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1

Jean, Pickering, and Kehde Suzanne 1949-, eds. Narratives of nostalgia, gender, and nationalism. New York University Press, 1996.

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2

Pickering, Jean, and Suzanne Kehde, eds. Narratives of Nostalgia, Gender and Nationalism. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-13598-1.

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3

Managhan, Pat. Nostalgia isn't a goal. Adelphi Press, 1991.

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4

Molina, César Antonio. Nostalgia de la nada perdida: Ensayo sobre narrativa contemporánea. Ediciones Endymion, 1996.

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5

Sturgill, Roy L. Nostalgic narratives and historical events of southwest Virginia. R.L. Sturgill, 1991.

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6

Vij, Aanchal. Narratives of Nostalgia and Repair in American Comics and Literature. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-93126-0.

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7

editor, Puschmann-Nalenz Barbara, ed. Narrating loss: Representations of mourning, nostalgia and melancholia in contemporary Anglophone fictions. Wissenschaftlicher Verlag Trier, 2014.

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8

Cantrell, Bill. Friends, dear friends, and heroes: Nostalgic memoir of a WWII Marine fighter pilot. Freebooter Pub. Co., 1997.

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9

Zupo, Antonio. Storia di IMI: Diario ricettario nostalgia e ricordi di un prigioniero internato militare italiano, I.M.I., in Germania durante la Seconda Guerra mondiale. Herald, 2011.

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10

Brown, Teresa M. Rewriting the nostalgic story: Woman, desire, narrative. 1989.

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11

Craith, Máiréad Nic. The Vanishing World of The Islandman: Narrative and Nostalgia. Palgrave Macmillan, 2019.

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12

Kehde, Suzanne, and Jean Pickering. Narratives of Nostalgia, Gender and Nationalism. Palgrave Macmillan Limited, 1997.

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13

Kehde, Suzanne, and Jean Pickering. Narratives of Nostalgia, Gender and Nationalism. Palgrave Macmillan, 1997.

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14

Meng, Jing. Fragmented Memories and Screening Nostalgia for the Cultural Revolution. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528462.001.0001.

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This book explores the way personal memories and micro-narratives of the Cultural Revolution are represented in post-2001 films and television dramas in mainland China, unravelling the complex political, social and cultural forces imbricated within the personalized narrative modes of remembering the past in postsocialist China. While representations of personal stories mushroomed after the Culture Revolution, the deepened marketization and privatization after 2001 have triggered a new wave of representations of personal memories on screen, which divert from those earlier allegorical narratives
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15

van der Vlies, Andrew. Towards a Critical Nostalgia. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793762.003.0005.

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South African-born, Scottish-resident author Zoë Wicomb is a key postapartheid literary figure; her oeuvre complicates assumptions about locatedness, ethnicity, and cosmopolitanism. This chapter reads her novels—David’s Story (2000), Playing in the Light (2006), October (2014)—and select short fiction—in You Can’t Get Lost in Cape Town (1987) and The One That Got Away (2008); ‘In Search of Tommie’ (2010)—to consider how Wicomb stages text itself as a privileged space within which to hold open the promise of the ‘loose end’ (a recurring metaphor), exploring its potential to unravel older format
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16

Deacy, Chris. Nostalgia, Religion and Popular Culture. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350505247.

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Drawing on the event of Queen Elizabeth II’s death in 2022 as a central case study, this book explores the way we navigate the relationship between nostalgia and religion. Focusing on the lived experiences of ‘ordinary people’ and in tandem with the ‘turn to the self’ discourse, Deacy suggests that our relationship with nostalgia illustrates the shift from objective and transcendent value-systems towards the domain of everyday experience, love and loss. This book revisits the way we understand religion and the secular, using the medium of popular culture, such as radio, film, TV and music to i
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17

Han'guk munhak kwa sirhyang, kwihyang, t'arhyang ŭi sŏsa: Korean literature and narrative of losing, leaving and returning home. P'urŭn Sasangsa, 2015.

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18

Viljoen, Martina, ed. A Passage of Nostalgia: The Life and Work of Jacobus Kloppers. SunBonani Scholar, 2020. http://dx.doi.org/10.18820/9781928424734.

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Jacobus Kloppers, an eminent composer, organist, pedagogue, and scholar, significantly contributed to musicological and organ teaching in South Africa and Canada and, in the latter context, art music, and liturgical composition. A Passage of Nostalgia – The Life and Work of Jacobus Kloppers, as a symbolic gesture, constitute recognition of his work both in South Africa and Canada. This publication is unique in that, apart from relevant disciplinary perspectives, biographical and autobiographical narrative, and anecdote, all constitute a necessary means through which the authors illuminate Klop
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19

Liere, Lucien, and Srdjan Sremac. Trauma and Nostalgia. Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789048559220.

