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Journal articles on the topic 'Narrative Criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Pellico, Linda Honan, and Peggy L. Chinn. "Narrative Criticism." Journal of Holistic Nursing 25, no. 1 (2007): 58–65. http://dx.doi.org/10.1177/0898010106295188.

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FITZPATRICK, Paul. "Narrative Art and Narrative Criticism." Louvain Studies 33, no. 3 (2008): 255–72. http://dx.doi.org/10.2143/ls.33.3.2045800.

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3

Martinez, M. L. "Postethnic Narrative Criticism." Comparative Literature 59, no. 1 (2007): 93–95. http://dx.doi.org/10.1215/-59-1-93.

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Eberhart, Zechariah Preston. "Shifting Gears or Splitting Hairs? Performance Criticism’s Object of Study." Religions 14, no. 9 (2023): 1110. http://dx.doi.org/10.3390/rel14091110.

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In keeping with the call of this Special Issue, this article is but one voice in the midst of a much broader conversation, attending to whether the differences between narrative and performance criticism are a matter of degree or kind. Narrative and biblical performance criticisms are natural bedfellows. The two appear genealogically related as they share similar founders, attend to similar features, and to a degree share similar interests with regard to interpretation. In fact, their interests appear to be so closely aligned at several points that attempts to distinguish between these two app

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5

Mohammed AlMulla, Arwa. "Architecture of Narrative Writing in Saudi Novels Literature and Criticism." Al-Dad Journal 7, no. 2 (2023): 75–101. http://dx.doi.org/10.22452/aldad.vol7no2.5.

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Via a systematic and architectural narrative vision through which the narrative movement is trace, this research is about architecture of Saudi novels, denoting contextual patterns from the first threshold (title), symbols, signs, and icons, from the preface and chapters to the distribution of the black ink and areas, to the architecture of horizontal and vertical writing, and punctuation and pauses as well as the elements of advertising, presentation, and focalization. Saudi novels are classified into tense narrative architecture, empirical narrative architecture, and artistic narrative archi

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6

Moloney, Francis J. "Narrative Criticism of the Gospels." Pacifica: Australasian Theological Studies 4, no. 2 (1991): 181–201. http://dx.doi.org/10.1177/1030570x9100400205.

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7

Franklin, Eric. "Book Reviews : Narrative Criticism Explained." Expository Times 105, no. 10 (1994): 308. http://dx.doi.org/10.1177/001452469410501012.

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8

de Boer, M. C. "Narrative Criticism, Historical Criticism, and the Gospel of John." Journal for the Study of the New Testament 15, no. 47 (1992): 35–48. http://dx.doi.org/10.1177/0142064x9201504703.

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Lee, JongHyun. "The Transition from Postcolonial Narrative to Trans-Identity Storytelling: Focused on the Novels “The Stranger” and “Meursault, Contre-Enquete”." Academic Association of Global Cultural Contents 55 (May 31, 2023): 135–49. http://dx.doi.org/10.32611/jgcc.2023.5.55.135.

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In order to promote a constructive future of postcolonialism theory and criticism, this paper diagnoses the narrative method of postcolonialism and seeks changes. First, we read Albert Camus' “The Stranger” and Carmel Daoud's “Meursault, Contre-Enquete” together to discuss the difference. and Explore the nature of the decolonist narrative and the style of reproducing the identity of the decolonist. As a result of the analysis, various narrative differences such as character-centered and event-centered, dynamic and static, realism and fiction are found in “The Stranger” and “Meursault, Contre-E

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Moloney, Francs J. "Mark as Story: Retrospect and Prospect." Pacifica: Australasian Theological Studies 25, no. 1 (2012): 1–11. http://dx.doi.org/10.1177/1030570x1202500101.

