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Relevant bibliographies by topics / Narrative of oral tradition

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Academic literature on the topic 'Narrative of oral tradition'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Narrative of oral tradition"

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Algül, Mustafa. "Anlatı İçinde Anlatı: “Into The Woods (Sihirli Orman)” Filminin Peri Masalı Anlatıları İçindeki Gezintisi." Etkileşim 4, no. 7 (April 2021): 128–49. http://dx.doi.org/10.32739/etkilesim.2021.7.121.

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Myths, epics, and tales have survived for centuries in the oral expression tradition and have been permanently transcribed from oral tradition into written form. They are the most frequently recreated narratives in the cinema with their fantastic narrative structures. Hollywood cinema has been using tales as visual narratives for years. Tales, which have been turned into a structure open to the interpretation in accordance with the changing world, on the one hand is being reediting continuously. On the other hand, they gain new appearances along with intertwined narrative structures. In Into the Woods (Rob Marshall, 2014), four different fairy tales were used together. In this study, it is aimed to determine what kind of changes has been carried out in the film in terms of the different stages of the fairy tales. For this purpose, while collecting the data by examining the narrative structure of the fairy tales, the action areas are identified in terms of the “five components” in the Greimas’ ‘canonical narrative’. Briefly, the main object in this paper is to explicate the status of the film within the types of the cinematic narratives.

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McBride, Lawrence W., and Gary E. McKiddy. "The Oral Tradition and Arab Narrative History." Teaching History: A Journal of Methods 14, no. 1 (May 5, 1989): 3–17. http://dx.doi.org/10.33043/th.14.1.3-17.

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Sulistyowati, Sulistyowati. "Tradisi Lisan Yogyakarta: Narasi dan Dokumentasi." Bakti Budaya 2, no. 1 (April 15, 2019): 45. http://dx.doi.org/10.22146/bb.45032.

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Yogyakarta is one of the provinces where people are still aware of their oral tradition. Oral tradition as a culture contains aspects of life of a society. Types of oral tradition are verbal oral traditions, half-oral traditions, and non-verbal (material) oral traditions. Narrating the tradition in written form becomes an eﬀort in documentation, both in Javanese and Indonesian narratives. To translate it from the original language (Javanese) to Indonesian language creates some problems. The narrative script of the oral tradition still requires a lot of improvements in terms of language and the content of story. This research aims to train and assist people of Yogyakarta to write down their oral traditions. The activity specifcally aims to create texts of oral tradition in Yogyakarta which can be published into a semi popular book. The program, then, should be followed up by cultural discussions on oral tradition in Yogyakarta. =================================================================Salah satu daerah yang masyarakatnya masih sadar akan kehadiran tradisi lisan adalah Yogyakarta. Tradisi lisan sebagaikebudayaan mengandung segala aspek kehidupan yang ada di masyarakat. Jenis kelompok tradisi lisan di antaranya tradisi lisan verbal, tradisi lisan setengah verbal, dan tradisi lisan nonverbal (material). Narasi tulis tradisi lisan menjadi sebuahupaya dalam dokumentasi, baik narasi berbahasa Jawa maupun bahasa Indonesia. Adanya alih bahasa dari bahasa Jawa ke bahasa Indonesia maupun sebaliknya membuat permasalahan baru muncul. Sebagian besar narasi yang terkumpul belum sepenuhnya dapat dianggap sebagai naskah karena masih memerlukan banyak perbaikan dalam segi bahasa ataupun isi cerita. Kegiatan Pengabdian kepada Masyarakat ini bertujuan untuk melatih dan mendampingi masyarakat Yogyakarta untuk menulis naskah tradisi lisan. Kegiatan pengabdian ini secara khusus bertujuan untuk menciptakan naskah tradisi lisan Yogyakarta yang dapat dipublikasikan menjadi buku semipopuler. Keberlanjutan program yang dapat dilakukan adalah terlaksananya diskusi budaya secara rutin tentang tradisi lisan Yogyakarta.

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Huber, Loreta, and Evelina Jonaitytė. "Oral Narrative Genres as Communicative Dialogic Resources and their Correlation to African Short Fiction." Respectus Philologicus, no. 37(42) (April 20, 2020): 137–46. http://dx.doi.org/10.15388/respectus.2020.37.42.45.

