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Books on the topic 'Narrative imaginaries'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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1

Nielsen, Marie. City imaginaries: Personal narratives in Birmingham. University of Birmingham, 2000.

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2

Priewe, Marc. Writing transit: Refiguring national imaginaries in Chicana/o narratives. Winter, 2007.

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3

Canadell, Roger, Josep-Anton Fernàndez, and Iribarren Teresa. Narratives of Violence. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-460-8.

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This book is an invitation to read a selection of narratives of violence with the purpose of fostering global imaginaries based on respect, recognition, and empathy, especially towards those who are most vulnerable. It offers critical readings of nine works of various genres, originally written in different languages, by Caterina Albert (Catalonia), Mrīrīda n’ait ‘Atiq (Morocco), Eva Koch (Denmark), Pius Alibek (Iraq-Catalonia), Janina Hescheles (Poland), Leila Abdelrazaq (Palestine), María Galindo and Sonia Sánchez (Argentina), Arundhati Roy (India), and Juan Pablo Villalobos (Mexico).
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4

Goicochea, Adriana L. La Patagonia contada: Otro imaginario en la narrativa de mujeres. Editorial Biblos, 2013.

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5

El discurso dialógico de La era imaginaria de René Vázquez Díaz. Editorial Betania, 1991.

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6

Árabes de cuentos y novelas: El inmigrante árabe en el imaginario narrativo latinoamericano. Huerga y Fierro Editores, 2011.

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7

Adriana, Quiñones, and Bravo Nelci, eds. El imaginario clásico en la narrativa de Manuel Mujica Láinez: Bomarzo, Los cisnes, El escarabajo. Vela al Viento Ediciones Patagónicas, 2008.

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8

Pioffet, Marie-Christine. Geographiae imaginariae: Dresser le cadastre des mondes inconnus dans la fiction narrative de l'ancien régime / textes rassemblés, édités et présentés par Marie-Christine Pioffet ; avec la collaboration d'Isabelle Lachance. Presses de l'Université Laval, 2011.

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9

Saunders, Jennifer B. Imagining Religious Communities. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190941222.001.0001.

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Based on ethnographic research with a transnational Hindu family and its social networks, this book examines the ways that middle-class Hindu communities are engaged actively in creating and maintaining their communities. Imagination as a social practice has been a crucial component of defining a transnational life in the moments between actual contact across borders, and the narratives community members tell are key components of communicating these social imaginaries. Narrative performances shape participants’ social realities in multiple ways: they define identities, they create connections
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10

Beckert, Jens, and Richard Bronk, eds. Uncertain Futures. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820802.001.0001.

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Uncertain Futures considers how economic actors visualize the future and decide how to act in conditions of radical uncertainty. It starts from the premise that since dynamic capitalist economies are characterized by relentless innovation and novelty, they exhibit an indeterminacy that cannot be reduced to measurable risk. The organizing question then becomes how economic actors form expectations and make decisions despite the uncertainty they face. The current microfoundations of standard economics cannot handle genuinely uncertain futures. Instead, uncertainty requires an entirely new model
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11

Beckert, Jens, and Richard Bronk. Uncertain Futures: Imaginaries, Narratives, and Calculation in the Economy. Oxford University Press, 2019.

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12

Beckert, Jens, and Richard Bronk. Uncertain Futures: Imaginaries, Narratives, and Calculation in the Economy. Oxford University Press, 2018.

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13

Revolution and Its Narratives: China's Socialist Literary and Cultural Imaginaries, 1949-1966. Duke University Press Books, 2016.

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14

Revolution and Its Narratives: China's Socialist Literary and Cultural Imaginaries, 1949-1966. Duke University Press Books, 2016.

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15

Karl, Rebecca E., Xiang Cai, and Xueping Zhong. Revolution and Its Narratives: China's Socialist Literary and Cultural Imaginaries, 1949-1966. Duke University Press, 2016.

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16

Beckert, Jens, and Richard Bronk. An Introduction to Uncertain Futures. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820802.003.0001.

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This chapter provides a theoretical framework for considering how imaginaries and narratives interact with calculative devices to structure expectations and beliefs in the economy. It analyses the nature of uncertainty in innovative market economies and examines how economic actors use imaginaries, narratives, models, and calculative practices to coordinate and legitimize action, determine value, and establish sufficient conviction to act despite the uncertainty they face. Placing the themes of the volume in the context of broader trends in economics and sociology, the chapter argues that, in
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17

Meissner, Miriam. Narrating the Global Financial Crisis: Urban Imaginaries and the Politics of Myth. Palgrave Macmillan, 2018.

