Relevant bibliographies by topics / Narrative rhythm

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Narrative rhythm'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Narrative rhythm"

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Byron, Kyle. "Weapons for Witnessing." Religion and Society 11, no. 1 (September 1, 2020): 61–74. http://dx.doi.org/10.3167/arrs.2020.110105.

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Drawing on observations of the performances of street preachers in the United States—as well as the texts that inform them—this article explores the concept of rhythm within and beyond the anthropology of religion. More specifically, it develops an expansive concept of rhythm as multiple and interactive, focusing not on a singular rhythm, but on the rhythmic translations that shape the practice of street preaching. First, I argue that the material rhythms of urban infrastructure constrain the narrative rhythms of the street preacher’s sermon, producing a distinct homiletics. I then suggest that the ideological rhythms of war animate the narrative rhythms of the street preacher’s sermon, linking military strategies with tactics of evangelism. Examining the material, narrative, and ideological rhythms of streets, sermons, and military doctrine, this article advances an analytic framework whereby the intersecting rhythmic tensions that shape performance can be registered.
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Le Saux, Françoise. "Narrative rhythm and narrative content in LaƷamon's Brut." Parergon 10, no. 1 (1992): 45–70. http://dx.doi.org/10.1353/pgn.1992.0034.

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Angova, Stela. "Contemporary Narrative – Context and Manifestations." Postmodernism Problems 10, no. 1 (April 2, 2020): 1–2. http://dx.doi.org/10.46324/pmp2001001.

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The first issue of the Postmodernism Problems for 2020 is dedicated to the contemporary narrative. The publishers approved the topic in January when our lives followed a familiar rhythm of work and the number assembled in a state of emergency. The context and manifestations of the narrative go through the exploration of the new hybrid oral-writing formation through the VoIP application Viber, a narrative analysis of one of the cultural icons of Japanese cinema - Godzilla, cyberbullying as a contemporary narrative form of aggressiveness, the use of multimedia narrative for different business sectors, crisis narrative, narrative through smart technologies and the phenomenology of virtual narratives.
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Keller, Sarah. "“As Regarding Rhythm”: Rhythm in Modern Poetry and Cinema." rythmer, no. 16 (April 11, 2011): 129–43. http://dx.doi.org/10.7202/1001959ar.

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This essay examines the connection between modern poetry and cinema through their mutual emphasis on rhythm. It argues that rhythm provides both an alternative mode for structuring non-narrative cinemas as well as an explanatory device for how filmmakers in the modernist milieu believe the cinema works.
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Robey, David, Annalisa Cipollone, and Paola Nasti. "Rhythm and metre in Renaissance narrative poetry." Italianist 20, no. 1 (June 2000): 21–43. http://dx.doi.org/10.1179/ita.2000.20.1.21.

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Candel, Daniel. "The rhythms of narrative tension and its cultural satisfaction." English Text Construction 11, no. 2 (October 19, 2018): 169–99. http://dx.doi.org/10.1075/etc.00008.can.

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Abstract Critics reading narratives as progressions, that’s to say, from beginning to end, prefer to see meaning emerge as a result of the interaction between different elements in the narrative, rather than of the imposition of a priori cultural schemata. This article, however, argues for the possibility of using a priori cultural schemata, as long as these pass through the filters established by theories of narrative progression. To show how this is done, I will interpret Frank Miller’s comic 300 by letting a tool of cultural-semantic analysis interact with narrative tension in the form of suspense, curiosity, and surprise. I argue that the back and forth between narrative tension and the tool accounts not only for the content of the comic but also for its basic narrative rhythm.
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Galicia, Frinné, Patricia Zavaleta Ramírez, Lino Villavicencio, Francisco R. de la Peña, Karla Garza Gallegos, Adriana Arias Caballero, Miriam Feria, Alfonso Cabrera, Mariana P. Escalona, and Lino Palacios-Cruz. "The role of circadian rhythms in individuals with attention deficit hyperactivity disorder and obesity: A narrative review." Salud mental 44, no. 1 (February 9, 2021): 25–30. http://dx.doi.org/10.17711/sm.0185-3325.2021.005.

