Relevant bibliographies by topics / Narrative technique

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Narrative technique'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 June 2025

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Journal articles on the topic "Narrative technique"

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BUTS, Zhanna. "EPIGRAPH AS A MANIPULATIVE ELEMENT OF THE NARRATIVE TECHNIQUE OF MODERN FRENCH WOMEN’S PROSE." Folia Philologica, no. 3 (2022): 30–36. http://dx.doi.org/10.17721/folia.philologica/2022/3/4.

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The proposed article focuses on the study of the literary narrative of modern French prose. Namely, the article examined epigraphs in detail as structural elements of narratives of women’s prose, which acquire manipulative characteristics and influence the construction of the corresponding narratives. The research has reviewed the narrative spaces of modern French writers artists, namely T. de Rosney and A.-M. Lugan. For the first time, the manipulative functions of individual structural elements of the artistic space, which influence not only the organization of the narrative, but also the narrative technique of modern women’s prose, were revealed on the material of the works of French authors in the course of narratological research. This article has outlined the main paradigms of poetics. Special focus is laid on the analysis of the literary narrative spaces theory, the research on manipulative influence, in particular, speech manipulation. Narrative techniques of novels by French writers T. de Rosney and A.-M. Lugan are characterized and described. The formulated features of epigraphs as structural elements of the narrative space are focused on the manipulative influence that these compositional positions of the organization of the literary narrative receive. The research revealed that female writers gravitate towards certain narrative techniques. So, for example, the works of T. de Rosney belong to the heterodiegetic type of narration, while A.-M. Lugan tries to create in the form of homodiegetic type. Such differentiation can be explained by the personal worldview of these writers, since one of them (A.-M. Lugan) worked as a psychologist for a long time, which led to the choice of the narrative technique (from the first person, focused on the outside). In accordance with the type of narrative, epigraphs for each of the novels were also chosen. So, for the heterodiegetic narrative type, epigraphs represent famous people's quotes, which implicitly indicate the plot and structure of the corresponding narrative space. Whereas the homodiegetic type of narration tends to choose mostly scholars', particlularly Z. Freud's, quotes, which contributes to the manipulation of readers, since it is aimed at the readers’ emotions.
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Najmuldeen(Alweni), Najm Khalid. "Narrative movement in a novel (The Walkers in the Night)." Twejer 7, no. 1 (2024): 201–29. http://dx.doi.org/10.31918/twejer.2471.08.

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In every fictional text, two major movements together form what is narrative criticism called the rhythm of the narrative. They work in two different directions. One of them speeds up the narration movement, while the second stops this movement. The movement of the narration is sped up by two techniques: deletion and summarization, while stopping is done through the technique of description. Except for these two techniques, another technique leads to balancing acceleration and stopping, which is called the scene technique. These techniques all work to organize the internal movement of the text while it is being narrated. In our study of the movement of the text, we took the novel (Shawgarakan - The Walkers in the Night) by the Kurdish novelist (Miran Abraham) as an applied model to know the role of these techniques in organizing the narrative rhythm in that novel. This is done by talking about the most important techniques known in narrative criticism with the technique of (deletion, summarization, scene, and description) to know how to organize the internal rhythm adopted by the aforementioned novelist. Our research comprises three axes. In the first, we dealt with narration acceleration techniques. In the second, we dealt with the technique of balancing the narrative moves through the scene, and we took dialogue to do so.
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Schumacher, Frauke. "gegenrede im gar gebrast (248,2)." Beiträge zur Geschichte der deutschen Sprache und Literatur 139, no. 4 (2017): 526–64. http://dx.doi.org/10.1515/bgsl-2017-0044.

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Abstract One of the characteristic features of Wolfram’s ›Parzival‹ is the narrative technique of temporarily holding back information. Based on Genette’s theory of narrative levels as well as Scheffel’s thoughts on self-reflexivity of literature and Weber’s definition of analytical narration, this paper tries to show that many of the narratives and speeches produced by characters in the novel mirror this narrative technique. Furthermore, it asks about explanations and intentions that are related to these narratives and speeches, about their (potential) effects on the protagonists and the audience, and about conclusions that can be drawn with regard to the poetological concept of the novel.
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حسن طالب جنزي. "narrative functions in Renaissance paintings." Funon Al-Basrah Journal, no. 22 (March 20, 2022): 246–62. http://dx.doi.org/10.59767/bfj.5300.1977.

