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Relevant bibliographies by topics / Narrative prose

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Academic literature on the topic 'Narrative prose'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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Journal articles on the topic "Narrative prose"

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Callaway, Charles B., and James C. Lester. "Narrative prose generation." Artificial Intelligence 139, no. 2 (August 2002): 213–52. http://dx.doi.org/10.1016/s0004-3702(02)00230-8.

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Francese, Joseph. "Staged Narratives/Narrative Stages: Essays on Italian Prose Narrative and Theatre." Italian Culture 37, no. 2 (July 3, 2019): 171–73. http://dx.doi.org/10.1080/01614622.2019.1683271.

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Yusha, Zhanna M. "Genre Specificity of Shamanic Narratives in the Folklore Tradition of Tuvans." Critique and Semiotics 10, no. 2 (2022): 258–74. http://dx.doi.org/10.25205/2307-1737-2022-2-258-274.

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Genre features and structure of shamanic narratives existing in Tuvan folklore are analyzed. Two types of stories have been identified in the performing tradition – from the ritual specialist and the bearer of the tradition. The mythological picture in both types of stories complement each other, in them the general narrative model characteristic of shamanic narratives is preserved. It is revealed that shamanic narratives combine features of various genres of non-narrative prose: oral narrative, myth and mythological narrative, legend and legend, which indicates the archaic syncretism of folklore consciousness. In the structure of shamanic narratives, the differentiating features characteristic of a particular genre of non-narrative prose are described in detail and described. In shamanic narratives, the presence of shamanic algysh-chants is revealed; their pragmatic functions are determined; their thematic diversity is revealed.

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Moiseeva, Victoria. "Elena Katishonok’s Prose." Stephanos Peer reviewed multilanguage scientific journal 55, no. 5 (September 30, 2022): 9–19. http://dx.doi.org/10.24249/2309-9917-2022-55-5-9-19.

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The article analyzes the artistic features of the E. A. Katishonok’s prose, including genre, narrative structure, and the principles of the hero’s word in the author’s monologue. The image of the city is regarded in the context of the proposed by Yu. Lotman the typological scheme: a city of concentric and a city of eccentric type. Attention focuses on the temporal characteristics of the narrative, the category of memory. The conducted research allows to characterized the originality of the historical narrative in the prost of the writer.

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Lushnikova, G. I., and T. Yu Osadchaya. "Fragmentation of Modern Artistic Narrative (English-Language Prose)." Nauchnyi dialog, no. 6 (June 24, 2021): 225–39. http://dx.doi.org/10.24224/2227-1295-2021-6-225-239.

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The question of the role, forms and functions of fragmentation of modern artistic narra tive is considered. The results of the analy sis of the fragmentary narrative of the works of contemporary English-speaking authors (J. Barnes, D. Mitchell, M. Cunningham, I. Banks, J. Franzen, S. Faulks, J. Eugenides, A. Smith, J. McGregor and others) are presented. The relevance of the study is due to the fact that in the modern literature of the postmodernist direction, nonlinearity of narration, deliberate mixing of temporal, local, descriptive and other layers are becoming widespread, practically becoming the norm. The novelty of the research is seen in the fact that the fragmentation of a literary text is studied at different levels — compositional, content-thematic, plot, ideological-figurative, genre, narrative, chronotopic. It has been proved that the forms of implementation of fragmentariness are quite diverse: irregular division of the text, heterogeneity of themes and ideas, lack of linear development of the plot, combination of elements of different genres, the presence of internal polystylism, the use of different types of narration and narrator, violation of the unity of the chronotope. The analysis of specific material showed that the functions of a fragmentary narrative are determined by each specific context, the leading ones being the impact on the reader, the management of his attention, the placement of accents according to the writer's intention, the creation of the impression of authenticity and reliability.

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Pelevin, Mikhail. "The Beginnings of Pashto Narrative Prose." Iran and the Caucasus 21, no. 2 (June 21, 2017): 132–49. http://dx.doi.org/10.1163/1573384x-20170203.

