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Dissertations / Theses on the topic 'Narrative Storytelling'

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1

Lee, Jung-Bog. "Preaching biblical narratives in a narrative sermon form." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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2

Plante, Gregory Vincent. "Therapeutic storytelling and the narrative perspective." online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3265885.

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3

Ferguson, Francesca Christina. "Dualistic relationships in northern Chinese narrative arts." Thesis, Connect to this title online; UW restricted, 1988. http://hdl.handle.net/1773/11387.

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4

Ong, Teong Joo. "Interactive storytelling engines." Texas A&M University, 2006. http://hdl.handle.net/1969.1/4401.

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Writing a good story requires immense patience, creativity and work from the author, and the practice of writing a story requires a good grasp of the readers' psychology to create suspense and thrills and to merge the readers' world with that of the story. In the digital writing space, authors can still adhere to these rules of thumb while being aware of the disappearance of certain constraints due to the added possibility of narrating in a nonlinear fashion. There are many overlapping approaches to interactive storytelling or authoring, but each of the approaches has its own strengths and wea
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5

Turski, Traci L. "The healing power of women's storytelling /." Click for abstract, 1998. http://library.ctstateu.edu/ccsu%5Ftheses/1508.html.

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Thesis (M.S.)--Central Connecticut State University, 1998.<br>Thesis advisor: Judith Rosenberg. "... in partial fulfillment of the Master of Science in Counselor Education." Includes bibliographical references (leaves 72-80).
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6

Fleming, Billy Owen. "The narrative preaching of the Psalms." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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7

Potts, Emily. "Spinning Narrative Gold: Website Storytelling for Social Change." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3168.

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This paper traces an unfolding process of applying principles of organizational storytelling to build an unpublished website. I created this website to tell the story of a small nonprofit seeking to increase and continue its watershed restoration efforts. Storytelling has become a popular messaging approach within non-profit organizations. I conducted direct interviews with key members of the organization, then set selected excerpts within the context of a written meta-story that conveys information, delivers a call to action, and provides a means for visitor response. Site content corresponds
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8

Cobb, Stephen Earl. "Narrative preaching communicating biblical truth through story /." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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9

Koo, Chiu-yee Christy. "Narrative production of Cantonese aphasic patients." Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B36208292.

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Thesis (B.Sc)--University of Hong Kong, 2002.<br>"A dissertation submitted in partial fulfilment of the requirements for the Bachelor of Science (Speech and Hearing Sciences), The University of Hong Kong, May 10, 2002." Also available in print.
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10

Moreno, Quiñones Elizabeth Cristina. "Nuevas propuestas y narrativas audiovisuales: Análisis de fashion films, caso Tender Stories de Tous." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/652590.

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En este trabajo de investigación se busca investigar de qué forma se vienen planteando y desarrollando la introducción del mundo audiovisual a través de esta nueva narrativa, los fashion films, en la publicidad y la acogida que esta tiene. Para poder entender de una manera adecuada, se realizará una estrategia metodológica de enfoque cualitativo para el cual se utilizarán guías de análisis de contenido y entrevistas. También, consultará a diferentes autores que hablen acerca de este tema, así como también acerca de los conceptos que un fashion film abarca y que nos ayudarán a entender porque s
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11

Park, Jungsik. "Storytelling and truthtelling: discursive practices of news-storytelling in Truman Capote, Norman Mailer, and John Hersey." Texas A&M University, 2005. http://hdl.handle.net/1969.1/3738.

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Focusing on new-journalistic nonfiction novels by Truman Capote, Norman Mailer, and John Hersey, this dissertation conceptualizes the discursive practices of news-storytelling as a necessary matrix of storytelling and truthtelling activities. Despite the dominant postmodern emphasis on storytelling over truthtelling in such disciplines as literature, historiography, journalism, and legal studies, storytelling-in-the-discipline is also constrained by a set of assumptions and practices about what constitutes professional storytelling. Since news-stories report on events in a public arena where n
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12

McVeigh, Kathryn Margaret. "Mosaic narrative a poetics of cinematic new media narrative." University of Southern Queensland, Faculty of Arts, 2008. http://eprints.usq.edu.au/archive/00006235/.