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18

Narrating the Global Financial Crisis: Urban Imaginaries and the Politics of Myth. Palgrave Macmillan, 2017.

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19

Choi, Mihwa. Social Imaginaries and Politics in the Narratives on the World-beyond and the Supernatural. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190459765.003.0005.

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During the period when official and public discourse was frequently used for political purges, stories about the affairs of the world-beyond were used as a convenient vehicle for delivering political messages. After the death of Wang Anshi, a supporter of stronger monarchical power, a series of eyewitness accounts of his ill fate in purgatory were widely spread. In contrast, Han Qi, a critic of Wang, was reported to have become a god in glory who was in charge of the other-world tribunal court. The abundance of narratives on the social imaginaries of the world-beyond and the supernatural revea
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20

Boyer, Robert. Expectations, Narratives, and Socio-Economic Regimes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820802.003.0002.

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The chapter proposes a history of the grand narratives associated with a succession of recent socio-economic regimes. Since the 2000s, radical uncertainty has greatly increased, given widespread innovation, and the unprecedented complexity of domestic and international interdependencies. In these circumstances, actors cannot form fully rational expectations because the past is a poor predictor of the future. This agony of the rational expectation hypothesis has opened a wide space to consider the role played by economic narratives in conditions of uncertainty. These narratives are generally ra
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21

Kemp, Sandra, and Jenny Andersson, eds. Futures. Oxford University Press, 2021. http://dx.doi.org/10.1093/oxfordhb/9780198806820.001.0001.

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This co-edited collection of essays examines the increasing centrality of futures and futures-thinking in all disciplines. It provides theoretical perspectives on constructions of futurity, across the arts, humanities, and social sciences, opening up multidisciplinary conversations between them. Bringing together emerging perspectives on the future from diverse disciplinary perspectives including critical theory, design, anthropology, sociology, politics, and history, the book examines the ways in which the future can be an object of empirical study, a subject for theorization, and an orientat
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22

Morales Bermúdez, Jesús. Un poeta olvidado de Tabasco, José Manuel Puig y Domínguez. CESMECA-UNICACH, 2019. http://dx.doi.org/10.29043/cesmeca.rep.989.

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Ofrezco, en las páginas a continuación, un conjunto de poemas hasta ahora dispersos de un poeta decimonónico de Tabasco. Me mueve a hacerlo cierto interés por reconocer la región del sur de México, de Centroamérica también, así sea de manera fragmentada, desde el campo de la literatura. Es claro, la poesía, como la música, la narrativa y las artes, son prácticas que nos hacen ser al tiempo que dicen cómo somos, ya fuere de manera ideal, conceptual, imaginaria.
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23

Portier-Young, Anathea E. Daniel and Apocalyptic Imagination. Edited by Carolyn J. Sharp. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199859559.013.13.

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The book of Daniel forms a bridge between Israel’s classical prophetic literature and the genre apocalypse. Daniel has often been classified among the prophets, but also stands apart. An examination of revealed knowledge and textual authority in Daniel clarifies the relationship among Daniel, earlier prophets, and Mesopotamian divinatory wisdom. Daniel’s apocalyptic imagination combines prophetic language and imagery with new visionary experience, offering readers powerful new language, symbols, and models for embodied practice. Cross-disciplinary studies of imagination suggest ways that Danie
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24

Basail Rodríguez, Alain. Naturaleza extraña. Desastres, riesgos y conocimiento público en Chiapas. CESMECA-UNICACH/Juan Pablos Editor, 2017. http://dx.doi.org/10.29043/cesmeca.rep.1000.

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Naturaleza extraña… pone en evidencia el “ojo epistémico” de la sociedad al valorar las narrativas de la prensa sobre los desastres sociales y los eventos climáticos. Se trata de una lectura crítica de las formas de agenciar conocimientos y modos de crear referentes culturales sobre la naturaleza, sus eventos, los desastres, los riesgos y las vulnerabilidades. Sobre todo, es una crítica a los imaginarios institucionalizados desde las esferas mediática y política que modulan el conocimiento público sobre la dinámica climática con claves explicativas y performativas del “problema ambiental”. El
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25

Restrepo Jaramillo, Isabel Cristina. Narrativas de la historia en el audiovisual colombiano. Controversias sobre el pasado en cuatro estudios de caso comparados. Fondo Editorial FCSH, 2019. http://dx.doi.org/10.17533/978-958-5526-62-4.

