Relevant bibliographies by topics / Narrative voice

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Narrative voice'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Narrative voice"

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Jorgensen, Britta. "Playing with perspective: Narrative voice and trust in Australian independent podcasts." Radio Journal:International Studies in Broadcast & Audio Media 19, no. 1 (2021): 137–53. http://dx.doi.org/10.1386/rjao_00038_1.

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Narrative voice is a frequent site of experimentation in narrative journalism, and in podcasting this voice tends to be more prominent as the listener hears the narrator’s embodied voice. It can build a strong bond with the listener, which is important for independent producers as trust is not automatically afforded to them by association with a trusted media organization. This is particularly true for emerging producers, who also lack a professional reputation. This study examines the techniques used in five Australian independent podcasts to understand how they experiment with narrative voic
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Reitan, Rolf. "Teorier om dufortællinger: En blindgyde?" K&K - Kultur og Klasse 39, no. 112 (2011): 107–32. http://dx.doi.org/10.7146/kok.v39i112.15747.

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THEORIZING SECOND-PERSON NARRATIVES: A BACKWATER PROJECT? | In this paper Rolf Reitan proposes a closer look at three very different perspectives on second person narrative: Brian Richardson, Irene Kacandes, and Monika Fludernik have been classical references for some time, but they have never, according to Reitan, been seriously discussed. The paper begins by examining Kacandes’ intriguing concept of ‘radical narrative apostrophe’, and then discusses the three authors’ very different typological proposals. Borrowing Richardson’s idea of a Standard Form of second person narration, it returns t
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Almanssori, Salsabel. "Public Pedagogy of Hijabi Girlhood." Girlhood Studies 16, no. 3 (2023): 18–34. http://dx.doi.org/10.3167/ghs.2023.160304.

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Abstract I use the narrative method, The Listening Guide, to investigate Hijabi girlhood on YouTube through the girl-created trend #MyHijabStory that emerged in response to public misunderstanding of Hijab. The voice analysis examines how gendered subjectivities of Hijabi girlhood are constructed among narratives of piety, culture, fashion, community, and marginalization. I identified three voices: the convicted voice; the conflicted voice; and the critical voice. The first two involve looking inward and realizing multifaceted stories of coming to Hijab while the third involves looking outward
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Siegenthaler, Perina, and Andreas Fahr. "First-Person Versus Third-Person." European Journal of Health Communication 4, no. 3 (2023): 35–52. http://dx.doi.org/10.47368/ejhc.2023.303.

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Research on health communication shows that audience involvement with media characters displayed in narratives represents a key mechanism that facilitates persuasive outcomes. This study analyses whether different narrative voices trigger identification with story characters and affect counter-arguments against and attitudes toward proposed recommendations. The online experiment (N = 364) investigates the effects of first- and third-person narrative voice in explainer videos using the example of work-related stress, and similarities between the audience’s situations and that of the character a
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Biti, Marina, and Iva Rosanda Žigo. "The Silenced Narrator and the Notion of “Proto-Narrative”." SAGE Open 11, no. 1 (2021): 215824402098852. http://dx.doi.org/10.1177/2158244020988522.

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Narrative voices in Ismet Prcić’s memoir/novel “Shards” are many; this article primarily focuses on what we refer to as the voice of the “silenced narrator” that appears to speak from a deep (“s ubdiegetic”) narrative level shaped by the unconscious workings of traumatic experience. Starting from psychological insights into traumatic states (Elbert and Schauer, Hunt, Crossley, etc.) and tracing the encoded symptoms of this illness across the text, the discussion moves on to a theoretical level to investigate notions proposed by authors such as Genette (to discuss narrative levels), Ricœur (in
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Lanser, Susan S. "Queering narrative voice." Textual Practice 32, no. 6 (2018): 923–37. http://dx.doi.org/10.1080/0950236x.2018.1486540.

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Beaulieu, Steve. "Re-imagining first-person narrative as a collective voice in John Edgar Wideman’s Sent for you yesterday." Frontiers of Narrative Studies 4, no. 1 (2018): 82–95. http://dx.doi.org/10.1515/fns-2018-0006.

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AbstractThis article considers the “narrating-I” in African American fiction, reexamining its significance for narratological and sociopolitical theorizations of literature. First-person narratives can normally be understood as autodiegetic, in which the narrators present their experiences from their own perspectives at the expense of access to the viewpoints of other characters. However, African American narratives sometimes present their readers with first-person narrators who are seemingly more omniscient. Able to slip across the boundaries that demarcate their experience from that of other
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Lugo, Victoria, and Carol Gilligan. "Narratives of Surviving and Restoration: “Here I Am a Total Llanera Woman”." Qualitative Inquiry 25, no. 9-10 (2018): 1091–100. http://dx.doi.org/10.1177/1077800418809125.