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Background. A relationship between attention deficit hyperactivity disorder (ADHD) and obesity has been consistently documented. Obesity and metabolic syndrome have been associated with misalignment between daily activities and circadian rhythm. ADHD patients have a high prevalence of delayed sleep phase syndrome, which is a circadian rhythm disorder. Understanding this relationship is important for the evaluation of obese population at risk. Objective. The aim of this narrative review was to summarize the information updated until 2019 about the role of circadian rhythms in obese ADHD individuals. Method. A search was performed in MEDLINE, EMBASE, and Google Scholar database. The terms ADHD, obesity, circadian rhythm, sleep disorders, adolescent, adult, Adolesc, circadian, attention deficit hyperactivity disorder, and child were combined with logical functions. Results. A total of 132 articles were reviewed. Evidence showed that ADHD subjects have an increased risk to present obesity and circadian rhythms disorders. Some possible pathways for this relationship have been hypothesized including obesity as a risk factor, an underpinned common biological dysfunction, and behavioral and cognitive features of individuals with ADHD. As most of the articles are methodologically cross-sectional, it is not possible to establish causative associations. Discussion and conclusion. This review points out the importance of early recognizing and treating circadian rhythms disorders and obesity in ADHD patients. Future studies must be carried out with a longitudinal design to establish the effect of each comorbidity in the treatment of individuals with ADHD.
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Yao, Xiaoling. "Affect and narrative rhythm in Heart of darkness." Neohelicon 47, no. 2 (March 16, 2020): 735–50. http://dx.doi.org/10.1007/s11059-020-00531-4.

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Dayan, Peter, and Carolina Orloff. "Finding Rhythm in Julio Cortázar's Los Premios." Paragraph 33, no. 2 (July 2010): 215–29. http://dx.doi.org/10.3366/para.2010.0005.

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One character in Cortázar's novel (Persio) truly believes in cosmic rhythm. This belief is characteristic of a magical view of the universe central to 1960s (proto-‘New Age’) counterculture. The other characters in Los Premios, like the implied narrator, reject Persio's essentialism; they dismiss the notion that there is really any rhythm common to art, humanity, and the universe. However, there are key points in the narrative, inspired by falling in love and by works of art, at which their world does appear patterned by just such a rhythm, a ‘swing cósmico’. The novel itself turns out to depend on the intermittent conviction of this rhythm, not objectively embedded in anything, but always seen, living, and dying in time; the price of art is the acceptance of this rhythmed mortality.
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Al-Badayneh, Khaled. "Rhythmic Composition and literary features in Abi_ Ya,qub Al- Khuraymi’s poem in lamenting Baghdad." International Journal of Applied Linguistics and English Literature 10, no. 1 (January 31, 2021): 42. http://dx.doi.org/10.7575/aiac.ijalel.v.10n.1p.42.

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This research paper examines the rhythmic composition of a long poem written by the Abbasids poet (Abi_ Ya,qub Al- Khuraymi) in which he laments over the city of Baghdad after the destruction and devastation that have befallen it, as a result of the conflict between al-Ameen and al- Mamoun, the sons of the Abbasid Caliph Haroun al-Rashid. The poet was keen to exploit the components of the rhythm internally and externally to construct the poem to build psychological reactions. To attain this goal, the poem has its own internal and external rhythm, parallelism, poetic inlay rhyme, and narrative style.
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Dissertations / Theses on the topic "Narrative rhythm"

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Salts, Diane Michelle. "Some String or Another: Fiction and Nonfiction Stories of Connection." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4486/.

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Some String or Another: Fiction and Nonfiction Stories of Connection, a creative thesis, explores patterns of change in stories from the perspective of connection and disconnection. The preface examines the effects of temporal disconnection, the relationship of conflict and connection to narrative rhythm, and the webs of connection formed during the process of creation. Included in the body of the work are six fiction stories, one metafiction story, and two nonfiction essays.
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Bosworth, William Thomas. "Accentual counterpoint and metrical narrative in the music of Brahms." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/283616.