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Teniendo en cuenta que tanto la historia escrita como la historia audiovisual constituyen actos de interpretación articulados a los contextos de producción y, en ese sentido, pueden hablarnos tanto del presente en que son producidas, como del hecho histórico que intentan evocar, este libro parte de la premisa que considera el audiovisual y la historia escrita como fuentes y objetos de reflexión sobre los imaginarios de la historia, los usos del pasado y los condicionamientos e incidencias sociales de la producción del conocimiento histórico. Desde esta óptica, se valora el audiovisual como doc
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26

Bollington, Lucy, and Paul Merchant, eds. Latin American Culture and the Limits of the Human. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401490.001.0001.

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Latin American Culture and the Limits of the Human curates an important series of case studies of the posthuman imaginaries and nonhuman tropes employed in a broad range of Latin American cultural texts, from the narratives of Las Casas to new media and installation art in contemporary Mexico, Colombia, and Argentina. The book’s introduction highlights the ways the figure of the “limit” has functioned as an important site of aesthetic, ontological, and political experimentation and reworking in Latin American cultural production, and underlines the potentialities and possible risks associated
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27

Marquez, Gabriel Garcia. Los Funerales De LA Mama Grande (Editorial Sudamericana Narrativas/Antologia). Sudamericana, 1994.

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28

Rivera-Betancur, Jerónimo León. El viaje sin héroe del cine colombiano. Universidad de La Sabana, 2021. http://dx.doi.org/10.5294/978-958-12-0585-1.

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En este libro, el autor sugiere que una de las principales marcas de identidad del cine colombiano (y buena parte del latinoamericano) es la conexión entre fi cción y realidad, y cómo, ante una realidad caótica de valores invertidos, los personajes de las historias se ven limitados a actuar en un contexto que castiga la heroicidad. Este texto busca ser referente para otros estudios que en el futuro se realicen sobre el cine colombiano o sobre cinematografías con condiciones industriales similares, en el entendido de que conocer las representaciones audiovisuales de una nación puede ayudarnos m
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29

Chiani, Miriam, ed. Escrituras en voz. Facultad de Humanidades y Ciencias de la Educación (UNLP), 2021. http://dx.doi.org/10.35537/10915/122897.

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Escrituras en voz: Conversaciones sobre literatura argentina reúne una serie de entrevistas realizadas a Julián Axat, Mariano Blatt, Emiliano Bustos, Gabriela Cabezón Cámara, Arturo Carrera, Omar Chauvié, Marcelo Díaz, Mariana Enriquez, Fernanda García Lao, Fernanda Laguna, Julián López, Claudia Masin, Silvio Mattoni, Ángel Oliva, Cecilia Palmeiro, Nicolás Prividiera, Mercedes Roffé, Erich Schierloh, Paula Tomassoni y Paloma Vidal. Los diálogos, además de descubrir nuevos ángulos o revisiones de poéticas particulares, se abren a la reflexión sobre temas, procesos, problemas y debates que atrav
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30

Sepúlveda, Jovanny. Universidad creativa: sistematización de experiencias de narrativas en el aula. CUA - Medellin, 2019. http://dx.doi.org/10.52441/der201905.

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Hablar de universidad creativa es referirse a una institución de educación superior que sistematiza las experiencias narradas y tiene un enfoque que se configura como un modo propio de presentar los resultados de ejercicios de docentes y estudiantes. En este libro usted encuentra un sensible carácter polifónico del discurso narrativo, un acercamiento complejo que secuencia y privilegia el contexto. Por eso, los criterios que aquí se desarrollan están redefinidos de manera congruente con las premisas teóricas y con el material objeto de estudio (Connelly y Clandinin, 1990). Esta sistematización
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31

Pino Posada, Juan Pablo. Aurelio Arturo y la poesía colombiana del siglo XX. Editorial EAFIT, 2020. http://dx.doi.org/10.17230/9789587207064lr0.

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Echando mano de un basamento teórico-conceptual que bebe de la filosofía, la teoría literaria, la sociología y la historia, Juan Pablo Pino Posada se adentra en los pliegues de la obra del poeta colombiano Aurelio Arturo (La Unión, 1906 - Bogotá, 1974) con el propósito de estudiar las maneras en que las nociones de “espacio” y “subjetividad” se trenzan y ponen de manifiesto las tensiones propias de la modernidad tardía. Lo verdaderamente singular de este libro estriba en que su aproximación, al ser de carácter histórico-narrativo, permite pensar los tres periodos creativos de la lírica arturia
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