Log in

Relevant bibliographies by topics / Narrative techniques

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Academic literature on the topic 'Narrative techniques'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 June 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Narrative techniques.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Narrative techniques"

1

Kybartas, Ben, and Clark Verbrugge. "Integrating Formal Qualitative Analysis Techniques within a Procedural Narrative Generation System." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 9, no. 4 (2021): 37–43. http://dx.doi.org/10.1609/aiide.v9i4.12623.

Full text

Abstract:

Qualitative analysis of procedurally generated narratives remains a difficult hurdle for most narrative generation tools. Typical analysis involves the use of human studies, rating the quality of the generated narratives against a given set of criteria, a costly and time consuming process. In this paper we integrate a set of features within the ReGEN system which aim to ensure narrative correctness and quality. Correct generation is ensured by performing an analysis of the preconditions and postconditions of each narrative event. Narrative quality is ensured by using an existing set of formal metrics which relate quality to the structure of the narrative to guide narrative generation. This quantitative approach provides an objective means of guaranteeing quality within narrative generation.

APA, Harvard, Vancouver, ISO, and other styles

2

BUTS, Zhanna. "EPIGRAPH AS A MANIPULATIVE ELEMENT OF THE NARRATIVE TECHNIQUE OF MODERN FRENCH WOMEN’S PROSE." Folia Philologica, no. 3 (2022): 30–36. http://dx.doi.org/10.17721/folia.philologica/2022/3/4.

Full text

Abstract:

The proposed article focuses on the study of the literary narrative of modern French prose. Namely, the article examined epigraphs in detail as structural elements of narratives of women’s prose, which acquire manipulative characteristics and influence the construction of the corresponding narratives. The research has reviewed the narrative spaces of modern French writers artists, namely T. de Rosney and A.-M. Lugan. For the first time, the manipulative functions of individual structural elements of the artistic space, which influence not only the organization of the narrative, but also the narrative technique of modern women’s prose, were revealed on the material of the works of French authors in the course of narratological research. This article has outlined the main paradigms of poetics. Special focus is laid on the analysis of the literary narrative spaces theory, the research on manipulative influence, in particular, speech manipulation. Narrative techniques of novels by French writers T. de Rosney and A.-M. Lugan are characterized and described. The formulated features of epigraphs as structural elements of the narrative space are focused on the manipulative influence that these compositional positions of the organization of the literary narrative receive. The research revealed that female writers gravitate towards certain narrative techniques. So, for example, the works of T. de Rosney belong to the heterodiegetic type of narration, while A.-M. Lugan tries to create in the form of homodiegetic type. Such differentiation can be explained by the personal worldview of these writers, since one of them (A.-M. Lugan) worked as a psychologist for a long time, which led to the choice of the narrative technique (from the first person, focused on the outside). In accordance with the type of narrative, epigraphs for each of the novels were also chosen. So, for the heterodiegetic narrative type, epigraphs represent famous people's quotes, which implicitly indicate the plot and structure of the corresponding narrative space. Whereas the homodiegetic type of narration tends to choose mostly scholars', particlularly Z. Freud's, quotes, which contributes to the manipulation of readers, since it is aimed at the readers’ emotions.

APA, Harvard, Vancouver, ISO, and other styles

3

Alifah, Nur. "Narrative Techniques in Contemporary Social Prose." Journal of Literary Prose and Society 1, no. 1 (2024): 9–15. https://doi.org/10.59261/jlps.v1i1.2.

Full text

Abstract:

This research explores the narrative techniques employed in contemporary social prose to reflect and critique societal norms and expectations within specific cultural contexts. By examining works from a range of modern authors, this study identifies and analyses narrative strategies such as unreliable narration, stream of consciousness, fragmented structure, and shifting perspectives. These techniques are increasingly used to highlight social issues, challenge conventional values, and deepen readers' understanding of diverse cultural experiences. Through close readings of selected texts, this paper investigates how these narrative devices enable authors to subtly subvert or directly question prevailing ideologies, offering alternative viewpoints and fostering empathy. This research also considers the impact of regional influences on narrative choices, examining how distinct cultural and social elements shape storytelling methods and thematic focus. By shedding light on these narrative approaches, this study contributes to an understanding of how contemporary social prose functions as a dynamic space for cultural critique and dialogue, reflecting the complexities of modern society.

APA, Harvard, Vancouver, ISO, and other styles

4

Polceanu, Mihai, Julie Porteous, Alan Lindsay, and Marc Cavazza. "Narrative Plan Generation with Self-Supervised Learning." Proceedings of the AAAI Conference on Artificial Intelligence 35, no. 7 (2021): 5984–92. http://dx.doi.org/10.1609/aaai.v35i7.16747.

Full text

Abstract:

Narrative Generation has attracted significant interest as a novel application of Automated Planning techniques. However, the vast amount of narrative material available opens the way to the use of Deep Learning techniques. In this paper, we explore the feasibility of narrative generation through self-supervised learning, using sequence embedding techniques or auto-encoders to produce narrative sequences. We use datasets of well-formed plots generated by a narrative planning approach, using pre-existing, published, narrative planning domains, to train generative models. Our experiments demonstrate the ability of generative sequence models to produce narrative plots with similar structure to those obtained with planning techniques, but with significant plot novelty in comparison with the training set. Most importantly, generated plots share structural properties associated with narrative quality measures used in Planning-based methods. As plan-based structures account for a higher level of causality and narrative consistency, this suggests that our approach is able to extend a set of narratives with novel sequences that display the same high-level narrative properties. Unlike methods developed to extend sets of textual narratives, ours operates at the level of plot structure. Thus, it has the potential to be used across various media for plots of significant complexity, being initially limited to training and generation operating in the same narrative genre.

