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Books on the topic 'Narrative temporality'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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1

Time in television narrative: Exploring temporality in twenty-first century programming. University Press of Mississippi, 2012.

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2

Morgan, Monique R. Narrative means, lyric ends: Temporality in the nineteenth-century British long poem. Ohio State University Press, 2009.

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3

Narrative means, lyric ends: Temporality in the nineteenth-century British long poem. Ohio State University Press, 2009.

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4

How strange the change: Language, temporality, and narrative form in peripheral modernisms. Stanford University Press, 2011.

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5

Morgan, Monique R. Narrative means, lyric ends: Temporality in the nineteenth-century British long poem. Ohio State University Press, 2009.

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6

Narratives of ecstasy: Romantic temporality in modern German poetry. Wayne State University Press, 1987.

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7

Videogiochi e cinema: Interattività, temporalità, tecniche narrative e modalità di fruizione. CLUEB, 2006.

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8

Société d'analyse de la topique dans les œuvres romanesques., University of Calgary, and Colloque international de la SATOR., eds. Tempus in fabula: Topoï de la temporalité narrative dans la fiction d'Ancien Régime. Presses de l'Université Laval, 2006.

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9

Duncan, Campbell. The beautiful oblique: Conceptions of temporality in Tristram Shandy. P. Lang, 2002.

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10

Narration and description in the French realist novel: The temporality of lying and forgetting. Cambridge University Press, 1993.

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11

Temporalité et narration: Développement des moyens de donner l'information temporelle dans le discours narratif chez des apprenants polonophones débutant en français. Towarzystwo Naukowe KUL, 2003.

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12

Stivale, Charles J. La temporalité romanesque chez Stendhal: L'échafaudage de la bâtisse. Summa Publications, 1989.

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13

Sowa, Magdalena. Parler et écrire en français: Construction de la temporalité dans le discours narratif par les apprenants polonais avancés en français. Towarzystwo Naukowe, Katolickiego Uniwersytetu Lubelskiego, 2005.

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14

Currie, Mark. Unexpected: Narrative Temporality and the Philosophy of Surprise. Edinburgh University Press, 2015.

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15

Ames, Melissa. Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming. University Press of Mississippi, 2015.

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16

The Unexpected: Narrative Temporality and the Philosophy of Surprise (The Frontiers of Theory EUP). Edinburgh University Press, 2013.

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17

Charon, Rita. Close Reading: The Signature Method of Narrative Medicine. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199360192.003.0008.

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Teaching healthcare professionals how to be close readers assures that they can listen with attention and empathy to what their patients tell them. The close reader pays attention to such narrative features as temporality, narrative situation, voice, metaphor, and mood. This chapter describes the origins of close reading in the 1920s and its subsequent contentious development within literary studies. It describes the salience of the skills learned from close reading for the practice of narrative medicine. The chapter examines such consequences of close reading as relationship-building among le
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18

Wickerson, Erica. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.003.0001.

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This chapter provides an introduction to the book as a whole. It situates the approach undertaken here within the existing narratological debates on time, also discussing those specifically relating to works by Thomas Mann. The most significant way in which the approach differs from existing debates is by offering an analysis of works that do not self-consciously problematize the narration of time. Criticism on Mann’s works that deals with the question of temporality has typically focused on novels such as The Magic Mountain and Doctor Faustus. This introduction outlines the structure of the b
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19

Dussinger, John. Samuel Richardson and the Epistolary Novel. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.011.

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Despite having turned 50 before publishing his first novel, Samuel Richardson’s literary career began already in his youth as a precocious letter-writer and developed during the 1720s after launching his London printing business. Richardson’s letter-writing style stresses continual flux as living experience, and this emphasis on temporality is continued in his three experimental ‘histories’ of characters struggling under the pressure of momentary perceptions. As a ‘dramatic’ novel, Clarissa exploits the resources of theatrical presentation as direct discourse and of narrative storytelling as i
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20

Wickerson, Erica. Space. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.003.0002.

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Since space and time are the two fundamental modes of locating experience, the first chapter of the book considers their interaction. Specifically, the ways in which descriptions of space further the sense of the passing of time are explored. Space has been traditionally thought of as the opposite of time, and critics have suggested that spatial description in narrative actually stills time. In this chapter, it is suggested that the opposite is true; that, in fact, describing objects and settings contributes to the multilayered, multidirectional, complex view of temporality that narrative affo
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21

Charon, Rita. A Framework for Teaching Close Reading. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199360192.003.0009.

