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Journal articles on the topic 'Narration (Rhetoric) Ethics in literature'

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Published: 4 June 2021

Last updated: 6 February 2022

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1

Phelan, James. "Voice, tone, and the rhetoric of narrative communication." Language and Literature: International Journal of Stylistics 23, no. 1 (2014): 49–60. http://dx.doi.org/10.1177/0963947013511723.

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The essay argues for a rhetorical view of narrative communication as an author’s deployment of particular resources in order to generate certain responses in readers, and then examines the nature and possible functions of voice as a resource. It defines voice as the synthesis of style (diction and syntax), tone (a speaker’s attitude toward an utterance) and values (ideological and ethical), and then turns to analyzing the role of voice—and more particularly, the role of tone—in narrative communication. With George V Higgins’s The Friends of Eddie Coyle as Exhibit A, the essay examines the func

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2

Portnoy, A. "The Rhetoric of Rhetoric: The Quest for Effective Communication; Living to Tell about It: A Rhetoric and Ethics of Character Narration; FDR's Body Politics: The Rhetoric of Disability; Defining Reality: Definitions and the Politics of Meaning." American Literature 79, no. 1 (2007): 219–22. http://dx.doi.org/10.1215/00029831-2006-092.

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3

Kirby, John T. "Rhetoric and Poetics in Hesiod." Ramus 21, no. 1 (1992): 34–60. http://dx.doi.org/10.1017/s0048671x00002666.

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Interest in the study of rhetoric and its effects has, of late, seen a notable increase in literary circles. This is understandable, given the whole tendency of current literary theory, but one might equally understandably suppose that that tendency would long postdate Greek poetry of the Archaic period. It would be striking, then, to discover here—at the earliest extant stratum of western literature—a vital interest in the nature of human communication, in its sociological and political effects, and in its relationship to what we have come to think of as artistic creativity. And yet, I submit

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4

Brayshaw, Meg. "The death of Australian literature in Thea Astley’s Drylands." Queensland Review 26, no. 2 (2019): 256–68. http://dx.doi.org/10.1017/qre.2019.31.

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AbstractThis article reads Thea Astley’s final novel in the context of rhetoric about the death of Australian literature that has been a mainstay of our national culture almost since its inception. In the early 2000s, a new round of obituarists argued that the global publishing industry, critical trends and changing educational pedagogies were eroding Australia’s literary identity. Drylands, published in 1999, can be considered a slightly prescient participant in this conversation: it is subtitled A Book for the World’s Last Reader, seemingly framing the novel in a polemics of decline. My read

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5

Easterlin. "What is Literature Worth? Narration, Cognition, and Ethics." Interdisciplinary Literary Studies 18, no. 2 (2016): 291. http://dx.doi.org/10.5325/intelitestud.18.2.0291.

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6

Phelan, J. "Rhetorical Literary Ethics and Lyric Narrative: Robert Frost's "Home Burial"." Poetics Today 25, no. 4 (2004): 627–51. http://dx.doi.org/10.1215/03335372-25-4-627.

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7

Cuilleanain, Cormac O., and Pier Massimo Forni. "Adventures in Speech: Rhetoric and Narration in Boccaccio's 'Decameron'." Modern Language Review 93, no. 1 (1998): 238. http://dx.doi.org/10.2307/3733709.

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8

Tammi, Pekka. "Living to Tell about It: A Rhetoric and Ethics of Character Narration (review)." Partial Answers: Journal of Literature and the History of Ideas 3, no. 2 (2005): 200–206. http://dx.doi.org/10.1353/pan.0.0028.

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9

Forni (book author), Pier Massimo, and Sherry Roush (review author). "Adventures in Speech: Rhetoric and Narration in Boccaccio's Decameron." Quaderni d'italianistica 17, no. 1 (1996): 141–42. http://dx.doi.org/10.33137/q.i..v17i1.10327.

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10

Phelan, James. "Rhetorical aesthetics and other issues in the study of literary narrative." Narrative Inquiry 16, no. 1 (2006): 85–93. http://dx.doi.org/10.1075/ni.16.1.12phe.

