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Journal articles on the topic 'Narrative Manipulation'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

BUTS, Zhanna. "EPIGRAPH AS A MANIPULATIVE ELEMENT OF THE NARRATIVE TECHNIQUE OF MODERN FRENCH WOMEN’S PROSE." Folia Philologica, no. 3 (2022): 30–36. http://dx.doi.org/10.17721/folia.philologica/2022/3/4.

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The proposed article focuses on the study of the literary narrative of modern French prose. Namely, the article examined epigraphs in detail as structural elements of narratives of women’s prose, which acquire manipulative characteristics and influence the construction of the corresponding narratives. The research has reviewed the narrative spaces of modern French writers artists, namely T. de Rosney and A.-M. Lugan. For the first time, the manipulative functions of individual structural elements of the artistic space, which influence not only the organization of the narrative, but also the na

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Ovshieva, N. L. "On the use of manipulative techniques in Еnglish literary discourse". Vestnik of Samara University. History, pedagogics, philology 28, № 2 (2022): 124–34. http://dx.doi.org/10.18287/2542-0445-2022-28-2-124-134.

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Manipulation is inherently incentive, aimed at exerting covert influence and inducing the recipient to the actions necessary for the manipulator. Such control is, first of all, the control of the mind, i.e. the beliefs of the recipients, and indirect control of their actions, with their beliefs being manipulated. This paper explores pragmatics of manipulative techniques in English literary discourse. Manipulation happens in implicit communication. Reading between the lines and explicating the implications of a text has become a primary focus in literary analysis. The analysis of linguistic mat

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3

Arthos, John. "Narrative Manipulation and Documentary Truth." Film and Philosophy 3 (1996): 87–94. http://dx.doi.org/10.5840/filmphil199638.

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Echeverri, Daniel. "Sincerely Yours: Orchestrating Tangible Interactive Narrative Experiences." Cubic Journal, no. 3 (November 2020): 202–7. http://dx.doi.org/10.31182/cubic.2020.3.032.

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This paper briefly reflects on two aspects of narrative: the use of multimodal analysis to understand the relationships between the senses and the narrative, as well as digital and physical content, and the implications brought from this analytical perspective on the design of interactive narratives. The latter, in particular, concerns narratives that involve tangible interaction and physical manipulation of objects. The creative process of Letters to José, a physical-digital hybrid nonfiction narrative, exemplifies this reflection. In this narrative, the person interacting with the story take

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5

Maynard, Senko K. "Choice of predicate and narrative manipulation." Poetics 14, no. 5 (1985): 369–85. http://dx.doi.org/10.1016/0304-422x(85)90034-8.

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Musawir, Muhammad. "Honesty in Language in Public Figures’ Narratives in Tempo Magazine: A Forensic Linguistic Study." TOFEDU: The Future of Education Journal 4, no. 5 (2025): 1452–63. https://doi.org/10.61445/tofedu.v4i5.639.

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This study aims to analyze the level of linguistic honesty in public-figure narratives published in Tempo Magazine articles, employing the Statement Analysis in Linguistics (SAL) forensic-linguistic model developed by John Olsson. The investigation arises from concerns about public figures’ communication practices, which are often laden with manipulation when addressing legal cases—such as the “special fugitive” scandal. Using a qualitative-descriptive method, the study examines six narratives by public figures (including Anita Kolopaking, Yasonna Laoly, and Listyo Sigit Prabowo) based on thre

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Hardy, Donald E. "Towards a stylistic typology of narrative gaps: knowledge gapping in Flannery O’Connor’s fiction." Language and Literature: International Journal of Stylistics 14, no. 4 (2005): 363–75. http://dx.doi.org/10.1177/0963947005056343.

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This article examines the functions of narrative gaps in the creation and manipulation of knowledge in Flannery O’Connor’s fiction. A distinction is first made between the announced and the unannounced gap, the latter being the general type that occurs most frequently in modern fiction, including that of O’Connor. The form and functions of the announced gap are briefly discussed with reference to 18th-century narratives. The article demonstrates the presence of an attenuated announced gap in O’Connor’s fiction in the use of the indefinite pronoun something. It also makes distinctions between t

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Mahboub, Rasha, Nehale Mostapha, and Wagdy Hegazy. "A study of discretionary narrative disclosure strategies of the most and least profitable MENA region banks." Corporate Ownership and Control 14, no. 2 (2017): 258–67. http://dx.doi.org/10.22495/cocv14i2c1p12.

