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Journal articles on the topic 'Narrative space'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Ropo, Arja, and Ritva Höykinpuro. "Narrating organizational spaces." Journal of Organizational Change Management 30, no. 3 (2017): 357–66. http://dx.doi.org/10.1108/jocm-10-2016-0208.

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Purpose The purpose of this paper is to explore the narrative nature of organizational spaces and how these narratives influence human action. The study introduces a notion of “narrating space” that emphasizes a narrative construction of space that is dynamic and performative. The study joins the recent material and spatial turn in organization studies where spaces are not considered merely as a container or a context to organizational action, but as a dynamic and active force. Design/methodology/approach The study draws on the triadic conception of space of Henry Lefebvre (1991). Lefebvre dev

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Li, Jialu, Hong Zhang, and Meng Guo. "On the Unnatural Spaces Narration of the Film Stranger Than Fiction." Learning & Education 10, no. 2 (2021): 10. http://dx.doi.org/10.18282/l-e.v10i2.2248.

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Space is one of the important dimensions of film narrative strategy, and the space narrative of film has received more and more attention from narratologists The film “Stranger Than Fiction” uses unnatural narration to The film “Stranger Than Fiction” uses unnatural narration to convey the themes of love, death and life to the audience through the presentation of unnatural narrative space. discusses the unnatural spaces narration of “Stranger Than Fiction” from the perspective of external materialization of inner This paper discusses the unnatural spaces narration of Stranger Than Fiction from

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Long, Siyu, and Won-Ho Choi. "A Comparative Study of Spatial Narratives in Eastern and Western Cyberpunk Films." Humanities and Social Science Research 7, no. 3 (2024): p132. https://doi.org/10.30560/hssr.v7n3p132.

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This study takes representative cyberpunk films from the East and the West as the research object, compares them from the perspective of spatial narration, and reveals the similarities and differences in their narrative styles and cultural expressions. In terms of physical space, narrative space, psychological space, auditory space, and virtual space, it explores the complex relationship between technology and humanity, society and individual, and its multidimensional expression in cyberpunk films from the East and the West. This study emphasizes the central role of spatial narratives in Easte

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BUTS, Zhanna. "EPIGRAPH AS A MANIPULATIVE ELEMENT OF THE NARRATIVE TECHNIQUE OF MODERN FRENCH WOMEN’S PROSE." Folia Philologica, no. 3 (2022): 30–36. http://dx.doi.org/10.17721/folia.philologica/2022/3/4.

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The proposed article focuses on the study of the literary narrative of modern French prose. Namely, the article examined epigraphs in detail as structural elements of narratives of women’s prose, which acquire manipulative characteristics and influence the construction of the corresponding narratives. The research has reviewed the narrative spaces of modern French writers artists, namely T. de Rosney and A.-M. Lugan. For the first time, the manipulative functions of individual structural elements of the artistic space, which influence not only the organization of the narrative, but also the na

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Höykinpuro, Ritva, and Arja Ropo. "Visual narratives on organizational space." Journal of Organizational Change Management 27, no. 5 (2014): 780–92. http://dx.doi.org/10.1108/jocm-09-2014-0174.

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Purpose – The purpose of this paper is to develop a visual perspective to the narrative management research by exploring the potential of drawings to construct organizational space. This study is explorative in nature and aims to open up a discussion on the importance of visuality within the narrative research. Visual narratives combined with written ones are constructed and analyzed in the paper. Design/methodology/approach – The empirical illustrations of visual narratives outline students’ first-time encounters of the university campus. Their drawings and stories are used to describe and an

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Snytko, Olena, and Stanislav Hrechka. ""Battle of narratives" in Ukraine's modern media space." Current issues of Ukrainian linguistics: theory and practice, no. 44 (2022): 86–117. http://dx.doi.org/10.17721/apultp.2022.44.86-117.

