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1

Nicolas, Courtinat, and Université de Clermont-Ferrand II. Centre de recherches sur les littératures et la sociopoétique., eds. Lamartine: Autobiographie, mémoires, fiction de soi. Presses universitaires Blaise-Pascal, 2009.

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2

interviewer, Comte-Sponville André, ed. Le monde à la première personne. Fayard, 2021.

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3

Ciplijauskaité, Biruté. La novela femenina contemporánea (1970-1985): Hacia una tipología de la narración en primera persona. Anthropos, 1988.

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4

Case, Alison A. Plotting women: Gender and narration in the eighteenth- and nineteenth-century British novel. University Press of Virginia, 1999.

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5

Démoris, René. Le roman à la première personne: Du classicisme aux lumières. Librairie Droz, 2002.

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6

Östman, Anne-Charlotte. Identification et distance: Étude de trois romans d'Emmanuel Bove racontés à la première personne. Almqvist & Wiksell International, 2003.

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7

Serephas, Sakēs. Thessalonique à la première personne: D'après un itinéraire photographique imaginé par Haris Yiakoumis. Kallimages, 2005.

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8

editor, Richard-Pauchet Odile, ed. Roman par lettres: Usages poétiques de la première personne dans la littérature française. Classiques Garnier, 2019.

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9

Gauer, Denis. Le discours de la première personne dans les textes en prose de Samuel Beckett. A.N.R.T. Université de Lille III, 1996.

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10

Lafortune, Michelle. L' effet du degré du sourire, du sexe du répondant et du sexe de la personne cible sur la première impression de l'intelligence analytique et pratique. Université Laurentienne, 2005.

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11

Narcisse romancier: Essai sur la première personne dans le roman. 2nd ed. Corti, 1986.

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12

Première personne. Seuil, 2001.

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13

La première personne. BQ, 1992.

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14

Rousset, Jean. Narcisse romancier. Jose Corti, 1989.

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15

À la première personne. GALLIMARD, 2019.

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16

Première personne du singulier: Nouvelles. Points, 2015.

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17

Abbet, Jean-Pierre. Cinq histoires à la première Personne. Lulu Press, Inc., 2008.

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18

La Science de la première personne. Dervy, 1998.

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19

France Fighter: La Première Guerre Mondiale Racontée à la Première Personne. Independently Published, 2020.

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20

Écrire le pouvoir: Les romans du dictateur à la première personne. Honoré Champion éditeur, 2015.

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21

Jouffroy, Alain. Anthologie de la poésie française à la première personne du singulier. Editions Du Rocher, 2002.

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22

Jacques Bertin et la chanson poétique: Un art à la première personne. A.N.R.T, Université de Lille III, 1999.

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23

Case, Alison A. Plotting Women. University Press of Virginia, 2005.

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24

Merniz, Adam. 900 Répliques à la Première Personne Pour S'exercer Au Théâtre D'improvisation: Un Livre IMPROV. Independently Published, 2021.

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25

L'écrivain à la dérobée: L'auteur dans le roman à la première personne (1721-1782). Éditions Peeters, 2011.

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26

Abraham, Aedi, and Anna Sewell. Beauté Noire: Une Histoire Courte, Racontée à la Première Personne Par un Beau Cheval Pur-Sang. Independently Published, 2021.

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27

Infirmière - la Première Personne Que Vous Voyez Après Avoir Dit : Regarde ça!: Carnet de Notes Ligné Humoristique et Cadeau Idéal à Offrir à une Infirmière. Independently Published, 2020.

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28

Dickens, Charles. Grandes Espérances: Le Treizième Roman de Charles Dickens, le Deuxième, Après David Copperfield, à être Raconté Entièrement à la Première Personne Par le Protagoniste Lui-Même, Philip Pirrip, Dit Pip. Independently Published, 2020.

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29

Gardner, Katy. Age Narrative and Migration. Taylor & Francis Group, 2021.

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30

Gardner, Katy. Age, Narrative and Migration: The Life Course and Life Histories of Bengali Elders in London. Taylor & Francis Group, 2020.

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31

Age, Narrative and Migration: The Life Course and Life Histories of Bengali Elders in London. Taylor & Francis Group, 2020.

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32

Age, Narrative and Migration: The Life Course and Life Histories of Bengali Elders in London. Bloomsbury Publishing Plc, 2002.

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33

Age, Narrative and Migration: The Life Course and Life Histories of Bengali Elders in London. Bloomsbury Publishing Plc, 2002.

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34

Lewis, Hannah. La La Land. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197682616.001.0001.

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Abstract This book examines the development, style, and reception of the 2016 film musical La La Land. Directed by Damien Chazelle with music by Justin Hurwitz, the film told the story of a romance between an aspiring actress and jazz pianist as the two pursued their dreams in Los Angeles. It contemporized the classic Hollywood musical, using a vintage form to tell a modern story. Its blend of nostalgia and realism made it an instant classic, while prompting a range of critical and audience responses. Drawing on extensive personal interviews with director Damien Chazelle, composer Justin Hurwi
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35

Rushdy, Ashraf H. A. Remembering Generations: Race and Family in Contemporary African American Fiction. The University of North Carolina Press, 2000.

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36

Rushdy, Ashraf H. A. Remembering Generations: Race and Family in Contemporary African American Fiction. The University of North Carolina Press, 2000.

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37

Remembering Generations: Race and Family in Contemporary African American Fiction. University of North Carolina Press, 2003.

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38

Augustine, Matthew C. Aesthetics of contingency. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526100764.001.0001.

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Aesthetics of contingency provides an important reconsideration of seventeenth-century literature in light of new understandings of the English past. Emphasising the contingency of the political in revolutionary England and its extended aftermath, Matthew Augustine challenges prevailing literary histories plotted according to structural conflicts and teleological narrative. In their place, he offers an innovative account of imaginative and polemical writing, in an effort to view later seventeenth-century literature on its own terms: without certainty about the future, or indeed the recent past
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39

Le journal intime: Genre littéraire et écriture ordinaire. Téraèdre, 2004.

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40

Le journal intime : Genre littéraire et écriture ordinaire. Nathan Université, 2001.

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41

Delgado, Melvin. State-Sanctioned Violence. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190058463.001.0001.

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The role and function of the state is not to harm its residents but rather to help them develop their potential and meet their basic human needs. The importance of violence is well attested to by Oxford University Press devoting a book series on interpersonal violence. However, state-sanctioned violence in the United States is not, for example. The saying “The truth will set you free, but first it will make you miserable” comes to mind in writing this book because it holds personal meaning that goes beyond being a social worker and a person of color (Latinx). The basic premise and interconnect
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42

The colonial rise of the novel. Routledge, 1993.

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43

The Scandal of the Gospels: Jesus, Story, and Offense. Oxford University Press, USA, 1993.

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44

Soi-Meme Comme Un Autre. European Schoolbooks, 1996.

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45

Wagner, Joël, and Michel Fuino. Gestion du risque et introduction aux assurances. EPFL Press, 2022. http://dx.doi.org/10.55430/dsgs4578.

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La gestion du risque gagne en importance dans les entreprises comme dans la société en général. Cet ouvrage s'articule en deux grandes parties. Dans la première, le concept de risque est introduit dans son contexte historique et la terminologie et les concepts liés à l’identification et à la caractérisation des expositions au risque définis. Les outils nécessaires à l'appréciation des risques sont passés en revue et les différentes étapes du processus de la gestion du risque discutées. La deuxième partie s’attache à l’économie des assurances, aux assurances sociales et au marché des assurances
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