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Oral and written storytelling traditions in Africa developed at the same time and influenced each other in many ways. In the twentieth century, the relation between the deeply rooted oral tradition and literary traditions intensified.We aim to reveal literary analysis tools that help to trace ways how oral narrative genres found reflection in African short fiction under analysis. A case study is based on two short stories by women writers, The Rain Came by Grace Ogot and The Lovers by Bessie Head. Images and symbols both, in oral and written traditions in Africa, as well as the way they evolved and extended in a literary genre of short fiction are considered within the framework of hermeneutics, reader reception theory and feminist literary criticism.The results obtained in the study prove that oral narrative genres interact with literary genres, though most importantly, women’s writing as a literary category and images embodied in the short stories play a decisive role and deviation from the images embodied in African oral tradition.

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McCall, Daniel F., and Robert Cancel. "Allegorical Speculation in an Oral Society: The Tabwa Narrative Tradition." International Journal of African Historical Studies 23, no. 1 (1990): 185. http://dx.doi.org/10.2307/220027.

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Dorsey, David, and Robert Cancel. "Allegorical Speculation in an Oral Society: The Tabwa Narrative Tradition." World Literature Today 64, no. 1 (1990): 184. http://dx.doi.org/10.2307/40146063.

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Kang, Choon Ae. "Narrative bonding between the Oral Tradition and the Classical Drama." ONJI COLLECTION OF WORKS 54 (January 31, 2018): 343–78. http://dx.doi.org/10.16900/onji.2017.54.13.343.

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Kang, Choon Ae. "Narrative bonding between the Oral Tradition and the Classical Drama." ONJI COLLECTION OF WORKS 54 (January 31, 2018): 343–78. http://dx.doi.org/10.16900/onji.2018.54.13.343.

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Roberts, Allen F., and Robert Cancel. "Allegorical Speculation in an Oral Society: The Tabwa Narrative Tradition." African Arts 24, no. 1 (January 1991): 96. http://dx.doi.org/10.2307/3336886.

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Davies, Sioned. "From Storytelling to Sermons: The Oral Narrative Tradition of Wales." Oral Tradition 18, no. 2 (2004): 189–91. http://dx.doi.org/10.1353/ort.2004.0060.

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Dissertations / Theses on the topic "Narrative of oral tradition"

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Neufeldt, Bradley. "Cultural confusions, oral/literary narrative negotiations in Tracks and Ravensong." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq22548.pdf.

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Shaw, Delphine R. "George Sword's Warrior Narratives: A Study in the Processes of Composition of Lakota Oral Narrative." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311217.

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This research is the result of a long-standing interest in the work of one individual, George Sword who composed two hundred and forty-five pages of text in the Lakota language using the English alphabet in the period 1896 through 1910. In the past scholars have studied Lakota narratives and songs and with each study new insights are gained. However, the focus generally in oral literary research has been in the study of content and not process in Lakota oral traditions. In order to better understand the characteristics of Lakota oral style this study shows how it is composed and structured in the work of George Sword. The research focus is from a qualitative perspective concerned with exploring, describing, and explaining a culturally specific Lakota oral narrative more commonly found in history and ethnographic disciplines, where it is a special type of case study research. The primary method used is an analysis of historic documents and original text in Lakota to address the issues raised in the general research problem: How do you define Lakota literature? In the end this study shows the way in which Lakota oral narrative is composed, how its practice produced a distinct form. During the course of this study, what became apparent in George Sword's Lakota narratives were the formulaic patterns inherent in the Lakota language used to tell the narratives as well as the recurring themes and story patterns. The primary conclusion is that these patterns originate from a Lakota oral tradition. This analysis can be used to determine whether any given written narrative in Lakota oral tradition is oral or not; and leads the way for further research

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Calabaza, Estefanita Lynne. "Through Pueblo Oral Tradition and Personal Narrative: Following the Santo Domingan 'Good Path'." Thesis, The University of Arizona, 2011. http://hdl.handle.net/10150/144374.

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This master's thesis is an autoethnography. According to Denzin and Lincoln, an autoethnograpic piece "works to hold self and culture together, albeit not in equilibrium or stasis," (207). This thesis, presented in story form, tells how I was educated into and came to follow the "Good Path" in becoming a member of Santo Domingo Pueblo, and more specifically, a contemporary Santo Domingan woman. My story is framed within a Puebloan paradigm of remembrance as articulated through oral tradition, narrative and text, and the social and natural environments of my Santo Domingan world. Through introspection and reflection on the narratives, I elicit what I believe to be the foundational core values of Santo Domingo culture. I identify and reference these core values as Breath, Corn, Hair, and Family. It is through my stories that I have also come to understand the strength and power of oral traditional narratives and teachings.

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Kelly, Stephen T. "Homeric correption and the metrical distinctions between speeches and narrative." New York : Garland, 1990. http://catalog.hathitrust.org/api/volumes/oclc/20823392.html.