APA, Harvard, Vancouver, ISO, and other styles

5

Mohaisen, Ahmed Ghazi, Muhammad Dera Farhan, and Alaa Sadoon Muhsen. "Deconstruction of Narrative Realities: Memory in The Sense of an Endingand House of Leaves." Journal of AlMaarif University College 35, no. 3 (2024): 195–203. http://dx.doi.org/10.51345/10.51345/.v35i3.916.g477.

Full text

Abstract:

House of Leaves (2000) by Mark Z. Danielewskiand The Sense of an Ending (2011) by Julian Barnes challenge the structure of the traditional narrative and go deeply into a complicated realm of memory. This results in the deconstruction of the understood actualities manifesting a complex overlap between memory, narration, and the construction of realities within the narratives. The problem being addressed is how the complexity of memory subverts conventional structures and ideas of reality. This will help to illustrate the different forms in which narratives are shaped by memory. Thus, the present study examines how complex the narrative realities through analyzing memories in these two novels. However, the study contrasts narrative techniques, characters' memories, and the theme of frequent memories in these two novels. This concludes that memory serves as a transforming power in creating narratives.

APA, Harvard, Vancouver, ISO, and other styles

6

Tindale, Christopher. "More artful methods: Techniques of narrative in argumentation." Govor/Speech 36, no. 1 (2019): 7–34. http://dx.doi.org/10.22210/govor.2019.36.02.

Full text

Abstract:

The title, and inspiration, for this talk is drawn from a confession of Daniel Dennett at the start of one of his books, in which he writes that in order to get people to think seriously about ideas he cannot use formal argument, because people will not be swayed by that. He has to use "more artful methods"; he has to "tell a story." The contrast between formal argument and story as methods of persuasion is suggestive and worth exploring. But in shifting attention on to the narrative as Dennett does, some interesting questions are encouraged: What is the persuasive nature of narrative? And how do narratives address audiences argumentatively? To provide responses to these questions, I take up some cases of narratives that have been used to persuasive effect. I then place these analyses within a larger project that has been occupying me: describing the nature and power of the cognitive environments in which we interact. This in turn allows me to discuss various devices with both narrative and argumentative import, like allusions and memes, the second of which was adopted by Dennett.

APA, Harvard, Vancouver, ISO, and other styles

7

حسن طالب جنزي. "narrative functions in Renaissance paintings." Funon Al-Basrah Journal, no. 22 (March 20, 2022): 246–62. http://dx.doi.org/10.59767/bfj.5300.1977.

Full text

Abstract:

The research dealt with (narrative functions in Renaissance paintings) and it contained four chapters. The first chapter included the methodological framework for the research, which was represented by the research problem and its goal (revealing the functions and techniques of narration in Renaissance Paintings). The limits of the research were limited to studying the functions of narration in paintings. The Renaissance period (1425-1563), which the researcher chose from books and the Internet and was analyzed according to the descriptive method. As for the second chapter, the theoretical framework and previous studies, which included two topics, the first topic: Narrative styles, techniques and functions. As for the second topic, it dealt with: visual narration, applications in Renaissance paintings. The third chapter included the research procedures that included the research community, its sample, its methodology, and the analysis of the sample of (5) works of art. While the fourth chapter includes the results of the research and conclusions, among the findings of the researcher the following: ▪ The functions of narration depend on the interrelationships towards the current context between the diagnostic forms that serve to convey the meaning and idea of the narration, which depends on the grouping and the linking relationships between the formal visual units and the organizations taking place and not on the structure of the narration. ▪ There are main functions of narration that work to build a visual narration mechanism, which are : - The communicative function, the communicative function, the ideological function, the expressive function, and the reference function, and there are techniques affiliated with these functions can establish and build visual narratives in drawing, which are the retrieval technique and the time and space technique .

APA, Harvard, Vancouver, ISO, and other styles

8

Jenzy, Hasan Talib. "narrative functions in Renaissance paintings." Funon Al-Basrah Journal, no. 22 (March 20, 2022): 246–62. https://doi.org/10.5281/zenodo.7792018.

Full text

Abstract:

The research dealt with (narrative functions in Renaissance paintings) and it contained four chapters. The first chapter included the methodological framework for the research, which was represented by the research problem and its goal (revealing the functions and techniques of narration in Renaissance Paintings). The limits of the research were limited to studying the functions of narration in paintings. The Renaissance period (1425-1563), which the researcher chose from books and the Internet and was analyzed according to the descriptive method. As for the second chapter, the theoretical framework and previous studies, which included two topics, the first topic: Narrative styles, techniques and functions. As for the second topic, it dealt with: visual narration, applications in Renaissance paintings. The third chapter included the research procedures that included the research community, its sample, its methodology, and the analysis of the sample of (5) works of art. While the fourth chapter includes the results of the research and conclusions, among the findings of the researcher the following: ▪ The functions of narration depend on the interrelationships towards the current context between the diagnostic forms that serve to convey the meaning and idea of the narration, which depends on the grouping and the linking relationships between the formal visual units and the organizations taking place and not on the structure of the narration. ▪ There are main functions of narration that work to build a visual narration mechanism, which are : - The communicative function, the communicative function, the ideological function, the expressive function, and the reference function, and there are techniques affiliated with these functions can establish and build visual narratives in drawing, which are the retrieval technique and the time and space technique.