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The study aims to investigate whether the discretionary narrative disclosure strategies (DNDS) of impression management (IM) adopted by different banks in the narrative section of 200 annual reports of a sample of 50 banks in five different countries of Middle East and North Africa (MENA) region (Egypt, Jordan, Lebanon, Saudi Arabia, and United Arab of Emirates) vary according to their profitability for 2011-2014. Seven variables were employed to identify the association between profitability and the extent of existence of DNDS of IM in the chairmen’s letters of the bank’s annual reports. Thes

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Ruehlen, Ryan Wade, and Mark Amerika. "Narrative Currents." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 5, no. 1 (2017): 83. http://dx.doi.org/10.14195/2182-8830_5-1_13.

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This work remixes the natural sounds of Boulder Creek (where the dialogue takes place) with some of the random urban noise and background ambience of the nearby thoroughfare. Ruptures in language indicate an intentional manipulation of the source material and useful postproduction techniques such as feedback and repetition highlight the affective qualities of the act of listening and deciphering. Meanwhile the dialogue itself creates its own metanarrative investigating what kinds of immersive listening experiences can be created using audio source material as the primary component of storytell

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Erickson, Sarah, Sonya Dal Cin, and Hannah Byl. "An Experimental Examination of Binge Watching and Narrative Engagement." Social Sciences 8, no. 1 (2019): 19. http://dx.doi.org/10.3390/socsci8010019.

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Increasingly, audiences are engaging with media narratives through the practice of binge watching. The effects of binge watching are largely unknown, although early research suggests binge watching may be motivated by a need for escape and could be associated with some qualities of addiction. In this study, we ask whether the practice of binge watching impacts audience engagement with a media narrative. Using an experimental approach, we manipulate the format of exposure to media narratives (binge or nonbinge) and test the effect of this manipulation on audience engagement, specifically paraso

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Kahlon, Tahir Ul Mulk, Ghulam Qumber, and Rafaqat Islam. "Crafting Resistance through Narratives in Afghanistan." Global Regional Review III, no. I (2018): 17–31. http://dx.doi.org/10.31703/grr.2018(iii-i).02.

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Narrative offers an evocative opportunity to understand the power of knowledge manipulation within the public policy system. Despite the influence of narratives in designing, formulating, and implementing of public policies, it is a relatively nascent concept in public policy studies.The war in Afghanistan truly represents a battle of narratives. This paper takes a Narrative Policy Framework (NPF) approach to explore the narratives used by resistance forces in Afghanistan within the belief system of a religion. It acknowledges that narratives matter and that by studying the same, one can const

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Tahir, Ul Mulk Kahlon. "Crafting Resistance through Narratives in Afghanistan." Global Regional Review (GRR) 3, no. 1 (2018): 17–31. https://doi.org/10.31703/grr.2018(III-I).02.

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Narrative offers an evocative opportunity to understand the power of knowledge manipulation within the public policy system. Despite the influence of narratives in designing, formulating, and implementing of public policies, it is a relatively nascent concept in public policy studies.The war in Afghanistan truly represents a battle of narratives. This paper takes a Narrative Policy Framework (NPF) approach to explore the narratives used by resistance forces in Afghanistan within the belief system of a religion. It acknowledges that narratives matter and that by studying the same, one can const

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Siti Alifia Ananda Ardiani and Otong Setiawan Djauhari. "Psychological Manipulation in Psychological Thrillers: A Case Study of “The Housemaid” by Freida McFadden." Jejak digital: Jurnal Ilmiah Multidisiplin 1, no. 4 (2025): 1369–75. https://doi.org/10.63822/f216h027.

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Psychological thrillers as a genre have become a powerful vehicle for exploring the dynamics of power, trauma, and manipulation in human relationships. This article discusses psychological manipulation in the psychological thriller genre, focusing on Freida McFadden's novel The Housemaid. The main issue raised is how manipulation is constructed and displayed through the psychological behavior of the characters. The purpose of this study is to uncover the narrative techniques and psychological strategies used by the author in building tension and directing the reader's perception. This study us

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Compte, Carmen. "Les Feuilletons américains : structuration narrative et manipulation technique." Cahiers du Centre de Linguistique et des Sciences du Langage, no. 1 (July 14, 2022): 87–108. http://dx.doi.org/10.26034/la.cdclsl.1992.3109.