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This chapter describes one framework for teaching close reading to groups of learners. It proposes that learners focus on one narrative feature at a time—for example, time, space, voice, and metaphor—over the course of a seminar. For each feature, students read and discuss seminal conceptual writings to situate them in the classical and contemporary critical discourse. The chapter provides capsule summaries of these four narrative features that guide students in their own close reading of texts. The discussion of temporality, for example, includes theological, philosophical, scientific, and li
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22

Fuchs, Anne. The Trouble with Time. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190461454.003.0007.

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Analyzing the discourse on timekeeping and lateness in Kafka’s The Trial, the author demonstrates that the novel overturns modernity’s one-sided, speed-as-progress narrative by puncturing the chronology and linearity of time with metaphysical time. Josef K.’s inability to keep time or to stay attentive when it really matters makes him a protagonist who has lost the capacity to acknowledge the possibility of a different temporality. He therefore misreads his trial by interpreting it solely with reference to modern notions of legal evidence, procedures, and institutions. Intersecting the analysi
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23

Harford Vargas, Jennifer. The Floating Dictatorship. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190642853.003.0004.

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This chapter focuses on the figure of the neoliberal dictator in Francisco Goldman’s The Ordinary Seaman, arguing that the white captain and first mate are capitalist dictators who use a marooned ship in an abandoned Brooklyn pier as their technology of domination. The novel depicts the shipowners as modern-day explorers, slave owners, and filibusterers who employ a group of Central Americans but never pay them and keep them trapped on the ship in fear of deportation. The shipwreck functions as a metaphor for the crew’s situation as well as a narrative device, and the novel’s discourse is stru
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24

Leman, Peter. Singing the Law. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621136.001.0001.

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“Singing the Law” is about the legal lives and afterlives of oral cultures in East Africa, particularly as they appear within the pages of written literatures during the colonial and postcolonial periods. In examining these cultures, I begin with an analysis of the cultural narratives of time and modernity that formed the foundations of British colonial law. Recognizing the contradictory nature of these narratives (i.e., they both promote and retreat from the Euro-centric ideal of temporal progress) enables us to make sense of the many representations of and experiments with non-linear, open-e
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25

Lothian, Alexis. Old Futures. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479811748.001.0001.

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Old Futures traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of color that are marginalized within most accounts of the genre, the book offers a new perspective on speculative fiction studies while reframing established theories of queer temporality by arguing that futures imagined in the past offer new ways to queer the present. Imagined futures have been central to the creation and maintenance of imperial domination and t
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26

Wickerson, Erica. History. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.003.0006.

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The distinction between lived time as it is subjectively experienced by individuals and wider events that affect communities, collectives, and nations is a complex and significant aspect of time as it is presented in narrative. This chapter considers the tension between the time of individual experience and the time of collectively marked events in Doctor Faustus, Felix Krull, Mario and the Magician, as well as Günter Grass’s The Tin Drum, and Art Spiegelman’s graphic novel, Maus. The wide range of times and media afforded by these works allows an analysis of the ways in which references to hi
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27

Barnard, John Levi. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190663599.003.0001.

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This introduction situates the study within the fields of classical receptions, black classicism, and African American cultural studies. Drawing on postcolonial critical insights into classical tradition as a mechanism of imperial power, as well as work elaborating black classicism in the United States, the introduction sets the framework for a dialectical reading of African American cultural production in relation to dominant American cultures of classical monumentalism and public historiography. It establishes the relevance of the study to debates about theories of temporality and historical
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28

Kronengold, Charles. Audiovisual Objects, Multisensory People, and the Intensified Ordinary in Hong Kong Action Films. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0003.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter explores audiovisual intensification in post-1997 Hong Kong action films, focusing on the performance of everyday activities in Johnnie To’s 2004Breaking News (Dai si gin, 2004) This film’s heightened depictions of materiality, temporality, and the ordinary provide a means to register multisensory experience in a changing urban society. Sound and music work alongside the narrative and the mise-en-scène, creating a contrapuntal weave of lines thro
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29

Bueno-Hansen, Pascha. National Reconciliation through Public Hearings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039423.003.0004.

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This chapter examines how the Peruvian Truth and Reconciliation Commission (PTRC) turned from policy suggestions to the symbolic realm of public hearings as part of its efforts to construct and implement a new space of horizontal communication to facilitate the national reconciliation process. The PTRC public hearings aimed to build a new national narrative by giving voice to the victims/testimoniantes and educating the public on lesser-known aspects of the conflict utilizing a human rights framework. This chapter analyzes how procedural and representational issues hindered the full potential
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30

Harford Vargas, Jennifer. Forms of Dictatorship. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190642853.001.0001.