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The article argues that the first specimens of Pashto original narratives in free prose are to be found in the historiographical compilation Tārīkh-i muraṣṣaʿ (1724) among the texts of the chronicles, diaries, and memoirs written by the Khaṯak tribal rulers Khūshḥāl Khān (d. 1689) and Afżal Khān (d. circa 1740/41). Over thirty fragments from these texts may be qualified as short stories for, being focused on particular events and episodes, they are distinguished by strikingly realistic manner of narration and well developed elements of detailing, descriptiveness and emotiveness. Richly illustrated with translations of selected excerpts from original Pashto texts the article summarises the stories’ subject-matters by grouping them into three main categories (wars, incidents, everyday life events) and discusses various aspects of the authors’ narration techniques, such as compression of time and space in kea moments of action, accentuated portrayal of characters, extensive use of direct speech with a range of stylistic timbres. The article proves that the stories of the Khaṯak chiefs may be viewed also as unique documents on the realities of the Pashtun tribal life in pre-modern times.

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Kolesnikoff, Nina. "Narrative Strategies of Russian Postmodern Prose." Russian Literature 53, no. 4 (May 2003): 401–10. http://dx.doi.org/10.1016/s0304-3479(03)00028-0.

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Morgan, Gareth. "Rhyme in Prose Narrative: A Precaution." Folklore 97, no. 2 (January 1986): 219–21. http://dx.doi.org/10.1080/0015587x.1986.9716383.

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Etyang, Philip, Justus Siboe Makokha, and Oluoch Obura. "Picaresque narrative techniques and popular literature in African prose fiction." Journal of Languages, Linguistics and Literary Studies 2, no. 4 (December 31, 2022): 187–98. http://dx.doi.org/10.57040/jllls.v2i4.341.

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The Picaresque tradition is a mode of writing that began in Spain in the 16th century and flourished in the 17th and 18th centuries throughout the rest of Europe. It is a literary tradition that has continued to influence modern fiction writing to date. The current paper examined the picaresque and popular African literature narrative techniques through conducting an in-depth analysis of the following texts; Kill Me Quick, Mission to Kala, The Angels Die, and A Sport of Nature. To effectively address the task, the study examined narratives and narrative techniques in the prose fiction under study. The paper then deployed the Structural Literary Theory in an effort to decode the intertextuality between the texts. The study established that the texts under study are interconnected through the main characters, especially the picaro/picara. An examination of Gustav Freytag’s narrative structure was conducted and similarities and differences in the narrative structures of the texts under study was observed. The Postcolonial Literary Theory was also consulted where specific strands of the theory as propounded by Vorn Gorp, and Frantz Fanon were blended to furnish the study with the necessary theoretical backbone to exhaustively study picaresque narratives in popular literature. In conclusion, the study established that the Picaresque and Popular Literature writing modes are interconnected through the use plot and main characters. The study also established that the non-linear and episodic plot structures are the most commonly used techniques in picaresque and popular writing modes.

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Kropyvko, Iryna. "Фрагментація постмодерного прозового тексту: засади і прийоми." Studia Polsko-Ukraińskie 9 (July 18, 2022): 141–61. http://dx.doi.org/10.31338/2451-2958spu.9.9.

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The article focuses on factors and manifestations of postmodern text fragmentation. A fragment is one of the central concepts of modern and postmodern literature. The modernist fragment was a means of cognitive activity and a form of its adequate representation. It was determined by the basic concept of the integrity of a literary phenomenon and recognition of its encoded meaning, as well as encouraged the reader to invent missing parts. It has been proven that for postmodernist prose, the fragment is the only possible mode of its existence, an artistic strategy and an artistic device. The postmodernist text is positioned by the game field, where equal participants play with multiple-order fragments. Such fragments include preceding artistic traditions and techniques. Text fragmentation is enhanced by equalizing the rights of the author, character and the reader. Each participant of the literary communication has their own (partial) view of the art world. Narrative strategies of prose fragmentation are determined by the ways of building rhizomatic narratives and the peculiarities of their perception by the receptionist. Ukrainian and Polish writers use various means of constructing a fragmented text at the levels of its conceptualization, narrative structure, interpretative and receptive strategy, image-based specifi city (intermediateness etc.).

