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Books on the topic 'Narrative painting, Renaissance'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Consult the top 19 books for your research on the topic 'Narrative painting, Renaissance.'

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1

Story and space in Renaissance art: The rebirth of continuous narrative. Cambridge [England]: Cambridge University Press, 1995.

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2

Hornik, Heidi J. Illuminating Luke: The infancy narrative in Italian Renaissance painting. Harrisburg, PA: Trinity Press International, 2004.

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3

Venetian narrative painting in the age of Carpaccio. New Haven: Yale University Press, 1988.

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4

Brown, Patricia Fortini. Venetian narrative painting in the age of Carpaccio. New Haven, Conn: Yale U.P., 1990.

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5

Approaching sacred pregnancy: The cult of the Visitation and narrative altarpieces in late fifteenth-century Florence. Helsinki: Suomalaisen Kirjallisuuden Seura, 2007.

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6

Ringbom, Sixten. De l'icône à la scène narrative. Paris: Gérard Monfort, 1997.

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7

Gemälde und Drama: Giotto, Masaccio, Leonardo. Frankfurt am Main: Suhrkamp Verlag, 2009.

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8

Carpaccio: Les esclaves libérés. Paris: Pommier, 2007.

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9

Torti, Luigia. L'umanizzazione del divino e l'ideale civico nei cicli narrativi della Venezia quattrocentesca. [Italy?]: s.n., 1996.

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10

Torti, Luigia. L' umanizzazione del divino e l'ideale civico nei cicli narrativi della Venezia quattrocentesca. Pavia: L. Torti, 1996.

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11

Changing the signs: The fifteenth-century breakthrough. Lincoln: University of Nebraska Press, 1985.

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12

The place of narrative: Mural decoration in Italian churches, 431-1600. Chicago: University of Chicago Press, 1990.

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13

Andrews, Lew. Story and Space in Renaissance Art: The Rebirth of Continuous Narrative. Cambridge University Press, 1998.

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14

Lavin, Marilyn Aronberg. Place of narrative: Mural decoration in Italian churches, 431-1600. University of Chicago Press, 1994.

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15

Lavin, Marilyn Aronberg. The Place of Narrative: Mural Decoration in Italian Churches, 431-1600. University Of Chicago Press, 1995.

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16

Neʻurim shel taʻam: "ha-Shomer ha-tsaʻir be-Ṭransilvanyah" 1929-1949. Givat Ḥavivah (Israel): be-hotsaʾat Yotsʾe "ha-Shomer ha-tsaʻir" be-Ṭransilvanyah ṿe-"Yad Yaʻari", 1991.

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17

Taiber, Ada. ha-Oman ki-demut be-tsiyure alilah: Deyoknaot atsmiyim shel omanim mi-Merkaz Italyah ba-meot ha-14 veha-15. Ot-Paz, 1992.

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18

Illuminating Luke: The Passion and Resurrection Narratives in Italian Renaissance and Baroque Paintings. T. & T. Clark Publishers, 2007.

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19

Gardner, Hunter H. Pestilence and the Body Politic in Latin Literature. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198796428.001.0001.

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Abstract:

Lucretius, Vergil, and Ovid developed important conventions of the Western plague narrative as a response to the breakdown of the Roman res publica in the mid-first century CE and the reconstitution of stabilized government under the Augustan Principate (31 BCE–14 CE). Relying on the metaphoric relationship between the human body and the body politic, these authors use largely fictive representations of epidemic disease to address the collapse of the social order and suggest remedies for its recovery. Plague as such functions frequently in Roman texts to enact a drama in which the concerns of the individual must be weighed against those of the collective. In order to understand the figurative potential of plague, this book evaluates the reality of epidemic disease in Rome, in light of twentieth-century theories of plague discourse, those of Artaud, Foucault, Sontag, and Girard, in particular. Pestilence and the Body Politic in Latin Literature identifies consistent features of the outbreaks described by Roman epic poets, charting the emergence of Golden-Age imagery, emphasis on bodily dissolution, and poignant accounts of broken familial bonds. Such features are expressed through Roman idioms that provocatively recall the discourse of civil strife that characterized the last century of the Roman Republic. The final chapters examine key moments in the resurgence of Roman plague topoi, beginning with early imperial poets (Lucan, Seneca, and Silius Italicus), and concluding with discussion of late antique Christian poetry, paintings of the late Italian Renaissance, and Anglo-American novels and films.

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