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Relevant bibliographies by topics / Narrative nonfiction

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Academic literature on the topic 'Narrative nonfiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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Journal articles on the topic "Narrative nonfiction"

1

Levine-Rasky, Cynthia. "Creative nonfiction and narrative inquiry." Qualitative Research Journal 19, no. 3 (2019): 355–67. http://dx.doi.org/10.1108/qrj-03-2019-0030.

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Purpose The purpose of this paper is to describe, situate and justify the use of creative nonfiction as an overlooked but legitimate source of text for use in social inquiry, specifically within the ambit of narrative inquiry. What potential lies in using creative writing, creative nonfiction specifically, as a source of text in social research? How may it be subjected to modes of analysis such that it deepens understandings of substantive issues? Links are explored between creative nonfiction and the social context of such accounts in an attempt to trace how writers embed general social proce

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2

Miller, J. "Science Education: Narrative Nonfiction." Science 329, no. 5993 (2010): 748. http://dx.doi.org/10.1126/science.329.5993.748-b.

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Mangen, Anne, and Don Kuiken. "Lost in an iPad." Scientific Study of Literature 4, no. 2 (2014): 150–77. http://dx.doi.org/10.1075/ssol.4.2.02man.

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The purpose of this study was to examine the effects of reading medium and a paratext manipulation on aspects of narrative engagement. In a 2 (medium: booklet vs. iPad) by 2 (paratext: fiction vs. nonfiction) between-subjects factorial design, the study combined state oriented measures of narrative engagement and a newly developed measure of interface interference. Results indicated that, independently of prior experience with reading on electronic media, readers in the iPad condition reported dislocation within the text and awkwardness in handling their medium. Also, iPad readers who believed

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4

Cass, Jeffrey. "Theme Issue: Nonfiction Narrative Introduction." Storytelling: A Critical Journal of Popular Narrative 5, no. 2 (2006): 61–64. http://dx.doi.org/10.3200/stor.5.2.61-64.

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5

Hart, Curtis W. "Creative Nonfiction: Narrative and Revelation." Journal of Religion and Health 48, no. 2 (2008): 217–23. http://dx.doi.org/10.1007/s10943-008-9229-3.

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Echeverri, Daniel. "Sincerely Yours: Orchestrating Tangible Interactive Narrative Experiences." Cubic Journal, no. 3 (November 2020): 202–7. http://dx.doi.org/10.31182/cubic.2020.3.032.

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This paper briefly reflects on two aspects of narrative: the use of multimodal analysis to understand the relationships between the senses and the narrative, as well as digital and physical content, and the implications brought from this analytical perspective on the design of interactive narratives. The latter, in particular, concerns narratives that involve tangible interaction and physical manipulation of objects. The creative process of Letters to José, a physical-digital hybrid nonfiction narrative, exemplifies this reflection. In this narrative, the person interacting with the story take

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Birmingham, Kevin. "The Banished: Aesthetic Exclusions in Narrative Nonfiction." Narrative 23, no. 3 (2015): 341–48. http://dx.doi.org/10.1353/nar.2015.0021.

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8

Twidle, Hedley. "Experiments with Truth: Narrative Nonfiction in South Africa." Current Writing: Text and Reception in Southern Africa 31, no. 2 (2019): 94–106. http://dx.doi.org/10.1080/1013929x.2019.1618086.

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Ghinelli, Paola. "Images et narration dans l’œuvre de Dany Laferrière." Quêtes littéraires, no. 5 (December 30, 2015): 181–89. http://dx.doi.org/10.31743/ql.251.

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Narrative developments often stem from images in Dany Laferrière’s work. On the other hand, some of the narration in Laferrière’s fiction and nonfiction is synthesized in narrative snapshots that resemble descriptions. Temporal dimension plays a key role in this constant shift between image and imagination, because, as Didi-Huberman has shown, images carry an anachronistic element. This element also allows Laferrière and his narrators to use mainly simple present tense, even when the content of the narration is set in the past. Nevertheless, images are never explained or rationalized in Laferr

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Mar, Raymond A., and Marina Rain. "Narrative Fiction and Expository Nonfiction Differentially Predict Verbal Ability." Scientific Studies of Reading 19, no. 6 (2015): 419–33. http://dx.doi.org/10.1080/10888438.2015.1069296.

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Dissertations / Theses on the topic "Narrative nonfiction"

1

Rubinstein, Jordan. "The ineffable and experiential in narrative nonfiction." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/457162920/viewonline.

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Lehman, Daniel Wayne. "Writing outside/in : nonfiction narrative as implicated text /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487846354483818.

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3

Hale, Bonnie. "When shape becomes a sign: narrative design in creative nonfiction." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3091/.

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This thesis consists of a preface and three original short stories. The preface explores the idea that narrative designthe shape or structureof a story may become a literary motif in its own right. The three stories included are creative nonfiction and each employs a distinct modular design. The themes of the stories revolve around personal identity and values; families and marriage; and creative empowerment.

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Al-Qasem, Ruby Rodman Barbara Ann. "True selves narrative distance in stories of fiction and nonfiction /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/ark:/67531/metadc12069.

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Al-Qasem, Ruby. "True Selves: Narrative Distance in Stories of Fiction and Nonfiction." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12069/.