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This thesis introduces a web of concepts to analyse Brahmsian metre and move toward a more nuanced understanding of metrical expression and narrative in his music. Recent analytical studies of metre in common-practice Western classical music have utilised a powerful analogy of consonance and dissonance between tonal and metrical dimensions. More theoretical studies, particularly of Brahms's music, have investigated how metrical states can be systematised, both abstractly and by Brahms, to create a sense of tonicity. This thesis synthesises and extends these approaches. Metrical dissonance is suggested to offer only an insufficient purchase on Brahms's metrical style, and the concept of accentual counterpoint is suggested as an alternative that gives fuller power to the explication of Brahms's metrical complexity, but without reducing that complexity. The complexity of metrical states that Brahms employs, in turn, is explored. Brahms's path to the composition of extraordinary metrical complexity in his Op. 78 violin sonata shows both his increasing systematisation of metrical states and his increasing ability to separate and manipulate metrical accent-types, the latter supporting the concept of accentual counterpoint. That metre has expressive power invites the concept of metrical narrative. An attempt is made to unite a recent theory of musical narrative with metrical analysis, inviting readings of different narrative archetypes within Brahms's metrical trajectories, with a focus on non-romantic narratives as a complement to traditional readings of unity. The pitch-metre analogy, and particularly the typicality of tonicity in metrical organisation, is problematised by those works by Brahms that begin and end in different notated metres. These instances, apparent manifestations of directional metre, are analysed, principally using the theories of hypermetre, metrical dissonance, metrical states and accentual counterpoint, with the hypothetical concepts of organisation (directional metre, metrical narrative and metrical tonicity) as interactive heuristics. Moving from organisation back to expression, the thesis closes by exploring a problem within current theories of form and phrase structure: the difference between musical expansion and extension. It highlights a metrical manifestation of this created as an effect of accentual counterpoint, dubbed metrical expansiveness, and examines the interaction of this effect with form and narrative.
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Evans, Tracy. "Giving birth to maternal subjectivity : narrative, rhythm and caesura in an autobiographical practice of birth story-telling." Thesis, Aberystwyth University, 2017. http://hdl.handle.net/2160/310d7139-a248-4bd0-8267-0ebd2f5735b4.

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Within feminist scholarship there is a growing body of literature on pregnant and particularly maternal subjectivity. However, there has been very little published about women’s birth stories and their birthing subjectivities from an embodied perspective. This thesis attempts to respond to this gap. Using a practice-as-research methodology that combines modes of writing and speaking the body (l’écriture feminine) and deep listening, I attempt to design platforms (performative and written) that enable me to write (and re-write) my birth stories in the feminist tradition of autobiographical performance.
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Santos, Deuzélia Rosa Gomes dos. "LITERATURA, IMAGINÁRIO E EFEITO ESTÉTICO EM A HISTÓRIA DA ARANHA LEOPOLDINA E A MOÇA TECELÃ." Pontifícia Universidade Católica de Goiás, 2016. http://tede2.pucgoias.edu.br:8080/handle/tede/3589.