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Dissertations / Theses on the topic "Narrative prose"

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Dehghani, Fiona Elizabeth. "Dialogue in Middle Welsh narrative prose." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611611.

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Sagaert, Martine. "L'image de la mère dans la prose narrative." Paris 4, 1992. http://www.theses.fr/1992PA040187.

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La mère, plus que n'importe quel autre personnage, s'inscrit dans l'histoire, la micro histoire et l'histoire des mentalités. En ses évocations multiples, par sa récurrence même, c'est un personnage signifiant. En premier lieu, nous avons confronté l'image romanesque de la mère et sa représentation sociale, nous avons mis en regard la mère bourgeoise, la mère paysanne et la mère ouvrière, nous avons confronté la maternité légitime et la maternité illégitime, la libre maternité et la maternité obligatoire. Mais analyser le personnage de la mère, c'est étudier un cas romanesque, alchimie de représentations diverses qui participent du temporel et de l'intemporel, de l'inconscient collectif et de l'inconscient singulier. Nous avons étudié la déclinaison maternelle, de la mère en gloire à la vierge des sept douleurs, de la madone au bouc émissaire, jusqu'à ce que Colette nous conte l'histoire exemplaire de Sido jusqu’à ce que Cybèle, la déesse - mère, dispense la mort, jusqu'à ce que Mauriac enfante Genitrix, la mère mortifère qui condamne l'enfant roi. En second lieu, nous avons analysé plus spécialement le rapport mère écrivain avec quatre auteurs de la même génération : Charles-Louis Philippe (de condition populaire, aimé par sa mère), Paul Léautaud (né hors-mariage dans un ménage d'artistes et abandonné par sa mère), Marcel Proust et André Gide (tous deux de condition bourgeoise et choyés par leur mère). . .
The mother, more than any other character, is present in history, micro-history and the history of mentalities. Through its various evocations, in its very recurrence, she is a meaningful character. At first, we have confronted the romantic image of the mother with her social representation, we have focused on the middle class, the peasant and the working-class mothers, we have confronted legitimate and illegitimate motherhood, voluntary and compulsive motherhood. But analysing the mother character means concentrating on a romantic case, alchemy of numerous representations which participate in both the temporal and the timeless, the collective and the individual unconscious. We have studied the maternal declension from the glorious mother to the seven grieves blesses virgin, from the madonna to the scapegoat, until Colette tells us the story of Sido, until Cybele - the mother - goddess - dispenses death, until Mauriac gives birth to Genitrix, the mortiferous mother who condemns the king-child

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Sorbier-Rawls, Julie. "La musique dans la prose narrative moderniste espagnole." Thesis, Montpellier 3, 2010. http://www.theses.fr/2010MON30038/document.