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This volume reflects on the significance of nostalgia in the construction of traumatic pasts, both on an individual and a collective level. By employing an interdisciplinary approach, the volume enhances our understanding of how the entanglements of trauma and nostalgia influence the construction and development of identity. Scholars from a range of academic disciplines and contexts explore the integration of nostalgic memories in discussions of trauma, attending to their interactions in public spaces, patriotic symbolism and rituals, popular culture, cinema, religion, museums, and memorials.
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20

Carr, Paul, ed. Nostalgia, Song and the Quest for Home. Bloomsbury Publishing Inc, 2025. https://doi.org/10.5040/9798765124376.

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What does it mean to evoke a sense of home through song, or intentionally utilize nostalgia in songwriting? This book explores a neglected aspect of scholarship surrounding the study of song—its relationship with nostalgia and notions of ‘home,' in the broadest sense. Each essay in this collection studies these factors from the perspective of ‘production’, ‘text’ and ‘reception,' either individually or in combination. Making use of frameworks such as Marxism, critical theory and hauntology, this is a propulsive study of the global cultural phenomena of nostalgia music. From the perspective of
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21

Madar, Vered. Where is Paradise? Place and Time in the Memoirs of Women from Yemen. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190912628.003.0012.

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This chapter examines how time and place are shaped in memoirs written by women from Yemen. More specifically, it considers the ways in which the women depict their birthplace and the transition from Yemen to Israel, and how their narratives are influenced by the larger narrative of the Yemenite Jewish community. The focus is on books published in the last thirty years by Yemeni-born women who immigrated to Israel in the 1940s and 1950s. The chapter shows that the Yemenite women’s memoirs are an illustration of the so-called biblical chronotope; they often portray Yemen as a garden of Eden and
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22

M’Closkey, Kathy. Unraveling the Narratives of Nostalgia. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037153.003.0008.

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For decades, researchers have investigated the impact of market economies on indigenous peoples' lifeways and natural resources. This chapter reveals how incorporation of Navajo pastoralists into the American wool and livestock markets via the trading-post system initiated a turning point in Diné history. The passage of the Dawes Act in 1887, triggered the loss of over 80 million acres of tribal lands and ultimately impoverished thousands of Native Americans. That same year, revisions proposed to the wool tariff initiated a change in federal policy that ultimately held profound consequences fo
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23

Irizarry, Ylce. Narratives of New Memory. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039911.003.0005.

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This chapter examines how authors Demetria Martínez and Elías Miguel Muñoz have crafted exemplars of the narrative of new memory. Martínez's novel Mother Tongue (1993) illustrates new memory constructed transnationally, as self-conception by Chicanas/os and Latinas/os changes through contact with refugees of Central American civil wars—exiles with different experiences of internal political oppression and external US neocolonialism. Meanwhile, Muñoz's novel The Greatest Performance (1991) creates a new memory of Cuban exile, defined neither by exilic nostalgia for Cuba nor by assimilationist d
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24

Narratives of nostalgia, gender and nationalism. Macmillan, 1997.

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25

Narratives of Nostalgia, Gender, and Nationalism. New York University Press, 1996.

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26

Nine Times Two - a Narrative: A Story of Resilience, Heavy with Pain and Nostalgia, That Ends with Clarity, Hope, and Light. and May the Light Be Infinite. Independently Published, 2021.

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27

Deledda, Grazia. Nostalgie: NARRATIVA ITALIANA 135 Premio Nobel. Independently Published, 2019.

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28

Olalquiaga, Celeste. The Artificial Kingdom. Bloomsbury Publishing PLC, 1999.

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29

Breckling, Molly M. Mining the Past for New Expressions. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199316090.003.0002.

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Of Mahler’s Des Knaben Wunderhorn songs, eighteen possess the characteristics traditionally associated with the ballad as defined by Goethe: telling a story that passes through time with a discrete beginning, middle, and end that uses any combination of epic, dramatic, and lyrical narrative voices, excepting the purely lyrical. Mahler utilised numerous poetic and musical methods to bring these stories to life in his ballads, one of the most unique being the use of traditional song forms as a device to convey the overarching narrative. At his most complex, Mahler was forced to abandon the tradi
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30

Bofill, Hèctor López. Nostalgic Empires. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781978723375.

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The present state of European integration finds its roots in the decolonization processes and the dissolution of empires in the past. Building upon this fundamental idea, this work presents a narrative that explores the Western European states’ struggle for national survival within the framework of European supranational structures. Hèctor López Bofill argues that the European Union, with its intricate legal framework, serves as a means to ensure national cohesion and social stability within its member states. Bofill identifies several sources of domination stemming from the combined actions o
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31

Retiring to Spain: Women's Narratives of Nostalgia, Belonging and Community. Policy Press, 2015.