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In this research we analyze and analyze the imaginary through the construction, transformation and or deconstruction of the symbols and myths, as well as analyze the rhythms and images enabling the accomplishment of the aesthetic effect in the narrative poem The History of the Spider Leopoldina by Ana Luísa Amaral and the poetic narrative The Young Lady of Marina Colasanti. For the accomplishment of this dissertation the bibliographic research method was used in an analytic-deductive way. Initially we demonstrate the trajectory, construction and evolution of Literature to the Work of Literary Art. Next we draw an overview of Children's Literature; From its genesis to contemporaneity, questioning its existence as subgenre of literature, genre for a specific reader or subliterature. This subject is treated with theoretical support from the critics Nelly Novaes Coelho, Antonio Candido de Mello e Souza and Regina Zilberman. We also present the works and their authors, the body of this dissertation. Symbols and myths are analyzed in the mitochristic view under the aegis of the imaginary theory of Gilbert Durant and Gaston Bachelard in order to understand the question of mythic actualization and its influence on the aesthetic effect. The rhythms and images, with the theoretical support of Paul Valéry and Octavio Paz, are analyzed as an agent of seduction, as a poetic instrument and as significant resources that accentuate and favor the occurrence of the aesthetic effect. At the end of the research we report three real cases that show the concretization of the aesthetic effect. The Theory of Aesthetic Effect discussed in this paper was founded on Wolfgang Iser.
Nesta pesquisa discorremos e analisamos o imaginário através da construção, transformação e, ou desconstrução dos símbolos e mitos, bem como analisamos os ritmos e imagens possibilitando a realização do efeito estético no poema narrativo A História da Aranha Leopoldina de Ana Luísa Amaral e a narrativa poética A Moça Tecelã de Marina Colasanti. Para realização desta dissertação utilizou-se o método de pesquisa bibliográfico de forma analítico-dedutiva. Inicialmente, demonstramos a trajetória, construção e evolução da Literatura à Obra de Arte Literária. Em seguida, traçamos um panorama da Literatura Infantil da sua gênese à contemporaneidade, questionando sua existência enquanto subgênero da Literatura, gênero para um leitor específico ou subliteratura. Esse assunto foi tratado com suporte teórico dos críticos Nelly Novaes Coelho, Antonio Candido de Mello e Souza e Regina Zilberman. Apresentamos, também, as obras e suas autoras, corpora desta dissertação. Símbolos e mitos foram analisados na visão mitocrítica sob a égide da teoria do imaginário de Gilbert Durant e Gaston Bachelard a fim de compreendermos a questão da atualização mítica e sua influência no efeito estético. Os ritmos e as imagens, com suporte teórico de Paul Valéry e Octavio Paz, foram analisados como agente de sedução, como instrumento poético e como recursos significativos que acentuam e propiciam a ocorrência do efeito estético. Finalizando a pesquisa, relatamos três casos verídicos que evidenciam a concretização do efeito estético. A Teoria do Efeito Estético discutida neste trabalho foi fundamentada em Wolfgang Iser.
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Hoffman, Yonina A. "The Voices of David Foster Wallace: Comic, Encyclopedic, Sincere." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1565611733072015.

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Giummarra, Paola. "La langue au théâtre : expression d'une identité culturelle ?" Thesis, Avignon, 2018. http://www.theses.fr/2018AVIG1185/document.

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Dans le titre de notre thèse nous avons souligné les éléments au cœur de cette recherche. Pour interroger les pratiques théâtrales contemporaines, notamment en France et en Italie, nous avons eu recours à un outil particulier : le rythme. Ainsi, nous proposons une étude comparée de quatre pièces chacune d’un auteur différent, deux français et deux italiens : Juste la fin du monde (1990) de Jean-Luc Lagarce, Clôture de l’amour (2011) de Pascal Rambert, Italia-Brasile 3 a 2 (2002) de Davide Enia et Dissonorata (2006) de Saverio La Ruina. La définition de rythme donnée par Henri Meschonnic nous a permis d’étudier ces pièces sans adopter un point de vue uniquement linguistique, théâtral ou sociologique. Car la révélation de la poétique de l’auteur se dévoile et se rend manifeste précisément grâce au rythme. Un rythme qui relève certes de la structure linguistique de la pièce, mais qui est aussi l’accomplissement de la manifestation historique et culturelle de la voix de ces auteurs
The title of our dissertation points to the key elements of this study. To probe contemporary theatre, especially in France and in Italy, we rely on a specific tool: the rhythm. We propose a comparative study of four plays, each one by a different author, two Italians and two French : Juste la fin du monde (1990) by Jean-Luc Lagarce, Clôture de l’amour (2011) by Pascal Rambert, Italia-Brasile 3 a 2 (2002) by Davide Enia and Dissonorata (2006) by Saverio La Ruina. The definition of rhythm, as given by Henri Meschonnic, allows us to study these plays without a precise linguistic, theatrical, and sociological point of view. This is because the poetics of the author manifests itself via and thanks to the rhythm. A rhythm that is certainly rooted in the linguistic structure of the play, but which is also the accomplishment of the historical and cultural expression of the voices of the authors
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Mondin, Thaíse Campos. "Avaliação do ritmo biológico em um ensaio clpinico para depressão." Universidade Catolica de Pelotas, 2013. http://tede.ucpel.edu.br:8080/jspui/handle/tede/344.