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An intraethnic study of Latina/o fiction written in the United States from the early 1990s to the present, this book examines novels that depict the historical reality of dictatorship and exploit dictatorship as a literary trope. This literature constitutes a new subgenre of Latina/o fiction that the author calls the Latina/o dictatorship novel. The book illuminates Latina/os’ central contributions to the literary history of the dictatorship novel by analyzing how U.S. Latina/os with national origin roots in the Caribbean, Mexico, and Central and South America imaginatively represent authorita
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31

Disch, Lisa, and Mary Hawkesworth, eds. The Oxford Handbook of Feminist Theory. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.001.0001.

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The Oxford Handbook of Feminist Theory provides an overview of the analytical frameworks and theoretical concepts feminist theorists have developed to challenge established knowledge. Leading feminist theorists, from around the globe, provide in-depth explorations of a diverse array of subject areas, capturing a plurality of approaches. The Handbook raises new questions, brings new evidence, and poses significant challenges across the spectrum of academic disciplines, demonstrating the interdisciplinary nature of feminist theory. The chapters offer innovative analyses of the central topics in
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32

Barrett, Chris. Early Modern English Literature and the Poetics of Cartographic Anxiety. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816874.001.0001.

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Though the Renaissance map—made newly accurate and newly ubiquitous by the Cartographic Revolution—delighted, inspired, and fascinated, it also unsettled, upset, and disturbed sixteenth- and seventeenth-century readers. Early Modern English Literature and the Poetics of Cartographic Anxiety is the first monograph to demonstrate how early modern anxieties about maps and map logics accompanied an early modern poetics of representational crisis. The book first considers the manifold ways that the cartographic provoked suspicion, unease, and even hostility in early modern Britain, and it highlight
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33

Herman, David. Coda: Toward a Bionarratology; or, Storytelling at Species Scale. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190850401.003.0009.

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The coda to the book puts forward the hypothesis that narrative, even though it is grounded in and optimally calibrated for meso-level, human-scale phenomena, furnishes routes of access to emergent structures and processes extending beyond the size limits of the lifeworld, including species transformations at the macro level of phylogenetic history. In this way, the coda suggests how the study of what can be called storytelling at species scale constitutes an important aspect of narratology beyond the human. Focusing on the heuristic potentials of “multiscale narration” across a range of ficti
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34

Narration and Description in the French Realist Novel: The Temporality of Lying and Forgetting (Cambridge Studies in French). Cambridge University Press, 2006.

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35

Wills, David. Killing Times. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823283521.001.0001.

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Killing Times starts from the deceptively simple observation— made by Jacques Derrida—that the death penalty mechanically interrupts mortal time, preempting our normal experience of not knowing when we will die. The book examines more broadly what constitutes mortal temporality and how the “machinery of death” exploits and perverts time. It first examines Eighth Amendment challenges to the death penalty in the U.S, from the late nineteenth-century introduction of execution by firing squad and the electric chair to current cases involving lethal injection. Although defining the instant of death
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36

Rojas, Carlos. On Time. Edited by Carlos Rojas and Andrea Bachner. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199383313.013.44.

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Through a close reading of several works by contemporary Hong Kong author Dung Kai-Cheung, and particularly his recent novelWorks and Creations, this chapter examines how Dung deploys a dialectics of anticipatory loss and belated recognition to comment not only on the status of contemporary Hong Kong but also on the process of fiction-writing itself. The analysis draws on the precisely inverse Freudian concepts of the fetish and of deferred action, which approach the present through the prism of either an anticipated future loss or a belated reassessment of a past event, while also reflecting
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37

Wickerson, Erica. Myth. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.003.0005.

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Mythology was of great interest to Mann and allusions to well-known myths appear in many guises across his works. It is also of interest in terms of narrative time. This chapter takes a selection of works in which Mann toys—to varying degrees of subtlety—with mythic tales, and explores the way in which nods to well-known mythological tales affect the subjective flow of time. I explore the different models presented in Felix Krull, Blood of the Walsungs, and Doctor Faustus, and compare these to Günter Grass’s The Tin Drum, a work that engages closely with Mann’s writing. This analysis illustrat
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38

Mukherjee, Debashree. Scandalous Evidence. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0003.

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This chapter examines the status and work of women in the early Bombay film industry (1930s–1940s), using the historiographic productivity of actresses embroiled in scandals as an entry point. It reconstructs scandal narratives in a jigsaw fashion using a variety of sources, including film magazines, biographies, creative nonfiction writing, fan letters, and interviews conducted in Bombay from 2008 to 2013. The chapter considers how the film historian might use “illegitimate” sources of history to approach lived histories of Indian cinema's work culture. It approaches scandal as a discursive f
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39

Assmann, Aleida. Is Time Out of Joint? Translated by Sarah Clift. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501742439.001.0001.