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The recent publication of a collection of essays that looks back to a founding text in the now widespread practice of narrative criticism (Rhoads and Michie, Mark as Story [1982]) raises questions concerning the future of literary (rather than historical) approaches to Gospel texts, and offers an opportunity to survey the current situation of such approaches. Ongoing narrative criticism, performance criticism, and postmodern criticism come under scrutiny. As always with “methodologies”, no single approach to ancient Biblical texts provides the complete answer to every interpretative possibilit

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11

Meyer, Esias, and Leonore Pietersen. "Old Testament stories and Christian ethics: Some perspectives from the narrative of Judah and Tamar." STJ | Stellenbosch Theological Journal 2, no. 1 (2016): 241. http://dx.doi.org/10.17570/stj.2016.v2n1.a12.

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The relationship between Old Testament narrative and Christian ethics is challenging. When it comes to finding ethical guideline Old Testament narratives are unresponsive. This is particularly the case with a narrative such as Genesis 38. Biblical scholars have written extensively on how the text can be interpreted. In this article we look at the various ways scholars in Biblical criticism have tried to make sense of the text. We show that narratives can function as a platform for dialogue to mirror the intricacies of life. We do not attempt to resolve the tension between the story and ethics,

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12

Fox, Barbara A. "Anaphora in Popular Stories: Implications for Narrative Theory." Empirical Studies of the Arts 6, no. 2 (1988): 149–69. http://dx.doi.org/10.2190/mg3e-lkww-jra0-fkja.

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Recent work in a variety of fields, including literary criticism, linguistics, cognitive psychology, and computer science, has been rife with theories of narrative, in particular narrative structure. The goal of this article is to evaluate, by exploring data on anaphora in narratives, two specific models of narrative structure, Story Grammar and Conceptual Dependency, whose underlying assumptions are shared by a wide range of theorists and to comment in general on re-visioning narrative theory.

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Kim, Soonbae. "그래픽 서사에 대한 문학 비평으로서의 에크프라시스". Criticism and Theory Society of Korea 28, № 1 (2023): 345–71. http://dx.doi.org/10.19116/theory.2023.28.1.345.

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This article is projected to examine the legitimacy of literary discourse regarding the study of comics or graphic narrative. Graphic narrative, as an inclusive term encompassing comics and the graphic novel, has been left on the mere periphery of serious literature or dominant literary discourse, or simply denied its legitimate status. Against this main stream, Hillary Chute, in her recent studies of graphic narrative including Why Comics? From Underground to Everywhere (2017) along with the scholarly minds sharing her critical and theoretical insights, has created a different kind of flow co

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SØRENSEN, NILS ARNE. "Narrating the Second World War in Denmark since 1945." Contemporary European History 14, no. 3 (2005): 295–315. http://dx.doi.org/10.1017/s096077730500247x.

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After the liberation in 1945, two conflicting narratives of the war experience were formulated. A consensus narrative presented the Danish nation as being united in resistance while a competing narrative, which also stressed the resistance of most Danes, depicted the collaborating Danish establishment as an enemy alongside the Germans. This latter narrative, formulated by members of the resistance movement, was marginalised after the war and the consensus narrative became dominant. The resistance narrative survived, however, and, from the 1960s, it was successfully retold by the left, both to

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15

ALESHCHANOVA, I. V. "REFLECTION OF SOCIOCULTURAL CONTEXT IN NARRATIVE (ON THE EXAMPLE OF THE VICTORIAN ERA NARRATIVES)." PRIMO ASPECTU, no. 4(56) (December 2023): 30–34. http://dx.doi.org/10.35211/2500-2635-2023-4-56-30-34.

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The article considers the issue of narrative sociocultural orientation as a way of translating general cultural norms and values, mechanism of social interaction organization. The author substantiates relationship between narrative texts structural-content characteristics and the corresponding sociocultural context. A method of researching a narrative text is proposed. It involves study of narration event structure and reflected value and role models in social relations organization, correspondence of the narration main plot to traditional archetypical plots and presence of the storyline narra

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16

Hiers, Richard H. "Book Review: What is Narrative Criticism?" Interpretation: A Journal of Bible and Theology 46, no. 3 (1992): 328–30. http://dx.doi.org/10.1177/002096439204600328.

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17

Trites, Allison A. "Book Review: What is Narrative Criticism?" Review & Expositor 89, no. 2 (1992): 285. http://dx.doi.org/10.1177/003463739208900216.