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The research dealt with (narrative functions in Renaissance paintings) and it contained four chapters. The first chapter included the methodological framework for the research, which was represented by the research problem and its goal (revealing the functions and techniques of narration in Renaissance Paintings). The limits of the research were limited to studying the functions of narration in paintings. The Renaissance period (1425-1563), which the researcher chose from books and the Internet and was analyzed according to the descriptive method. As for the second chapter, the theoretical framework and previous studies, which included two topics, the first topic: Narrative styles, techniques and functions. As for the second topic, it dealt with: visual narration, applications in Renaissance paintings. The third chapter included the research procedures that included the research community, its sample, its methodology, and the analysis of the sample of (5) works of art. While the fourth chapter includes the results of the research and conclusions, among the findings of the researcher the following:
 ▪ The functions of narration depend on the interrelationships towards the current context between the diagnostic forms that serve to convey the meaning and idea of the narration, which depends on the grouping and the linking relationships between the formal visual units and the organizations taking place and not on the structure of the narration.
 ▪ There are main functions of narration that work to build a visual narration mechanism, which are :
 - The communicative function, the communicative function, the ideological function, the expressive function, and the reference function, and there are techniques affiliated with these functions can establish and build visual narratives in drawing, which are the retrieval technique and the time and space technique .
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Jenzy, Hasan Talib. "narrative functions in Renaissance paintings." Funon Al-Basrah Journal, no. 22 (March 20, 2022): 246–62. https://doi.org/10.5281/zenodo.7792018.

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The research dealt with (narrative functions in Renaissance paintings) and it contained four chapters. The first chapter included the methodological framework for the research, which was represented by the research problem and its goal (revealing the functions and techniques of narration in Renaissance Paintings). The limits of the research were limited to studying the functions of narration in paintings. The Renaissance period (1425-1563), which the researcher chose from books and the Internet and was analyzed according to the descriptive method. As for the second chapter, the theoretical framework and previous studies, which included two topics, the first topic: Narrative styles, techniques and functions. As for the second topic, it dealt with: visual narration, applications in Renaissance paintings. The third chapter included the research procedures that included the research community, its sample, its methodology, and the analysis of the sample of (5) works of art. While the fourth chapter includes the results of the research and conclusions, among the findings of the researcher the following: ▪ The functions of narration depend on the interrelationships towards the current context between the diagnostic forms that serve to convey the meaning and idea of the narration, which depends on the grouping and the linking relationships between the formal visual units and the organizations taking place and not on the structure of the narration. ▪ There are main functions of narration that work to build a visual narration mechanism, which are : - The communicative function, the communicative function, the ideological function, the expressive function, and the reference function, and there are techniques affiliated with these functions can establish and build visual narratives in drawing, which are the retrieval technique and the time and space technique.
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Best, Ernest. "Mark's Narrative Technique." Journal for the Study of the New Testament 12, no. 37 (1989): 43–58. http://dx.doi.org/10.1177/0142064x8901203706.

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Rozhdestvenskaya, Elena Yu. "INTER-Encyclopedia: Narrative Interview." Inter 12, no. 4 (2020): 114–27. http://dx.doi.org/10.19181/inter.2020.12.4.8.

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The article describes the methodology and technique for conducting a narrative interview, as well as its analysis. The narrative interview method is presented from the perspective of a broader narrative approach based on communicative forms of storytelling. In the range of concepts of the narrative approach, the author considers the event, their selection, sequence, segmentation, linearization, coherence, the instance of the narrator, the double time perspective of the narrating I and the narrated I. The methodology of narrative interviewing by F. Schutze is presented, as well as his concept of analyzing the transcript of a narrative interview. G. Rosenthal's approach to the analysis of narrative interviews, as well as the basic principles of thematic or meaningful analysis of narratives are described.
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Rather, Nadeem Ahmad. "Grandmother as a Narrator in Raja Rao’s Kanthapura – A Critique." Literary Voice 1, no. 1 (2023): 108–16. http://dx.doi.org/10.59136/lv.2023.1.1.113.

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For any literary work, the narrative technique constitutes one of the essential requisites. How the art of narration is chiseled in a literary work is what lends it artistic and emotional credibility. In Kanthapura, Raja Rao experiments with the narrative technique. The novel is presented from the viewpoint of an old grandmother who relates the tale of the brave resistance of the people of Kanthapura to expel the British from India. The ancient Indian Puranic method has been preferred to the western narrative technique, which according to Raja Rao, suits the Indian credo and climate. In Kanthapura, Raja Rao sought to defamiliarize the English language by bringing to the standard English form Indian thought and feeling, Indian culture, and Indian ideology. The present paper essays to investigate how Raja Rao used different elements and structures in narrating Kanthapura as experimenting tools to lend the novel a lasting artistic quality that served the purpose he had in mind. The reliability of the narrator in her description and narration of incidents and characters will be under scrutiny.
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Abdullaevich, Madirimov Bahram. "EPIC THINKING NARRATIVE TECHNIQUE IS AN IMPORTANT FACTOR." International Journal of Pedagogics 4, no. 5 (2024): 123–30. http://dx.doi.org/10.37547/ijp/volume04issue05-26.

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In the article, the uniqueness of narrative technique in epic interpretation is summarized in the example of Abdulla Qadiri's novel "Scorpion from the Altar" and its universal essence and individuality. It observes the nature of poetic speech, the integrity of image and expression in the language of an artistic work, the task and purpose of revealing the hero's character. In fact, literary language is based on universal criteria, while artistic speech provides a method of personal expression.
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Ibodyullayevna, Sodikova Bakhtigul. "NARRATIVE TECHNIQUE IN THE NOVEL OF “THE COLLECTOR”." American Journal of Philological Sciences 4, no. 6 (2024): 115–26. http://dx.doi.org/10.37547/ajps/volume04issue06-24.