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Dans une télévision américaine avide de changement et anxieuse de nouveauté, le feuilleton de l'après-midi, le « soap opera »1 apparaît comme un phénomène à part. Non seulement certains « soaps » sont encore diffusés 35 ans après leur première apparition à l'antenne, mais ils constituent un apport essentiel ( 75 %) aux ressources des chaînes américaines (<< networks » ) . A quoi tient ce succès ? Ce n'est pas seulement, comme l'indique Esslin, parce' que l'être humain aime qu'on lui raconte des histoires. Le feuilleton satisfait effectivement ce besoin, il se prête de plus à différents n

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Morrison, Gary. "‘STEALING’ VICTORY AT GAUGAMELA: THE MANIPULATION OF TIME IN ARRIAN'S NARRATIVE." Greece and Rome 69, no. 2 (2022): 254–66. http://dx.doi.org/10.1017/s0017383522000055.

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There are numerous historical reconstructions of the lead-up to the Battle of Gaugamela, albeit often as a short prelude to the battle itself. The focus tends to be historical reality, with the extant sources blended to produce a probable sequence of events. Such narratives have their place, but the process masks the details provided by specific sources. This article analyses Arrian's representation of events to understand his narrative better. Particular attention is paid to his chronological ‘mistake’, specifically the loss of a day which is usually just corrected by commentators. I suggest

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Nguyễn, Thức Thành Tín. "THE TEMPORAL FIELDS IN THÉRÈSE DESQUEYROUX BY FRANÇOIS MAURIAC." Tạp chí Khoa học 22, no. 4 (2025): 688–98. https://doi.org/10.54607/hcmue.js.22.4.4710(2025).

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This article explores the representation of time in linguistics and literature, highlighting its subjective and malleable nature. Drawing on the work of linguists who demonstrate that time, as expressed in language, does not necessarily reflect an objective reality but rather results from a cognitive and discursive construction, the study emphasizes the concept of the temporal field - understood as a mental organization of events based on reference points chosen by the speaker. This article illustrates its argument through narrative examples. It specifically examines temporal flexibility in ev

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Hagler, Aaron. "Sunnifying ʿAlī: Historiography and Notions of Rebellion in Ibn Kathīr’s Kitāb al-Bidāya wa-l-nihāya". Der Islam 97, № 1 (2020): 203–32. http://dx.doi.org/10.1515/islam-2020-0008.

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AbstractIn the era of the “Sunnī Revival” and the couple of centuries following, scholars engaged in a large historiographical project aimed at rehabilitating the reputation of the Umayyad dynasty and Syria’s role in the early Islamic narrative. One of Ibn Kathīr’s historiographical missions in his history Kitāb al-Bidāya wa-l-nihāya was specifically the defense of the Companions of the Prophet. As such, the narrative of ʿAlī ibn Abī Ṭālib required some manipulation to answer Shīʿī narratives that cast some of the most important Companions (especially those associated with the Umayyads and Syr

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18

Semchenko, Vitalii. "Lexical Constructions of Manipulative Texts in Telegram Channels of War Time (on the Example of Coverage of The Crimea Issue)." Current Issues of Mass Communication, no. 37 (2025): 66–75. https://doi.org/10.17721/cimc.2025.37.66-75.

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The article examines the features of manipulative texts in Telegram channels covering the Crimean issue in wartime conditions. Method. Based on the content analysis of 15 Telegram channels, the linguistic markers of manipulative influence, mechanisms for narrative formation, and the role of lexical constructions in creating informational confrontation are analyzed. Key manipulation strategies are identified, including selection of information, implicatures, polarization, dramatization, euphemizing, and dysphemization, which are used by pro-Ukrainian and pro-Russian sources to legitimize their

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Widyani, Erika, and Susi Ekalestari. "GUILT TRIPPING IN AGATHA CHRISTIE’S THE MURDER OF ROGER ACKROYD." JOURNAL OF LANGUAGE 7, no. 1 (2025): 61–70. https://doi.org/10.30743/jol.v7i1.11042.