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This article is about survival and resistance in the context of armed conflicts, such as the one in Colombia. The story of Anna, a “Total Llanera woman” was constructed during the inquiry “Narratives of Surviving and Restoration” conducted in Manizales, Colombia. Working within a socioconstructionist framework and with narrative therapy assumptions, the inquiry was designed to comprehend the survival process of people affected by the armed conflict, through a narrative and action research process. The story of Anna was analyzed using the Listening Guide Method, which intended to offer a way of
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Grieshofer, Tatiana. "The importance of being heard Stories of unrepresented litigants in small claims cases and private family proceedings." Language and Law=Linguagem e Direito 9, no. 1 (2022): 73–91. http://dx.doi.org/10.21747/21833745/lanlaw/9_1a4.

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e article explores narrativisation practices in small claims cases andprivate family proceedings, focusing predominantly on cases where at least oneof the parties is not represented by a lawyer. By drawing on the data collectedduring court observations and analysed using the ethnography of communicationas the main methodological framework, the study identifies narrative genresacross different stages of legal proceedings and illustrates communication barriersexperienced by lay court users. The discussion focuses on how formalised narrativegenres and the staggered presentation of narratives impa
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Tollance, Pascale. "Voices from nowhere." English Text Construction 1, no. 1 (2008): 141–53. http://dx.doi.org/10.1075/etc.1.1.11tol.

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Graham Swift’s oeuvre reflects a fascination with voice which appears most clearly in two of his novels, Waterland and Last Orders, but in seemingly diametrically opposed ways. Whilst Waterland foregrounds the act of narration through a voluble and chatty narrator, Last Orders is deprived of any central narrating agency and consists of a collage of different voices. In spite of this, in both novels, voice is a factor of instability as it no longer speaks with authority but proceeds erratically and repetitively, constantly echoing other voices. Voice unsettles the narrative by imposing multipli
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Dissertations / Theses on the topic "Narrative voice"

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Desrochers, Rose. "Voice : a single case narrative study." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/30538.

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A single case narrative approach is utilized to investigate the life-time experience of voice. This study arises out of research in psychology, where the concept of voice has emerged as a metaphor by which women view and experience themselves, the world, and their place in it; a metaphor central to intellectual, ethical, identity development and self-worth. This research focuses on identifying in the metaphor of voice, the constituent components of that experience throughout a life-time. It examines voice within contexts, roles, relationships and socialization processes in which it occurs in o
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Vincent, Charlene Marie-Laura. "Giving voice to spirituality through narrative." Thesis, Boston University, 2010. https://hdl.handle.net/2144/19823.

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Kearney, Christopher. "The monkey's mask : identity, memory, narrative, voice." Thesis, Goldsmiths College (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366096.

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Dempsey, Mariclare Elizabeth. "Hearing Voices: The Narrative Function of the Piano Voice in Schubert's Winterreise." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1579897972318386.

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Morrison, Andrew Donald. "The narrator's voice : Hellenistic poetry and archaic narrative." Thesis, University College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271310.

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Srinivasan, Ramesh 1976. "Village Voice : expressing narrative through community-designed ontologies." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/62366.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2002.<br>Includes bibliographical references (leaves 75-77).<br>The Village Voice project is a study of the efficacy of a localized ontology in the dissemination of narrative. It seeks to understand how community members can articulate their lives in ways that allow each other to reflect on the makeup of their overall community, and how they represent their community's needs to those outside of the group. I utilize a knowledge model, or ontology, created by community m
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Stoddard, Kathryn. "The narrative voice in the "Theogony" of Hesiod /." Leiden : Brill, 2004. http://catalogue.bnf.fr/ark:/12148/cb39219259j.

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Ferrell, Rosemary Kaye. "Voice in Screenwriting: Discovering/Recovering an Australian Voice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2017. https://ro.ecu.edu.au/theses/2004.

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This creative practice research explores the concept of an identifiable screenwriter’s voice from the perspective of screenwriting as craft, proposing that voice can be understood and described based on its particular characteristics. Voice is understood to be the authorial presence of the screenwriter, whose mind shapes every aspect of the text. This presence is inscribed in the text through the many choices the screenwriter makes. More than this, the research argues that the choices made inflect the text with a cultural-national worldview. This occurs because of the close association between
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Miller, Daniel Quentin. "Narrative Theory and James Joyce's "Finnegan's Wake": Voice and Self-Narration in "Night Lessons"." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625593.