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Background: There is evidence that the biological rhythm influence mood disorders. Studies indicate that individuals with mood disorders are more likely to present a new mood episode when the biological rhythms markers are deregulated. Objective: To verify the capacity regulation of biological rhythms in two models of brief psychotherapy for the remission of depressive symptoms Methods: We conducted a randomized clinical trial with young adults aged 18 to 29 years old who met diagnostic criteria for depression according to the Structured Clinical Interview for DSM (SCID). In order to assess the biological rhythm the Biological Rhythm of assessment in Neuropsychiatry (BRIAN) interview was used, whereas the severity of depression was assessed by the Hamilton Depression Scale (HAM-D). The psychotherapy models consisted on two cognitive psychotherapies: Cognitive Narrative Therapy (CNT) and Cognitive-Behavioral Therapy (CBT). Results: The sample included 97 individuals evenly distributed between the models of psychotherapy. Patients obtained regulation in biological rhythm in CBT and CNT models: the baseline means were 40.89 (±8.32) and 41.17 (±7.81) and at six-month follow-up the means were 32.61 (±11.53) and 29.82 (±9.66), respectively.. Regarding the biological rhythm, there were no differences between the models at post-intervention (p=0.209) and at 6-months follow-up (p=0.323). Concerning the remission of depressive symptoms CBT was more effective at the final evaluation (p = 0.018), however, at 6-months follow-up the effectiveness of the psychotherapies were homogeneous (p=0178). There was a moderate positive correlation (r = 0566 p≤0.001) between the regulation of biological rhythms and the remission of depressive symptoms. 52 Conclusion: The two models of brief psychotherapies were effective in the remission of depressive symptoms as well as the regulation of biological rhythms in the follow-up of 6 months. Brief psychotherapies are low cost to public health and this study demonstrates that act regulating the biological rhythm
Introdução: Há evidências de que o ritmo biológico influencia nos transtornos de humor de forma a contribuir para manutenção dos sintomas. Estudos indicam que quando os marcadores de ritmo biológico estão desregulados há uma maior probabilidade de ocorrer um episódio de transtorno de humor. Objetivo: O objetivo do estudo foi verificar a capacidade da psicoterapia cognitiva atuar na regularização do ritmo biológico em pacientes deprimidos atendidos em dois modelos de psicoterapia breve para remissão de sintomas depressivos. Método: Trata-se de um ensaio clínico randomizado com jovens de 18 a 29 anos que preencheram critérios diagnósticos para depressão segundo a Structured Clinical Interview for DSM (SCID). O ritmo biológico foi avaliado através da Biological Rythm interview of assessment in neuropsychiatry (BRIAN), enquanto a severidade da depressão foi avaliada através da Hamilton Depression Scale (HAM-D). Os modelos de psicoterapia cognitiva utilizados foram: Terapia Cognitivo Narrativa (TCN) e Terapia Cognitivo Comportamental (TCC), ambos com sete sessões. Foram realizadas avaliações pós-intervenção e follow-up de 6 meses. Resultados: A amostra final contou com 97 indivíduos distribuídos de forma homogênea entre os modelos de psicoterapia. Os pacientes regularizaram o ritmo biológico nos dois modelos TCC e TCN, obtendo no baseline em média 40.89(±8.32) e 41.17(±7.81) pontos, e no follow-up de seis meses 32,61(±11,53) e 29,82(±9,66) pontos respectivamente. Na avaliação do ritmo biológico não houve diferenças entre os modelos no pós - intervenção (p=0.209) e follow-up de 6 meses (p=0.323). Para a remissão dos sintomas depressivos a TCC obteve uma maior eficácia na avaliação final (p=0.018), no entanto, no follow-up de 6 meses as psicoterapias mostraram-se homogêneas quanto sua eficácia (p=0.178). Houve uma correlação moderada positiva 50 (r= 0.566 p≤0.001) entre a regularização do ritmo biológico e a remissão dos sintomas depressivos. Conclusão: Os dois modelos de psicoterapia breve mostraram-se eficazes na remissão da sintomatologia depressiva bem como na regularização do ritmo biológico no follow-up de 6 meses. Psicoterapias breves são de baixo custo para saúde pública e demonstram neste estudo que atuam regulando o ritmo biológico
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Ghattas, Kai Christian. "Rhythmus der Bilder narrative Strategien in Text- und Bildzeugnissen des 11. bis 13. Jahrhunderts." Köln Weimar Wien Böhlau, 2009. http://d-nb.info/988762838/04.