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This study examines the use of guilt-tripping as a form of psychological manipulation in Agatha Christie’s The Murder of Roger Ackroyd. The analysis centers on identifying both the causes and the types of guilt-tripping enacted by the novel’s manipulative character. Employing McPhillips’ (2022) theoretical framework on manipulative behavior, the research adopts a descriptive qualitative approach, with a focus on character and narrative analysis. The findings reveal that the primary motivations for guilt-tripping include emotional dependency, a desire to manipulate and control others, and under

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20

Cassell, Bradley, and R. Young. "Ember, Toward Salience-Based Cinematic Generation." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 9, no. 4 (2021): 78–81. http://dx.doi.org/10.1609/aiide.v9i4.12630.

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Automatic cinematic generation for virtual environments and games has shown to be capable of generating general purpose cinematics. There is initial work that approaches cinematic generation from the perspective of narrative instead of low level camera manipulation. In our work, we further extend this idea to take into consideration a model of user memory. Models of reader comprehension and memory have been developed to attempt to explain how people comprehend narratives. We propose using these models of narrative comprehension and memory to augment a system for cinematic generation so that it

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Mangen, Anne, and Don Kuiken. "Lost in an iPad." Scientific Study of Literature 4, no. 2 (2014): 150–77. http://dx.doi.org/10.1075/ssol.4.2.02man.

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The purpose of this study was to examine the effects of reading medium and a paratext manipulation on aspects of narrative engagement. In a 2 (medium: booklet vs. iPad) by 2 (paratext: fiction vs. nonfiction) between-subjects factorial design, the study combined state oriented measures of narrative engagement and a newly developed measure of interface interference. Results indicated that, independently of prior experience with reading on electronic media, readers in the iPad condition reported dislocation within the text and awkwardness in handling their medium. Also, iPad readers who believed

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Gheytasi, Sajjad. "VOICES IN CONFLICT: EXPLORING MEMORY AND MULTIPLICITY IN 'THE SYMPATHIZER'." Anuari de Filologia. Literatures Contemporànies, no. 13 (December 30, 2023): 1–19. http://dx.doi.org/10.1344/aflc2023.13.1.

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The present study explores the intricate narrative strategy in The Sympathizer by Viet Thanh Nguyen to critique the concept of unjust memory. Through a metatextual approach centered on nested narratives, the novel integrates diverse voices, encompassing American, South Vietnamese, and North Vietnamese characters. Contrasting voices challenge the notion of a singular history, unveiling the multiplicity of narratives. Conflicting voices vie for control over historical memory, aiming to legitimize their actions regardless of their impact on human rights. This study contributes to understanding th

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Doran, Rebecca. "Royal Wet Nurses in Seventh- and Early Eighth-Century China: Historiographical Evaluation and Narrative Construction." Nan Nü 20, no. 2 (2019): 198–224. http://dx.doi.org/10.1163/15685268-00202p02.

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AbstractThe women who served as wet nurses to powerful and in some cases notorious members of the Tang royal family appear in written materials in various capacities in relation to prominent historical actors. An analysis of historical narratives involving these women indicates that their portrayals were strongly influenced by the historian’s mode of moral assessment, in particular, the historical judgment meted out upon their controversial charges. The manipulation in historical narrative of royal wet nurses thus elucidates a fascinating example of the operation of “praise and blame” in tradi

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Ziółkowska, Patrycja. "Letters from Russia: impact of imaginary contact, epistolary contact, and narrative on intergroup attitudes of adolescents." Educational Psychology 64, no. 21 (2021): 20–37. http://dx.doi.org/10.5604/01.3001.0015.6903.

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Introduction: Prejudices might negatively influence the well-being of people they concern and often lead to discrimination. Hence, it’s important to search for effective ways to improve intergroup attitudes and implement them during education. One of the most effective known methods is intergroup contact. However, as it’s not always possible to implement, it’s important to search for more accessible methods. The article proposes a new form of reducing prejudices, i.e. a letter of contact with fictitious outgroup members. In such interaction, people receive a letter and are asked for a reply. T

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Matras, Agnieszka, Magdalena Kozela, and Andrzej Pająk. "Childhood trauma and perceived control in adulthood." Educational Psychology 64, no. 21 (2021): 5–19. http://dx.doi.org/10.5604/01.3001.0015.6902.