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As a historical meta-narrative, the novel "The Collector" contains features such as realism, a mixture of memoir genres, thematically focuses on the ideology of fascism and Darwin's theory, existentialism and psychopathic behavior, and some of the features of postmodernism are shown in this novel.
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Dissertations / Theses on the topic "Narrative technique"

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Bell, John. "Telling tales : Conrad and narrative technique." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285346.

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This thesis seeks to suggest that prevailing critical approaches to Conrad's work serve to restrict interpretative possibilities rather than to free them. I argue that the segmenting methods of classical narratology have been carried over to Conradian criticism, but that these methods prove inadequate to the technical versatility of Conradian narrative. Furthermore, I suggest that these methods have sometimes been applied inflexibly, to the extent that some of Conrad's most technically original works have been condemned simply because they do not adhere to the narrative structures narratology privileges. I examine in detail Conrad's use, and critical responses to that use, of non-linear chronology, variable perspective, narrative levels, personalised narrators, fragmented narrative, binary thematics and the quintessentially Conradian technique delayed decoding. My illustrations are not drawn exclusively from Conrad's major works, but from wherever I find narrative originality. Consequently, as well as references to many of Conrad's minor works, there are extended discussions of focalisation in the short story 'The Partner', of narrative levels in 'The Tale', and of narrative multiplicity in The Nigger of the ·Narcissus~. My conclusion is that Conrad was a more technically inventive writer than has been recognised, and that that invention tends one way: away from the notion of a single truth hidden at the heart of a work, and towards an art recognising the limits of representation. Many of the techniques I discuss can be seen as provoking the reader to see differently: incommensurable presentations of the same events from different perspectives, multiple conflicting interpretations of characters, narrators whose unreliability is explicitly highlighted rather than implied, narrative mobility, covert plotting. I suggest that in addition to asking his readers to see differently, Conrad, in his most successful works, actually requires us to be otherwise as we read.
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Haydon, Liam David. "'I sing'? : narrative technique in epic poetry." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/i-sing-narrative-technique-in-epic-potry(3d7d23da-ade0-424c-93a2-9b183283e30e).html.

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This thesis examines the genre of epic, and particularly Milton’s Paradise Lost. It argues that it is only in attending to the contextual interactions within Paradise Lost that its full meaning can be comprehended. It demonstrates that the poem not only narrates the Fall, but actively performs its consequences in its thematic and linguistic structures, which continually stress the impossibility of approaching perfect (divine) totality. Chapter one outlines the theoretical response to epic, read as a petrified genre in contrast to the newness, openness and linguistic flexibility of the novel. It then challenges these assumptions through a reading of the invocation to book III of Paradise Lost. The chapter closes by examining seventeenth-century writings on epic, demonstrating that Milton’s contemporaries saw the epic as defined by the possibility of didactic intervention into its context. Chapter two examines the forms of the epic metaphor, which serve as a temporal link between the ‘mythic’ past of epic and contemporary events. It then shows that the nationalistic impulse of epic was a method by which the mythic past of a country was deployed as an exemplary narrative for the present. The chapter closes by considering the ways in which shifts in national conception were mapped onto the epic. Chapter three outlines Paradise Lost’s thematic engagement with the concept of representation. It focuses on the twin images of the music of the spheres and the Tower of Babel, used in Paradise Lost to represent man’s relationship with God. It argues that the poem uses these tropes to explore the linguistic effects of the Fall. Both these images are deployed to suggest that postlapsarian expression is too open and ambiguous to properly portray divinity. Chapter four moves that discussion to a linguistic level, arguing that the poem is characterised by indeterminacy. It argues that Paradise Lost calls into question the possibility of expressing perfect truth in fractured, postlapsarian language. It shows that punning is the mark of fallen creatures in the poem, and suggests that the poem’s own puns exploit this category to linguistically question its own status as representation through performances of ambiguity. The conclusion synthesises these local readings of Paradise Lost into a reading of the poem as a whole. It argues that these individual instances demonstrate the poem’s continual reflexive concern over its theodicean project. By continually expressing ambiguity, at the level of imagery and language, Paradise Lost draws attention to its status as postlapsarian art, and the consequent impossibility of approaching the divine perfection exemplified by the celestial music or prelapsarian language.
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Baragwanath, Emily. "Studies in motivation and narrative technique in Herodotus." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423347.

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Riordan, C. B. "Narrative technique in the novels of Uwe Johnson." Thesis, University of Manchester, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376264.

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Le, Marec Éric. "Narrative technique and imagery in Hugh MacLennan's Barometer rising." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22772.pdf.

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Moriarty-Pearson, Christopher. "Delirium : Constructing a Narrative : An investigation into compositional technique." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3540.

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This thesis explores the topic of narrative in the context of musical composition. Narrative based music will be presented in relation to three ethical questions of Criticism, Commonality and Metaphor, communicated to the listener through the medium of narrative. This thesis will demonstrate how I have used these three questions in relation to my own compositional methodology and propose a world-building approach to musical composition, specifically in relation to Delirium; the magic, imagined world in which all my music is connected through a central narrative.
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Honeyman, Chelsea. "Narrative flexibility and fraternal preaching technique in three "Canterbury Tales"." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26658.