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La littérature moderniste est musicale par essence. Elle souhaite éveiller des sensations chez le lecteur : le recours à la musique, art suggestif par antonomase, crée l’allusion. Comment sertir la musique dans la littérature ? Stéphane Mallarmé propose de « précéder les effets de la musique en redéfinissant celle-ci ‘d’où elle point’ » . Si l’art musical est naturellement porté par le poème, qu’en est-il de la prose ? En Espagne, Ramón María del Valle-Inclán offre un exemple probant de prose musicale dans ses Sonatas. Est-ce là tout ? Le projet mallarméen n’a-t-il pas rencontré d’écho parmi d’autres prosateurs espagnols ? Certes, l’intention y est ; les histoires de la littérature le confirment mais ne s’y attardent pas. Notre travail est donc double : il s’agit d’abord de retrouver des œuvres en prose modernistes espagnoles puis de les analyser par le prisme musical pour voir comment est saisi ce projet de fusion des arts. L'étude révèle que la musique de la prose, parfois imperceptible, raffine les sensations et sensibilise le lecteur à l’élégance, au rythme ou au phrasé d’un syntagme. En somme, la musique intérieure devient une propédeutique à l’ineffable. En creux de ce projet se dessine le rôle du poète dans la société. Celui-ci se présente comme un prêtre des temps modernes. Pourtant, le mythe auquel il tente de souscrire semble désincarné : sensible aux réalités de son époque, en quête d’un public féru de naturalisme, l’écrivain espagnol ne s’engage pas pleinement. Sa prose, hésitante, est souvent mièvre : cela explique qu’elle soit passée inaperçue aux yeux de l’histoire
Modernist literature is by essence musical. It is meant to arouse the reader’s senses: the use of music, a suggestive art by excellence, creates the allusion. How can one insert music in literature? Stéphane Mallarmé suggests to precede the effects of music by redefining it from its origin. If the art of music is naturally expressed through a poem, how about through prose? In Spain, Ramón María del Valle-Inclán offers a prime example of musical prose in his Sonatas. Is this all that can be expected? Has there been no other echo of Mallarmé’s project in Spanish prose? Certainly the intention to do so exists; histories of literature confirm this intention but nothing more. Our work is going to be twofold: first we need to find Spanish modernist prose works, and then analyze these works through the prism of music in order to understand how the fusion of these arts (music and prose) is realized. The analysis reveals that the music of the prose, sometimes imperceptible, sharpens the senses and makes the reader more sensitive to the elegance, to the rhythm and the phrasing of a syntagm. In other words, the inner music paves the way to the ineffable. The poet’s role in society is described within this project. He presents himself as a modern times priest. Yet the myth to which he tries to subscribe lacks substance: sensitive to the realities of his time, in search of an audience keen on naturalism, the Spanish writer is not fully implicated. His prose is hesitant, often corny: this explains why it has passed unnoticed in history

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Mehta, Divya. "Expressive states : the gendered nation as literary text and narrative." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/59793/.

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Smadja, Stéphanie. "La «nouvelle prose française » : étude sur la prose narrative au début des années 1920." Paris 4, 2006. http://www.theses.fr/2006PA040148.

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Cette étude vise à mettre en valeur le renouvellement de la prose littéraire dans les romans et les nouvelles des années 1920, à partir d’un double questionnement : comment définir la prose ? Qu’est-ce qu’un style « moderne », en prose dans les années 1920 ? Le cheminement proposé part de l’imaginaire de la prose pour aboutir aux pratiques d’écriture. Mes recherches contribuent ainsi à l’élaboration d’une histoire de la prose littéraire intégrant les apports récents de la linguistique. La première partie analyse l’invention de la catégorie esthétique de la prose littéraire à partir de 1850, le rôle des revues et des maisons d’édition dans la structuration du champ, enfin la dimension institutionnelle de l’histoire de la prose. La seconde partie évoque les débats sur la notion de style en prose narrative, les deux principales tendances stylistiques et la définition d’un style moderne, fondée sur des critères syntaxiques. Enfin, la troisième partie étudie certains phénomènes caractéristiques (la tendance vers un style substantif, la discontinuité) et leur cristallisation à travers le renouvellement des techniques de restitution du discours intérieur
The aim oh this study is to put forward the renewal of literary prose in novels and short stories in the nineteen-twenties. The starting point is a double question : how to define prose? What is a “modern” style in prose during the nineteen-twenties? The proposed work starts from prose’s imaginary axis and then explores writing practices. Integrating recent linguistic findings, my research thus contributes hereby to the elaboration of a history of literary prose. The first part analyses the invention of the aesthetic category literary prose from eighteen-fifty, the role of periodicals and publishing houses in the structuring of the field, as well as the institutional aspect of the history of prose. The second part deals with the notion of style in literary prose as well as with the two principal stylistic tendencies and the definition of a modern style founded on syntactic criterions. Last but not least, the third part studies some typical phenomenas (tendency toward a nominal style, discontinuity) and their fixation throughout the renewal of restitution techniques of the internal discourse

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Goller, Mirjam. "Gestaltetes Verstummen : Nicht-Sprechen als narrative Konstituente in der russischen Prosa der frühen Moderne /." Frankfurt : P. Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb392639770.