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32

Retiring to Spain: Women's Narratives of Nostalgia, Belonging and Community. Policy Press, 2016.

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33

Wagner, Tamara S. Longing: Narratives of Nostalgia in the British Novel, 1740-1890. Bucknell University Press, 2004.

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34

Wagner, Tamara S. Longing: Narratives Of Nostalgia In The British Novel, 1740-1890. Bucknell University Press, 2005.

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35

Ahmed, Anya. Retiring to Spain: Women's Narratives of Nostalgia, Belonging and Community. Policy Press, 2015.

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36

Vo, Quynh H., and Tung X. Bui. Making of Little Saigon: Narratives of Nostalgia, enchantments, and Aspirations. Hamilton Books, 2024.

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37

Longing: Narratives of nostalgia in the British novel, 1740-1890. Bucknell University Press, 2004.

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38

BarrettCalvi Nostalgia Untitled Book 2. HarperCollins Publishers, 2014.

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39

Koikari, Mire. Love! Spam. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190240400.003.0010.

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This chapter narrates the tale of Okinawan identity through an unusual medium, Spam, the gelatinous pink lunchmeat that accompanied the American military in its imperialist expansion across the Pacific. Spam and similar competitors were welcomed by Okinawans as luxuries following the exigencies of the war and were soon adapted and indigenized as an ingredient in popular local dishes like pōku tamago (pork and eggs) and chanpurū (mixed stir-fry). The chapter shows how luncheon meat created a powerful narrative space to express discordant emotions and attitudes: memories of war and militarized o
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40

Le style troubadour, ou, La nostalgie du bon vieux temps. Presses universitaires de Nancy, 1985.

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41

Lorcin, Patricia M. E. Historicizing Colonial Nostalgia: European Women's Narratives of Algeria and Kenya 1900-Present. Palgrave Macmillan, 2019.

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42

Lorcin, P. Historicizing Colonial Nostalgia: European Women's Narratives of Algeria and Kenya 1900-Present. Palgrave Macmillan Limited, 2011.

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43

Historicizing colonial nostalgia: European women's narratives of Algeria and Kenya 1900-present. Palgrave Macmillan, 2012.

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44

Lorcin, P. Historicizing Colonial Nostalgia: European Women's Narratives of Algeria and Kenya 1900-Present. Palgrave Macmillan, 2011.

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45

Lorcin, Patricia M. Historicizing Colonial Nostalgia: European Women's Narratives of Algeria and Kenya 1900-Present. Palgrave Macmillan, 2011.

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46

Sarker, Sonita. Women Writing Race, Nation, and History. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192849960.001.0001.

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This book presents how Nation and Narrative are bound together through the figure of the “N/native” as it appears in the non-fictional writings of Cornelia Sorabji, Grazia Deledda, Zitkála-Šá, Virginia Woolf, Victoria Ocampo, and Gwendolyn Bennett. It addresses two questions: How did women writers in the early twentieth century tackle the entangled roots of political and cultural citizenship from which crises of belonging arise? How do their narrative negotiations of those crises inform modernist practice and modernity, then and now? The “N/native” moves between “born in” and “first in” in the
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47

Finseth, Ian. Plotting Mortality. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190848347.003.0005.

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In returning to the Civil War, postbellum American writers depended on the literary conventions and mythic structures of meaning by which a vast and violent history could be incorporated into fictional narrative. The result was a struggle between “romantic” and “realist” patterns of meaning that reflected the existential anxieties of American modernity: the sense of epistemological limitation and the dread of ontological purposeleᶊneᶊ. In the former, the war prompts the expreᶊion of nostalgia for a pre-capitalist, premodern, and pre-secular world. In the latter, the war is linked to the rise o
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48

Garin, Manuel, and Albert Elduque. Playing the Holes. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190254971.003.0012.

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Across his entire career, from the early nansensu films to the late family dramas, Ozu consistently used gags and humor to alleviate the tension of dramatic situations, further enriching their significance. This chapter explores how such Ozuesque gags combine irony and nostalgia in order to balance the overall tone of the narrative, relying on formal strategies such as modularity and repetition. By discussing Wayne C. Booth’s concept of stable irony and other critical sources, the chapter argues that Ozu’s aging (not just running) gags are capable of bringing characters and audiences together
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49

Marsh, Kate. Narratives of the French Empire: Fiction, Nostalgia, and Imperial Rivalries, 1784 to the Present. Lexington Books/Fortress Academic, 2017.

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50

Marsh, Kate. Narratives of the French Empire: Fiction, Nostalgia, and Imperial Rivalries, 1784 to the Present. Lexington Books/Fortress Academic, 2013.

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