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Introduction: Prejudices might negatively influence the well-being of people they concern and often lead to discrimination. Hence, it’s important to search for effective ways to improve intergroup attitudes and implement them during education. One of the most effective known methods is intergroup contact. However, as it’s not always possible to implement, it’s important to search for more accessible methods. The article proposes a new form of reducing prejudices, i.e. a letter of contact with fictitious outgroup members. In such interaction, people receive a letter and are asked for a reply. T

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Sutterová, Dita, and Vincenc Kopeček. "Shifting Narratives of the Alternative for Germany." Obrana a strategie (Defence and Strategy) 24, no. 1 (2024): 087–105. http://dx.doi.org/10.3849/1802-7199.24.2024.01.087-105.

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This article examines the evolving narratives of the German political party Alternative for Germany (AfD) and its potential as a hybrid threat. Through narrative manipulation, the AfD has demonstrated its ability to influence public discourse and distort reality via disinformation dissemination. The AfD established in 2013 in response to the financial crisis and dissatisfaction with the European Union, has transitioned into a populist party, and along with this change, it has also changed its narrative. This shift was notably evident during the migrant crisis in 2015, showcasing the party's ad

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Tsitsipis, Lukas D. "Language shift and narrative performance: On the structure and function of Arvanítika narratives." Language in Society 17, no. 1 (1988): 61–86. http://dx.doi.org/10.1017/s0047404500012598.

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ABSTRACTLiterature on language death offers abundant information on the grammatical, phonological, lexical, and sociolinguistic processes that a dying speech form can undergo. However, work remains to be done in the area of narrative skills and performance. This article examines the creative manipulation of certain narrative devices, including bilingual lexical resources from modern Greek and Tosk Albanian in stories offered by a residual group of fluent Albanian speakers in Greece. In a community, which is highly variable from the point of view of the allocation of its Arvanítika (Albanian) l

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Holy, Mirela. "Media Framing of the Coronavirus in Croatia." In medias res 10, no. 18 (2021): 2813–28. http://dx.doi.org/10.46640/imr.10.18.3.

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Media framing is a method through which the media frame news into familiar narratives which correspond to the unconscious layers of our psyche. The media tend to overemphasize certain aspects of events, all the while in a Procrustean fashion ignoring those aspects that do not fit into the selected narrative frame (Kunczik and Zipfel, 1998: 103). Media framing relies on storytelling, and theorists note that master narratives selected from myths, fairy tales and dreams, largely reinforce the manipulative effects of media framing (Kent, 2015). This paper examines how Croatian print media framed t

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Kovpak, V., та M. Troino. "КОМУНІКАЦІЙНІ СТРАТЕГІЇ ПРОПАГАНДИСТСЬКОГО ДОКУМЕНТАЛЬНОГО КОНТЕНТУ ЯК ІНСТРУМЕНТ НАРАТИВНОГО РЕГУЛЮВАННЯ". State and Regions. Series: Social Communications, № 1(53) (19 травня 2023): 13. http://dx.doi.org/10.32840/cpu2219-8741/2023.1(53).2.

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<p><strong><em>The purpose </em></strong><em>of the study is to analyze the communication strategies of propaganda documentary content as an instrument of narrative regulation in the information space.</em></p><p><strong><em>Research methodology.</em></strong><em> The following methods were used in the study: classification (types of communication strategies), discourse analysis (content analysis taking into account historical, political, and social circumstances), systematic approach (taking into account the p

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Verma, Rashmi. "Post-Truth and Historical Revisionism in A.S. Byatt’s Possession: A Romance." International Journal of English Literature and Social Sciences 7, no. 6 (2022): 644–47. https://doi.org/10.22161/ijels.76.66.

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In an era dominated by post-truth politics and the manipulation of historical narratives, the pursuit of truth and the reclamation of lost histories have become pivotal themes. A.S. Byatt’s Possession: A Romance (1990) intricately explores these concerns through dual narratives of contemporary scholars and 19th-century poets. The novel interrogates the construction of history, its revision, and the dynamics of power that influence knowledge production, with a focus on gender, class and sexuality. This study examines Possession as a critical commentary on post-truth and historical revisionism,

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MYONG, Soon-ok. "LeninKichi and the Silenced Collective Memory of Soviet Koreans." Cultura 17, no. 2 (2020): 181–93. http://dx.doi.org/10.3726/cul022020.0014.