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Bagros, Cyril. "La représentation de l'espace dans la prose narrative surréaliste." Paris 3, 2000. http://www.theses.fr/2000PA030132.

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Peuple d'analogies, de dissemblances et de ressemblances, le recit surrealiste suggere un ordre dont la cle se derobe sans cesse. Il fait beaucoup plus, en cela, qu'exploiter le pouvoir d'engendrement autotelique du langage sur le seul espace de la page, ou qu'exprimer l'arbitraire d'une subjectivite indifferente au "reel". Au lendemain de la guerre, l'espace qu'il ouvre, en une reaction violentecontre le systeme de representation du monde homologue par le roman du xixeme siecle, est un champ d'interference, peuple de tensions, de terreurs et de desirs, de "negociations", ou ne se joue rien moins qu'un autre mode d'articulation entre le moi et le monde. Entre la profondeur organique du corps et l'organisation de ses habitats, entre le lieu et son organisation narrative, l'etendue et sa reticulation au sein d'un reseau rhetorique, le monde en soi et son esthetisation par et pour un regard, sont ici redecouverts les << grands schemes imaginatifs moteurs >> qui sont a l'oeuvre dans toute representation spatiale. Avec une liberte de langage qui ne bouleverse les canons de la representation litteraire que pour raviver ses principes, le surrealisme restitue a ces derniers toute leur puissance creatrice, et les emploie dans une magie.

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Tomioka, Tatsuaki. "State of affairs dynamics in prose fiction." Thesis, University of Edinburgh, 1995. http://hdl.handle.net/1842/7523.

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This thesis is a linguistic/ontological inquiry into narrative dynamics. Particular attention is drawn to elucidating the mechanism for recognising story events as one reads narrative discourse. The overall discussion is a criticism of formal approaches to narrative dynamics which tend to make observations on the assumption that there is a fixed relation between language form and meaning (e.g. the distinction between events and non-events in narrative circumstances). As two possible factors responsible for preventing formal analysts from taking an elastic view of story-event structure in narrative, I point out overly metalinguistic and metatemporal attitudes held by many narrative poeiticians, grammarians and formal semanticists. The recognition of narrative dynamics is primarily concerned with our concept of time, so that this thesis focuses a good deal of attention on explicating how time can be conceptualised in narrative. The basic component of the argument, therefore, is made up of ontological observations concerning time, event, and change, which are mainly made in Chapters 3 and 5. This thesis concludes that overly metalinguistic and metatemporal approaches to narrative dynamics tend to be fallacious, and that it is the commonsensical view that counts in the recognition of the event structure in narrative discourse. A hypothetical stance I adopt in constructing a narrative theory is the viewpoint of the ordinary reader of narrative fiction who is not formally trained, and therefore, does not necessarily respond to narrative texts in a highly metalinguistic or metatemporal way. The importance of assuming the ordinary reader's viewpoint for the proper recognition of the story-event structure of narrative is referred to in many different respects throughout the thesis.

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Kappes, Michel. "Images d'hommes dans la prose narrative d'Ingeborg Bachmann (1926-1973)." Paris 3, 1993. http://www.theses.fr/1993PA030002.

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La "logique d'amour" - l'homme comme bien-aime, amant, chevalier, dieu -, et la "logique de mort" - l'homme comme sadique, assassin, meurtrier collectif. Puis : l'entrecroisement de ces deux logiques : la question du "masochisme", et la perspective de la metamorphose
The "logic of love"; - the man as a beloved, lover, knight, god -, and the "logic of death", - the man as a sadist, murderer, collective murderer. Then the combination of these two logics : the question of "masochism", and the perspective of metamorphosis

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Park, Ilhyung. "Objects in Samuel Beckett's prose works : possessions, inventories, gifts." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341071.

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Books on the topic "Narrative prose"

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Amigoni, David. The English novel and prose narrative. Edinburgh: Edinburgh University Press, 2000.

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Civil, Pierre. La prose narrative du siècle d'or espagnol. Paris: Dunod, 1997.