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The paper explores strategic communications in Ukraine's media space. Strategic communications as a system of multi-vector interaction with society have proven to be connected with a range of relevant and socially important issues, acting as the most effective technology in building the information defence amid intense hybrid aggression and ensuring the country's cognitive resilience. Typical anti-Ukrainian narratives undermine the main political reference points and affect the society's cognitive stability. The analysis of narrative realizations confirms that anti-Ukrainian narratives belong

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Guerin, Caroline A., and Davi Thornton. "Narrating Space/Spatializing Narrative: Where Narrative Theory and Geography Meet." Quarterly Journal of Speech 103, no. 3 (2017): 304–7. http://dx.doi.org/10.1080/00335630.2017.1331886.

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Brasher, Jordan P. "Narrating Space/Spatializing Narrative: Where Narrative Theory and Geography Meet." AAG Review of Books 5, no. 3 (2017): 180–82. http://dx.doi.org/10.1080/2325548x.2017.1315251.

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Ameel, Lieven. "Narrating Space / Spatializing Narrative: where narrative theory and geography meet." Social & Cultural Geography 18, no. 7 (2017): 1062–64. http://dx.doi.org/10.1080/14649365.2017.1337553.

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Bédard-Goulet, Sara. "Carte blanche to Travel Narrative." Journeys 22, no. 1 (2021): 39–55. http://dx.doi.org/10.3167/jys.2021.220103.

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The “spatial turn” in the humanities has pointed out how space is produced and how it is affected by power relations, while critical geography has identified the impact of these relations on cartographic representation of space. The presence of maps in travel narratives thus carries certain ideologies and influences the narratives. In Un livre blanc: récit avec cartes [ A Blank Book: Narrative with Maps ] (2007), contemporary French author Philippe Vasset attempts to describe the fifty blank spaces that he has noticed on the topographic map of Paris and its suburbs and visited over a one-year

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Horstmann, Jan. "Zeitraum und Raumzeit: Dimensionen zeitlicher und räumlicher Narration im Theater." Journal of Literary Theory 13, no. 2 (2019): 185–205. http://dx.doi.org/10.1515/jlt-2019-0007.

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Abstract The positioning in space and time of performed narration in theater poses a specific challenge to classical narratological categories of structuralist descent (developed, for example, by Gérard Genette or Wolf Schmid, for the analysis of narrative fiction). Time is the phenomenon which connects narratology and theater studies: on the one hand, it provides the basis for nearly every definition of narrativity; on the other, it grounds a number of different methodologies for the analysis of theater stagings, as well as theories of performance – with their emphasis on transience, the ephe

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van Krieken, Kobie, and José Sanders. "Smoothly moving through Mental Spaces: Linguistic patterns of viewpoint transfer in news narratives." Cognitive Linguistics 30, no. 3 (2019): 499–529. http://dx.doi.org/10.1515/cog-2018-0063.

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AbstractThis article presents a Mental Space model for analyzing linguistic patterns in news narratives. The model was applied in a corpus study categorizing various linguistic markers of viewpoint transfers between the mental spaces that readers must conceptualize while processing news narratives: a Reality Space representing the journalist and reader’s projected here-and-now viewpoint; a News Narrative Space representing the newsworthy events from a there-and-then viewpoint; and an Intermediate Space representing the information of the news actors provided from a temporal viewpoint in-betwee

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Fan, Lai-Tze. "Writing while wandering." Convergence: The International Journal of Research into New Media Technologies 23, no. 1 (2017): 5–19. http://dx.doi.org/10.1177/1354856516679635.

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In digital writing, there is a discrepancy between the dynamicism that is associated with born-digital narratives and the rigidly encoded structures of content management that shape digital media technologies. Locative media narratives – site-specific narratives that are designed for accessing digital mobile devices – are therefore interesting because they cannot be written without reference to real space and are subject to the dynamic relationships that device users have with material space. This article reveals the ontological complexities of digital reading and digital writing for the locat

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Sanders, José, and Kobie van Krieken. "Traveling through narrative time: How tense and temporal deixis guide the representation of time and viewpoint in news narratives." Cognitive Linguistics 30, no. 2 (2019): 281–304. http://dx.doi.org/10.1515/cog-2018-0041.