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18

Tost, T. "Poetry Criticism after the Narrative Turn." American Literature 79, no. 4 (2007): 807–20. http://dx.doi.org/10.1215/00029831-2007-040.

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Garside, Richard. "Book Review: What is Narrative Criticism?" Theology 97, no. 775 (1994): 51. http://dx.doi.org/10.1177/0040571x9409700114.

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20

Snow, Edgar C. "Narrative Criticism and the Book of Mormon." Journal of Book of Mormon Studies (1992-2007) 4, no. 2 (1995): 93–106. http://dx.doi.org/10.2307/44758939.

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Abstract This paper suggests the use of narrative criticism, a recent literary interpretive tool, as a favorable method of Book of Mormon interpretation. As an example of narrative interpretation, the Samuel the Lamanite narrative in Helaman 13–16 is analyzed as a discrete narrative portion of the Book of Mormon for the exploration of the possibilities of a narrative critical approach to its text. Instead of focusing on the content of Samuel’s exhortations, lamentations, and prophecies in order to understand these passages, I interpret the surrounding narrative and find it serves as an impress

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21

Atkinson, Paul. "Illness Narratives Revisited: The Failure of Narrative Reductionism." Sociological Research Online 14, no. 5 (2009): 196–205. http://dx.doi.org/10.5153/sro.2030.

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The argument uses the proliferating research literature on ‘illness narratives’ to make a more general analytic point about the proper treatment of narratives and life-stories by social scientists. It is suggested that, notwithstanding earlier commentary and criticism, and despite the sophistication of authors such as Mishler, too many narrative-based studies fall far short of a thoroughly analytic approach to such spoken actions. Too often narratives are celebrated as the means for analysts to gain access to personal experience, to the subjective or private aspects of illness. It is argued th

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22

Najmuldeen(Alweni), Najm Khalid. "Narrative movement in a novel (The Walkers in the Night)." Twejer 7, no. 1 (2024): 201–29. http://dx.doi.org/10.31918/twejer.2471.08.

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In every fictional text, two major movements together form what is narrative criticism called the rhythm of the narrative. They work in two different directions. One of them speeds up the narration movement, while the second stops this movement. The movement of the narration is sped up by two techniques: deletion and summarization, while stopping is done through the technique of description. Except for these two techniques, another technique leads to balancing acceleration and stopping, which is called the scene technique. These techniques all work to organize the internal movement of the text

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23

Atkinson, Becky. "Teachers Responding to Narrative Inquiry: An Approach to Narrative Inquiry Criticism." Journal of Educational Research 103, no. 2 (2009): 91–102. http://dx.doi.org/10.1080/00220670903323461.

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24

Hatina, Thomas R. "Poetics for the Gospels? Rethinking Narrative Criticism." Bulletin for Biblical Research 14, no. 2 (2004): 300–302. http://dx.doi.org/10.2307/26422736.

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Hatina, Thomas R. "Poetics for the Gospels? Rethinking Narrative Criticism." Bulletin for Biblical Research 14, no. 2 (2004): 300–302. http://dx.doi.org/10.2307/bullbiblrese.14.2.0300.

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26

Bernaerts, L., and D. Van Hulle. "Narrative across Versions: Narratology Meets Genetic Criticism." Poetics Today 34, no. 3 (2013): 281–326. http://dx.doi.org/10.1215/03335372-2325232.

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27

Raser, Timothy. "Citation and narrative In Baudelaire's art criticism." Word & Image 9, no. 4 (1993): 309–19. http://dx.doi.org/10.1080/02666286.1993.10435494.

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28

Loof, Travis. "A Narrative Criticism of Lifestyle Reality Programs." Journal of Media Critiques 1, no. 1 (2015): 167–78. http://dx.doi.org/10.17349/jmc115209.

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29

Adiatma, Daniel Lindung, and Aska Aprilano Pattinaja. "Penyelidikan Motif Penulis dan Pesan Teologis Melalui Analisis Komposisi Narasi Kitab Hakim-Hakim 6-8." Jurnal Teologi dan Pelayanan Kerusso 9, no. 1 (2024): 49–58. http://dx.doi.org/10.33856/kerusso.v9i1.365.