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Lokangaka, Losambe, ed. An introduction to the African prose narrative. Pretoria: Kagiso Tertiary, 1996.

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Lokangaka, Losambe, ed. An introduction to the African prose narrative. Trenton, NJ: Africa World Press, 2004.

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Kahle, Peter V. T. Shakespeare's A midsummer night's dream: A prose narrative. Seattle, Wash: Seventy Fourth Street Productions, 1997.

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McAllister, Daniel. Narrative deviation in the prose of Ciaran Carson. [S.l: The Author], 2003.

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Padula, Vincenzo. Prose narrative, morali, satiriche, pensieri, cronache, elogi funebri. Roma [etc.]: Laterza, 1997.

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Narrative crossings: Theory and pragmatics of prose fiction. Baltimore: Johns Hopkins University Press, 1987.

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La nouvelle prose française: Étude sur la prose narrative au début des années 1920. Pessac: Presses universitaires de Bordeaux, 2013.

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Hoffman, Greg H. Narrative structure in the later prose of Jurij Trifonov. Ann Arbor: University Microfilms International, 1993.

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Book chapters on the topic "Narrative prose"

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Kibrik, Andrej A. "Anaphora in Russian Narrative Prose." In Typological Studies in Language, 255. Amsterdam: John Benjamins Publishing Company, 1996. http://dx.doi.org/10.1075/tsl.33.09kib.

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Mertens, Mahlu. "Negating the Human, Narrating a World Without Us." In Powerful Prose, 63–76. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839458808-005.

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In this article, Mahlu Mertens discusses the narrative possibilities of representing a »world without us« in Ontroerend Goed's play of the same name for an audience or reader who obviously still exists. In »Negating the Human, Narrating a World Without Us«, she argues that part of the text manages to evoke, through its list-like form, tense, and accompanying rhythm, mixed feelings of sadness and comfort in the face of human extinction - instead of the feeling of 'activist melancholia' often elicited by ecological elegies.

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Martinez, Maria-Angeles. "The Language of Engagement and the Projection of Storyworld Possible Selves in Roberto Bolaño's The Savage Detectives." In Powerful Prose, 207–30. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839458808-013.

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In this contribution, María-Ángeles Martínez explores the language of engagement in a short extract from Los Detectives Salvajes (Roberto Bolaño, 1998) and its English translation, The Savage Detectives (2007) within the framework of storyworld possible selves (SPSs). Her analysis focuses on the first cluster of SPS linguistics anchors, or linguistic expressions requiring a hybrid mental referent, inclusive of an intra- and an extra-diegetic perspectivizer, in the novel, and discusses its bearing on storyworld possible selves projection and narrative construal. The main narrative function of this first SPS cluster seems to be to invite the activation of readers' past selves as young, restless university students as the part of their self-concepts with a stronger engagement potential in this specific narrative experience.

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Thorne, Sara. "The language of literature — narrative prose." In Mastering Advanced English Language, 283–306. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-13645-2_13.

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Barton, Simon. "Textual Gestures: Iconic Text and Narrative." In Visual Devices in Contemporary Prose Fiction, 68–91. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137467362_3.

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Ross, D. Pennell. "The role of displacement in narrative prose." In New Studies in Latin Linguistics, 453. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/slcs.21.33ros.

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Hardwick, Oz. "Prose Poetry and the Resistance to Narrative." In Prose Poetry in Theory and Practice, 23–34. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003199533-3.

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Rudinsky, Norma L. "National Antiheroes: Symbolism and Narrative Voice as Coded National Identity in Ol’ga Feldeková’s Veverica." In Modern Slovak Prose, 205–14. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11288-3_18.

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Görner, Rüdiger. "Conflicting Narratives: Notes on the Compositional Nature of Poems in Prose." In Narrative(s) in Conflict, edited by Wolfgang Müller-Funk and Clemens Ruthner, 41–52. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110556858-005.

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Huisman, Rosemary. "Prose fiction and the texture of time." In Narrative Worlds and the Texture of Time, 135–50. New York: Routledge, 2022. http://dx.doi.org/10.4324/b23121-9.