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The current study of literary narrative is a vibrant and various activity, marked not by a single orthodoxy but by multiple approaches. Within that variety there are five especially salient issues currently being investigated: nonmimetic narrative; digital narrative; the fact/fiction distinction; narrative space; and rhetorical aesthetics. Rhetorical aesthetics moves not toward a universal standards of literary quality but toward an understanding of how narratives work on their own terms and of appropriate general criteria for judging those terms. These criteria, as a comparison of the endings

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11

Kumar, Udaya. "Two figures of shame: Exposure, Ethics, and Self-Narration." Études anglaises 62, no. 3 (2009): 345. http://dx.doi.org/10.3917/etan.623.0345.

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12

Eskin, M. "Narratology Made User-friendly: Rhetoric, Ethics, Storytelling." Poetics Today 28, no. 4 (2007): 795–805. http://dx.doi.org/10.1215/03335372-2007-013.

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13

Backe, Hans-Joachim. "Within the Mainstream: An Ecocritical Framework for Digital Game History // Dentro del canon: Un marco ecocrítico para la historia del videojuego digital." Ecozon@: European Journal of Literature, Culture and Environment 8, no. 2 (2017): 39–55. http://dx.doi.org/10.37536/ecozona.2017.8.2.1362.

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Ecocriticism of digital games has so far engaged with a rather small corpus of examples, predominantly from a prescriptive perspective and with a quite limited methodological toolkit. This essay systematizes and historicizes some of these commonly found limitations of past research and proposes methods for a more historically and generically diverse exploration of ecological thinking vis-à-vis digital games. The majority of discussions of games from an ecocritical perspective has applied concepts and frameworks borrowed from literature and film studies, thus privileging surface semiotics over

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14

Bristol, Michael D., Christy Desmet, and Bert O. States. "Reading Shakespeare's Characters: Rhetoric, Ethics, and Identity." Shakespeare Quarterly 45, no. 2 (1994): 226. http://dx.doi.org/10.2307/2871219.

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15

Tetreault, Laura. "Digital Ethics: Rhetoric and Responsibility in Online Aggression." Rhetoric Review 39, no. 4 (2020): 538–40. http://dx.doi.org/10.1080/07350198.2020.1823786.

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16

Stroud, Scott R. "Rhetoric, ethics, and the principle of charity." Language and Dialogue 7, no. 1 (2017): 26–44. http://dx.doi.org/10.1075/ld.7.1.03str.

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Abstract This article examines the challenge of partisanship to the free and open communication entailed by rich notions of democracy. Exploring the vexing riddle of how democratic citizens can balance openness and assertiveness in their dialogic interactions, I turn to the American pragmatist tradition for two important starting points. Drawing from William James and John Dewey, I highlight how the pragmatist tradition provides a nuanced reading of charity, both towards individuals and to situations. Charity is a choice of disposition, and it has vital implications for pragmatist rhetoric’s d

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17

Mack, Peter. "Rhetoric, ethics and reading in the Renaissance1." Renaissance Studies 19, no. 1 (2005): 1–21. http://dx.doi.org/10.1111/j.1477-4658.2005.00083.x.

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18

Simek, Lauren. "Feminist “Cant” and Narrative Selflessness in Sarah Grand’s New Woman Trilogy." Nineteenth-Century Literature 67, no. 3 (2012): 337–65. http://dx.doi.org/10.1525/ncl.2012.67.3.337.

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This essay examines the ethical and rhetorical significance that narrative knowledge holds for women’s public articulation of belief in Sarah Grand’s New Woman trilogy (1888–1897). Grand’s novels’ interest in moral and political expression has led critics, early and late, to criticize Grand for moralizing. The novels themselves, however, express a similar concern, and strive to distinguish between moral expression aimed to effect positive change and moral expression aimed toward self-promotion. A public speaker on women’s issues herself, Grand portrays her feminist heroines’ airing of their be

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19

Rebhorn, Wayne A. "Adventures in Speech: Rhetoric and Narration in Boccaccio's "Decameron.". Pier Massimo Forni." Speculum 73, no. 2 (1998): 514–16. http://dx.doi.org/10.2307/2887194.

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20

Equestri, Alice. "Writers and readers in early modern Italianate verse narratives." Cahiers Élisabéthains: A Journal of English Renaissance Studies 97, no. 1 (2018): 20–38. http://dx.doi.org/10.1177/0184767818788881.