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This research presents a combination of two approaches, historical criticism and narrative criticism, in analyzing the motifs of the author of the book of Judges through the narrative of Israel's deliverance by Gideon. The debate among Old Testament scholars regarding historicity and theological historiography has divided opinions into two camps that are difficult to reconcile. Although each approach has its own strengths and weaknesses, the combination of both can enrich an approach to the analysis of a narrative text. Judges 6-8 are rarely interpreted using both of these approaches. For hist

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30

Huizenga, Leroy Andrew. "The Confession of Jesus and the Curses of Peter." Novum Testamentum 53, no. 3 (2011): 244–66. http://dx.doi.org/10.1163/156853611x563451.

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AbstractJoel Marcus has recently revived the view that the longer reading of Jesus’ words in Mark 14:62 (σ επας τι γ εµι) is original, for the shorter reading (γ εµι) threatens Markan priority, given Jesus’ enigmatic, ambivalent response in Matt 26:64 (σ επας). Marcus and all other commentators have conducted the debate on traditional text-critical and redaction-critical grounds. Employing a disciplined and historical approach to narrative criticism, this article (1) contends on narrative and Christological grounds that the shorter reading of Jesus’ words in Mark 14:62 is original; and (2) exp

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31

Schmidt, Silke. "Ahead of the curve in the MBA bubble: Institutional narcissism and the narrative reconstruction of moral agency." Frontiers of Narrative Studies 3, no. 1 (2017): 142–57. http://dx.doi.org/10.1515/fns-2017-0009.

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AbstractAcademic criticism of institutional narcissism in business schools is well established. But little scholarly attention has been devoted to insider critics of business schools. Filling this research gap – from an interdisciplinary narrative perspective – is the aim of this article. It draws attention to one of the many autobiographical narratives that have recently been published by MBA graduates. Narcissism here appears as an important theme, both on an institutional and a personal level. What role does narration play for coping with narcissism? To explore this question, this paper off

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Bynum. "A Silent Book, Some Kisses, and John Marrant's Narrative." Criticism 57, no. 1 (2015): 71. http://dx.doi.org/10.13110/criticism.57.1.0071.

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33

Milanowicz, Anna. "A Short Etude on Irony in Storytelling." Psychology of Language and Communication 23, no. 1 (2019): 14–26. http://dx.doi.org/10.2478/plc-2019-0002.

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Abstract This paper presents an overview of chosen concepts of irony as a communicative unit in the repertoire of the speaker. It adopts a framework of narration with emphasis on how minds in interactions co-construct meanings. Irony, which means more than it says, is always used with a specific attitude attached. Irony is thus an act of narrating the speakers’ mind, but in the speaker-hearer meaning perspective. Due to the fact that there is no narration without a text and no irony without narration, this paper links the Theory of Narrative Line and Narrative Field (Bokus, 1991, 1996, 1998) w

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34

Gasymov, A. B. "“Shamanic Illness” of the Prophet Ezekiel: Criticism of the Concept." Bulletin of Irkutsk State University. Series Political Science and Religion Studies 48 (2024): 140–49. http://dx.doi.org/10.26516/2073-3380.2024.48.140.

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This article is devoted to refuting the concept of Yong-Chi Rhie, who proposes to read the narrative of the calling of the prophet Ezekiel as a shamanic illness (in Korean shamanism). Since the author investigates the story in question as such, without textual criticism, the refutation of the researcher's concept is constructed from within the biblical corpus. To analyze the problem, all key elements of both the shamanic illness and the calling of the biblical prophets are parsed in detail. It is noted that the comparison of the two phenomena – shamanic illness and the calling of a prophet – o

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35

SHI, Xiayan. "On Narrative Ethics of Xiao Jianghong’s Novels." Asia-Pacific Journal of Humanities and Social Sciences 3, no. 1 (2023): 050–55. http://dx.doi.org/10.53789/j.1653-0465.2023.0301.007.