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Abstract: This paper investigates the contexts on the grand narrative and the memory manipulation of the media in the case of Soviet Korean migrants. The study focuses on the forced migration of Soviet Koreans and how their memories were covered up by dominant Soviet narratives. Specifically, the paper explores LeninKichi, a Korean newspaper that became the mouth of institutional power. The research brings to light part of the history of Soviet Koreans migrants, whose memories were buried by a socio-cultural system that encouraged narratives of victory and progress through an oppositional symb

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Manya Misra and Prof. Lt. Anjita Singh. "Mantel’s Transposed Narrative: The Ethics of Rewriting History in Historical Fiction." International Journal for Multidimensional Research Perspectives 3, no. 3 (2025): 39–45. https://doi.org/10.61877/ijmrp.v3i3.254.

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Historical fiction serves as both a reflection and reinterpretation of the past, raising ethical questions about the extent to which novelists should reshape history in service of narrative and contemporary discourse. Hilary Mantel’s Tudor trilogy Wolf Hall (2009), Bring Up the Bodies (2012), and The Mirror and the Light (2020) exemplifies a transposed narrative approach, re-centering Thomas Cromwell as a complex, humanized figure rather than the traditional villain of Tudor history. This paper examines how Mantel challenges conventional historiography, employing narrative techniques to recons

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Turner, Rose, and Frédéric Vallée-Tourangeau. "Fiction effects on social cognition." Scientific Study of Literature 10, no. 1 (2020): 94–127. http://dx.doi.org/10.1075/ssol.19008.tur.

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Abstract Social cognition, the skillset involved in interpreting the cognitive and affective states of others, is essential for navigating the social world. Research has indicated that reading about fictional social content may support social cognitive abilities; however, the processes underpinning these effects remain unidentified. This study aimed to examine the effect of narrative engagement on social cognition. A text pretest (N = 11), a manipulation pilot (N = 29) and full experiment (N = 93) were conducted. In the full experiment, the manipulation failed to vary levels of narrative engag

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Beyvers, Sarah E. "The game of narrative authority: Subversive wandering and unreliable narration in The Stanley Parable." Journal of Gaming & Virtual Worlds 12, no. 1 (2020): 7–21. http://dx.doi.org/10.1386/jgvw_00002_1.

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This article explores how players’ attempts at subversive wandering in The Stanley Parable (2013) render the game’s narration unreliable and thus reveal its comments on the nature of ‘agency’ in video games. Unreliability brings the act of narration itself to the fore and exposes its mechanisms of manipulation. Players of The Stanley Parable may seek to contradict the voice-over narration subversively. They must find out, however, that, even though the narrator’s authorial omniscience and power are an illusion, they cannot break away from the predetermined path the game lays out. The narrator

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Aldous, Marwa J., and Rashid Yahiaoui. "Death on the Page, Rebirth on the Screen: Literature Between Translation and Adaptation, Ghassan Kanafani's Men in the Sun as a Case Study." Journal of Holy Land and Palestine Studies 21, no. 1 (2022): 21–47. http://dx.doi.org/10.3366/hlps.2022.0282.

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This research provides a comparative study between Hilary Kilpatrick's English translation and Tawfiq Saleh's film adaptation ʾ Al-Makhduʿun ( The Duped) of Ghassan Kanafani's Men in the Sun. Drawing on Narrative and Appraisal theories, this research investigates the ideological disparity between Kilpatrick and Saleh's approaches to Kanafani's text by examining their respective attitudinal stance and patterns of narrative (re)framing in relation to three dimensions: politics, religion, and culture. The research, thus, accentuates the ways in which the translator's identity, with its nexus of a

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Dinter, Martin T., and Andreola Rossi. "Contexts of War: Manipulation of Genre in Virgilian Battle Narrative." Classical World 99, no. 1 (2005): 85. http://dx.doi.org/10.2307/4353015.

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Biebuyck, Benjamin. "»Hätte der Hund nicht, dann hätt’ er den Hasen ...«." Rhetorik 38, no. 1 (2019): 120–36. http://dx.doi.org/10.1515/rhet-2019-0010.