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True Selves: Narrative Distance in Stories of Fiction and Nonfiction consists of a scholarly preface and four creative works. The preface discusses narrative distance as used in both fiction and nonfiction, and as compares to other narrative agents such as point of view, especially in contemporary creative writing. The selection of stories examines relationships, especially familial, and themes of isolation, community, and memory. Collection includes two chapters of a novel-in-progress, Fences, short fiction story "Trees and Furniture," and creative nonfiction essays, "Floating" and "On the Sp

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Carlean, Kevin John. "The functions of narrative : a study of recent novelistic nonfiction." Thesis, Rhodes University, 1988. http://hdl.handle.net/10962/d1001827.

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Since Truman Capote's In Cold Blood: A True Account of a Multiple Murder and its Consequences was published in 1965, there have been many attempts to define and explain the phenomenon of the "non-fiction novel" as a unified narrative genre. Some of these attempts have been highly theoretical and scholarly, but most have been rather loose definitions referring to an extremely wide range of diverse factual narratives. Over the years, so many different works have been called "non-fiction novels" that it now seems as if the notion of such a unified genre is questionable. Surely it is not generical

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Salts, Diane Michelle. "Some String or Another: Fiction and Nonfiction Stories of Connection." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4486/.

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Some String or Another: Fiction and Nonfiction Stories of Connection, a creative thesis, explores patterns of change in stories from the perspective of connection and disconnection. The preface examines the effects of temporal disconnection, the relationship of conflict and connection to narrative rhythm, and the webs of connection formed during the process of creation. Included in the body of the work are six fiction stories, one metafiction story, and two nonfiction essays.

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Howell, Marshall Z. "Veteran : a narrative nonfiction account of a warrior's journey toward healing." Master's thesis, CardinalScholar 1.0, 2010. http://liblink.bsu.edu/uhtbin/catkey/1572307.

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Alonzo, Rachael Jane. "American women writers and their wildernesses : a personal approach to narrative nonfiction." Thesis, Bath Spa University, 2010. http://researchspace.bathspa.ac.uk/1484/.

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Gapsch, Andrea. "Narrative Techniques in Twenty-First Century Popular Holocaust Fiction." Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1618244388233822.

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Books on the topic "Narrative nonfiction"

1

Rubie, Peter. Telling the story: How to write and sell narrative nonfiction. Quill, 2003.

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Griffin, Connie. To tell the truth: Practice and craft in narrative nonfiction. Pearson/Longman, 2009.

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Rimmon-Kenan, Shlomith. Narrative Fiction. Taylor & Francis Inc, 2004.

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Narrative Fiction. Taylor & Francis Inc, 2002.

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5

Basic elements of narrative. Wiley-Blackwell, 2009.

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6

David, Herman. Basic Elements of Narrative. John Wiley & Sons, Ltd., 2009.

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Nair, Rukmini Bhaya. Narrative Gravity. Taylor & Francis Group Plc, 2004.

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Smith, Julia Amelia. Narrative art in Victorian nonfiction: Theory and practice in Carlyle, Newman, and Pater. University Microfilms International, 1985.

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9

Narrative fiction: Contemporary poetics. 2nd ed. Routledge, 2002.

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Rimmon-Kenan, Shlomith. Narrative fiction: Contemporary poetics. Routledge, 1994.

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Book chapters on the topic "Narrative nonfiction"

1

Keen, Suzanne. "Nonfiction and Fiction in Disguise." In Narrative Form. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137439598_10.

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Keen, Suzanne. "Disguises: Fiction in the Form of Nonfiction Texts." In Narrative Form. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230503489_10.

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Johnson, Merri Lisa. "Dismembering the Heterosexual Imaginary: A Feminist Cultural Anatomy of the Infidelity Narrative in Nancy Mairs’s Remembering the Bone House." In On the Literary Nonfiction of Nancy Mairs. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230337688_12.

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Choi, Insook. "Interactive Documentary: A Production Model for Nonfiction Multimedia Narratives." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-02315-6_5.

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Clark, Hilary. "On Depression Narratives: “Hence, into the dark, we write…”." In On the Literary Nonfiction of Nancy Mairs. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230337688_5.

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Miner, Madonne. "“Making Up the Stories as We Go Along”: Men, Women, and Narratives of Disability." In On the Literary Nonfiction of Nancy Mairs. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230337688_10.

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Klein, Alison. "To Have and To Hold: The Role of Marriage in Nonfiction Indenture Narratives." In Anglophone Literature of Caribbean Indenture. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99055-2_2.

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Grumbrecht, Fabian. "The Interaction between Serial Fictions and Nonfictional Texts in the Kölnische Zeitung in the 1850s and 1860s." In Nineteenth-Century Serial Narrative in Transnational Perspective, 1830s−1860s. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15895-8_4.

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Pillay, Daisy, Mary Cullinan, and Leighandri Moodley. "Creative Nonfiction Narratives and Memory-Work: Pathways for Women Teacher-Researchers’ Scholarship of Ambiguity and Openings." In Studies in Arts-Based Educational Research. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97106-3_7.

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"Narrative Nonfiction." In Encyclopedia of Sciences and Religions. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_100717.

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