APA, Harvard, Vancouver, ISO, and other styles

9

Najmuldeen(Alweni), Najm Khalid. "Narrative movement in a novel (The Walkers in the Night)." Twejer 7, no. 1 (2024): 201–29. http://dx.doi.org/10.31918/twejer.2471.08.

Full text

Abstract:

In every fictional text, two major movements together form what is narrative criticism called the rhythm of the narrative. They work in two different directions. One of them speeds up the narration movement, while the second stops this movement. The movement of the narration is sped up by two techniques: deletion and summarization, while stopping is done through the technique of description. Except for these two techniques, another technique leads to balancing acceleration and stopping, which is called the scene technique. These techniques all work to organize the internal movement of the text while it is being narrated. In our study of the movement of the text, we took the novel (Shawgarakan - The Walkers in the Night) by the Kurdish novelist (Miran Abraham) as an applied model to know the role of these techniques in organizing the narrative rhythm in that novel. This is done by talking about the most important techniques known in narrative criticism with the technique of (deletion, summarization, scene, and description) to know how to organize the internal rhythm adopted by the aforementioned novelist. Our research comprises three axes. In the first, we dealt with narration acceleration techniques. In the second, we dealt with the technique of balancing the narrative moves through the scene, and we took dialogue to do so.

APA, Harvard, Vancouver, ISO, and other styles

10

M. B. Megheirbi, Amina. "The Dynamics of Narrative Structure in Depicting the Repercussion of Migration Movements in Razan Naiem Almoghrabi’s Women of Wind." مجلة كلية الاداب, no. 54 (July 14, 2024): 252–66. http://dx.doi.org/10.37376/jofoa.vi54.6535.

Full text

Abstract:

Writers of narrative fiction employ certain techniques in the structure of their literary works that reinforce the theme of the story. These techniques and narrative tools can be used in the various stages of the building block of the narration and enable the writers to manipulate such techniques in favor of producing certain images and ideas. Narrative voice, focalization, and interconnectedness of spatial and temporal presentations are among the most important tools available in the narrative structure of novels. Razan Naiem Almoghrabi in Women of Wind (2010) utilizes these techniques and tools available in narrative structure to depict the experiences of migrants from different nationalities who set out their migration from the shores of Libyan cities with the facilitation of human smugglers. The focus of this paper is on the effect of the narrative structure in portraying the mental and physical conditions of migrants. The major research question is how the narrative structure and techniques implemented in Women of Wind capture specific repercussion of migration movements. To depict a vivid portrayal of the suffering of migrants and the risks they encounter during their migration journey, Almoghrabi employs different narrators that allow the perception from different angles. The deployment of internal focalization through the eyes of one of characters, augmented the narration of subjective human experience. The intermingling of different voices and the nonlinear narration that shifts from one tempo-spatial presentation to another recreates in words the turbulent worlds of the characters in this novel.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Narrative techniques"

1

陳淸貴 and Ching-kooi Chan. "Narrative techniques of Taiwan short stories." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/b30252866.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Salami, Mahmoud Ahmad. "Narrative techniques in the fiction of John Fowles." Thesis, University of Stirling, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236878.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Cheng, Albert. "Thematics, narrative techniques and imperialism in Conrad's fiction." Thesis, University of Sussex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272076.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Sulcas, Roslyn Lee. "Narrative techniques in the novels of Iris Murdoch." Master's thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/21881.

Full text

Abstract:

Bibliography: pages 154-163.<br>In this thesis I have departed from the prevalent critical concentration on the affiliations between Murdoch's fiction and philosophy, and have attempted to explore the relationship between her narrative techniques and the conventions of realism. In doing so, I use the narrative theory of Dorrit Cohn, who proposes that novelists concerned to render a sense of "reality" are also those who construct the most elaborate and artificial fictive worlds and characters. I propose that Murdoch's "real-isation" of her fictional world incorporates the problems of access to, and representation of the real. This links her to two ostensibly antithetical traditions: that of British realism (within which she would place herself), and also a fictional mode consonant with the poststructuralist writing that focuses on such problems. An examination of the early novels in terms of the correlation between "realism" and technical sophistication implied by Cohn reveals a division of narrative purpose that Murdoch has herself described in the early part of her career as an alternation between "open" and "closed" novels. I suggest in the thesis that these two fictional modes are deliberate choices of style on Murdoch's part, rather than a "failed" realism, and that their different readerly rewards are compounded by the successful merging of these competing .views of the real in the later novels. My narratological emphasis in this dissertation indicates also the ways in which Murdoch's fiction incorporates the comedic, the romantic and the gothic into a framework of orthodox verisimilitude, utilising the clashes between these genres to foreground the difficulties of a unified view. This is particularly successful in the first-person novels, where the overt problematising of self-representation paradoxically feeds into our sense of their "realism".