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Abstract Günter Grass’s Mein Jahrhundert represents the 20th century as a series of hundred anecdotes, narrated from the perspective of in many cases unknown or (seemingly) unidentified witnesses. As such, it is often read as an example of fictional history writing within Grass’s encompassing framework of rediscovering the lives of those who underwent history rather than make it. The »sequential communal narration« (Lanser) adopted in this book was, however, criticized harshly by many readers as a patronizing form of postmodern – narrative – historiography. This article aims to show that the o

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Biebuyck, Benjamin. "»Hätte der Hund nicht, dann hätt’ er den Hasen ...«." Rhetorik 38, no. 1 (2019): 120–36. http://dx.doi.org/10.1515/rhetorik-2019-0010.

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Abstract Günter Grass’s Mein Jahrhundert represents the 20th century as a series of hundred anecdotes, narrated from the perspective of in many cases unknown or (seemingly) unidentified witnesses. As such, it is often read as an example of fictional history writing within Grass’s encompassing framework of rediscovering the lives of those who underwent history rather than make it. The »sequential communal narration« (Lanser) adopted in this book was, however, criticized harshly by many readers as a patronizing form of postmodern – narrative – historiography. This article aims to show that the o

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Prabowo, Bayu Ade. "Cinematic Chronology: Exploring the Signs and Symbols of Time in “Atonement”." Humanitatis : Journal of Language and Literature 11, no. 1 (2024): 49–60. https://doi.org/10.30812/humanitatis.v11i1.4377.

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This study investigates the representation of time in Joe Wright’s film ’Atonement’ (2007), exploring the complex ways cinema can portray temporal experiences. While time manipulation in the film has been widely studied, ’Atonement’ offers a unique case study in its intricate layering of temporal elements. The research aims to analyze how various cinematic techniques in ’Atonement’ contribute to its representation of time and memory. Employing a descriptive-qualitative method with semiotic analysis, this study examines five key aspects: non-linear narrative structure, dual perspective and meta

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Freeland, Cynthia. "Ethical Engagement with Movies." Projections 13, no. 3 (2019): 105–11. http://dx.doi.org/10.3167/proj.2019.130308.

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In Screen Stories, Carl Plantinga concedes that films have considerable power to manipulate our emotions, attitudes, and even action tendencies. Still, he believes that film viewers do consciously engage in various types of cognition and judgment, and thus he argues that they can resist films’ manipulations. The “engaged critic” he calls for can assist in assessing how films create and convey their moral messages. I raise some questions about the account Plantinga gives of how both character engagement and narrative structures contribute to filmic manipulation. First, I note that there is an u

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Barreras Gómez, Asunción. "Reflexive Narrative in Lolita by Vladimir Nabokov." Miscelánea: A Journal of English and American Studies 16 (December 31, 1995): 45–64. https://doi.org/10.26754/ojs_misc/mj.199511676.

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What Nabokov's narrators produce is not a faithful record of the past but an imaginative invention, mediated by their point of view, their metafictional consciousness and their active manipulation of the story. There is, then, a difficulty in portraying reality, because any point of view on reality is a subjective one, in which memory and imagination are mixed. Nabokov recognizes that he cannot show reality in a simple form. An analysis of the narration in Lolita shows a more problematic relationship between fiction and reality than the one realist fiction allows the reader to acknowledge.

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Polchow, Shannon M. "Manipulation of Narrative Discourse: From Amadís De Gaula to "Don Quixote"." Hispania 88, no. 1 (2005): 72. http://dx.doi.org/10.2307/20063077.

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MacDonald, Cameron W., Peter G. Osmotherly, Robert Parkes, and Darren A. Rivett. "The current manipulation debate: historical context to address a broken narrative." Journal of Manual & Manipulative Therapy 27, no. 1 (2019): 1–4. http://dx.doi.org/10.1080/10669817.2019.1558382.

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Dinter, Martin T. "Contexts of War: Manipulation of Genre in Virgilian Battle Narrative (review)." Classical World 99, no. 1 (2005): 85–86. http://dx.doi.org/10.1353/clw.2006.0008.

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Al-Janabi, Ismail Ibrahim. "The Applications of Genome Editing in the Management of Cancer: A Narrative Overview." Al-Rafidain Journal of Medical Sciences ( ISSN 2789-3219 ) 6, no. 1 (2024): 76–85. http://dx.doi.org/10.54133/ajms.v6i1.503.