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A divide exists between those who view the Canterbury Tales as a series of self-contained texts and those who contend that the various characters' interactions affect each tale's direction. This paper takes the latter view, using the contemporary preaching attitudes of Chaucer's day to examine how the Pardoner's, Prioress's and Friar's respective levels of consideration for their situation and audience are directly related to their tales' success. While the Pardoner's self-absorption and over-dependence on his professional habits and the Prioress's favouring of sentimentality at the expense of engagement with her tale and audience result in less-than-popular narratives, the Friar's use of fraternal preaching techniques emphasising an adaptable, audience-centred style leads him to greater success with the pilgrims. Chaucer's advocacy of narrative flexibility may be part of his overall goal with the Canterbury Tales: to create a written text that replicates as much as possible the spontaneous nature of oral performance.
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Matthews, Alastair. "Middle High German Narrative Technique : The Kaiserchronik in its Literary Context." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504115.

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Eskhult, Mats. "Studies in verbal aspect and narrative technique in Biblical Hebrew prose /." Stockholm : Almqvist & Wiksell, 1990. http://catalogue.bnf.fr/ark:/12148/cb35472297f.

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Cailleux, Dorothée. "Technique narrative et statut du récit dans l'œuvre en prose d'Adolf Muschg." Thesis, Paris 4, 2008. http://www.theses.fr/2008PA040041/document.

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Cette thèse consacrée à l’oeuvre narrative de l’écrivain suisse contemporain Adolf Muschg a pour ambition de faire apparaître la spécificité de son style, tout en démontrant la cohérence de sa démarche. Abordant un corpus encore peu connu, elle donne la priorité au texte dans sa singularité, sans renoncer aux outils d’analyse fournis par la narratologie, la stylistique et la narratologie énonciative. Les travaux de M. Bakhtine constituent un fil directeur de l’étude qui s’appuie en particulier sur la notion de « polyphonie » pour analyser les différents modes de combinaison des « voix » qui assument la narration, à l’échelle du texte comme de la phrase. Ces analyses permettent de montrer que l’oeuvre de Muschg, en plaidant pour une nouvelle conception de la réalité, devient une réflexion en acte sur le rôle de la littérature dans la société contemporaine. Une deuxième partie s’attache à l’aspect « anthropologique » de l’oeuvre qui présente l’homme comme un « être dialogique », tourné vers l’échange avec autrui. L’étude des récits que les personnages se font les uns aux autres montre que l’acte de narration est présenté comme la forme de communication humaine par excellence, tandis que la littérature est conçue comme un espace de dialogue : avec le lecteur d’une part, invité à participer à la création de l’oeuvre ; avec les auteurs d’autre part, qui sont cités, parodiés ou simplement évoqués. La présence de nombreuses références à des poètes justifie le choix du dernier axe de la thèse, qui montre que Muschg cherche à renouveler les règles de la narration en y laissant entrer les procédés de la poésie<br>This thesis deals with the work of the contemporary Swiss writer Adolf Muschg and focuses on his writing technique. Since this corpus has never been studied in France yet, we have paid particular attention to the text, using the methods of narratology, stylistic and statement linguistics. Mikhail Bakhtine’s theory, especially the notion of “polyphony” has guided the study of the different “voices” contributing to the narration. The result of these analyses leads us to conclude that Muschg wants to underline the crucial role of literature in a world dominated by technical concerns and material cares. By showing reality under an original point of view and enhancing the ambivalence of all phenomenons, literature becomes a way of resisting. The second part of this study sets out to investigate the “anthropological” aspect of Muschg’s work. The author shows that man is in first place a “dialogical being”, thus giving high significance to the act of narration, which he presents as the best medium for communicating. Consequently, he tries to leave much space for the reader in his works, inciting him to take part in the creation of the novels. His texts are also opened to the influences of other writers and can be studied under the aspect of intertextuality: not only does Muschg evocate and quote many writers, he also tries to subvert the rules of narration by inserting poetry into it
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Books on the topic "Narrative technique"

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Boudreau, Kristin. Henry James’ Narrative Technique. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106864.

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Lothe, Jakob. Conrad's narrative method. Clarendon, 1989.

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H, Walker David. Andre Gide and narrative. St. Martin's Press, 1990.

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Jon, Buscall, and Pickering Outi, eds. Approaches to narrative fiction. University of Turku, 1999.

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Dunne, Michael. Hawthorne's narrative strategies. University Press of Mississippi, 1995.

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Hawthorn, Jeremy. Joseph Conrad: Narrative technique and ideological commitment. E. Arnold, 1990.

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Hawthorn, Jeremy. Joseph Conrad: Narrative technique and ideological commitment. E. Arnold, 1990.

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Spencer, Richard A. Contrast as narrative technique in Ovid's Metamorphoses. Edwin Mellen Press, 1997.

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Kelly, Dermot. Narrative strategies in Joyce's Ulysses. UMI Research Press, 1988.