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This thesis proposes the Poetics of Mosaic Narrative as a tool for theorising the creation and telling of cinematic stories in a digital environment. As such the Poetics of Mosaic Narrative is designed to assist creators of new media narrative to design dramatically compelling screen based stories by drawing from established theories of cinema and emerging theories of new media. In doing so it validates the crucial element of cinematic storytelling in the digital medium, which due to its fragmentary, variable and re-combinatory nature, affords the opportunity for audience interaction. The Poet
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13

Colás, Álvarez Joaquim. "Interaction and participation in collaborative storytelling systems." Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/456037.

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Storytelling is one of the oldest models of cultural expression in human history. Thanks to the evolution of information technologies, the Web 2.0 paradigm has impacted in this field: some modern audiences actively participate in their favorite narrative worlds. We define Shared Narrative spaces as informative spaces concerning narratives created, developed and maintained through the collaboration of multiple authors. Our research aims to understand the perception of SNS using a HCI (human-computer interaction) lens, and to define the determinant factors affecting users’ interaction (explorati
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14

Fulton, Steven R. "Narrative and media a critical analysis of literary and digital forms /." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/472.

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15

Davis, Michael. "The use of narrative in counseling a case study /." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.

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16

August, III John William. "ARISTOTLE'S OIKONOMIA, THE MODES OF EMPLOTMENT, AND A FOUNDATION FOR NORMATIVE CONVERSATIONS ON STORYTELLING." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/theses/719.

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The following text is devoted specifically to an extrapolation of the literary narrative modes of emplotment as advanced by Hayden White. Utilizing these modes of emplotment as a critical tool for analysis of cultural narrative, a case study is constructed that takes Aristotle`s philosophy of oikonomia as narrative, in both the comedic and the tragic modes, and shows how the normative narrative as offered by Aristotle has, through history, been transformed into the tragic, at least in the United States. This is followed by a brief analysis of how the romantic and comedic modes of emplotment in
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Papworth, Sofia. "Storytelling through Gameplay : Dimensions of AI Design for Narrative Purposes." Thesis, Umeå universitet, Institutionen för tillämpad fysik och elektronik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-115769.

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A vast number of game developers long for and seek to create games that impact and emotionally engages their players. However, it has proven to be a tough challenge to overcome, as a lot of narrative games today completely separate their emotional stories from their engaging gameplay. Extending this insight, this paper proposes the theoretical basis intendedto contribute to the understanding of how to create expressive AI agents, by answering the following question: How can developers tell stories through an AI agent's behaviour? A further key element in this paper is the creation of a concept
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18

Chan, David. "Exploring the narrative sermon at Vancouver Pacific Grace Chinese Church." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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19

Holmquest, Broc Anthony. "Ludological Storytelling and Unique Narrative Experiences in Silent Hill Downpour." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363456341.

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20

Merlo, Seth. "Narrative, story, intersubjectivity: Formulating a continuum for examining transmedia storytelling." Thesis, Merlo, Seth (2014) Narrative, story, intersubjectivity: Formulating a continuum for examining transmedia storytelling. PhD thesis, Murdoch University, 2014. https://researchrepository.murdoch.edu.au/id/eprint/23887/.

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This thesis begins with the premise that by challenging preconceptions about narrative and story as concepts that are in some way already determined, it becomes possible to open a space in which alternative understandings of them can be proposed. Such a space is considered necessary in order to account for the ways in which contemporary creative practices such as transmedia storytelling, in which the storytelling experience is distributed across multiple mediums and environments, may be said to require such alternatives in order to explain how they operate as fiction. Fiction, in this thesis,
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21

Lindberg, Karl. "Jakten på berättelsen : en modell för att testa berättelsers potential tillämpad på valfilmerna vid Riksdagsvalet 2010." Thesis, Södertörns högskola, Institutionen för kommunikation, medier och it, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-15388.