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AbstractThis study examines the linguistic construal and cognitive representation of time and viewpoint in the genre of news narratives. We present a model of mental spaces that involves a News Space in which the deictic center is construed of the news actors at the time the newsworthy events took place, and a Reality Space in which the deictic here-and-now center of journalist and reader is construed. This model explains how the dynamic representation of narrative news discourse, characterized by shifts in time and viewpoint, is steered by linguistic devices. An analysis of Dutch news narrati

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Wei, Huaxin, Jim Bizzocchi, and Tom Calvert. "Time and Space in Digital Game Storytelling." International Journal of Computer Games Technology 2010 (2010): 1–23. http://dx.doi.org/10.1155/2010/897217.

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The design and representation of time and space are important in any narrative form. Not surprisingly there is an extensive literature on specific considerations of space or time in game design. However, there is less attention to more systematic analyses that examine both of these key factors—including their dynamic interrelationship within game storytelling. This paper adapts critical frameworks of narrative space and narrative time drawn from other media and demonstrates their application in the understanding of game narratives. In order to do this we incorporate fundamental concepts from t

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McAllister, Brian J. "Narrative Disorientation and Beckett's Bureaucratic Space." Journal of Beckett Studies 29, no. 2 (2020): 161–78. http://dx.doi.org/10.3366/jobs.2020.0309.

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This essay investigates political implications of narrative space in Samuel Beckett's closed-space narratives, arguing for a narratological understanding of these spatial politics. It focuses on Imagination Dead Imagine, a text that radically disorients reader engagement with narrative space. In this text, Beckett collides bureaucratic narrative logic, which compartmentalises and accounts for all details of narrative space, against trenchantly anti-bureaucratic grammar, in which sentence structure disrupts and undermines spatial ordering. This dialectical relationship between bureaucratic narr

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Nitsche, Michael, Stanislav Roudavski, François Penz, and Maureen Thomas. "Narrative expressive space." ACM SIGGROUP Bulletin 23, no. 2 (2002): 10–13. http://dx.doi.org/10.1145/962185.962189.

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Aladylah, Majed. "Polyphonic Narrative Spaces in Hala Alyan's Salt Houses." Critical Survey 31, no. 3 (2019): 44–52. http://dx.doi.org/10.3167/cs.2019.310305.

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It is important to stress that Arab women writers have produced a new kaleidoscope of narrative fiction in English. They focus on a variety of representations with respect to identity, dislocation, cultural hybridity and belonging. Moreover they have tried to construct a stable subjectivity and a space of belonging. These narratives are now dispersed and relocated by Arab women diasporic novelists such as Hala Alyan. This article will examine Hala Alyan’s 2017 novel, Salt Houses. This debut novel has amalgamated different narrative experimentations and techniques, and how polyphonic spaces hav

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Pantan, Robert Christopher, Julia Dewi, and Andreas Yanuar. "PENDEKATAN NARRATIVE DALAM PERANCANGAN KONEKTIVITAS RUANG SEMPADAN DI JALAN TAMAN KEMANG." ATRIUM: Jurnal Arsitektur 5, no. 2 (2020): 73–87. http://dx.doi.org/10.21460/atrium.v5i2.88.

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   Title: Narrative Approach in the Design of Integrated Space Connectivity in Taman Kemang As a commercial area the Taman Kemang street has certain activities based on its functions such as parking ,working, selling (street vendors), eating and relaxing, people who just walk to Lippo Mall Kemang and activities from online transportation to deliver and pick up. However, as a commercial area, the Taman Kemang street does not have the balance of the daily activities as the city space. This is because different activities are defined by time from morning to night and weekd

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McAllister, Brian J. "The middle, the east, the west of Erin: Narrative disorientation and the production of space." Frontiers of Narrative Studies 4, no. 2 (2018): 312–26. http://dx.doi.org/10.1515/fns-2018-0025.

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AbstractThis essay extends political and aesthetic implications in relationships between space and narrative by investigating narrative strategies that displace or disrupt access to narrative setting, spatiotemporal movement, or the space of narration. I fuse Henri Lefebvre’s work on the social production of space to Gabriel Zoran’s systems of narrative space in order to propose a spatial critique that describes and categorizes ways that narrative is central to the politics of spatial practice. I then apply that spatial critique to Flann O’Brien’s prototypically disorienting novel At Swim-Two-

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Korniienko, Inokentii O., and Beata V. Barchi. "Youth’s Life Space Narrative Research." Journal of Intellectual Disability - Diagnosis and Treatment 9, no. 3 (2021): 172–81. http://dx.doi.org/10.6000/2292-2598.2021.09.02.3.