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Lothe, Jakob. Conrad's narrative method. New York, 1989.

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Book chapters on the topic "Narrative technique"

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Allott, Miriam. "Narrative Technique." In Novelists on the Novel. Routledge, 2023. http://dx.doi.org/10.4324/9781003351733-14.

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Camparo, Lorinda B., Ambar Guzman, and Karen J. Saywitz. "Narrative Elaboration Technique." In The Wiley Handbook of Memory, Autism Spectrum Disorder, and the Law. John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781119158431.ch14.

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Kimber, Gerri. "Mansfield’s Narrative Technique." In Katherine Mansfield and the Art of the Short Story. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137483881_3.

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Boudreau, Kristin. "Introduction Thinking of Philosophy." In Henry James’ Narrative Technique. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106864_1.

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Boudreau, Kristin. "Experiences of Culture, History, and Politics in The Bostonians." In Henry James’ Narrative Technique. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106864_2.

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Boudreau, Kristin. "Hyacinth Robinson’s Demoralization." In Henry James’ Narrative Technique. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106864_3.

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Boudreau, Kristin. "But Half the Matter: Picturing Thought and Feeling in The Wings of the Dove." In Henry James’ Narrative Technique. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106864_4.

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Boudreau, Kristin. "Passionate Pilgrimages: James’ Travel in Italy and the United States." In Henry James’ Narrative Technique. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106864_5.

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Sim, Yuin Theng, and Alex Mitchell. "Wordless Games: Gameplay as Narrative Technique." In Interactive Storytelling. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-71027-3_12.

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Scott, Jeremy. "Paradigms: A Taxonomy of Narrative Technique." In The Demotic Voice in Contemporary British Fiction. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230236882_2.

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Conference papers on the topic "Narrative technique"

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Huang, Siwen, and Zhihan Zhang. "The Application of Interactive AI-Based Narrative Translation Model in Fashion Design." In 2024 International Conference on Interactive Intelligent Systems and Techniques (IIST). IEEE, 2024. http://dx.doi.org/10.1109/iist62526.2024.00024.

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Nanyonga, Aziida, Hassan Wasswa, Ugur Turhan, Keith Joiner, and Graham Wild. "Exploring Aviation Incident Narratives Using Topic Modeling and Clustering Techniques." In 2024 IEEE Region 10 Symposium (TENSYMP). IEEE, 2024. http://dx.doi.org/10.1109/tensymp61132.2024.10752231.

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Makin, Amirudin Hj, Muhammad Irsyad Abdullah, and Rabab Alayham Abbas Helmi. "Demand Prediction for Perishable Products Using Machine Learning Regression Techniques: A Narrative Review." In 2024 IEEE International Conference on Agrosystem Engineering, Technology & Applications (AGRETA). IEEE, 2024. https://doi.org/10.1109/agreta61912.2024.10948994.

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Kumbar, Prajwal, Shamneesh Sharma, Isha Batra, Arun Malik, and Farzeen Ashfaq. "StorySpinner: AI Based Technique to Narrate the Web Links." In 2024 International Conference on Emerging Trends in Networks and Computer Communications (ETNCC). IEEE, 2024. https://doi.org/10.1109/etncc63262.2024.10767564.

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Gupta, Nivedita, M. Vinoth Kumar, Atif Sundake, G. Sharmely, N. Jothi, and A. S. Sivananthavalli. "AI-Driven Digital Narratives: Revolutionizing Storytelling in Contemporary English Literature through Virtual Reality." In 2024 Second International Conference Computational and Characterization Techniques in Engineering & Sciences (IC3TES). IEEE, 2024. https://doi.org/10.1109/ic3tes62412.2024.10877467.

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Deepthi, K., and Aditya K. Shastry. "A Deep Learning Methodology-Based Unsupervised Misinformation Detection (Umd) Technique for Identifying Fabricated Narratives." In 2024 Second International Conference on Networks, Multimedia and Information Technology (NMITCON). IEEE, 2024. http://dx.doi.org/10.1109/nmitcon62075.2024.10699051.

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AlEmadi, Maryam, Jana ElMesselmani, Lyna Bermak, et al. "Narrative Navigators at FIGNEWS 2024 Shared Task: New Frontiers in Bias and Propaganda Annotation Techniques." In Proceedings of The Second Arabic Natural Language Processing Conference. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.arabicnlp-1.57.

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Ghozali, Muhammad Thesa. "Predicting Patient Adherence in Healthcare using Artificial Intelligence and Machine Learning Techniques: A Narrative Review." In 2024 8th International Conference on I-SMAC (IoT in Social, Mobile, Analytics and Cloud) (I-SMAC). IEEE, 2024. http://dx.doi.org/10.1109/i-smac61858.2024.10714843.

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Manjunatha, Ginni Nijhawan, B. Veerasekhar Reddy, Rusul Najm, Maneesh Upadhya, and Karibandi Venkata Sai Lakshmi Harika. "Detecting Deceptive Narratives in Social Media Using Advanced Natural Language and Signal Processing Techniques." In 2025 International Conference on Intelligent Control, Computing and Communications (IC3). IEEE, 2025. https://doi.org/10.1109/ic363308.2025.10957242.