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Conference papers on the topic "Narrative prose"

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Lushnikova, G. I. "Specific Feachers Of Narrative In Modern American Prose." In X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.106.

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Juncu, Lilia. "The Interpretative-Ideological Function of the Narrator in Pashoptist Prose." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.27.

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Gathering several narrative and stylistic formulas, the prose of the Pasoptist period also highlights a diverse typology of narrators, who, apart from organizing the sequence of events (narration), also assume other roles, arising from the way these textual instances relate to the diegesis. In our communication, we will follow and comment on the interpretativeideological positioning of the narrators of some proses of the period in relation to the narrated events, in relation to the characters and narrators. We specify that this function, which requires the acting narrator (in the terminology of the French theorist Jaap Lintvelt) to define his attitude, to express his own opinions in relation to the characters and the narrators, is adopted by the narrators of the memoirist writings, signed by Mihail Kogălniceanu, Alecu Russo, Constantin Negruzzi, Vasile Alecsandri etc.

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Reggiani, Christelle. "Les discours directs libres dans la prose narrative de Stendhal." In 2ème Congrès Mondial de Linguistique Française. Les Ulis, France: EDP Sciences, 2010. http://dx.doi.org/10.1051/cmlf/2010040.

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Рустамов, Роман Ровшанович. "CHARACTERISTIC FEATURES OF SYLVIA PLATH'S SHORT PROSE." In Социально-экономические и гуманитарные науки: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Июнь 2022). Crossref, 2022. http://dx.doi.org/10.37539/seh303.2022.10.43.006.

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На примере рассказов «Джонни Паника и Библия сновидений», «Дочери Блоссом-стрит», «Мэри Вентура и “Девятое королевство”» и других определяется своеобразие малой прозы Сильвии Плат: доминирование тем одиночества и непонимания, автобиографичность, сюжетная напряженность, фрагментарность, богатая метафоричность. The article reveals the characteristic features of Sylvia Plath`s short prose based on the analysis of stories “Johnny Panic and the Bible of Dreams”, “The Daughters of Blossom Street”, “Mary Ventura and The Ninth Kingdom” and others: the major themes of loneliness and lack of connection, autobiographical motives, the intensity of narrative, fragmentation and metaphoricity.

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Курочкина, Анжелика. "LYRICAL MONOLOGUE-CONFESSION - THE BASIS NARRATIVE MANNER IN B. ZAYTSEV'S EARLY PROSE." In Slavic ethnic groups, languages and cultures in the modern world. Baskir State University, 2021. http://dx.doi.org/10.33184/seyaikvsm-2021-09-23.42.

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Vyatkina, Svetlana V. "INTERROGATIVE SENTENCE IN A LITERARY TEXT (ON THE LAST FIVE YEARS STORIES MATERIAL)." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.09.

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The article presents the results of the analysis of the functions of interrogative sentences in modern experimental (fragmented) fiction, that reflects the processes of disintegration, based on the works of small prose (about 5 % of all short story texts) published in the magazines “Znamya”, “Octyabr’” and “Novyj mir” in the last 5 years. The selection of the material is based on the author’s definition of the narrative genre (short story, small prose, other prose, prose), on the formed discreteness of the text (various types of rubrication at the level of macro-syntax, at the level of microsyntax — the dismemberment of the syntagmatic chain of the sentence, the elimination of connectivity indicators, the use of alternative punctuation), on the identification of non-standard metagraphemics as the design piece of art’s means. A comprehensive analysis of the disintegration degree of small volume texts with interrogative sentences (question marks), pragmatics (types of questions), structural features (single questions, chains of interrogative sentences, combination with parcellation), the context of the introduction (position in the structure of the text and the presence/absence of a direct answer in a question-and-answer situation) allows you to determine the following functions of interrogative sentences in the text of experimental prose of small form 1) complication of the subject perspective of the text by removing the traditional punctuation of the parties of speakers in dialogues and including private questions in them; 2) metalanguage narrator’s reflection performing in the text with the help of existential rhetorical questions and unanswered questions; 3) the performance of the text-forming function of interrogative sentences in lyric monologues reflecting auto-communication. The revealed features of questions in modern prose reflect the author’s search for a means of compensation for disintegration, the increasing colloquialism of a literary text and the change in the recipient’s perception of his narrative (the desire to remove distance, modeling online communication), which is predetermined by the orientation to the modern reader, the search for new forms of artistic communication. Refs 18.