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Salie, Shazia. "The representations of Sojourner Truth in The Narrative of Sojourner Truth." University of the Western Cape, 2020. http://hdl.handle.net/11394/7311.

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Magister Artium - MA
I read representations of Sojourner Truth in her Spiritual Narrative, The Narrative of Sojourner Truth with a focus on the portrayal of her unconventional character, through a close analysis of language, structure, photographs and narrative voice. Truth’s editor Olive Gilbert’s raises questions about whether the daguerreotype offers a more accurate form of representation than text. I explore the similarities and differences between visual and written portraits in representations of Truth as a unique figure. I question critical readings of Sojourner Truth’s dress in photographs as conservative, reading instead for a combination of conservative and subversive elements. I suggest that her interest in aesthetic forms such as dress and décor is symbolic of her yearning for home, her heritage, her agency, and unique taste. Her many references to her family indicate that she was more than just an empowered figure, but also one who still grieved. I read Truth’s description of domestic space as representing ambivalently, both her sense of loss, and her attempts to acquire agency. I consider how Truth attempts to recreate a sense of family and belonging through fragments of memory. In my reading of how she questions and extends conventional notions of family and community, I explore how she adapts and includes song, and quotations from the Bible in her sermons, by drawing on elements of African folktale and music. Most critics focus on Truth’s strong voice as an activist, there is little attention to the significance of spiritual solitude for her reimagining of community. I suggest that Truth offers alternative ideas of community as fluid rather than as fixed in one place. I explore how her ideas challenge the notion of nation as exclusive. I consider the genre of The Narrative by analyzing Olive Gilbert’s role as editor and writer. I propose that her role in The Narrative is a more complex one than suggested by critics, as it challenges conventional concepts of autobiography creating a conversation between two voices and lives.

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Lewis, Lynn C. "Towards an ethnography of voice in Amerafrican culture : an oral traditional register in four women's narratives /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9946273.

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Ramos, Adriana Jorge Lopes Machado. "A Dita-cuja : uma narrativa de tradição oral sobre A filha do diabo, reinterpretada para a literatura infanto-juvenil." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/134377.

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O objetivo geral desta tese consiste em transformar a narrativa inédita de tradição oral “A filha do diabo”, recolhida em Luzerna, no oeste de Santa Catarina, em um texto literário para o público leitor infanto-juvenil. Para alcançar tal objetivo, propõe-se descrever o relato de pesquisa e o diário de campo, bem como transcrever a narrativa inédita de tradição oral “A filha do diabo”, analisar a narrativa transcrita “A filha do diabo”, definir um conjunto de pressupostos aplicáveis ao processo de reinterpretação de uma narrativa de tradição oral para literatura infanto-juvenil e reinterpretar a narrativa analisada “A filha do diabo” para um texto literário destinado ao público infanto-juvenil que se intitulará A Dita-Cuja.
This paper intends to change the brand new narrative of oral tradition “The Devil’s Daughter” (Luzerna, Western Santa Catarina) into a literary work for juveniles. In order to achieve this objective, it is proposed to describe the research report and the field diary as well as transcribing this narrative and analysing the transcribed version of it. Moreover, it is suggested to set a group of presuppositions, which are applicable to the process of reinterpretation of a narrative of oral tradition focusing it on juvenile literature, and reinterpret the analysed narrative “The Devil’s Daughter” by making it a literary text for juveniles named “The Un-referable”.

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Sekhoela, William Godwright. "Account-giving in the narratives of personal experience in Sepedi." Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/1200.

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Brinkman, Inge. "Kikuyu gender norms and narrative /." Leiden : Research school CNWS, 1996. http://catalogue.bnf.fr/ark:/12148/cb37712892x.

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Gomes, Marlene. "As narrativas míticas no contexto escolar: análise da produção textual de uma turma de aprendentes do sétimo ano do ensino fundamental de uma escola municipal de Manaus." Universidade Federal do Amazonas, 2008. http://tede.ufam.edu.br/handle/tede/4128.