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Narrative ethics is the ethical feelings conveyed in the narration of novels, which provides a new perspective for the study of novels to transcend the traditional moral criticism and narrative form analysis and to interweave narrative and ethics. Xiao Jianghong’s novels narrate stories with ethical significance, and discuss the ethical issues of countryside and city, tradition and modernity, “change” and “ invariance” and exude a unique “divine” temperament. With the help of ethical writing in the narration of the novel, XiaoJianghong sensitively touches on the life predicament of the charact

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Morris. "This Product Made from Postconsumer Content: Narrative Recycling and New Novelistic Economies." Criticism 57, no. 1 (2015): 1. http://dx.doi.org/10.13110/criticism.57.1.0001.

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Bergen. "“Dogs Bark”: War, Narrative, and Historical Syncopation in Gertrude Stein's Late Work." Criticism 57, no. 4 (2015): 609. http://dx.doi.org/10.13110/criticism.57.4.0609.

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38

Merini, Mohammed. "The Genetic Structural Approach in Modern Moroccan Criticism: Narrative Criticism as a Model." Journal of Human Sciences 2006, no. 02 (2006): 185–224. http://dx.doi.org/10.12785/jhs/20060205.

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39

Noh, Jin-Gyu, and Hyeon-Suk Kang. "Reconceptualization of Concept-Based Inquiry in Creativity Education: focusing on Bruner’s narrative." Korean Journal of Teacher Education 38, no. 5 (2022): 147–66. http://dx.doi.org/10.14333/kjte.2022.38.5.07.

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Purpose: The purpose of this study was to reconceptualize concept-based inquiry in creativity education based on Bruner's narrative. Methods: This study discusses the reconceptualization of narrative-based, concept-based inquiry learning in creativity education using ampliative criticism, which is one of Short's (1991) philosophical inquiry methods. The ampliative criticism was integrally discussed in accordance with syntopical reading. Results: Concept-based inquiry promotes students' authentic understanding based on concept, inquiry and questions. Moreover the progress of the stu

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Zumstein, Jean. "Lecture narratologique du cycle pascal du quatrième Évangile." Études théologiques et religieuses 76, no. 1 (2001): 1–15. http://dx.doi.org/10.3406/ether.2001.3628.

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Classic exegesis, inspired by historical criticism, has constantly faced considerable difficulties in the interpretation of the Johannine resurrection narrative (John 20). Narrative analysis, by permitting a more precise apprehension of the phenomenon of narration, permits to take away some obstacles (for example, that of source criticism), but also the deepening of the theological understanding of the passage. In a similar way, plot analysis opens the path to a perception of the thematic coherence of the chapter, while character analysis opens a new theological understanding of the resurrecti

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41

Jakha, Hicham. "Toward an archetypal narrative: A Jungian-inspired archetypal criticism of Propp’s recurring narratemes thesis." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching 19, no. 3 (2022): 111–49. http://dx.doi.org/10.26881/bp.2022.3.05.

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In this paper, I attempt to find a middle ground between the formalist critic, Vladimir Propp, and the psychoanalytic critic, Carl Jung. I argue that, instead of regarding Russian formalism and psychoanalysis as irreconcilable adversaries, the theories of the two figures can (and should) be unified; the result of which can be devised to establish a theory of what I call an ‘‘archetypal narrative’’. To be more explicit, Propp’s Morphology and Jung’s archetypal psychoanalysis are reconciled to bring about an archetypal narrative theory, in which the underlying structure of narratives lies in the

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42

Nadhiroh, Wardatun. "Memahami Narasi Kisah al-Qur�an dengan Narrative Criticism (Studi atas Kajian A.H. Johns)." Jurnal Ilmiah Ilmu Ushuluddin 12, no. 2 (2016): 213. http://dx.doi.org/10.18592/jiu.v12i2.690.

