." Studia Musicologica 61, no. 1-2 (April 13, 2021): 129–47. http://dx.doi.org/10.1556/6.2020.00010.

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In 1927, Europe marked the centennial of the death of one of its greatest composers, Ludwig van Beet ho­ ven. At the same time, Bosnia and Herzegovina within the Kingdom of Serbs, Croats and Slovenes (later the Kingdom of Yugoslavia) was building the foundations of its musical institutions and trying to follow up with the more advanced cultural centers of the new state, Zagreb, Ljubljana, and Belgrade. The main feature of Bosnian musical life of the time (1918–1941) pertains to the establishment of the new musical institutions such as the National Theater (Narodno pozorište) and the Sarajevo Philharmonic Orchestra (Sarajevska filharmonija), the fundamental institutions of musical culture in Bosnia and Herzegovina even today. This paper aims at providing an insight into the presence of Beethoven’s works in concert repertoires in Sarajevo (1918–1941), especially of the Sarajevo Philharmonic Orchestra but also to point out the special occasion of Beethoven’s anniversary in 1927. The Sarajevo Philharmonic Orchestra was the only musical institution of this kind, and the most important musical society for the development of musical culture of the time; consequently, the research is based on the analysis of the society’s concert repertoire and reviews from the daily newspapers.
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Books on the topic "Narodno pozorište (Belgrade, Serbia)"

1

Stanojlo, Rajičić, and Srpska akademija nauka i umetnosti. Odeljenje likovne i muzičke umetnosti., eds. 125 godina Narodnog pozorišta u Beogradu: Zbornik radova sa naučnog skupa održanog 16-19. novembra 1994. godine. Beograd: Srpska akademija nauka i umetnosti, 1997.

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2

Despotović, Jovan. Ozareni balet: Produženo đačko doba baleta narodnog pozorišta, 1950-1980. godine : pozorišne šale, slatke, slane, gorke-glatke. Beograd: J. Despotović, 2000.

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3

Jelica, Reljić, ed. Repertoar i prihodi Narodnog pozorišta u Beogradu 1868-1894. Beograd: Arhiv Srbije, 2008.

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4

Jovanović, Vladimir. Opera Narodnog pozorišta u Beogradu: Inostrana gostovanja u XX veku. Beograd: [Narodno pozorište u Beogradu], 2010.

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5

Stevanović, Jelica. Nušić i kritika: Na primeru postavki Gospođe ministarke na sceni Narodnog pozorišta u Beogradu (1929-2007). Smederevo: Centar za kulturu, 2010.

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6

Stojanović, Olja. Pozorište: Nedeljni ilustrovani časopis : bibliografija (1931-1934). Beograd: Muzej pozorišne umetnosti Srbije, 2012.

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7

Suharevski, Marko. Domaći mjuzikl: Osvajanje žanra. Novi Sad: Pozorišni muzej Vojvodine, 2013.

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