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In 2010 Swedish political parties used commercials broadcasted on TV for the first time in order to gain votes in a general election. In connection with the election the parties were criticized for not succeeding to formulate a story to the voters that conveyed how they wanted to change Sweden. In this paper I use central concepts from rhetoric, storytelling, postmodernism and psychology to formulate three demands each on the narrator, the story and its reception. Using the resulting image of what distinguishes a good narrator, a good story and a good reception as a starting point, I investiga
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22

Freire, Sánchez Alfonso. "El relato como herramienta de contenido de marca. Conceptualización, clasificación y metodología de análisis del storytelling dirigido a niños." Doctoral thesis, Universitat Abat Oliba CEU, 2017. http://hdl.handle.net/10803/402710.

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La present tesi doctoral estudia i reflexiona sobre el relat i l'storytelling, el seu anàleg en comunicació, dintre del procés estratègic de creació de contingut de marques dirigit al públic infantil. El seu estudi es realitza des d'un doble enfocament: analitzar conceptualment el fenomen, els seus antecedents, la seva evolució, tipologies i formes, així com els mitjans en què es produeix el contacte entre contingut de marca i usuari a través de l'storytelling. El segon enfocament, des d'un prisma més acotat, examina les característiques d'aquest tipus de relats adreçats a infants mitjançant l
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23

Chan, Sui-heung, and 陳穗香. "Collaboration in conversational narrative: tellership as a joint achievement." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26771937.

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24

Perry, Eric D. "The seasons of life a narrative perspective on ministry and theology /." Theological Research Exchange Network (TREN), 1993. http://www.tren.com.

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25

Smith, Anthony N. "Media contexts of narrative design : dimensions of specificity within storytelling industries." Thesis, University of Nottingham, 2013. http://eprints.nottingham.ac.uk/28824/.

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While many comparative studies reveal how a given medium determines narrative in ways distinct from others, I uniquely consider within this thesis the highly variable structure of a single given medium and the resultant implications for storyworlds and their presentations. Focusing upon the production of serial narrative within multiple media, I map the intricate processes by which cultural industries inform narrative diversity. Through the introduction of my dimensions of specificity model, I account for diachronically- and synchronically-variable conditions of narrative design within a given
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26

Holmes, Beverley. """Me on-line"": narrative identities of people with arthritis /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2099.

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27

Gagalis-Hoffman, Kelly. "Belief transmission through family storytelling : implications for family therapy /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1505.pdf.

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28

Garman, Keli L. "The Art of Designing a Meaningful Landscape through Storytelling." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/32181.

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Meaning in the landscape is a concept that is receiving attention from many landscape architects asking the questions: how is meaning found in the landscape, or what makes a landscape meaningful? While there are many design processes that incorporate meaning into the design, it is the art of storytelling that the thesis investigates. The research for the thesis and a comparison analysis is performed on three texts, which explore meaning in the landscape. The three texts are Marc Treibâ s â Must Landscapes Mean?â ; Matthew Potteiger and Jamie Purintonâ s Landscape Narratives, and Mark Fra
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29

Conrad, Elaine. ""I WANT TO TELL YOU MY STORY": THE POTENTIAL OF NARRATIVE TO BRIDGE CULTURAL DIVIDE." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/dissertations/1611.

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AN ABSTRACT OF THE DISSERTATION OF Elaine Conrad, for the Doctor of Philosophy degree in Communication Studies, presented on September 21, 2018, at Southern Illinois University Carbondale. TITLE: “I WANT TO TELL YOU MY STORY”: THE POTENTIAL OF NARRATIVE TO BRIDGE CULTURAL DIVIDE MAJOR PROFESSOR: Dr. Nilanjana Bardhan In this dissertation, I examine a strange kind of divide or disconnect that occurs between international students and U.S.-American students. While international students studying in the United States are often strongly interested in forming connections within their newly adopted
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30

Ng, Joshua Chan-Foo. "Exegeting and preaching narratives using the book of Jonah as an example /." Theological Research Exchange Network (TREN), 2003. http://www.tren.com.