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The article considers some examples from the often overlooked genre of Elizabethan verse translations of Italian novellas, concentrating in particular on the poems where the flow of the narration is interrupted by interpolated speeches, namely letters. I consider how epistolary correspondence in these stories often brings about violent outcomes, how the rhetoric of letters can complicate the reader’s interpretation and how the poets describe the material actions of writing and reading. Paratextual epistolary material is also analysed to determine the authors’ purpose.

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21

Skansgaard, Michael. "The Virtuosity of Langston Hughes: Persona, Rhetoric, and Iconography in The Weary Blues." Modern Language Quarterly 81, no. 1 (2020): 65–94. http://dx.doi.org/10.1215/00267929-7933089.

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Abstract Previous historical studies of The Weary Blues have focused on the racial symbolism of Langston Hughes’s technique, which (as the consensus goes) authenticates the voice of the persona through its deliberate simplicity. This orthodox view is wrongheaded from the outset. The essay uses a new system of rhetorically driven scansion to identify elaborate rhetorical symmetries and polyrhythms that shape the cognition of Hughes’s persona and the recognition of his readers in ways that prose language cannot. Hughes employs rhetoric and iconography as alternative modes of historical narration

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22

Von Bergen, Megan. "Provocations of Virtue: Rhetoric, Ethics, and the Teaching of Writing." Rhetoric Review 39, no. 2 (2020): 253–55. http://dx.doi.org/10.1080/07350198.2020.1735709.

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23

Bond, D. G., and Colin Riordan. "The Ethics of Narration: Uwe Johnson's Novels from 'Ingrid Babendererde' to 'Jahrestage'." Modern Language Review 86, no. 3 (1991): 797. http://dx.doi.org/10.2307/3731132.

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24

Grossman, Marshall. "The Rhetoric of Feminine Priority and the Ethics of Form inParadise Lost." English Literary Renaissance 33, no. 3 (2003): 424–43. http://dx.doi.org/10.1111/j.1475-6757.2003.00034.x.

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25

Flannery, Eoin. "Scale, Deep Time, and the Politics of Representation in Derek Mahon's Life on Earth." Irish University Review 48, no. 2 (2018): 281–98. http://dx.doi.org/10.3366/iur.2018.0355.

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This essay reads Derek Mahon's 2008 collection, Life on Earth, in broadly ecocritical terms, arguing that the ecological concentrations of Mahon's recent work centre on the representational relationships between human and non-human ecologies; on matters of ecological belonging and placelessness, in local and international contexts; as well as probing the ethics of anthropocentric historical narration in terms of geological time and the ‘deep’ past. Furthermore, the argument focuses on the poet's attention to scalar relations in time and space and how they relate to anthropogenic climate change

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26

Saunders, T. "Review. Reading Aristotle's Ethics: Virtue, Rhetoric, and Political Philosophy. A Tessitore." Classical Review 47, no. 2 (1997): 330–32. http://dx.doi.org/10.1093/cr/47.2.330.

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27

Summers, Stephen J. "Sassoon’s Wartime Ethics: Satire, Sarcasm, and the Rhetoric of Poetic Protest." Rhetoric Review 35, no. 4 (2016): 308–21. http://dx.doi.org/10.1080/07350198.2016.1214999.

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28

NUDELMAN, LEIGH. "in the Theatre. The Ethics and Politics of Narration in an International Collaboration." Matatu 44, no. 1 (2013): 155–69. http://dx.doi.org/10.1163/9789401210546_012.

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29

Morgan, Peter. "The Ethics of Narration in Helen Demidenko's The Hand That Signed the Paper, 1994 and 2017." AJS Review 44, no. 2 (2020): 368–83. http://dx.doi.org/10.1017/s0364009420000033.

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During the mid-1990s the Australian literary scene was shaken by controversy over issues of antisemitism and Holocaust representation in Helen Demidenko's debut novel, The Hand That Signed the Paper. In 2017, Darville reissued the novel. At a time when debate is raging over the nature and limits of freedom of expression and the status of words and facts, this was a provocative move. This article revisits The Hand in order to resolve the issues of literary antisemitism and freedom of speech that it raised in 1994 and continues to raise today. I apply Avishai Margalit's notion of an “ethics of m

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30

Chen, Fanfan. "The Narrative Rhetoric in Léa Silhol’s La Tisseuse: Contes de Fées, contes de Failles." Arcadia 47, no. 1 (2012): 78–107. http://dx.doi.org/10.1515/arcadia-2012-0003.