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Gadsby, Jonathan. "A dialogical narrative analysis of voice hearers and emotions." Thesis, Birmingham City University, 2016. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.719999.

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This thesis is the result of a process of Dialogical Narrative Analysis with twelve participants who hear voices that other people cannot hear. It uses the socio-narratology of Arthur Frank to examine their stories about their experiences in the context of the complex and conceptually contested fields of knowledge that are considered relevant to voice-hearing. The 12 voice-hearers present a wide range of ideas and explanatory frameworks about their experiences. Emotions are deliberately part of this thesis and many stories are as moving as they are complex. The author’s own experiences of these
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Books on the topic "Narrative voice"

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Centre Cultural et Artistique Jean Lurcat. Musée Departmental de la Tapisserie., ed. Tapestry: The narrative voice. [s.n.], 1989.

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Neil, Roberts. Narrative and voice in postwar poetry. Longman, 1999.

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Begnal, Michael H. Dreamscheme: Narrative and voice in Finnegans wake. Syracuse University Press, 1988.

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Lanser, Susan Sniader. Fictions of authority: Women writers and narrative voice. Cornell University Press, 1992.

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Garner, Stanton B. The absent voice: Narrative comprehension in the theater. University of Illinois Press, 1989.

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O'Keefe, Charles. Void and voice: Questioning narrative conventions in André Gide's major first-person narratives. Dept. of Romance Languages, The University of North Carolina at Chapel Hill, 1996.

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G, Tierney William, and Lincoln Yvonna S, eds. Representation and the text: Re-framing the narrative voice. State University of New York Press, 1997.

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Packwood, Angela. Voice and narrative: Realities, reasoning and research through metaphor. typescript, 1994.

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Say, Elizabeth A. Evidence on her own behalf: Women's narrative as theological voice. Rowman & Littlefield, 1990.

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Friedman, Edward H. The antiheroine's voice: Narrative discourse and transformations of the picaresque. University of Missouri Press, 1987.

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Book chapters on the topic "Narrative voice"

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Dancyger, Ken, Jessie Keyt, and Jeff Rush. "Dramatic Voice/Narrative Voice." In Alternative Scriptwriting, 6th ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003242307-25.

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Argounova-Low, Tatiana, and Alison K. Brown. "Narrative and voice." In Narrative Objects. Routledge, 2025. https://doi.org/10.4324/9780429456398-4.

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Nic Craith, Máiréad. "Narrative and Voice." In The Vanishing World of The Islandman. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25775-0_3.

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Minh-ha, Trinh T. "Voice over I." In Narrative im Bruch. V&R unipress, 2016. http://dx.doi.org/10.14220/9783737005968.249.

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Lindberg, Katherine. "“Advanced” Topics In Narrative Structure." In Personal Voice. Focal Press, 2025. https://doi.org/10.4324/9781003535478-24.

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Dancyger, Ken, Jessie Keyt, and Jeff Rush. "Writing the Narrative Voice." In Alternative Scriptwriting, 6th ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003242307-26.

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Kindregan, Brian, and Diandra Anne Lasrado. "Voice Over Sessions." In The Definitive Game Narrative Guide. CRC Press, 2025. https://doi.org/10.1201/9781003624882-19.

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Nergård, Jens-Ivar. "The voice of common properties." In The Sámi Narrative Tradition. Routledge, 2021. http://dx.doi.org/10.4324/9781003201601-5.

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Branker, Anthony D. J. "Jazz Historiography and Narrative Voice." In Activating Voices in Jazz History. Routledge, 2025. https://doi.org/10.4324/9781003488118-2.

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Wheeler, Kathleen. "Conclusion: The ‘Voice of Silence’ Speaks." In 'Modernist' Women Writers and Narrative Art. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1057/9780230375826_9.

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Conference papers on the topic "Narrative voice"

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Subramanian, Venkat, S. Shri Hari, Vishwanath Sridhar, et al. "Voice Modulation in Audiobook Narration." In 2024 11th International Conference on Soft Computing & Machine Intelligence (ISCMI). IEEE, 2024. https://doi.org/10.1109/iscmi63661.2024.10851662.

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Mosinyan, Davit. "BEYOND HISTORICIZATION: EMBRACING RESPONSIBILITY AS A SUBJECT OF HISTORY." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s03.14.