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31

Metzger, Willard. "Reshaping an understanding of sixteenth century Anabaptism recovering a lost narrative /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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32

Pettersson, Matilda. "Environmental Storytelling inom 3D-miljöer : Narrativa och mekaniska ledtrådar inom Survival Horror." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-12935.

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Syftet med detta arbete var att undersöka ”environmental storytelling” och dess betydelse i att bygga ut spelmiljöer. Begreppet och tankarna på ”environmental storytelling” har baserats på Don Carson och Henry Jenkins tankar kring ämnet. Utöver dessa källor användes även områdena kring ”immersion” och ”affordence”. Till undersökningen producerades en artefakt bestående av tre utrenderade 3D-miljöer, som sedan användes i kvalitativa intervjuer. Intervjuerna bestod av frågor kring hur informanterna uppfattade bilderna. Resultatet av intervjuerna visade att de narrativa ledtrådarna fick störst fo
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33

Coentro, Viviane Silva. "A arte de contar historias e letramento literario : possiveis caminhos." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269821.

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Orientador: Roxane Helena Rodrigues Rojo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-11T22:29:34Z (GMT). No. of bitstreams: 1 Coentro_VivianeSilva_M.pdf: 2932841 bytes, checksum: 26fe1e2bddbf7eded397c0c83a125e68 (MD5) Previous issue date: 2008<br>Resumo: A arte de contar histórias apresenta-se como um convite à imaginação e ao incentivo à leitura. A dimensão artística da linguagem através dos contos de tradição oral permite interação entre narrador-conto-ouvinte. O objetivo geral desta pesquisa foi in
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Bladh, Sebastian. "Narrativet i skolvärlden : Berättandet i läromedel för historieämnet och dess didaktiska innebörd." Thesis, Södertörn University College, Lärarutbildningen, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1545.

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<p>This article evaluates the narrative and it´s didactic role in historiographic textbooks for schools. The primary study is a comparing qualitative analysis of the narrative in the different textbooks. The result leads to a pedagogical discussion based on Kieran Egans theories about cognitive tools, and how they shape our comprehension. The theoretical background defining and discussing narrative as a concept is partly based on a semiotic view, part linguistic. The main conclusion of the work is how the narrative seems to be a product of discourse in the ways the textbooks differ at the most
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35

Porter, Lawrence Lee. "The use of narrative in relational faith-sharing evangelism." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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36

Klimas, Matthew L. "Argent Sound Recordings: Multimodal Storytelling." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/795.

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ARGENT SOUND RECORDINGS explores the integration of visual, written and sonic elements to tell a story. "The Silver Bell," a fairy tale, is delivered through the internet – providing users an opportunity to experience and interpret a constructed narrative under the guise of an independent record label website.
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37

Wilson, Michael. "A study of oral narrative traditions amongst teenagers in Britain and Ireland." Thesis, University of Exeter, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337749.

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Abbey, Graham P. "Making sense of organizational change : a storytelling approach." Thesis, University of Bath, 2010. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519023.

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This thesis aims to analyse organizational change, focusing on the meanings attributed by participants in planned and unplanned processes of organizational change, in a large, UK hospitality company. Framed within the narrative meta-paradigm, this research employs a qualitative, interpretive, social-constructionist perspective, and considers change in organizations as constituted by alterations in people’s understandings, encoded in narratives, and shared in conversations. The thesis draws on prior publications in the fields of narrative and organizational change, including the sensemaking, po
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Caulfield, Judy. "The Storytelling Club, a narrative study of children and teachers as storytellers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0015/NQ53700.pdf.