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AbstractThe diversity of contemporary French narration renders the canonical definition of le fantastique useless. Writers challenge Todorov’s definition that the fantastic emerges as the reader hesitates between the supernatural and the natural explanation for the unlikely event. Léa Silhol (1967), a storyteller of mythic-poetic-fantastic style, figures among these writers. An inheritor of romantic fantastic storytelling, Silhol delves into the mental and psychic depth of legendary figures, mostly goddesses and fairies, to make them question their own identity and observe humans from their pe

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31

Kanno, Mieko. "The rhetoric of the shadow: a semiotic study of James Clarke's Isolation." Tempo, no. 215 (January 2001): 27–31. http://dx.doi.org/10.1017/s004029820000824x.

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A musical work can tell a story as beautifully as a work of literature can. In music we may not easily grasp the meaning of the story but there is nevertheless a fascination about its semantic potential. The type of narrative such a work expounds can be described as allegorical, because of the ambiguity of its semantic definition. We are free to interpret it in whatever ways we like, but one of the interests in a narrative is the way in which it encodes specific strategies of interpretation for the listener. As long as there is a story there are always characters involved who act as the reader

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32

Pistorius, Thomas. "Beyond statistics: a new rhetoric for investment theory." Journal of Organizational Change Management 27, no. 5 (2014): 722–31. http://dx.doi.org/10.1108/jocm-09-2014-0169.

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Purpose – The purpose of this paper is to analyse the current rhetoric of predictability in investment theory. After making the case for unpredictability, a new rhetoric for investment theory is proposed. Design/methodology/approach – McCloskey's project of the rhetoric of economics provides the background and approach for the author's investigation. In particular the author will use the notions of metaphor, prediction, discourse analysis, and virtue ethics. Findings – The current rhetoric equals the original rhetoric in the seminal work of Markowitz. The current rhetoric is based on predictab

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33

Chakraborty, Sanchayita Paul, and Dhritiman Chakraborty. "Bengali Women’s Writings in the Colonial Period: Critique of Nation, Narration, and Patriarchy." Zeitschrift für Anglistik und Amerikanistik 66, no. 1 (2018): 19–34. http://dx.doi.org/10.1515/zaa-2018-0004.

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Abstract Critical engagements like the first autobiography written by a Bengali woman, Rasasundari Devi, and the non-fictions by Kailashbasini Devi, Krishnabhabini Das, and other women writers in the second half of the nineteenth century contested the imagined idealization of the Hindu domesticity and conjugality as spaces of loveableness and spiritual commitment. They criticized coercion in child-marriages and the forceful injunctions of the Hindu scriptures on both married and widowed women. Such rhetoric of quasi empowerment needs to be disaggregated to perpetuate issues of ‘double coloniza

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34

Bump, Jerome F. "Emotion in ethics, rhetoric, and the creative process: The tragedy of Coetzee’s woman warrior." Critique: Studies in Contemporary Fiction 60, no. 1 (2018): 11–23. http://dx.doi.org/10.1080/00111619.2018.1479241.

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35

Hodne, Lasse. "Rhetoric across the Humanities: Aristotelian Rhetor-Ethics and the Forman Kinship of Art and Literature." Nordlit 3, no. 2 (1999): 57. http://dx.doi.org/10.7557/13.2129.

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36

Råholm, Maj-Britt. "Uncovering the Ethics of Suffering Using a Narrative Approach." Nursing Ethics 15, no. 1 (2008): 62–72. http://dx.doi.org/10.1177/0969733007083935.

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The purpose of this article is to portray the ethics of suffering based on the published literature. Narrative use has become common in the fields of nursing education and curriculum development and in the determination of practice competencies. Understanding the ethics of suffering implies a hermeneutic movement between alienation and dedication. To understand the ethical significance of human suffering, the scene of suffering is described through the concepts of: to endure, to struggle, to sacrifice life and health, and to become. To respond, to discover, to approach, to touch and to shape p

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37

YANG, LICHAO, and ROBERT WALKER. "Poverty, Shame and Ethics in Contemporary China." Journal of Social Policy 49, no. 3 (2019): 564–81. http://dx.doi.org/10.1017/s0047279419000667.