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Fezza, Nassima. "Prosodie et structure du discours en français : analyse multiparamétrique et multidimensionnelle de narrations." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3029.

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Cette thèse s’inscrit à l’interface d’une part de la phonétique et de la phonologie prosodiques et d’autre part de l’analyse du discours. Plus spécifiquement, ce travail a eu pour objet de décrire et d’expliquer les phénomènes relatifs au marquage prosodique de la structure du discours narratif en français. Notre méthodologie s’appuie sur l’analyse d’un corpus de 58mn de parole naturelle issue des narrations de 20 locuteurs français natifs, qui devaient raconter le contenu de BD. D’une part, le corpus a été aligné aux niveaux phonématique, syllabique, lexical et en unités inter-pausales ; des données acoustico-phonétiques ont ensuite été extraites à tous ces niveaux de granularité. D’autre part, nous avons appliqué une segmentation en parties narratives selon les critères du modèle de Labov (1972) qui se base sur des critères sémantiques et informationnels. La mise en correspondance de ces deux analyses a été faite sur deux niveaux structurels : global et local. Les résultats ont démontré l’existence d’un lien entre le découpage séquentiel narratif et les variations à long terme de la mélodie, du débit de parole et de l’intensité. Toutefois ces résultats n’ont pas mis en évidence un effet des variations prosodiques à court terme sur le découpage structurel. Par ailleurs, nous avons pu démontrer, pour chaque domaine prosodique, la réalisation d’une réinitialisation au niveau de l’enchainement narratif. Sans prôner une relation biunivoque entre organisation prosodique et structuration discursive, nos résultats démontrent ainsi que la prosodie, au même titre que la syntaxe ou la sémantique, participe aux marquages de la continuité et de la discontinuité informationnelles
This thesis is at the interface of, on one hand, prosodic phonetics and phonology and, on the other hand, of discourse analysis. More specifically, this work aims to describe, explain and compare the phenomena related to prosodic marking of the narrative structure of discourse in French.Our methodology is based on the analysis of a 58-minute-long corpus of 20 natural speech narratives by French native speakers, who were asked to tell the content of comics without any warning. On one hand, the corpus was aligned with phonemic, syllabic, lexical and inter-pausales units levels; acoustic-phonetic data was then extracted automatically with all levels of granularity. On the second hand, we applied a narrative segmentation according to the criteria of Labov’s evaluative model (1972) which is based on semantic and informational criteria.The mapping of these two analyzes was made on two structural levels: global and local. The results showed the existence of a link between the narrative sequential segmentation and long-term variations of melody, speech rate and intensity. However, these results did not show an effect in the short term prosodic variations related to the structural segmentation. Furthermore, we demonstrated that for each prosodic domain, the realization of a reset at the narrative junction.Without advocating one relationship between prosodic and discursive organization structure, our results demonstrate, that prosody, as well as syntax or semantics, takes part in marking informational continuity and discontinuity
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Erenrich, Susan J. "Rhythms of Rebellion: Artists Creating Dangerously for Social Change." Antioch University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1286560130.

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Books on the topic "Narrative rhythm"

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Wallace, Catherine Miles. Dance lessons: Moving to the rhythm of a crazy God. Harrisburg, PA: Morehouse Pub., 1999.

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Rhythmus der Bilder: Narrative Strategien in Text- und Bildzeugnissen des 11. bis 13. Jahrhunderts. Köln: Böhlau Verlag, 2008.

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Mathur, Nita. Cultural rhythms in emotions, narratives and dance. New Delhi: Munshiram Manoharlal Publishers, 2002.

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Story, signs, and sacred rhythms: A narrative approach to youth ministry. El Cajon, CA: Youth Specialties, 2010.

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Paranhos, Maria da Conceição. O mundo ficcionalizado: Dois ensaios. Belo Horizonte: [Universidade Federal de Minas Gerais, Imprensa Universitária], 1989.

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The rules of time: Time and rhythm in the twentieth-century novel. Madison [N.J.]: Fairleigh Dickinson University Press, 1999.