APA, Harvard, Vancouver, ISO, and other styles

5

Wall, Orlando. "Narrative analysis in the Book of Jonah a study of literary techniques in Hebrew narrative /." Theological Research Exchange Network (TREN), 1993. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Rossini, Antonio. "Dante and Ovid, a comparative study of narrative techniques." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ49917.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Gapsch, Andrea. "Narrative Techniques in Twenty-First Century Popular Holocaust Fiction." Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1618244388233822.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Abel, Hermione. "An analytical study of narrative techniques in Giono's Regain." Thesis, Rhodes University, 1986. http://hdl.handle.net/10962/d1002008.

Full text

Abstract:

The dominant theme in Regain is that of death leading to rebirth. This dissertation attempts to explore Giono's narrative techniques within this context. No single chapter will be devoted to a specific technique; instead, the various devices used by the author are discussed as they emerge from the structure of the chapters. Justifying the field of study as defined in the "Introduction", the following three chapters outline the passage of life from death to eventual rebirth. With acknowledgement to Frank Kermode, who writes: "A concord of past, present and future three dreams which, as Augustine said, cross in our minds, as in the present of things past, the present of things present, and the present of things future" ¹, the first three chapters bear his terminology for their headings. Chapter One, "The Present of Things Past", deals with Mameche's loss of her husband and son. Chapter Two, "The Present of Things Present", focuses upon Mameche' s realization of Gaubert's departure, and the decision that she must do something to save the dying village of Aubignane. Chapter Three, "The Present of Things Future", sees Mameche setting out in search of a wife for Panturle, and succeeding. This brings to an end Part One of the novel. Interwoven throughout the chapters are paradigms from Greek mythology, rich in universal symbolism, and the author's belief in man's ability to fuse himself with his surroundings. The conclusion summarizes the findings of this study, attempting to show how an analysis of Giono's narrative technique provides an insight into such a novel as Regain. ¹The Sense of an Ending (London: Oxford University Press, 1966), rpt., 1970, p. 50.

APA, Harvard, Vancouver, ISO, and other styles

9

Leigh, Matthew G. L. "'Venientia fata, non transmissa' : a study of Lucan's narrative techniques." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357607.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Mohanram, Radhika Thiruvalam. "Narrative techniques and subversion in the novels of Edith Wharton." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185791.

Full text

Abstract:

There are two branches of scholarship on Edith Wharton. One branch tends to focus upon a comparison of her novels with her life, and tends to document her work as that of a social historian and custodian of manners of old New York. The other branch, represented by feminist critics, uses a Marxist approach to read the thematics of Wharton's novels, and argues that her heroines are perched between the cusp of the "old" and the "new" woman. This study of Wharton extends and intertwines both these lines of scholarship to argue that Wharton's novels must be read against her life, and that the critical focus must be kept on her "new" woman, who, as the gendered speaking subject, speaks from the margins of cultural edifices. This study will focus on the idea of the splintered self, particularly the quandaries of the gendered self, an issue that shapes and determines the form of her narratives. This analysis shows that in the intersection of her fiction, her letters, and her autobiography, Wharton's gendered speaking subject enunciates a radical critique of the culture in which she lived.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Narrative techniques"

1

Daugherty, Tracy Edgar. Narrative techniques in the novels of Fanny Burney. P. Lang, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

1966-, Helms Gabriele. Challenging Canada: Dialogism and narrative techniques in Canadian novels. McGill-Queen's University Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Rogers, B. G. The narrative techniques of 'À la recherche du temps perdu'. Champion, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Rogers, B. G., (Brian G.). The narrative techniques of A la recherche du temps perdu. H. Champion, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

McMASTER, Robin Irwin. Narrative Techniques in the Poetry of Austin Clarke and John Montague. The Author], 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Riessman, Catherine Kohler. Narrative methods for the human sciences. Sage Publications, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Riessman, Catherine Kohler. Narrative methods for the human sciences. Sage Publications, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Riessman, Catherine Kohler. Narrative methods for the human sciences. Sage Publications, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

1950-, Li Huoren, ed. Lu Xun, Acheng he Ma Yuan de xu shi ji qiao: Narrative techniques in Lu Xun, Ah Cheng and Ma Yuan. Da'an chu ban she, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Foss, Bob. Filmmaking Narrative and Structural Techniques: Narrative & Structural Techniques. Silman-James Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Narrative techniques"

1

Madigan, Stephen. "Narrative therapy." In Psychotherapy theories and techniques: A reader. American Psychological Association, 2014. http://dx.doi.org/10.1037/14295-025.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Breyer, Felipe, Judith Kelner, Daniel Ferreira, et al. "Narrative-Led Interaction Techniques." In Interactive Storytelling. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-04028-4_22.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Harju, Matias. "Narrative techniques and concepts." In Audio Augmented Reality. Focal Press, 2025. https://doi.org/10.4324/9781003627289-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Cowan, Dave, Helen Carr, and Alison Wallace. "Messiness and Techniques of Simplification." In Ownership, Narrative, Things. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-59069-5_8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Rivett, Mark. "Narrative therapy." In Family Therapy Skills and Techniques in Action. Routledge, 2017. http://dx.doi.org/10.4324/9781315728216-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Ireland, Ken. "Narrative components." In Narrative Concepts and Techniques in International Literary Fiction. Routledge, 2025. https://doi.org/10.4324/9781003561903-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Ireland, Ken. "Narrative forms." In Narrative Concepts and Techniques in International Literary Fiction. Routledge, 2025. https://doi.org/10.4324/9781003561903-4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Madigan, Stephen. "Narrative therapy process." In Psychotherapy theories and techniques: A reader. American Psychological Association, 2014. http://dx.doi.org/10.1037/14295-026.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Diamond, Rachel M., and Jay L. Lebow. "Reattribution and Narrative Change." In Techniques for the Couple Therapist. Routledge, 2016. http://dx.doi.org/10.4324/9781315747330-22.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Calderón, Sara. "Narrative Techniques in Jorge Volpi’s Fictions." In The Mexican Crack Writers. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62716-8_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Narrative techniques"