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The current study aims to distinguish objects and events, which teens and adolescents include in their life's spaces, explore differences in attitudes towards life spaces, and determine the level of life's space satisfaction of the youth via narrative psycholinguistic research. Methods: Methodological approaches inhered in interviewing and content analysis of the texts by calculating the frequency and investigating the components of the life's space category references that were defined based on the narrative compositions. The validity of categorisation was proved by propositional analysis. Sp

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Louder, Elena, and Carina Wyborn. "Biodiversity narratives: stories of the evolving conservation landscape." Environmental Conservation 47, no. 4 (2020): 251–59. http://dx.doi.org/10.1017/s0376892920000387.

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SummaryNarratives shape human understanding and underscore policy, practice and action. From individuals to multilateral institutions, humans act based on collective stories. As such, narratives have important implications for revisiting biodiversity. There have been growing calls for a ‘new narrative’ to underpin efforts to address biodiversity decline that, for example, foreground optimism, a more people-centred narrative or technological advances. This review presents some of the main contemporary narratives from within the biodiversity space to reflect on their underpinning categories, myt

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Feng, Yi. "Mimicry and Masquerade in Faulkner’s American Indian Characters." Journal of Foreign Languages and Cultures 4, no. 2 (2020): 90–103. http://dx.doi.org/10.53397/hunnu.jflc.202002009.

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Faulkner once said that he made up his American native characters out of his imagination. His American Indian characters are hybrid and grotesque, a disturbing and troubling presence in his work. Yet some critics point out that the construction of Faulkner’s American Indians in Yoknapatawpha is not created out of a cultural vacuum and Faulkner assimilated both local and national popular thinking about American Indian people as presented in his stories. Homi K. Bhabha argues that the narration of a nation is a double address, and there is a split between the pedagogical narrative and the perfor

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Syarmila Hany Haron, Miao Jing Wen, and Feng Jie. "The Energy Field of Museum Spatial Narrative: A Case Study of Hunan Provincial Museum in China." Journal of Advanced Research in Applied Sciences and Engineering Technology 33, no. 1 (2023): 517–28. http://dx.doi.org/10.37934/araset.33.1.517528.

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Museum space narrative continues to develop today. The exhibition is not only a means of display but also a means of narrative. Paying attention to the narrative means we must pay attention to the energy "field" of the spatial narrative. In the spatial field, an object with some internal force exerts a force on the object it is not touching, and the latter responds to that force, and the two interact and form an energy field. This also means the spatial narrative design must establish a more diverse relationship between exhibits. Exhibits must be appropriately combined according to the narrati

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Kovpak, V., та M. Troino. "КОМУНІКАЦІЙНІ СТРАТЕГІЇ ПРОПАГАНДИСТСЬКОГО ДОКУМЕНТАЛЬНОГО КОНТЕНТУ ЯК ІНСТРУМЕНТ НАРАТИВНОГО РЕГУЛЮВАННЯ". State and Regions. Series: Social Communications, № 1(53) (19 травня 2023): 13. http://dx.doi.org/10.32840/cpu2219-8741/2023.1(53).2.

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<p><strong><em>The purpose </em></strong><em>of the study is to analyze the communication strategies of propaganda documentary content as an instrument of narrative regulation in the information space.</em></p><p><strong><em>Research methodology.</em></strong><em> The following methods were used in the study: classification (types of communication strategies), discourse analysis (content analysis taking into account historical, political, and social circumstances), systematic approach (taking into account the p

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Vidakovic, Lea. "Fragmented Narratives: Exploring Storytelling approaches for Animation in Spatial Context." International Journal of Film and Media Arts 6, no. 2 (2021): 7–27. http://dx.doi.org/10.24140/ijfma.v6.n2.01.