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Is, as Hamlet once complained, time out of joint? Have the ways we understand the past and the future—and their relationship to the present—been reordered? The past, it seems, has returned with a vengeance: as aggressive nostalgia, as traumatic memory, or as atavistic origin narratives rooted in nation, race, or tribe. The future, meanwhile, has lost its utopian glamor, with the belief in progress and hope for a better future eroded by fears of ecological collapse. This book argues that the apparently solid moorings of our temporal orientation have collapsed within the span of a generation. To
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40

McNeil, Kenneth. Scottish Romanticism and Collective Memory in the British Atlantic. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474455466.001.0001.

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Charting the transatlantic movements of Scottish literature in the Age of Revolution, this book provides an in-depth examination of Scottish Romantic literary ideas on memory and their influence among various cultures in the British Atlantic. The book brings into relief a distinct Scottish historiography, in which a temporality of modernity takes shape in the forms, tropes and categories of a mode of historical understanding we now would term collective or cultural memory. The study traces this emergent mode in Scottish history writing, both fictional and non-fictional, as it circulated throug
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41

Earle, Harriet E. H. Comics, Trauma, and the New Art of War. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496812469.001.0001.

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Conflict is one of the most prevalent themes in comics, film and literature; we have been writing stories of war and violence since time immemorial. Comics is no stranger to such narratives and is writing them in ways that are different from (and complementary to) literature and film. This book brings together two distinct areas of research–trauma studies and comics–to provide a new interpretation of this long-standing central theme. Focusing on representations of conflict and war in post-Vietnam American comics, it claims that the comics form is able to mimic traumatic experience in order to
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42

Phelan, Helen. Singing the Rite to Belong. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190672225.001.0001.

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Why do so many people feel part of something bigger than themselves when they sing with others? How does listening to people sing, especially in certain ritual contexts, give us this same feeling? With this book, singer and scholar Helen Phelan draws on over two decades of musical and educational research to explore the agency of singing in fostering experiences of belonging through ritual performance. Set against the backdrop of “the new Ireland” of the late twentieth and early twenty-first centuries, it charts Ireland’s growing multiculturalism, changing patterns of migration, the diminishin
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43

Elsky, Stephanie. Custom, Common Law, and the Constitution of English Renaissance Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861430.001.0001.

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Custom, Common Law, and the Constitution of English Renaissance Literature argues that, ironically, custom was a supremely generative literary force for a range of Renaissance writers. Custom took on so much power because of its virtual synonymity with English common law, the increasingly dominant legal system that was also foundational to England’s constitutionalist politics. The strange temporality assigned to legal custom, that is, its purported existence since “time immemorial,” furnished it with a unique and paradoxical capacity—to make new and foreign forms familiar. This monograph shows
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44

Giles, Paul. The Planetary Clock. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198857723.001.0001.

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The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal arc, from its formal experimentation in the 1960s to environmental concerns in the twenty-first century, is to describe a richer and more complex version of this cultural phenomenon. Exploring different scales of time from a Southern Hemisphere perspective, with a special emphasis on issues of Indigeneity and the Anthropocene, The Planetary Clock off
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45

Storey, Mark. Time and Antiquity in American Empire. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871507.001.0001.

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This is a book about two empires—ancient Rome and the United States—and what happens to historical time when we think about them together. Ranging from the present day to the late eighteenth century, it tracks how the political and cultural imagination turned Roman antiquity into an object of mutual recognition—an analogy—for the imperial US state, sometimes for the sake of its justification and perpetuation, and sometimes as a tool of critique and resistance. To tackle this, it is divided into three parts: an introduction that lays out the conceptual and methodological stakes, a second part o
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46

Rascaroli, Laura. How the Essay Film Thinks. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.001.0001.

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Less than a decade ago the expression "essay film" was still encountered only sporadically; today, the term has been widely integrated into film criticism, and is increasingly adopted by filmmakers and artists worldwide to characterize their work-while continuing to offer a precious margin of resistance to closed definitions. Eschewing essentialist notions of genre and form, and bringing issues of practice and praxis to the fore, this book offers a novel understanding of the epistemological strategies that are mobilized by the essay film, and of where such strategies operate. On the backdrop o
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47

Murphy, Kaitlin M. Mapping Memory. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823282548.001.0001.

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In Mapping Memory: Visuality, Affect, and Embodied Politics in the Americas, Kaitlin M. Murphy analyzes a range of visual memory practices that have emerged in opposition to political discourses and visual economies that suppress certain subjects and overlook past and present human rights abuses. From the Southern Cone to Central America and the US-Mexico borderlands, and across documentary film, photography, performance, memory sites, and new media, she compares how these visual texts use memory as a form of contemporary intervention. Interweaving visual and performance theory with memory and
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