1

Huang, Siwen, and Zhihan Zhang. "The Application of Interactive AI-Based Narrative Translation Model in Fashion Design." In 2024 International Conference on Interactive Intelligent Systems and Techniques (IIST). IEEE, 2024. http://dx.doi.org/10.1109/iist62526.2024.00024.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Makin, Amirudin Hj, Muhammad Irsyad Abdullah, and Rabab Alayham Abbas Helmi. "Demand Prediction for Perishable Products Using Machine Learning Regression Techniques: A Narrative Review." In 2024 IEEE International Conference on Agrosystem Engineering, Technology & Applications (AGRETA). IEEE, 2024. https://doi.org/10.1109/agreta61912.2024.10948994.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

AlEmadi, Maryam, Jana ElMesselmani, Lyna Bermak, et al. "Narrative Navigators at FIGNEWS 2024 Shared Task: New Frontiers in Bias and Propaganda Annotation Techniques." In Proceedings of The Second Arabic Natural Language Processing Conference. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.arabicnlp-1.57.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ghozali, Muhammad Thesa. "Predicting Patient Adherence in Healthcare using Artificial Intelligence and Machine Learning Techniques: A Narrative Review." In 2024 8th International Conference on I-SMAC (IoT in Social, Mobile, Analytics and Cloud) (I-SMAC). IEEE, 2024. http://dx.doi.org/10.1109/i-smac61858.2024.10714843.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Crozzoli, Miguel Angel, and Thor Magnusson. "Sounding Numbers: The Sonification Object as an Interface in "I Am the Ocean"." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.021.

Full text

Abstract:

Designing sonification for music composition involves aesthetic and narrative manipulation through strategies based on compositional intent, sparking discussions of data clarity and understanding. This paper describes an autobiographical process of crafting an aesthetic sonification from climate change data, and its further musification. In this approach, the sonification is used as a material for composition and transformed into an interactive musical instrument, within contemporary aesthetics and live performance contexts. The sonification object becomes an interface for composition and performance. The resulting piece seeks to amplify engagement through affectivization while displaying data infor- mation via symbolic abstraction and musical narrative. The paper also describes the techniques and results of blending sonification sounds with mixed notation derived from the sonification object. The composed piece was recorded and played by an electronic-acoustic contemporary ensemble to an audience which later gave feedback. The conclusion drawn from this musification project was that even though the source data was not directly perceivable in detail by the audience, the piece does convey information via the power of emotional affectation, which aligns with the original intention of the project.

APA, Harvard, Vancouver, ISO, and other styles

6

Kumar Chikkam, Anil, Aaron Ulmer, Edward Larkin, and Mehrooz Zamanzadeh. "Learning from Failure: The Key to Advancements in Metallurgy and Corrosion." In CONFERENCE 2024. AMPP, 2024. https://doi.org/10.5006/c2024-21152.

Full text

Abstract:

Abstract In the field of metallurgy and corrosion, it is of paramount importance to acknowledge that no failure should ever be underestimated or dismissed as trivial. Each failure carries its own unique narrative and offers invaluable insights into the underlying causes and potential risks. This paper emphasizes the utmost significance of understanding and analyzing metallurgical failures, irrespective of their perceived severity. By meticulously examining every failure as an individual case, substantial lessons can be derived, leading to advancements in designs, materials, and manufacturing processes. Through meticulous investigations and the application of failure analysis techniques, the intricate stories concealed within each failure can be unraveled. These comprehensive analyses provide crucial information for identifying root causes and establishing preventive measures. The paper presents compelling case studies that exemplify the consequences arising from insufficient knowledge on material selection, neglecting stress raisers, mishandling of materials, and the absence of robust inspection plans. These failures range from production losses to fatal incidents, underscoring the criticality of learning from past experiences and implementing proactive measures to avert such occurrences.

APA, Harvard, Vancouver, ISO, and other styles

7

Tomassoni, Rosella, Francesco Spilabotte, Monica Alina Lungu, and Federico Federico. "PSYCHOLOGY AND LITERATURE: SOME PSYCHOLOGICAL CONSIDERATIONS ON JOYCE�S THE DEAD." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.25.

Full text

Abstract:

This work aims to present one of the most original and complex characters of the 20th century, the writer James Joyce (1882-1941). The study consists of a careful research and psychological investigation of the Irish writer�s thought through the analysis of one of his best-known works, Dubliners. In particular, the last story of Joyce�s extensive work, The Dead, will be examined. In the course of the work, particular emphasis will be placed on the themes and concepts present and recurring in Joyce�s works and in Dubliners. This study aims to show how James Joyce carefully portrays certain themes belonging to contemporary man and recurring within his stories and how through the combination of narrative techniques such as epiphany, the flow of thought and the use of different linguistic registers, he succeeds in delving into humanity characterised by fragility and weaknesses. Within this work, particular emphasis will be placed on the characters depicted by Joyce and how they represent the expression of his creativity, thanks also to his ability to masterfully bring out their emotions, feelings and inner conflicts. In the course of the analysis, it will be highlighted how the concept of paralysis presented by Joyce is one of the central themes of The Dead. The paralysis represented by Joyce is a paralysis in which the city of Dublin and its inhabitants are immersed. A moral paralysis, the difficulty of changing, of coming out of a structured reality that will lead the Irish writer to move away from the city and escape.