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Garment, Leonard. Crazy rhythm: My journey from Brooklyn, jazz, and Wall Street to Nixon's White House, Watergate, and beyond--. New York: Times Books, 1997.

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Garment, Leonard. Crazy rhythm: My journey from Brooklyn, jazz, and Wall Street to Nixon's White House, Watergate, and beyond. New York: Times Books, 1997.

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Garment, Leonard. Crazy rhythm: My journey from Brooklyn, jazz, and Wall Street to Nixon's White House, Watergate, and beyond--. Cambridge, MA: Da Capo Press, 2001.

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al-Dīn, Thāʼir Zayn. Khalf ʻarabat al-shiʻr: Dirāsāt fī al-shiʻr al-ʻArabī al-muʻāṣir. Dimashq: Ittiḥād al-Kuttāb al-ʻArab, 2006.

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Book chapters on the topic "Narrative rhythm"

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Kulezic-Wilson, Danijela. "The Rhythm of Rhythms." In The Musicality of Narrative Film, 52–72. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137489999_4.

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Kulezic-Wilson, Danijela. "The Musicality of Film Rhythm." In The Musicality of Narrative Film, 37–51. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137489999_3.

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Kulezic-Wilson, Danijela. "Jim Jarmusch’s Dead Man and the Rhythm of Musical Form." In The Musicality of Narrative Film, 117–36. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137489999_7.

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Kabelik, Roman. "Narrative Senses of Perspective and Rhythm: Mobilising Subjectivity with Werther and Effi Briest." In Mobilities, Literature, Culture, 139–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27072-8_6.

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Ireland, Ken. "Comic Rhythms and Narrative Tangents in The Hand of Ethelberta." In Thomas Hardy, Time and Narrative, 54–69. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137367723_5.

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Turner, Cathy. "Chronotope and Rhythmic Production: Garden Cities, Narratives of Order and Spaces of Hope." In Dramaturgy and Architecture, 52–82. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137317148_3.

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Schikowitz, Andrea. "Being a ‘Good Researcher’ in Transdisciplinary Research: Choreographies of Identity Work Beyond Community." In Sociology of the Sciences Yearbook, 225–45. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61728-8_11.

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AbstractDifferent contemporary developments are challenging the notion of a rather exclusive and lasting belonging of individual researchers to the one disciplinary community into which they had been socialised, to which they subsequently contribute, and which they reproduce. In turn, the very meaning of community is challenged when there is a perpetual exchange of community members. This chapter deals with how researchers with diverse and dynamic relations to different collectives develop a self-understanding of what it means to be a good researcher, i.e. what the normative ideals are that they should strive for. It is empirically analysed how researchers who engage in transdisciplinary research occasionally or regularly narrate, adopt, translate, resist, and combine the different imaginations of being a good researcher that they encounter. The sensitizing concept of ‘choreography’ is proposed to analyse the identity work done under conditions of multiple and flexible belongings that is held together by a certain style, rhythm, and pattern. In this sense, a specific way of moving constitutes an identity in the first place by aligning otherwise separate belongings.
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Clandinin, D. Jean. "Developing Rhythm in Teaching." In Journeys in Narrative Inquiry, 59–76. Routledge, 2019. http://dx.doi.org/10.4324/9780429273896-4.

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Jones, Ewan. "Rhythm and Affect in “Christabel”." In Critical Rhythm, 274–96. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282043.003.0013.

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This essay reads Samuel Taylor Coleridge’s “Christabel” in the light of its notorious preface, arguing that Coleridge was right to link the poem’s structure to “passion,” but not in the manner that he specified. In place of “syllabic irregularity,” that is to say, I focus upon a rhythmical accent that is both open and directed: the advertised four-beat line is not an obligatory or invariant feature; even when it does arise, it produces a significantly wide variety of affects. In place of a hypostasized lyric “voice,” therefore, Coleridge’s poem forces us to consider the process of vocalization, whereby narrative speaker and distinct characters arise as the echoes of rhythmical patterns that predate them. Coleridge’s poem, I conclude, was “new” not through its putative invention of a prosodic structure, but through its peculiarly self-reflexive use of extant materials. Such a fact forces us to treat the category of rhythm itself in a more historicized manner than much current scholarship presently allows. I conclude by demonstrating how Coleridge’s metrical practice sheds light on a particular philosophical issue that he struggled to engage with in more conventional prepositional language: the eighteenth-century treatment of affect..
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Cutting, James E. "The Web and Flow of Popular Cinema." In Movies on Our Minds, 280–304. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197567777.003.0013.