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Animation is considered a prevalent medium in contemporary moving image culture, which increasingly appears across non-conventional surfaces and spaces. And while storytelling in animation films has been extensively theorized, narrative forms that employ physical space as part of storytelling have been less explored. This paper will examine the narrative aspect of animation works which are screened outside the traditional cinematic venues. It will look at how these animation works tell stories differently - using the full potential of the space, as a narrative device, a tool, and a stage where

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Romantsova, Tatyana. "Author’s Fiction and Non-Fiction Prose in the Narrative System of the Literary Museum." Humanitarian Vector 19, no. 4 (2024): 80–90. https://doi.org/10.21209/1996-7853-2024-19-4-80-90.

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The article specifi es the concept of narrative in relation to the museum sphere as a space of new media. The article describes the narratives of museum communication that actualize the conceptual meanings of Valentin Rasputin’s prose. We show how an integral museum narrative is formed on the basis of the author’s fi ction and non-fi ction texts with grammatically, structurally and functionally complex narrative. In the structure of the integral museum narrative the attention is focused on the excursion narrative consisting of a set of biographical and a set of “creative” narratives. We propos

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Grytsenko, O. A. "NARRATIVES OF DECOMMUNIZATION IN UKRAINE’S CULTURAL SPACE." UKRAINIAN CULTURAL STUDIES, no. 1 (4) (2019): 47–53. http://dx.doi.org/10.17721/ucs.2019.1(4).09.

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The article offers a cultural study of one of key aspects of the decommunization process in contemporary Ukraine, formally started by the in- troduction of so-called ‘four decommunization laws’ adopted on April 4, 2015, as manifested in the country’s cultural space through major narra- tives that describe, interpret and mythologize this process from various cultural and ideological positions and viewpoints. The methodological background for the study is provided by well-known cultural studies’ approach that, according to Paul Du Gay, Stuart Hall and others, presumes a systemic analysis of five

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Morgan, Gary. "Children’s encoding of simultaneity in British Sign Language narratives." Sign Language and Linguistics 5, no. 2 (2002): 131–65. http://dx.doi.org/10.1075/sll.5.2.04mor.

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Narrative discourse in BSL is first analyzed in an adult signer by describing how fixed and shifted sign space is used for reference and the encoding of simultaneity. Although children as young as 4 years old use parts of these sign spaces in isolation their combined use in encoding simultaneity in narrative is a major hurdle to achieving full mastery of British Sign Language (BSL). The paper describes the developmental trends in encoding simultaneity in BSL ‘frog story’ narratives from a group of 12 signing children, aged 4; 3 to 13; 4. We focus on the gradual control of reference in sign spa

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Shi, Lei. "Research on Character Development Strategies Based on Spatial Narratives." Arts Studies and Criticism 5, no. 5 (2024): 272. https://doi.org/10.32629/asc.v5i5.2943.

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Space serves as the anchoring point for a filmmaker's narrative, not merely as the setting for actions and storylines but also as a vital element intertwined with the era, society, and characters' psychological states. This paper analyzes the relationship between space and characters from two perspectives: the selection of space in character development and the role of individuals in space-driven narratives. Through spatial representation, this study organizes the issues of space and character construction by examining "domestic spaces" and "poetic spaces," analyzing the connection between cha

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Garzón Hurtado, Libertad. "Dos libros y una novela: la función sintagmática y paradigmática de los espacios en Rayuela." Revista Grafía- Cuaderno de trabajo de los profesores de la Facultad de Ciencias Humanas. Universidad Autónoma de Colombia 11, no. 1 (2014): 28. http://dx.doi.org/10.26564/16926250.506.

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ResumenEl presente texto se pregunta por el sentido de los “dos libros” contenidos en Rayuela y anunciados por Cortázar en el Tablero de dirección al inicio de la novela. Se propone aquí un análisis semióticoestructural centrado en dos modalidades del espacio narrativo que representan dos modos de cohesión textual: la sintagmática de los macro-espacios y la paradigmática de los micro-espacios en la novela. Mediante este análisis se intenta mostrar cómo la narrativa resultante de cada uno de los órdenes posibles de lectura (el consecutivo y el salteado) se sostiene sobre ejes de construcción di

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Xie, Fang, and Dongye Lyu. "Reconstruct the Memory of Roman Space." Street Art & Urban Creativity 10, no. 2 (2024): 48–61. https://doi.org/10.25765/sauc.v10i2.950.