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AbstractTaking China as a critical case, this article questions recent literature that asserts that shame attached to poverty is both ubiquitous and always problematic. In China, the concepts of shame, loss of face, lian (integrity) and mian (reputation) once provided an ethical framework under which the existence of poverty both indicated ineffective governance and provided individuals in poverty with opportunities to demonstrate virtuous behaviour in coping with life’s hardships. Maoist rhetoric went further presenting poor peasants as national heroes albeit the outcome of Maoist policies wa

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38

Harris, Susan C. "The Ethics of Indecency: Censorship, Sexuality, and the Voice of the Academy in the Narration of Jacob's Room." Twentieth Century Literature 43, no. 4 (1997): 420. http://dx.doi.org/10.2307/441744.

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39

Gambaudo, Sylvie. "Kristeva, Ethics and Intellectual Practice." Text Matters, no. 4 (November 25, 2014): 145–60. http://dx.doi.org/10.2478/texmat-2014-0010.

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The aim of this article is to revisit the work of the French philosopher Julia Kristeva and ask what place we might give her conceptual framework today. I will focus on one key aspect of Kristeva’s work, sexual difference, as that which ties most, if not all, aspects of Kristeva’s work. I am hoping to present a concise, yet wide-ranging view on Kristeva’s critical contribution to the fields of politics and ethics. My objective will be threefold. First, I will present the main lines of Kristeva’s theory on sexual difference; this presentation will also outline her political critique of equality

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40

Martin, Laura. "Reading the Individual: The Ethics of Narration in the Works of W. G. Sebald as an Example for Comparative Literature." Comparative Critical Studies 11, no. 1 (2014): 29–47. http://dx.doi.org/10.3366/ccs.2014.0112.

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41

Katz, Steven B. "Sonic Rhetorics as Ethics in Action: Hidden Temporalities of Sound in Language(s)." Humanities 9, no. 1 (2020): 13. http://dx.doi.org/10.3390/h9010013.

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Sonic rhetorics has become a major area of study in the field of rhetoric, as well as composition and literature. Many of the underlying theories of sonic rhetorics are based on post-Heideggerian philosophy, new materialism, and/or posthumanism, among others. What is perhaps similar across these theories of sonic rhetoric is their “turn” from language and the human in general. This short essay explores sonic rhetorics by examining three temporal dimensions found in language. Specifically, the essay focuses on the more obvious sonic dimensions of time in prosody, and then at deeper levels tempo

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42

Suleiman, Susan Rubin. "Culture, Aestheticism, And Ethics: Sontag and The “Idea of Europe”." PMLA/Publications of the Modern Language Association of America 120, no. 3 (2005): 839–42. http://dx.doi.org/10.1632/003081205x68115.

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After her death, susan sontag was portrayed in many obituaries (including one i wrote for the french daily Le Monde) as an intellectual who had moved from the formalism and aestheticism of her early work to the ethically engaged stance of her later essays, right up to the last one she published in her lifetime, the stinging indictment of American torture of Iraqi prisoners at Abu Ghraib. Sontag was eloquent, as well as somewhat despairing, in her diagnosis of an “increasing acceptance of brutality” and a “culture of shamelessness” in American life (“Regarding the Torture” 28–29); similarly, af

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43

Straley, Jessica. "Love and Vivisection: Wilkie Collins's Experiment in Heart and Science." Nineteenth-Century Literature 65, no. 3 (2010): 348–73. http://dx.doi.org/10.1525/ncl.2010.65.3.348.

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Jessica Straley, "Love and Vivisection: Wilkie Collins's Experiment in Heart and Science"(pp. 348––373) This essay examines the paradox of Wilkie Collins's antivivisection sensation novel, Heart and Science (1883). in the plot of the cruel vivisector Dr. Benjulia and the helpless young woman who almost becomes his latest experiment, the novel draws from a familiar bounty of antivivisectionist propaganda, but, this essay argues, the novel also reveals Collins's thinking about his own literary genre and the unfavorable comparison many critics were making between vivisection and sensation fiction

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44

Robertshaw, Paul, and Rajeev Thacker. "Consent, Autonomy and the Infantilised Patient." Medical Law International 1, no. 1 (1993): 33–56. http://dx.doi.org/10.1177/096853329300100104.