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The Quran had various styles and modes in making up Gods word, one of which was the narrative one. There were many narrative verses in the Quran -including verses telling stories of His prophets- to which most of Muslim scholars unfortunately did not devote their attention. A.H. Johns, a professor of ANU, was one of a few scholars who focused his study on narrative criticism that was actually one of branches of literary criticism. Unlike historical criticism which tended to investigate the origins of a text and what lied behind it, literary criticism gave much attention to interpretive acts of

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43

Broadhead, Edwin K. "What Are the Gospels? Questioning Martin Kähler." Pacifica: Australasian Theological Studies 7, no. 2 (1994): 145–59. http://dx.doi.org/10.1177/1030570x9400700202.

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The article offers a critical assessment of Kähler's maxim that the Gospels are “passion narratives with extensive introductions.” After sketching the maxim's historical context and its influence on later biblical study, the conclusion is drawn that, in the light of recent developments such as narrative criticism, Kähler was at best only partly right.

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Allan Powell, Mark. "Toward a Narrative-Critical Understanding of Luke." Interpretation: A Journal of Bible and Theology 48, no. 4 (1994): 340–438. http://dx.doi.org/10.1177/002096439404800404.

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To ascertain the theology of the Gospels lies within the purview of both narrative and historical criticism, and narrative criticism also obligates the interpreter to deal with historical questions. To say this, however, is not to deny the distinctiveness of each method. Each method poses different questions, pursues different goals, and obtains different results. To observe this, one may note how each deals with such major questions as the purpose of Luke's Gospel, the role Luke's infancy narrative plays within his story, and the relationship of Luke's Gospel to Acts.

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SMITH, AYANA. "Blues, criticism, and the signifying trickster." Popular Music 24, no. 2 (2005): 179–91. http://dx.doi.org/10.1017/s0261143005000449.

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Scholars in the field of literary theory have defined clearly the role of signifying in African-American literature. This article identifies one aspect of the signifying tradition and its influence on the early blues tradition. Since the Signifying Monkey is the ultimate trickster in the African-American narrative tradition, this article presents evidence for considering the blues singer as a trickster figure at several different levels. First, the singer identifies with the trickster's character traits through pseudo-autobiographical content in song narratives, particularly in expressing soci

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46

Gergely, Alex. "Archive: Conscientious Criticism and the Panther Captivity Narrative." Early American Literature 56, no. 2 (2021): 531–44. http://dx.doi.org/10.1353/eal.2021.0041.

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47

Lawrence, Louise. "Review: Poetics for the Gospels? Rethinking Narrative Criticism." Literature and Theology 19, no. 3 (2005): 292–93. http://dx.doi.org/10.1093/litthe/fri037.

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48

Long, Ryan Fred. "Narrative, Criticism, and Politics: Negotiating Latin American Transition." Latin American Research Review 40, no. 2 (2005): 268–80. http://dx.doi.org/10.1353/lar.2005.0024.

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49

Mobarak, Vahid. "Mythological Criticism of a Turkish Folk Narrative Poem." World Journal of Education and Humanities 5, no. 3 (2023): p49. http://dx.doi.org/10.22158/wjeh.v5n3p49.

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The word “hapsane” is another form of the word “usane” and “legend” and the poem “hapsane ha hapsane” is one of the common poems in the language of Azeri-speaking people of West Azerbaijan. This legendary poem, with its simplicity and sincerity and having most of the basic features of folklore, includes mythological elements such as travel, the companionship of the wise old man, meta-realities, magic, etc., which gives it a special privilege. It reveals the reason for its permanence and reputation. It is clear that folk tales have a strong connection with myths and by eliminating time and plac

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50

León, Angelo, and Fernanda Badilla. "After Hegel: A postmodern genealogy of historical fiction." Filozofija i drustvo 35, no. 2 (2024): 299–316. http://dx.doi.org/10.2298/fid2402299n.

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In this article, we analyze a possible form of the relationship between modernity and postmodernity by examining the transformation of the place of enunciation of criticism as a philosophical narrative and using it as a historical and philosophical criterion. To achieve this, we first focus on key moments in the critical discourse of modernity, and then analyze the role of Kantian criticism in the formation of a postmodern imaginary associated with the notions of useful fiction and linguistification. Finally, from a Hegelian perspective, we consider the validity of the idea of universal histor

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