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Throughout history, the interplay between cinema and urban environments has played a pivotal role in both reflecting and influencing perceptions of cities and their development. In cinematic narratives, cities often transcend mere backdrops, assuming central roles rich in symbolic meaning, which underscores the significance of urban spaces in shaping cultural narratives. Starting from the films directed by the famous Italian director Federico Fellini, this paper focuses on the process of reproducing the urban space of Rome and organizes the Fellini-style imagination about the Roman space by co

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Puxan-Oliva, Marta. "Assessing Narrative Space: From Setting to Narrative Environments." Poetics Today 45, no. 1 (2024): 79–103. http://dx.doi.org/10.1215/03335372-10938618.

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Abstract This essay addresses the insufficient attention paid in narrative theory to the reformulated concept of space resulting from the spatial turn in the analysis of narrative space. To address this lack of attention, the essay proposes the concept of “narrative environments” as a new lens for conceiving of narrative space that distinguishes it from setting. Narrative environments are the formal narrative expression of space: the combined social contextualization and historicization and environmental imaginings that have historically produced that space and are called forth in the narrativ

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Matthews, Daniel. "Narrative, Space and Atmosphere." Social & Legal Studies 26, no. 1 (2016): 25–46. http://dx.doi.org/10.1177/0964663916649257.

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Since the financial crash of 2008, the strategy of occupation has been widely deployed as a means of expressing and mobilizing political dissent. Within legal studies, responses to this mode of protest have remained wedded to a statist perspective that fails to assess the normative commitments immanent to occupations themselves. Rather than examining the strategy of occupation through a legalistic lens, this article approaches a recent occupation through the theoretical apparatus of the ‘nomosphere’. This term – originally coined by David Delaney but substantially expanded here – allows for an

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Haynes, Sarah. "Journeys through Narrative Space." Writing in Practice 7 (January 28, 2022): 29–41. https://doi.org/10.62959/wip-07-2023-04.

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This article explores the influence of digital technology on the practice of reading and writing. Acknowledging the act of reading on any medium as active and immersive this article explores new possibilities to engage readers further in multimodal literary experiences and considers the roles readers and authors play in digital spaces. Through a history of hypertext and hypermediacy the inherent characteristics of digital technology and the possibilities for fiction that this technology affords is explored. The article proposes that the nature of digital technology engages readers as performer

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Li, Nuoxuan. "Narrative Perspective and its Spatial Effects in To the Lighthouse." World Journal of Education and Humanities 6, no. 2 (2024): p126. http://dx.doi.org/10.22158/wjeh.v6n2p126.

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To the Lighthouse is one of Woolf’s representative works. The choice and shift of narrative perspectives in the novel create a unique narrative mode and also give rise to a spatial effect. This article focuses on the narrative perspectives in To the Lighthouse from the perspective of spatial narration, investigating that how zero focalization presents physical space, internal focalization contributes to the formation of multidimensional space of character consciousness and subjective emotional space, and how perspective shifts construct the spacial juxtaposition or switch, as well as narrative

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Austin, Tricia. "Some Distinctive Features of Narrative Environments." Interiority 1, no. 2 (2018): 153–72. http://dx.doi.org/10.7454/in.v1i2.20.

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This paper explores key characteristics of spatial narratives, which are called narrative environments here. Narrative environments can take the form of exhibitions, brand experiences and certain city quarters where stories are deliberately being told in, and through, the space. It is argued that narrative environments can be conceived as being located on a spectrum of narrative practice between media-based narratives and personal life narratives. While watching a screen or reading a book, you are, although often deeply emotionally immersed in a story, always physically ‘outside’ the story. By

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Gyuró, Monika. "Temporal references in pain narratives: The cognitive perspective." Porta Lingua, no. 1 (2021): 135–46. http://dx.doi.org/10.48040/pl.2021.11.