APA, Harvard, Vancouver, ISO, and other styles

8

Nanyonga, Aziida, Hassan Wasswa, Ugur Turhan, Keith Joiner, and Graham Wild. "Exploring Aviation Incident Narratives Using Topic Modeling and Clustering Techniques." In 2024 IEEE Region 10 Symposium (TENSYMP). IEEE, 2024. http://dx.doi.org/10.1109/tensymp61132.2024.10752231.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Gupta, Nivedita, M. Vinoth Kumar, Atif Sundake, G. Sharmely, N. Jothi, and A. S. Sivananthavalli. "AI-Driven Digital Narratives: Revolutionizing Storytelling in Contemporary English Literature through Virtual Reality." In 2024 Second International Conference Computational and Characterization Techniques in Engineering & Sciences (IC3TES). IEEE, 2024. https://doi.org/10.1109/ic3tes62412.2024.10877467.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Kumbar, Prajwal, Shamneesh Sharma, Isha Batra, Arun Malik, and Farzeen Ashfaq. "StorySpinner: AI Based Technique to Narrate the Web Links." In 2024 International Conference on Emerging Trends in Networks and Computer Communications (ETNCC). IEEE, 2024. https://doi.org/10.1109/etncc63262.2024.10767564.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Narrative techniques"

1

Alonso-Robisco, Andres, and Jose Manuel Carbo. Analysis of CBDC Narrative OF Central Banks using Large Language Models. Banco de España, 2023. http://dx.doi.org/10.53479/33412.

Full text

Abstract:

Central banks are increasingly using verbal communication for policymaking, focusing not only on traditional monetary policy, but also on a broad set of topics. One such topic is central bank digital currency (CBDC), which is attracting attention from the international community. The complex nature of this project means that it must be carefully designed to avoid unintended consequences, such as financial instability. We propose the use of different Natural Language Processing (NLP) techniques to better understand central banks’ stance towards CBDC, analyzing a set of central bank discourses from 2016 to 2022. We do this using traditional techniques, such as dictionary-based methods, and two large language models (LLMs), namely Bert and ChatGPT, concluding that LLMs better reflect the stance identified by human experts. In particular, we observe that ChatGPT exhibits a higher degree of alignment because it can capture subtler information than BERT. Our study suggests that LLMs are an effective tool to improve sentiment measurements for policy-specific texts, though they are not infallible and may be subject to new risks, like higher sensitivity to the length of texts, and prompt engineering.

APA, Harvard, Vancouver, ISO, and other styles

2

Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.

Full text

Abstract:

The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion. Media text implies the presence of the author as a creator of meanings. In addition, media texts have universal features: word, sound, visuality (stills, photos, videos). They are traditionally divided into radio, TV, newspaper and Internet texts. The concepts of multimedia and hypertext are related to online texts. Web combinations, especially in political journalism, have intensified the interactive branching of nonlinear texts that cannot be published in traditional media. The Internet as a medium has created the conditions for the exchange of ideas in the most emotional way. Hence Gonzo’s interest in journalism, which expresses impressions of certain events in words and epithets, regardless of their stylistic affiliation. There are many such examples on social media in connection with the events surrounding the Wagnerians, the Poroshenko case, Russia’s new aggression against Ukraine, and others. Thus, the study of new features of media text in the context of modern political narratives and emotional markers is important in media research. The article focuses review of etymology, origin and features of using lexemes “cмисл (meaning)” and “сенс (sense)” in linguistic practice of Ukrainians results in the development of meanings and functional stylistic coloring in the usage of these units. Lexemes “cмисл (meaning)” and “сенс (sense)” are used as synonyms, but there are specific fields of meanings where they cannot be interchanged: lexeme “сенс (sense)” should be used when it comes to reasonable grounds for something, lexeme “cмисл (meaning)” should be used when it comes to notion, concept, understanding. Modern political texts are most prominent in genres such as interviews with politicians, political commentaries, analytical articles by media experts and journalists, political reviews, political portraits, political talk shows, and conversations about recent events, accompanied by effective emotional narratives. Etymologically, the concept of “narrative” is associated with the Latin adjective “gnarus” – expert. Speakers, philosophers, and literary critics considered narrative an “example of the human mind.” In modern media texts it is not only “story”, “explanation”, “message techniques”, “chronological reproduction of events”, but first of all the semantic load and what subjective meanings the author voices; it is a process of logical presentation of arguments (narration). The highly professional narrator uses narration as a “method of organizing discourse” around facts and impressions, impresses with his political erudition, extraordinary intelligence and creativity. Some of the above theses are reflected in the following illustrations from the Ukrainian media: “Culture outside politics” – a pro-Russian narrative…” (MP Gabibullayeva); “The next will be Russia – in the post-Soviet space is the Arab Spring…” (journalist Vitaly Portnikov); “In Russia, only the collapse of Ukraine will be perceived as success” (Pavel Klimkin); “Our army is fighting, hiding from the leadership” (Yuri Butusov).