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This research has as its objective to analyze the contribution of regional mythic in the process of written textual production, from a group of seven grade learners of a public school in Manaus. Its other intention is to identify in the produced texts in this process expressive traces of Amazonian culture assimilated by oral tradition. The research ran three comparative analyses of written productions verifying the progressive evolvement as to the written narrative of The Manioc Legend; of versions collected from oral counts and told to the group by the learners themselves up to the one by Jose Coutinho Oliveira, presented as a possible model. The analyses of sequences found in the texts revealed the efficacy of mythic narratives as a method resource to orient the production of written texts in school setting. This was firstly noticed through creativity expression presented by the learners by adding new elements to the narrative sequences of the legend, as well as, the utilized resources in characterizing the layers; as a last element, it was the use of a language of which one could verify the projection of its socio-cultural reality.
Esta pesquisa tem como objetivo analisar a contribuição das narrativas míticas regionais no processo de produção textual escrita, de uma turma de aprendentes de sétimo ano do Ensino Fundamental, de uma escola pública de Manaus, bem como identificar, nos textos produzidos nesse processo, traços expressivos da cultura amazônica assimilados da tradição oral. A pesquisa percorreu uma análise comparativa das produções escritas, em número de três, verificando a progressiva desenvoltura dos aprendentes quanto à narrativa escrita da Lenda da Mandioca, a partir de versões colhidas da oralidade e relatadas à turma pelos próprios aprendentes, e da versão de José Coutinho de Oliveira, apresentada como possível modelo. A análise das seqüências encontradas nos textos revelou a eficácia das narrativas míticas, enquanto recurso metodológico, para a orientação de produção de textos escritos no contexto escolar. Isso foi percebido por meio da criatividade com que os aprendentes se expressam, acrescentando elementos novos às seqüências narrativas da lenda, dos recursos utilizados na caracterização das personagens, e, do emprego de uma linguagem na qual se pode verificar a projeção da sua realidade sociocultural.

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Books on the topic "Narrative of oral tradition"

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Dasylva, A. O. Classificatory paradigms in African oral narrative. Ibadan, Nigeria: Ibadan Cultural Studies Group, University of Ibadan, 1999.

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Olrik, Axel. Principles for oral narrative research. Bloomington: Indiana University Press, 1992.

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Mills, Margaret Ann. Oral narrative in Afghanistan: The individual in tradition. New York: Garland Pub., 1990.

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Principles for oral narrative research. Bloomington: Indiana University Press, 1992.

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Listening to Homer: Tradition, narrative, and audience. Ann Arbor: University of Michigan Press, 2002.

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Blécourt, Willem de, and Zoja Karanović. Belief narrative genres: Žanrovi predanja = Zhanry predaniĭ. [Göttingen, Germany]: International Society for Folk Narrative Research, 2012.

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The oral discourse in Khasi folk narrative. Guwahati: EBH Publishers (India), 2011.

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Encontro, IFNOPAP (1st 1997? Belém Brazil). Narrativa oral & imaginário amazônico. Belém: Editora Universitária UFPA, 1999.

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Cancel, Robert. Allegorical speculation in an oral society: The Tabwa narrative tradition. Berkeley: University of California Press, 1989.

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Bauman, Richard. Story, performance, and event: Contextual studies of oral narrative. Cambridge [Cambridgeshire]: Cambridge University Press, 1986.

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Book chapters on the topic "Narrative of oral tradition"

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Marini, Maria Giulia. "Bridging from Oral Tradition to Writing: The Art of Empathy." In Narrative Medicine, 19–26. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-22090-1_3.

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Wabende, Kimingichi. "Restaging Oral Narrative in Civic Education." In The Palgrave Handbook of African Oral Traditions and Folklore, 959–74. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55517-7_48.

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Kapanga, Kasongo Mulenda. "Absorption of Oral Tradition and Folklore Narrative in Written Fictional Works: Paul Lomami-Tchibamba, Ngandu Nkashama and Alain Mabanckou." In The Palgrave Handbook of African Oral Traditions and Folklore, 661–83. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55517-7_32.

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Gargano, Elizabeth. "Oral Narrative and Ojibwa Story Cycles in Louise Erdrich’s Birchbark House and Game of Silence." In Ethnic Literary Traditions in American Children's Literature, 29–43. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230101524_4.

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Tye, Diane. "6. Women’s Oral Narrative Traditions as Depicted in Lucy Maud Montgomery’s Fiction, 1918–1939 (1993)." In The L.M. Montgomery Reader, 149–62. Toronto: University of Toronto Press, 2014. http://dx.doi.org/10.3138/9781442668607-010.

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Goldin, Daniel. "Narrative tradition." In Narrative and Meaning, 137–64. Abingdon, Oxon ; New York, NY : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315205212-6.

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Walter, Nigel. "Tradition." In Narrative Theory in Conservation, 124–48. Abingdon, Oxon; New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429427183-6.

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Lebbady, Hasna. "Introduction Re-Membering: From Memory to History." In Feminist Traditions in Andalusi-Moroccan Oral Narratives, 1–28. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100732_1.

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Lebbady, Hasna. "Aisha the Carpenter’s Daughter." In Feminist Traditions in Andalusi-Moroccan Oral Narratives, 29–53. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100732_2.