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The present study investigates how pain experience affects the cognitive representation of time and viewpoint in a particular genre and narrative. In patients’ reports, temporality of pain experience does not follow the objectively measurable time. The ongoing character of pain contains not only the present issues but also retains the preceding aspects of the here-and-now moment and anticipates the future notes as time unfolds. To describe this particular experience, I employ the cognitive -linguistic model of mental spaces and blending (Fauconnier – Turner, 2002). I analyze blog posts of pati

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Mumtazah, Jauza Maryam, Lina Meilinawati Rahayu, and Ari Jogaiswara Adipurwawidjana. "Self-Otherings and Reimaginings of Postcolonial African Women in Chimamanda Ngozi Adichie’s Americanah (2013)." Journal of Language and Literature 25, no. 1 (2025): 288–99. https://doi.org/10.24071/joll.v25i1.10545.

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Chimamanda Ngozi Adichie’s Americanah (2013) presents a narrative that shifts between different temporalities and spaces, a movement that is particularly experienced by its main character, Ifemelu, as she navigates through her Nigerian, American, and her newly found black identity. Similarly, the novel’s narrative attempts to showcase other postcolonial African women like Ifemelu, as well as their ambiguous identities and othered representations. Through this article, we examine the workings of Ifemelu’s narration as it shifts from one space to another, specifically from Nigeria to America and

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Yang, Wenjing. "The Construction of the Female Image and Social-Cultural Metaphor in Tuya's Marriage from the Perspective of Space Narration." Communications in Humanities Research 6, no. 1 (2023): 143–48. http://dx.doi.org/10.54254/2753-7064/6/20230166.

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The rural film Tuya's Marriage, directed by Wang Quan'an, constructs profound and rich spatial metaphors, promotes the development of film narrative, shapes the character characteristics of female characters and completes the unique expression of the female experience. Based on the theory of space narration, this paper makes an in-depth analysis of three narrative Spaces, which are enclosed space, social space and imagination space. It reveals the internal relationship between spatial metaphor and the image-building of female characters in movies as well as the profound cultural connotation. T

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Wang, Shiqi. "Spatial Narration and Psychotherapy in Suspense Novels Taking "Shutter Island" as an Example." Communications in Humanities Research 25, no. 1 (2024): 1–7. http://dx.doi.org/10.54254/2753-7064/25/20231817.

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In the 21st century, suspense novels have evolved and authors increasingly explore narrative theory and techniques. This study analyzes the employment of narrative techniques in Dennis Lehane's "Shutter Island" by applying Lefebvre's space theory. This theory links space with social production, infused with Marxist concepts, imparting social attributes to space, transcending its conventional geometric definition. The research delves into three dimensions: spatial practice, spatial representation, and the space of representation to expound on how the spatial narration in the text mirrors the ps

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Duarte, German A. "From Eco’s Aperturato Fractal Narrative: Recursion as a Tool of Order in Contemporary Narratives." Human and Social Studies 6, no. 1 (2017): 13–33. http://dx.doi.org/10.1515/hssr-2017-0002.

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Abstract In 1962 Umberto Eco published his Opera aperta. Forma e indeterminazione nelle poetiche contemporanee, in which he dealt with the televised space and its influence on the development of plot in contemporary narratives. The analysis of the aesthetic of television led him to highlight the exclusive capacity of television to transmit events in real time: Live TV.Eco affirms in particular that through the editing in Live TV, the role of choice completely changes in comparison to what happens in the editing phase within the cinematographic narrative. In Live TV, choice becomes a proper com

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Nugroho, Nurseto, Yandi Andri Yatmo, and Paramita Atmodiwirjo. "NARRATIVE OVERLAPPING IN SPATIAL TRAJECTORIES: EXPLORING THE PRODUCTION OF SPACE WITHIN THE EVERYDAY." DIMENSI (Journal of Architecture and Built Environment) 46, no. 1 (2019): 59–66. http://dx.doi.org/10.9744/dimensi.46.1.59-66.

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This paper discusses the production of space inside everyday using the narrative lens in architecture. The narrative in everyday is referred to as spatial trajectories. The study explores the spatial trajectories by analysing the story from a novel in order to identify the process of production of space within the everyday narrative. The inquiry results suggest that what is important in the production of space process is the bridge formed by the spatial trajectories. The more bridges that are present means, the more spatial trajectories are involved. It becomes important to consider the overla

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D. Frank, Nathan. "Viewing the world through Lucy Corin’s “Eyes of Dogs”." Frontiers of Narrative Studies 6, no. 2 (2020): 191–212. http://dx.doi.org/10.1515/fns-2020-0013.