APA, Harvard, Vancouver, ISO, and other styles

3

Loso, Michael, and Michael Loso. Glacier monitoring in the Central Alaska Network: Protocol narrative, version 1.0. National Park Service, 2025. https://doi.org/10.36967/2308209.

Full text

Abstract:

Two of the three national parks that comprise the National Park Service Inventory & Monitoring Program?s Central Alaska Network (CAKN) are covered by large quantities of glacier ice. Wrangell-St. Elias National Park and Preserve has 3,121 glaciers and Denali National Park and Preserve has 881. These glaciers cover significant portions of the parks and exert substantial influence over the surrounding landscapes with impacts on weather, vegetation, animal migration, river flow, aquatic life, and even downstream marine ecosystems. They also provide a significant attraction?and hazard?for visitors. These glaciers are changing rapidly, primarily due to the influence of warming air temperatures. The impacts of glaciers on park resources and park visitors are not only important, but quickly evolving, with important consequences for park management. For all these reasons, the Central Alaska Network has identified glaciers as one of the vital signs that should undergo long-term monitoring. This document describes the protocol for conducting that monitoring program. Glacier monitoring in the CAKN parks began in 1991 with measurements of mass balance (snow accumulation and melt) and surface elevation at one site on Denali?s Kahiltna Glacier. The monitoring has evolved since that time to include mass balance measurements on a second large glacier (Kennicott Glacier) in Wrangell-St. Elias. Those two glaciers are highly visited, compared to most other glaciers in the parks, and are relatively accessible for monitoring purposes. The objectives of these measurements are to document seasonal and interannual changes in the primary climatic forces that control glacier change: snow accumulation and melt. Combined with periodic remeasurements of the glacier boundaries and surface elevations, the protocol records mass balances of these two glaciers with both glaciological and geodetic methods, allowing analysis of total mass balance with accompanying understanding of the climatic forces behind it. The glacier monitoring protocol also calls for the use of increasingly available remote sensing techniques to document changes in glacier areas, surface elevations, and surface velocities for a broad collection of park glaciers. Outside the scope of the CAKN protocol, boundaries of all park glaciers have been digitized twice over the last decade, and this protocol calls for continuation of that decadal inventory using whatever remote sensing data and techniques are most applicable at each decadal time step. A subset of the largest park glaciers is also slated for measurement of surface elevations every 4-6 years, continuing the measurements made by Operation IceBridge since the mid-1990s.

APA, Harvard, Vancouver, ISO, and other styles

4

Loso, Michael, and Michael Loso. Glacier monitoring in the Central Alaska Network: Data quality standards, version 1.0. National Park Service, 2025. https://doi.org/10.36967/2308232.

Full text

Abstract:

The purpose of this report is to document the standards used by the National Park Service (NPS) Central Alaska Network (CAKN) Inventory and Monitoring Program for activities related to the collection, processing, analysis, and publication of glacier monitoring data as described in Glacier Monitoring in the Central Alaska Network: Protocol Narrative (Loso 2025). This plan also serves as a guide for CAKN personnel who are involved in protocol/program activities and as a resource for identifying memoranda, publications, and other literature that describe associated techniques and requirements in more detail.

APA, Harvard, Vancouver, ISO, and other styles

5

Starkey, Eric, Jacob McDonald, and Wendy Wright. Monitoring wadeable stream habitat conditions in Southeast Coast Network parks: Data quality standards. National Park Service, 2018. https://doi.org/10.36967/2254651.

Full text

Abstract:

The purpose of this report is to document the standards used by the Southeast Coast Network (SECN) for activities related to the collection, processing, storage, analysis, and publication of monitoring data as described in the Monitoring Wadeable Stream Habitat Conditions in Southeast Coast Network Parks: Protocol Narrative (McDonald et al. 2018). This plan also serves as a guide for all Southeast Coast Network personnel who are involved in protocol or program activities and serves as a resource for identifying memoranda, publications, and other literature that describe associated techniques and requirements in more detail.

APA, Harvard, Vancouver, ISO, and other styles

6

Raskin, Evan, Brian Witcher, Robert Emmott, Joseph DeVivo, and Wendy Wright. Data quality standards: Monitoring exploited plants of rich coves in the Appalachian Highlands I&M Network. National Park Service, 2018. https://doi.org/10.36967/2257809.

Full text

Abstract:

The purpose of this report is to document the standards used by the Appalachian Highlands Network (APHN) for activities related to the collection, processing, storage, analysis, and publication of monitoring data as described in Monitoring Exploited Plants of Rich Coves in the Appalachian Highlands Inventory & Monitoring Network: Protocol Narrative (Murdock et al. 2018). The policies and procedures documented in this quality-assurance plan for activities complement the quality-assurance plans for other monitoring activities conducted by the Appalachian Highlands Network and supplement the National Inventory and Monitoring Division Quality Management Plan (in development). The plan also serves as a guide for all APHN personnel who are involved in protocol or program activities and as a resource for identifying memoranda, publications, and other literature that describe associated techniques and requirements in more detail.

APA, Harvard, Vancouver, ISO, and other styles

7

Morrison, John F. Analyzing Interviews with Terrorists. RESOLVE Network, 2020. http://dx.doi.org/10.37805/rve2020.7.