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Crozzoli, Miguel Angel, and Thor Magnusson. "Sounding Numbers: The Sonification Object as an Interface in "I Am the Ocean"." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.021.

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Designing sonification for music composition involves aesthetic and narrative manipulation through strategies based on compositional intent, sparking discussions of data clarity and understanding. This paper describes an autobiographical process of crafting an aesthetic sonification from climate change data, and its further musification. In this approach, the sonification is used as a material for composition and transformed into an interactive musical instrument, within contemporary aesthetics and live performance contexts. The sonification object becomes an interface for composition and performance. The resulting piece seeks to amplify engagement through affectivization while displaying data infor- mation via symbolic abstraction and musical narrative. The paper also describes the techniques and results of blending sonification sounds with mixed notation derived from the sonification object. The composed piece was recorded and played by an electronic-acoustic contemporary ensemble to an audience which later gave feedback. The conclusion drawn from this musification project was that even though the source data was not directly perceivable in detail by the audience, the piece does convey information via the power of emotional affectation, which aligns with the original intention of the project.
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Reports on the topic "Narrative technique"

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Antón Sarabia, Arturo, Santiago Bazdresch, and Alejandra Lelo-de-Larrea. The Influence of Central Bank's Projections and Economic Narrative on Professional Forecasters' Expectations: Evidence from Mexico. Banco de México, 2023. http://dx.doi.org/10.36095/banxico/di.2023.21.

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This paper evaluates the influence of central bank's projections and narrative signals provided in the summaries of its Inflation Report on the expectations of professional forecasters for inflation and GDP growth in the case of Mexico. We use the Latent Dirichlet Allocation model, a textmining technique, to identify narrative signals. We show that both quantitative and qualitative information have an influence on inflation and GDP growth expectations. We also find that narrative signals related to monetary policy, observed inflation, aggregate demand, and inflation and employment projections stand out as the most relevant in accounting for changes in analysts' expectations. If the period of the COVID-19 pandemic is excluded, we still find that forecasters consider both types of information for their inflation expectations.
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Rosinska, Olena. Образи батьків у молодіжних серіалах: наратив протистояння. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11748.

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The subject of the research in the publication is the method of parents-children conflicts construction and the typology of parents’ images in teen serials of Ukraine and Poland. For analysis such series as “School” (Ukraine, 2017), “First sparrows” (Ukraine (2020), “Sex, Insta and ZNO” (Ukraine, 2021), “Sexify” (Poland, 2021) have been chosen; that allows drawing parallels between these media products made at different time, specify the methods of reflecting the conflicts between parents and children, peculiarities in constructing the parents’ images in each of the series, typology of the images due to psychological problems actualized in the series. The purpose of the research is to specify media narratives in representing the parents-children conflict and images formation based on the material of teen series. The purpose of the research can be reached due to the application of content analysis as a system research technique for objective description of the available content of communication in media material; such methods of analysis as comparison, synthesis, narrative analysis. Due to the use of the above methods, the following results have been reached: summarized the typology of conflicts in the series specified outlining those storylines and characters related to these conflicts, in particular, the conflict of opinions, values and behavior; determined and systemized typological images of parents in the series being researched – aggressive parents, parents imposing their own vision of the future on a child, making them implement parents’ own dreams and comply with the stereotypes topical for them; asocial parents, parents who cannot cope with their own lives, etc.: write the narrative strategies of formation of these kinds of images. Thus, the research outlines particular media psychological problems related to the narratives in teen series made in Ukraine and Poland. The perspective of the research is the engagement of larger volume of media materials of the thematic group, determination of new problematic areas to deepen media psychological context. Key words: teen series, narrative, typology of images, conflict.
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Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.

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The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion. Media text implies the presence of the author as a creator of meanings. In addition, media texts have universal features: word, sound, visuality (stills, photos, videos). They are traditionally divided into radio, TV, newspaper and Internet texts. The concepts of multimedia and hypertext are related to online texts. Web combinations, especially in political journalism, have intensified the interactive branching of nonlinear texts that cannot be published in traditional media. The Internet as a medium has created the conditions for the exchange of ideas in the most emotional way. Hence Gonzo’s interest in journalism, which expresses impressions of certain events in words and epithets, regardless of their stylistic affiliation. There are many such examples on social media in connection with the events surrounding the Wagnerians, the Poroshenko case, Russia’s new aggression against Ukraine, and others. Thus, the study of new features of media text in the context of modern political narratives and emotional markers is important in media research. The article focuses review of etymology, origin and features of using lexemes “cмисл (meaning)” and “сенс (sense)” in linguistic practice of Ukrainians results in the development of meanings and functional stylistic coloring in the usage of these units. Lexemes “cмисл (meaning)” and “сенс (sense)” are used as synonyms, but there are specific fields of meanings where they cannot be interchanged: lexeme “сенс (sense)” should be used when it comes to reasonable grounds for something, lexeme “cмисл (meaning)” should be used when it comes to notion, concept, understanding. Modern political texts are most prominent in genres such as interviews with politicians, political commentaries, analytical articles by media experts and journalists, political reviews, political portraits, political talk shows, and conversations about recent events, accompanied by effective emotional narratives. Etymologically, the concept of “narrative” is associated with the Latin adjective “gnarus” – expert. Speakers, philosophers, and literary critics considered narrative an “example of the human mind.” In modern media texts it is not only “story”, “explanation”, “message techniques”, “chronological reproduction of events”, but first of all the semantic load and what subjective meanings the author voices; it is a process of logical presentation of arguments (narration). The highly professional narrator uses narration as a “method of organizing discourse” around facts and impressions, impresses with his political erudition, extraordinary intelligence and creativity. Some of the above theses are reflected in the following illustrations from the Ukrainian media: “Culture outside politics” – a pro-Russian narrative…” (MP Gabibullayeva); “The next will be Russia – in the post-Soviet space is the Arab Spring…” (journalist Vitaly Portnikov); “In Russia, only the collapse of Ukraine will be perceived as success” (Pavel Klimkin); “Our army is fighting, hiding from the leadership” (Yuri Butusov).
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Alonso-Robisco, Andres, and Jose Manuel Carbo. Analysis of CBDC Narrative OF Central Banks using Large Language Models. Banco de España, 2023. http://dx.doi.org/10.53479/33412.