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Rhythm is a much-discussed term in film theory. This chapter examines the patterns of shot durations, motion, luminance, and clutter across the length of movies in two ways. First, it averages across a century’s worth of movies adjusting for their differential lengths. Results reveal patterns that map well onto the larger narrative parts of movies. Moreover, these patterns have evolved only relatively recently—since the 1960s for shot durations and motion, and perhaps only since the 1990s for luminance, clutter, and syntagmas. Second, it focuses on patterns within each movie. Many accounts of cinematic rhythm refer to human movement, which provides an entrée into understanding the rhythms, indeed polyrhythms, of whole movies. Walking, breathing, and heartbeats all have a fractal rhythm—and so do movies. This suggests that the skills of filmmakers are attuned to rhythms in movies that are not unlike those of the human body.
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Conference papers on the topic "Narrative rhythm"

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Vilà-Giménez, Ingrid, and Pilar Prieto. "Encouraging children to produce rhythmic beat gestures leads to better narrative discourse performances." In 9th International Conference on Speech Prosody 2018. ISCA: ISCA, 2018. http://dx.doi.org/10.21437/speechprosody.2018-143.

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Fuster pérez, Jaime. "La edición fotográfica en Ramón Masats." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.7055.

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Resumen-Abstract El Premio Nacional de fotografía 2004, Ramón Masats Tartera (Caldes de Montbui, 1931), ha sido considerado como un fotógrafo intuitivo. Sin embargo, un detenido estudio de sus fotolibros y ensayos fotográficos publicados en las revistas ilustradas, permiten revindicar otra faceta completamente desconocida: su labor como maquetador. A lo largo de su carrera Masats toma conciencia de la edición fotográfica. Desde la solitaria imagen de la noticia de un periódico, al ensayo fotográfico, entendido desde el punto de vista de E. Smith como un conjunto mayor de imágenes que profundizan y trascienden, permitiendo un reflexión más detenida de la historia que se cuenta; hasta llegar al foto libro, considerado como una unidad expresiva, un todo con significación completa: el formato más complejo de todos... Un Masats sofisticado y erudito se nos muestra consciente del montaje, del ritmo, del diálogo entre imágenes, de modo que la suma altera la percepción del conjunto. Un lenguaje que le llevará finalmente a explorar en el mundo del montaje cinematográfico y la dirección de documentales audiovisuales. En una época de auténtica explosión del fotolibro español como la que vivimos, conviene reconocer, recordar y aprender de nuestros antecedentes, de aquellos maestros en el arte de contar historias. The National Photography Prize 2004, Ramón Masats Tartera (Caldes de Montbui, 1931), has traditionally been considered an intuitive photographer. However, a careful study of his photographs and photographic essays published in illustrated magazines unveils another aspect of his craft completely unknown until now: his work as a layout artist. Throughout his career Masats pays great attention to photographic edition: from the lonely image published besides the news in a newspaper, to the photographic essay, understood from E. Smith’s point of view as “a greater set of images that deepen and transcend leading the viewers to a more detailed reflection of the story that is being told; until reaching the photo book, which is considered an expressive unit, a whole with a complete meaning: definitely the most complex format of all. A sophisticated and academic Masats reveals a whole new aspect of his personality, showing his awareness of the layout, the rhythm and the dialogue between images, so that the sum and disposition of the images alter the perception of the whole. A language that will finally lead him to explore the world of filmmaking and the direction of audiovisual documentaries. In an age in which the Spanish photobook is at its peak, it is good to look back and give credit, remember and learn from our background, from those teachers in the art of storytelling. Palabras clave: Fotolibro, narración, edición, diseño, coherencia, autoría, comunicación, ritmo, análisis. Keywords: Photobook, narration, edition, design, coherence, authorship, communication, rhythm, analysis
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