Full text

Abstract:

For years the dominant narrative has been that there is a dearth of primary sources in terrorism studies. This is now changing. The talk about the scarcity of data is gradually being replaced by discussions of a “data revolution” and a “golden age” of terrorism research. We are now publishing more research based on the analysis of primary source data than ever before. Included in this has been some ground-breaking interview research with recent and former terrorists—research that could define how we think about terrorist involvement for years to come. With this increased access to data, if our research is to have any analytical value and concurrently respected both within and outside of academia, we need to actively consider how we analyze it. This chapter discusses some of the issues that need to be taken into consideration when analyzing first-hand interviews, including the importance of specificity, different available analytic techniques, the role of triangulation, and ethical practices.

APA, Harvard, Vancouver, ISO, and other styles

8

Nahorniak, Maya. Occupation of profession: Methodology of laboratory classes from practically-oriented courses under distance learning (on an example of discipline «Radioproduction»). Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11412.

Full text

Abstract:

The article deals with the peculiarities of the use of verbal, visual and practical methods in the distance learning of professional practically-oriented discipline «Radioproduction», are offered new techniques for the use of these methods during the presentation of theoretical material and the creation of a media product (audiovisual content), due to the acquisition of a specialty in conditions online. It is proved that in distance learning, this discipline is inadmissible to absolutize the significance of verbal methods (narrative, explanation, conversation, discussion, lecture) and that all varieties of verbal methods require the intensification of an interactive factor. Based on its own experience, it has been demonstrated, as with the help of various educational platforms, the most appropriate use of visual learning methods. Particular attention is paid to the fact that practical teaching methods based on professional activities of students acquire priority in their professional training. It has been established that only when parity application of new receptions of verbal, visual and practical methods of online learning may have a proper pedagogical effect and will ensure the qualitative acquisition of the specialty. Training methods – verbal, visual, practical – are intended to provide all levels of assimilation of knowledge and skills to promote the full master of the radiojournalist specialist.

APA, Harvard, Vancouver, ISO, and other styles

9

Yatsymirska, Mariya, and Bohdan Markevych. MEDIA TEXTS AND PERSUASION. Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12170.

Full text

Abstract:

Abstract. The article clarifies specific concepts of persuasion in media texts; describes new techniques of media influence based on materials of online publications; shows the role of expressive means of language and emotions in visual communication. In social communication, persuasive logos refer to meaningful words and thoughts conveyed through mass media and logically perceived as a reasonable persuasion to proper actions based on the principles of morality, ethics, and culture; informational and influential accents. In modern science (Philosophy, Psychology, Rhetoric, Linguistics), logos has acquired not only new meanings, but also has become an important concept of rational expression of free ideas, meanings, reflections. From this perspective, new media serve as the most concentrated source of logosphere and eidosphere creation, which should be thoroughly studied and analyzed every day. The research on multimedia texts, genre diversity, new platforms, and online publications has significantly contributed to the Media Studies. Techniques of persuasive communication, methods of argumentation, and verbal tools form a separate area of the research within the field. Unlike manipulation, persuasion is the conscious use of written or spoken language, interactive visualization, and infographics to influence someone’s beliefs, views, or actions; gain someone’s support, approve the suggested ways of behavior, intentions, etc. Means of persuasion in media texts serve as logical information accents aimed at the proper perception of the corresponding meanings. In general, factors of persuasion are to influence the masses and the motivation of their actions, modify views, and form public opinion. In journalism, these are meaningful words, thoughts, principles of high-quality narrative with the use of convincing arguments, facts and, most importantly, positive intentions for the readers. Persuasive media texts exclude manipulation of public opinion, trust and people’s inclination to perceive doctrines imposed on them. Keywords: persuasion, concept, visual information, social communication.

APA, Harvard, Vancouver, ISO, and other styles

10

Rosinska, Olena. Образи батьків у молодіжних серіалах: наратив протистояння. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11748.

Full text

Abstract:

The subject of the research in the publication is the method of parents-children conflicts construction and the typology of parents’ images in teen serials of Ukraine and Poland. For analysis such series as “School” (Ukraine, 2017), “First sparrows” (Ukraine (2020), “Sex, Insta and ZNO” (Ukraine, 2021), “Sexify” (Poland, 2021) have been chosen; that allows drawing parallels between these media products made at different time, specify the methods of reflecting the conflicts between parents and children, peculiarities in constructing the parents’ images in each of the series, typology of the images due to psychological problems actualized in the series. The purpose of the research is to specify media narratives in representing the parents-children conflict and images formation based on the material of teen series. The purpose of the research can be reached due to the application of content analysis as a system research technique for objective description of the available content of communication in media material; such methods of analysis as comparison, synthesis, narrative analysis. Due to the use of the above methods, the following results have been reached: summarized the typology of conflicts in the series specified outlining those storylines and characters related to these conflicts, in particular, the conflict of opinions, values and behavior; determined and systemized typological images of parents in the series being researched – aggressive parents, parents imposing their own vision of the future on a child, making them implement parents’ own dreams and comply with the stereotypes topical for them; asocial parents, parents who cannot cope with their own lives, etc.: write the narrative strategies of formation of these kinds of images. Thus, the research outlines particular media psychological problems related to the narratives in teen series made in Ukraine and Poland. The perspective of the research is the engagement of larger volume of media materials of the thematic group, determination of new problematic areas to deepen media psychological context. Key words: teen series, narrative, typology of images, conflict.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!