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Central banks are increasingly using verbal communication for policymaking, focusing not only on traditional monetary policy, but also on a broad set of topics. One such topic is central bank digital currency (CBDC), which is attracting attention from the international community. The complex nature of this project means that it must be carefully designed to avoid unintended consequences, such as financial instability. We propose the use of different Natural Language Processing (NLP) techniques to better understand central banks’ stance towards CBDC, analyzing a set of central bank discourses from 2016 to 2022. We do this using traditional techniques, such as dictionary-based methods, and two large language models (LLMs), namely Bert and ChatGPT, concluding that LLMs better reflect the stance identified by human experts. In particular, we observe that ChatGPT exhibits a higher degree of alignment because it can capture subtler information than BERT. Our study suggests that LLMs are an effective tool to improve sentiment measurements for policy-specific texts, though they are not infallible and may be subject to new risks, like higher sensitivity to the length of texts, and prompt engineering.
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Loso, Michael, and Michael Loso. Glacier monitoring in the Central Alaska Network: Protocol narrative, version 1.0. National Park Service, 2025. https://doi.org/10.36967/2308209.

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Two of the three national parks that comprise the National Park Service Inventory &amp; Monitoring Program?s Central Alaska Network (CAKN) are covered by large quantities of glacier ice. Wrangell-St. Elias National Park and Preserve has 3,121 glaciers and Denali National Park and Preserve has 881. These glaciers cover significant portions of the parks and exert substantial influence over the surrounding landscapes with impacts on weather, vegetation, animal migration, river flow, aquatic life, and even downstream marine ecosystems. They also provide a significant attraction?and hazard?for visitors. These glaciers are changing rapidly, primarily due to the influence of warming air temperatures. The impacts of glaciers on park resources and park visitors are not only important, but quickly evolving, with important consequences for park management. For all these reasons, the Central Alaska Network has identified glaciers as one of the vital signs that should undergo long-term monitoring. This document describes the protocol for conducting that monitoring program. Glacier monitoring in the CAKN parks began in 1991 with measurements of mass balance (snow accumulation and melt) and surface elevation at one site on Denali?s Kahiltna Glacier. The monitoring has evolved since that time to include mass balance measurements on a second large glacier (Kennicott Glacier) in Wrangell-St. Elias. Those two glaciers are highly visited, compared to most other glaciers in the parks, and are relatively accessible for monitoring purposes. The objectives of these measurements are to document seasonal and interannual changes in the primary climatic forces that control glacier change: snow accumulation and melt. Combined with periodic remeasurements of the glacier boundaries and surface elevations, the protocol records mass balances of these two glaciers with both glaciological and geodetic methods, allowing analysis of total mass balance with accompanying understanding of the climatic forces behind it. The glacier monitoring protocol also calls for the use of increasingly available remote sensing techniques to document changes in glacier areas, surface elevations, and surface velocities for a broad collection of park glaciers. Outside the scope of the CAKN protocol, boundaries of all park glaciers have been digitized twice over the last decade, and this protocol calls for continuation of that decadal inventory using whatever remote sensing data and techniques are most applicable at each decadal time step. A subset of the largest park glaciers is also slated for measurement of surface elevations every 4-6 years, continuing the measurements made by Operation IceBridge since the mid-1990s.
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Bass, Eric, Paul Shekelle, Jonathan Treadwell, et al. Making Healthcare Safer IV: Summary of Findings on Patient Safety Practices and Ratings by a Technical Expert Panel, 2024-2025. AHRQ, 2025. https://doi.org/10.23970/ahrqepc_mhs4year2.