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AbstractMarie-Laure Ryan, Kenneth Foote, and Maoz Azaryahu pave the way, inNarrating Space/Spatializing Narrative(2016), to think of space in narrative as well as narrative in space. I steer their approach through nonhuman space by examining a narrative traversal of “the mesh,” which is Timothy Morton’s spatial metaphor for human and nonhuman interconnection. “A narrative traversal of the mesh” indicates two distinct aspects of narrative motion, which can be thought of as the motion that occurs within a narrative’s fictional spaces (internal), and as the movement of a narrative through the non

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Kim, Jungah. "Nomadic Narrative in Charlotte Brontë’s Villette." Humanities 8, no. 2 (2019): 65. http://dx.doi.org/10.3390/h8020065.

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Various critics have examined Charlotte Brontë’s Villette’s missing ending as a proof of Lucy Snowe’s unreliability in leaving the narrative purposefully ambiguous to escape her possible negative ending. I, however, interpret the ending as one of the ways in which she actively and positively refuses the concept of closure, and rather, creates, what I would call, a nomadic narrative. Nomadic narrative is term I coined based on the idea of Rosi Braidotti’s nomadic theory and Georg Lukács’s The Theory of the Novel to re-imagine Lucy’s narration and narrative, not as a concealment, but as an embra

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Wanström, Sofia. "”Ja, var ska man börja?”." Budkavlen 103 (December 10, 2024): 60–83. https://doi.org/10.37447/bk.145510.

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950 women shared their experience of sexual harassment or assault within the Finland-Swedish #MeToo campaign Dammen brister. This study assumes the campaign as constituting a widened narrative space that allowed writers more freedom to choose what to share and how to share it, and, starting from genre and narration, it questions how this space was used by the writers. Thereby, it seeks to attain insight to the conditions and limitations of narrating rape. The study focuses on two different ways of narration roughly categorized as telling a little and telling a lot.

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Rembold, Stefanie. "Hannah in Stages and Places: An Exploration of Narrative Space in 1 Samuel 1." Old Testament Essays 35, no. 1 (2022): 1–16. http://dx.doi.org/10.17159/2312-3621/2022/v35n1a6.

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The lack of contributions toward the study of narrative space in biblical literature has been lamented for the last four decades. While handbooks on narratology and narrative art have tried to expand discussions on the presentation andfunctions of space, many of these expositions of narrative space rely on reducing narrative space to setting, which focuses only on providing a basic background to a given narrative. Though these details are important for establishing where, when and how a character's actions take place, this article proposes that the characters' perceptions and experiences in an

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Kybartas, Ben, Clark Verbrugge, and Jonathan Lessard. "A Sketch-Based Tool for Authoring and Analyzing Emergent Narratives." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 16, no. 1 (2020): 319–21. http://dx.doi.org/10.1609/aiide.v16i1.7448.

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We present a real-time tool for authoring and analyzing emergent narratives (EN) built using a possible worlds EN framework. The tool works by reducing the emergent narrative into a discrete tension space (TS), based on possible conflicts between characters, and actions treated as movements in the space. The shape and structure of the TS enables an analysis of higher-level narrative and character properties. Likewise, TS can be constructed through a sketch-based interface, that enables the creation of context-free emergent narrative systems.

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王, 为丽. "Narrative Analysis and Local Narrative of Museum Space Design." Design 08, no. 04 (2023): 3023–28. http://dx.doi.org/10.12677/design.2023.84373.

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Harutyun, Vermishyan. "Ideological and Cultural Practices in The Soviet Housing Space: The Case of Allocation and Obtaining of Apartments in Yerevan." Studies of Transition States and Societies 13, no. 2 (2021): 23–38. https://doi.org/10.5281/zenodo.5817129.

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The purpose of this paper is to reveal the ideological and cultural practices underpinning the formation of the housing space in Soviet Yerevan. While exploring the case of Yerevan, this paper provides insight on the processes of allocating and obtaining an apartment in the Soviet period and reveals contradictions of ideological and cultural practices in this context. Qualitative research has been conducted analysing the narratives of personal and group experiences. Through a narrative approach, this paper studies the relationship between the physical and social s

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