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Mankins, Kenneth W. "Interpretive transcultural storytelling method : A contextual narrative approach to interpreting transcultural relationships." Thesis, University of Buckingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515676.

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41

Larsen, Morten. "When Colour Narrates: Colour as a Narrative Tool in Audio-visual Storytelling." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-371144.

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This thesis explores the use of colour as a narrative tool within the realm of cinema. Even though colours have taken up a considerable role in the history of film, colour theory and colour aesthetic have not received reasonable attention in film studies compared to other fields. The thesis reflects upon why this might be the case based on the hypothesis by David Bachelor that a history long “chromophobia” has existed in the arts in the Western world. The paper then seeks to give an overview of relevant theory of colour that tries to shed light on the multiplex nature of colour itself, and in
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Stellavato, Michaelle. "Tales of Healing: A Narrative Analysis of the Digital Storytelling Workshop Experience." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13290.

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Based on a narrative analysis of data collected on behalf of the Trauma Healing Project in Eugene, Oregon this project considers the responses of 50 digital storytelling workshop participants (26 storytellers and 24 assistants), collected as audio recordings of closing circles, written evaluations, and post-workshop interviews. The data are organized by themes and then ranked according to frequency. For both the storytellers and assistants, the personal experience of participating in a digital storytelling workshop is overwhelmingly positive, with transformative insights being the most commo
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Atherton, Emily. ""Now, I Know that Storytelling is Powerful": Chinese International Student Narratives." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366993960.

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44

Sharma, Abhimanyu. "Drama, Narrative and Charismatic Leadership." Thesis, Work and Organisational Studies, 2009. http://hdl.handle.net/2123/4115.

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Since the 1970s, management scholars have been captivated by the emotional and symbolic aspects of leadership, particularly charismatic leadership — a form of influence independent of tradition and formal authority. More recently, dramaturgical scholars have sought to augment orthodox understandings of charisma by examining leadership as a ‘performing art’: a ‘front stage’ social interaction between ‘actor’ (leader) and ‘audience’ (followers). Whereas existing research has examined the nature of charismatic leadership through, for example, impression management and social constructionism, this
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LaMont, Mary. "Praying the story narrative analysis of the blessing prayer over water /." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.

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Stouten, Dann A. "Ray Charles by the roadside a study in narrative preaching /." Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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Rice, Jonathan. "The craft of narrative preaching an examination of the effectiveness of narrative preaching at the National Service Center of Intervarsity Christian Fellowship /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Staton, David. "A Beautiful Death: Visual Representation in Death With Dignity Storytelling." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20522.

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This dissertation takes as its central topic visual narratives in Death with Dignity Storytelling and posits the author’s ideas of a beautiful death and the heard gaze. Its methodology includes a textual analysis of such images, which in turn leads to a typology, and the use of a digital tool to “sum images” to test the veracity of the typology. What creates the impulse to look at images of pain, suffering the withering body, the compulsion to bear witness to misery? That question is in part answered by Sontag (2003) Regarding the Pain of Others—“we are spectators of calamities” (p. 18)—and is
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Gagalis-Hoffman, Kelly. "An Examination of the Meaning of Family Recreational Storytelling among Parents and their Adult Children." Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd450.pdf.

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Awungjia, Ajohche Nkemngu. "“I am a queen”: (Re)fashioning African female identities in everyday storytelling." University of the Western Cape, 2018. http://hdl.handle.net/11394/6680.

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Magister Artium - MA<br>This study aims to add to the rich body of work which explores our understanding of identity performances in narratives. It explores how a close knit group of five female friends use narrative structure and strategies to fashion alternative gender identities for themselves as black women who are agentive, and who actively push back against the stereotypes used to judge and evaluate their behavior. Using an interactional approach to narrative and identity (De Fina, 2003; De Fina and Georgakopoulou, 2008, 2012), this study explores how participants, in their everyda
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