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In this article we examine a particular aspect of the doctor-patient relationship — that of consent to treatment procedures — from three perspectives: ethics, sociology of medicine, and the Common Law. The legal deliberation and judgments are considered within the first two perspectives. Ethics provide us with ideal standards such as personal autonomy or the sanctity of life, whereas the sociological perspective focuses on the actuality of the doctor-patient relationship in terms of knowledge and mystification or power and dependence. In our analysis of the cases, including a spate of recent d

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45

Berman, Joshua. "The Making of the Sin of Achan (Joshua 7)." biblical interpretation 22, no. 2 (2014): 115–31. http://dx.doi.org/10.1163/15685152-0022p01.

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The ascription of blame to an entire people for the infraction of a nondescript individual found in the account of the sin of Achan (Joshua 7) is without parallel in the Hebrew Bible and in the legal and treaty literature of the ancient Near East. Attempts to explain the account through concepts such as “corporate personality” or the “contagion” to be found in devoted goods have rightly come under great scrutiny. This paper seeks to understand collective punishment in Joshua 7 by engaging in a close reading of the final form of the text and with recourse to notions found in contemporary ethica

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46

Kirkham, Victoria. "Pier Massimo Forni. Adventures in Speech: Rhetoric and Narration in Boccaccio's Decameron. Philadelphia: University of Pennsylvania Press, 1996. xiv + 155 pp. $29.95. ISBN: n.a." Renaissance Quarterly 51, no. 2 (1998): 613–14. http://dx.doi.org/10.2307/2901590.

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47

Leggo, C. "Who speaks for extinct nations? The Beothuk and narrative voice." Literator 16, no. 1 (1995): 31–50. http://dx.doi.org/10.4102/lit.v16i1.582.

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The Beothuk of Newfoundland were among the first inhabitants of North America to encounter European explorers and settlers. By the first part of the nineteenth century the Beothuk were extinct, exterminated by the fishers and soldiers and settlers of western Europe. The last Beothuk was a woman named Shanadithit. She was captured and lived with white settlers for a few years before she died in 1829. Today all that remains of the Beothuk nation, which once numbered seven hundred to one thousand people, are some bones, arrowheads, tools, written records of explorers and settlers, and copies of d

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48

Zulkarnain, Iskandar, Muryanto Amin, Rizabuana Ismail, Febry Ichwan Butsi, Sakhyan Asmara, and Raras Sutatminingsih. "Markobar: Local Wisdom Based-Rhetorical Model." Academic Journal of Interdisciplinary Studies 10, no. 2 (2021): 185. http://dx.doi.org/10.36941/ajis-2021-0049.

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The objective of the research was to find out the reference to alternative rhetoric by digging up markobar as the value of local wisdom implemented in Mandailing ethnicity that uses markobar culture as a local wisdom in communicating in a formal forum. This research used communicative ethnography method. It was conducted at Kelurahan Pasar Maga, Lembah Sorik Merapi Sub-district, Mandailing Natal Regency, North Sumatera Province, Indonesia. The event or the Markobar activity as the object of the research was the Mandailing traditional wedding ceremonies. The research subjects were the informant

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49

Usher, S. "Review. Ethics and rhetoric: classical essays for Donald Russell on his seventy-fifth birthday. DC Innes, HM Hine, CBR Pelling." Classical Review 47, no. 1 (1997): 188–91. http://dx.doi.org/10.1093/cr/47.1.188.

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50

Colson, Dan. "Teaching Radically with Koch Money." Radical Teacher 110 (January 30, 2018): 5–13. http://dx.doi.org/10.5195/rt.2018.369.

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This essay narrates my experiences applying for a grant from my university’s Koch Center for Leadership and Ethics, and teaching the redesigned Survey of Later American Literature the grant funded. In it, I explore the Koch Center’s rhetoric, focusing especially on the space between their putative neutrality and their clear embrace of right-wing definitions of freedom. I detail my grant proposal, addressing primarily my methods for redeploying their language about “leadership,” “ethics,” and “freedom” in order to echo their putative neutrality while allowing myself room to foreground their cir

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