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Dean, Aaron, Pasi Lautala, and David Nelson. "Effectiveness of Using SHRP2 Naturalistic Driving Study Data to Analyze Driver Behavior at Highway-Rail Grade Crossings." In 2017 Joint Rail Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/jrc2017-2288.

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Highway-rail grade crossing (crossing) collisions and fatalities have been in decline, but a recent ‘plateau’ has caused the Federal Railroad Administration (FRA) to concentrate on decreasing further casualties. The Michigan Tech Rail Transportation Program has been selected to perform a large-scale study that will utilize the SHRP2 Naturalistic Driving Study (NDS) data to analyze how various crossing warning devices affect driver behavior and whether there are clear differences between the effectiveness of the warning devices. The main results of this study are the development of a coding scheme for a visual narrative, used to validate machine vision head tracking data, and an improved baseline for the head tracking data using bivariate probability density. Head tracking data from the NDS and its correlation with coded narratives are vital to analyze driver behavior as they traverse crossings. This paper also presents preliminary results for the comparative analysis of the head tracking data from an initial test sample. Future work will extend the analysis to a larger data set, and ensure that use of the head tracking data is a viable tool for the ongoing behavior analysis work. Based on preliminary results from testing of the first data set, it is expected there will be significant positive correlation in future samples and the machine vision head tracking will prove consistent enough for use in the large scale behavioral study.

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Tekeliova, Dominika. "FOLK NARRATIVES IN SLOVAKIA. FRANTISEK SUJANSKY AS A COLLECTOR OF FOLK PROSE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s28.086.

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Kaizerová, Petra. "A probe inside the poetic form of mysticism of Slovak Romantic Messianists." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-17.

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The Slovak Romantic Messianism is perceived by us as a phenomenon growing from a specific current epochal situation relating to a relatively rich tradition, which existed in the Slovak cultural context already in previous historical periods. By considering the characteristic features of production, its existence was often relativised. Nevertheless, it represents an important testimony of a concrete epoch. Its artistic implementation (perhaps today more than in the past) is being well appreciated, thanks to its interesting form and to its expressive and narrative strength or value. By focusing our attention on its expressive and thematic means, it is possible to prove that the authors tried to mediate a mystical experience to the readers. As mystagogues, they introduced and initiated the readers to the mysteries of God’s plans aiming at transformation of this world. In this sense, through their literary production, they invoked and prayed God to give them a chance to live a direct mystic experience in the reality. By pursuing this purpose, they filled their poetry with curious archaisms and neologisms (the so-called self-creation of language). They gave way to a speculative etymologism and poetical forms. Generally, they were syncretically stylying poetical shapes. And they often exploited experiments or complex strophic structures.

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Biloria, Nimish. "Smart Cities: A Socio-Technical Perspective." In International Conference on the 4th Game Set and Match (GSM4Q-2019). Qatar University Press, 2019. http://dx.doi.org/10.29117/gsm4q.2019.0020.

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This research paper elaborates upon the concept of Smart Cities and the evolution of the term itself throughout history in order to outline the emergence of two distinct schools of thought: technocentric and humancentric, which have shaped smart cities. The paper also categorizes smart cities based on these two perspectives and outlines the operational tactics associated with them. After discussing and summarizing the pros and cons of both perspectives, the viewpoint of a socio-technical system-based model for conceptualizing and re-thinking the smart city narrative is presented. This People, Activity, Context and Technology (PACT) based socio-technical ecosystem model and the manner in which it can overcome the shortcomings of the technocentric and the humancentric modes of thinking is thus presented as a way to understand the city and as a laboratory for initiating an ecology of informed smart innovations.

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