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Lebbady, Hasna. "Ali and a Spinner Too?" In Feminist Traditions in Andalusi-Moroccan Oral Narratives, 55–75. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100732_3.

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Conference papers on the topic "Narrative of oral tradition"

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Lei, Dongxue, and Andong Lu. "A Study of Chinese Traditional Wetland Island Settlement Combining Morphological and Narrative Analyses." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5895.

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A Study of Chinese Traditional Wetland Island Settlement Combining Morphological and Narrative Analyses Dongxue Lei¹, Andong Lu² School of Architecture and Urban Planning, Nanjing UniversityHankou Road 22#, Gulou District, Nanjing, ChinaE-mail: dxlei@outlook.com, andonglu@gmail.com Keywords (3-5): wetland island settlement, morphology, townscape, cognitive map Conference topics and scale: Tools of analysis in urban morphology The Lixiahe region, a low-lying wetland located to the eastern side of the Huaiyang section of the Grand Canal, is characterized by a complex hydrological environment and has changed slowly in the urbanization process. The historical town of Shagou, a representative case of island settlements in this region, has a recorded history of continuous morphological change over six hundred years. Regarding Shagou as a cultural-geographical entity, this article aims at combining morphological analysis and narrative-based cognitive mapping to revel the characteristic townscape that strongly depends on cultural-geographic complexity. Based on survey work, this article will first define distinguishable plan elements that underpins the spatial form of Shagou: 1) natural context; 2) streets system; 3) plots system, and then investigate diachronically different phases of the formation of its spatial structure. On the other hand, based on archiving and data analysis of the oral history study, this article will generate a narrative cognitive map, in terms of paths, nodes, landmarks and areas. In conjunction with fieldwork and documentary record, this study testifies that the method derived from the plan analysis developed by Conzon is applicable to the study of wetland island settlement form in China and that narrative spatial analysis provides important supplemental spatial information. A careful combination of these methods might be used for understanding culturally embedded settlement forms in China. References (100 words) Conzen, M. R. G. (1960) Alnwick, Northumberland: A Study in Town-plan Analysis (London, George Philip). Herman, D. (ed.) (2003) Narrative theory and the cognitive sciences (Center for the Study of Language and Information Publication). Whitehand, J. W. R. and Gu, K. (2007) ‘Extending the compass of plan analysis: a Chinese exploration’, Urban Morphology, 11(2), 91-109. Whitehand, J. W. R. and Gu, K. (2007) ‘Urban conservation in China: Historical development, current practice and morphological approach’, The Town Planning Review, 78(5), 643-670.

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Stefanova, Rumyana. "LOGOTYPE AND NARRATIVE." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-141.

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Cassell, Justine. "Oral tradition, aboral coordination." In the 10th international conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1040830.1040832.

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de Miranda Neto, Affonso Celso. "Jimi Hendrix: the heroic narrative of an electric guitar's icon." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-146.

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Katsaridou, Maria. "ADAPTATION OF VIDEO GAMES INTO FILMS: THE ADVENTURES OF THE NARRATIVE." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-144.

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Nikula, Silja. "IS IT A STORY – OR JUST ARTWORK? GRAPHIC IMAGE AS A NARRATIVE." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-140.

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Meigalia, E., and Y. Putra. "Minangkabau Oral Tradition Performer and Social Media Usage." In First International Conference on Advances in Education, Humanities, and Language, ICEL 2019, Malang, Indonesia, 23-24 March 2019. EAI, 2019. http://dx.doi.org/10.4108/eai.23-3-2019.2284882.

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Ningsih, D., Aceng Rahmat, and Siti Attas. "Structure and Function Of The Beluk Oral Tradition." In Proceedings of the First International Seminar Social Science, Humanities and Education, ISSHE 2020, 25 November 2020, Kendari, Southeast Sulawesi, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.25-11-2020.2306724.

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Uniawati, Uniawati. "The Face of Nature in Massureq Oral Tradition." In Proceedings of the First International Seminar Social Science, Humanities and Education, ISSHE 2020, 25 November 2020, Kendari, Southeast Sulawesi, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.25-11-2020.2306728.

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Firmansyah, Arif, Aceng Rahmat, and Siti Attas. "Structure and Inheritance Of The Carita Pantun Oral Tradition." In Proceedings of the First International Seminar Social Science, Humanities and Education, ISSHE 2020, 25 November 2020, Kendari, Southeast Sulawesi, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.25-11-2020.2306725.

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Reports on the topic "Narrative of oral tradition"

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VanBokkelen, J. Responsibilities of host and network managers: A summary of the "oral tradition" of the Internet. RFC Editor, August 1990. http://dx.doi.org/10.17487/rfc1173.

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