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Objective: To provide an overview of the status of applying genome editing, particularly CRISPR/Cas9, in the management of cancer. Method: Several search tools were consulted in the preparation of this manuscript to obtain peer-reviewed articles using the given evaluation and selection criteria. Main points: CRISPR/Cas9 and its associated variants stood out as the technology of choice for manipulating cancer cells and managing the disease. This genome-editing technology can positively contribute to the elucidation of the roles of cancer genes, establish animal models to study the disease, and

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E. Ç., Öykü. "The Institutionalized Oppression of Reproductive Responsibility: A Dystopian Interpretation of the Maternal Role in The Handmaid’s Tale." Journal of Research in Social Science and Humanities 3, no. 9 (2024): 22–32. http://dx.doi.org/10.56397/jrssh.2024.09.03.

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This paper examines the institutionalized oppression of women through the manipulation of reproductive responsibility in Margaret Atwood’s The Handmaid’s Tale. It explores how the dystopian regime of Gilead weaponizes the maternal role by reducing women to their reproductive capacities, employing surveillance, commodification, and religious manipulation to control their bodies and identities. The analysis delves into the mechanisms by which the state sustains its patriarchal power, such as ritualized sexual violence, forced surrogacy, and the distortion of Biblical narratives, to justify its e

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Sharine, Sondang, and Fitzerald Kennedy Sitorus. "Apakah Post-Truth Berbasis Ideologi Membahayakan Demokrasi: Perspektif Penyebaran Fakta Di Media Sosial." JKOMDIS : Jurnal Ilmu Komunikasi Dan Media Sosial 4, no. 2 (2024): 399–404. http://dx.doi.org/10.47233/jkomdis.v4i2.1677.

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The “post-truth” phenomenon that shakes the foundations of democracy by prioritizing emotional and ideological narratives over objective facts, especially in the context of social media and ideology, threatens healthy political processes and participation in society in political decision making. The aim of this research is to understand the impact of ideology-based post-truth on the stability and integrity of democracy. The research methods used in this article are based on a comprehensive literature review. The results of this research are that ideology-based post-truth poses a serious threat

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Hill, Clair. "Expression of the interpersonal connection between narrators and characters in Umpila and Kuuku Ya’u storytelling." Narrative in ‘societies of intimates’ 26, no. 2 (2016): 257–85. http://dx.doi.org/10.1075/ni.26.2.04hil.

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This article analyses the selection of person reference expressions in narratives in Umpila/Kuuku Ya’u, a Pama-Nyungan language of Cape York Peninsula (Australia). The analysis takes the principle of topic-fittedness, one of a set of design principles proposed to account for the interactional conditioning of person reference formulation, and applies it to Umpila/Kuuku Ya’u narration. The ensuing anlaysis demonstrates that referring practices are conditioned by, and ultimately work to convey, manifold contextual aspects of the narrative and the speech event it is embedded in. The focus is on th

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Haiko, Hennadii, Volodymyr Biletsky, and Vitaly Biletskyi. "Who discovered the Donetsk coal basin and when it was discovered." Skhid 3, no. 3 (2022): 25–32. http://dx.doi.org/10.21847/1728-9343.2022.3(3).266403.

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In the article, the authors raise the topical issue of historical falsifications, considering them as an element of information warfare. Applying the historiographical method and interpreting the facts of the creation of historical misinformation as manipulation of public consciousness, they present a specific case of historical research on the discovery of the Donetsk coal basin. Therefore, a review of the scientific and encyclopedic literature of Russia, the USSR and Ukraine devoted to the coverage of this issue was made; archival historical documents that show the real picture of the discov

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Melati Kusuma Wardhani, S.I.Kom, M.I.Kom, Melati Kusuma Wardhani, S. I. Kom, M. I. Kom. "1"Etika dan Representasi dalam Film Dokumenter: Tantangan Dokumentaris di Era Post-Truth Tahun 2024"." Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian 3, no. 2 (2025): 224–41. https://doi.org/10.56849/jpf.v3i2.67.

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In the post-truth era, where the lines between facts and opinions are often blurred, documentaries face great challenges in maintaining narrative integrity, especially when presenting controversial or sensitive issues. The study explores how documentaries can navigate these challenges bymaintaining a balance between compelling facts and narratives, verifying information thoroughly, and using cinematic techniques wisely to avoid emotional manipulation. The study also discusses the importance of transparency in the production process and the ethical responsibility ofdocumentaries in preventing p

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