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The fourth installment of the Making Healthcare Safer (MHS) series of reviews marks nearly a quarter century’s progress in efforts to meet the challenge of reducing and, ultimately, eliminating preventable patient harm. Throughout this patient safety journey, the MHS series synthesizes and disseminates evidence on the effectiveness of patient safety practices (PSPs). In 2022, the Agency for Healthcare Research and Quality (AHRQ) launched work on the fourth iteration of the MHS Report (MHS IV). Topics were prioritized for inclusion in the MHS IV series based on a modified Delphi technique used by a Technical Expert Panel (TEP) that met in December 2022. The MHS IV Prioritization Report provides further details about how the TEP was engaged in prioritizing topics for inclusion in MHS IV.1 The MHS IV series consists of two rapid evidence product types (i.e., rapid reviews and rapid responses) to accommodate providing multiple evidence summaries within a two-year period. The type was determined by considering the preliminary body of evidence. Investigators made strategic choices about which processes to abridge to yield the most relevant search results within the topic scope. However, the adaptations made for expediency may limit the certainty and generalizability of the findings from the review, particularly in areas with a large literature base. In the first option year of this project, we completed a total of seven rapid reviews and six rapid responses.2 In the second option year of this project, we completed a total of 6 rapid reviews and 1 rapid response. Rapid reviews (which are streamlined systematic reviews): Patient monitoring systems to prevent failure to rescue Use of structured handoff protocols for intrahospital within unit transitions Supply chain disruption monitoring programs Examining the impact of implementing high reliability organization principles on patient safety outcomes Programs for responding to harms experienced by patients during clinical care Interventions to prevent nonventilator hospital-acquired pneumonia Rapid response (which is a brief narrative review): Acute care nursing staff shortages that compromise patient-to-nurse ratios The purpose of this report is to provide a summary of the TEP’s judgements about which PSPs are ready for widespread implementation and their rationale based on findings from the rapid reviews and rapid responses completed in the second year of MHS IV.
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Loso, Michael, and Michael Loso. Glacier monitoring in the Central Alaska Network: Data quality standards, version 1.0. National Park Service, 2025. https://doi.org/10.36967/2308232.

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The purpose of this report is to document the standards used by the National Park Service (NPS) Central Alaska Network (CAKN) Inventory and Monitoring Program for activities related to the collection, processing, analysis, and publication of glacier monitoring data as described in Glacier Monitoring in the Central Alaska Network: Protocol Narrative (Loso 2025). This plan also serves as a guide for CAKN personnel who are involved in protocol/program activities and as a resource for identifying memoranda, publications, and other literature that describe associated techniques and requirements in more detail.
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Starkey, Eric, Jacob McDonald, and Wendy Wright. Monitoring wadeable stream habitat conditions in Southeast Coast Network parks: Data quality standards. National Park Service, 2018. https://doi.org/10.36967/2254651.

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The purpose of this report is to document the standards used by the Southeast Coast Network (SECN) for activities related to the collection, processing, storage, analysis, and publication of monitoring data as described in the Monitoring Wadeable Stream Habitat Conditions in Southeast Coast Network Parks: Protocol Narrative (McDonald et al. 2018). This plan also serves as a guide for all Southeast Coast Network personnel who are involved in protocol or program activities and serves as a resource for identifying memoranda, publications, and other literature that describe associated techniques and requirements in more detail.
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Balza, Lenin, Lina M. Díaz, Nicolás Gómez Parra, and Osmel Manzano. Are We Missing Something When Measuring Citizens' Perceptions of the Extractive Industry? Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0005304.

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We study individual preferences and public beliefs surrounding extractive industries in the Latin America and the Caribbean (LAC) region using a metaphor elicitation technique instead of standard stated self-reported questions. Combining qualitative one-on-one interviews in Guyana and Venezuela with national surveys in 12 LAC countries, we uncover deep metaphors and narratives shaping citizens views. The findings reveal key narratives centered around environmental, economic, and social impacts, as well as governance and local participation. Sentiment analysis indicates polarized opinions on extractive industries. The study highlights the importance of considering emotional and unconscious mental models in shaping individual preferences, which is often overlooked in traditional survey-based methodologies. Our findings could contribute to more nuanced policy interventions and conflict resolution strategies in the extractive sector. Broadly, alternative tools to stated preference surveys are valuable for researchers and policymakers to understand public sentiment across various issues and contexts.
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Raskin, Evan, Brian Witcher, Robert Emmott, Joseph DeVivo, and Wendy Wright. Data quality standards: Monitoring exploited plants of rich coves in the Appalachian Highlands I&M Network. National Park Service, 2018. https://doi.org/10.36967/2257809.

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The purpose of this report is to document the standards used by the Appalachian Highlands Network (APHN) for activities related to the collection, processing, storage, analysis, and publication of monitoring data as described in Monitoring Exploited Plants of Rich Coves in the Appalachian Highlands Inventory &amp; Monitoring Network: Protocol Narrative (Murdock et al. 2018). The policies and procedures documented in this quality-assurance plan for activities complement the quality-assurance plans for other monitoring activities conducted by the Appalachian Highlands Network and supplement the National Inventory and Monitoring Division Quality Management Plan (in development). The plan also serves as a guide for all APHN personnel who are involved in protocol or program activities and as a resource for identifying memoranda, publications, and other literature that describe associated techniques and requirements in more detail.
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