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This paper examines the limitations of traditional historiography and proposes a novel approach incorporating the existential concept of responsibility into historical understanding and writing. It argues that conventional historicization methods are inadequate, especially when addressing catastrophic events like genocide that transcend mere factuality. These events challenge historians to move beyond passive documentation and engage in responsible historicization. The proposed approach emphasizes the historian's active role in shaping historical narratives, particularly in preserving the memo
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Modi, Amishal. "IRONIC HUMOUR IN ART SPIEGELMAN’S MAUS: A BAKHTINIAN READING AND A THEORY OF HUMOUR." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.188m.

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Mikhail Bakhtin views the novel as the most democratic of genres containing a variety of voices none of which are subsumed within the voice of the author. Each voice has its own viewpoint and narrative prominence. While most narratives contain dialogic elements, few texts are truly polyphonic. Art Spiegelman’s 1992 Pulitzer Prize winning work of creative nonfiction Maus, which is in graphic form, offers to the reader a double consciousness and the reader is able to see the world through two different lenses: through the eyes of Vladek Spiegelman, Spiegelman’s father and the narrator of the mai
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Gabura, Carolina. "The lyricizing resources of the voice in the homodiegetic narrative." In Conferința științifică națională cu participare internațională "Integrare prin cercetare și inovare" dedicată Zilei Internaționale a Științei pentru Pace și Dezvoltare. Moldova State University, 2025. https://doi.org/10.59295/spd2024u.23.

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The article includes several dissociations of the narrative voice as a constitutive factor of the lyric regime in the homodiegetic narrative. Following the contribution of scholars M. Bal, J.-M. Barberis, G. Konopczynski when delimiting the constituents of the voice on the linguistic level, I extended the valorization of this notion also on the narrative level, analyzing some of its essential components: pauses, tempo, timbre. I established that the relevance of study of the voice within the homodiegetic lyric regime resides in the fact that it is instituted by a personal self, endowed with a
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Stamatiou, Filippos, and Xenofon Karakonstantis. "Should You Trust Your Voice Assistant? It’s Complicated, but No." In 14th Scandinavian Conference on Artificial Intelligence SCAI 2024, June 10-11, 2024, Jönköping, Sweden. Linköping University Electronic Press, 2024. http://dx.doi.org/10.3384/ecp208015.

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The widespread use of voice-assisted applications using artificial intelligence raises questions about the dynamics of trust and reliance on these systems. While users often rely on these applications for help, instances where users face unforeseen risks and heightened challenges have sparked conversations about the importance of fostering trustworthy artificial intelligence. In this paper, we argue that the prevailing narrative of trust and trustworthiness in relation to artificial intelligence, particularly voice assistants, is misconstrued and fundamentally misplaced. Drawing on insights fr
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Wirfs-Brock, Jordan. "Learning to Listen to Data: Voice Interaction, Sonification, and Narrative." In DIS '21: Designing Interactive Systems Conference 2021. ACM, 2021. http://dx.doi.org/10.1145/3468002.3468231.

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He, Yanan. "Regrettable Pursuits: Dual Narrative Voice in the Joy Luck Club." In 2014 International Conference on Education, Management and Computing Technology (ICEMCT-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icemct-14.2014.15.

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Jewell, Jessica. "And Now My Voice Is Rising: Creative Writing in Narrative Methodology." In 2019 AERA Annual Meeting. AERA, 2019. http://dx.doi.org/10.3102/1443965.

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Ivanitskii, A. I. "Konstantin Simonov's War Prose as the Inner Plot of A. Herman's Film «Twenty Days Without War»." In Berkov Readings. Book Culture in the Context of International Contacts. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2025. https://doi.org/10.52929/9785605111085_85.

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A. Herman senior's film «Twenty Days Without War» (1976) is a unique synthesis of literary and cinematic narrative. In the voice-over narration of the story of the same name, on which the film is based, the author Konstantin Simonov becomes the hero of the film, reviving the memory of his experiences and the process of their consistent transformation into diary entries and the text of the book. The director, in turn, becomes an invisible observer and participant in the author's memories, immersing himself in the war by using black and white images and reportage shots. The book thus becomes the
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Copaceanu, Andrei, Jonathan Weinel, and Stuart Cunningham. "Using Voice Input to Control and Interact With a Narrative Video Game." In Proceedings of EVA London 2024. BCS Learning & Development, 2024. http://dx.doi.org/10.14236/ewic/eva2024.66.

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Reports on the topic "Narrative voice"

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Avellanet, Dylan. Animal Narratives as Core Components of Veterinary Medicine. Florida International University, 2025. https://doi.org/10.25148/fiuurj.3.1.12.

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The line between animal and human is often one that is heavily reliant on an individual’s identifications and sense of relationality. The depth of a human-animal bond shifts depending on the established terms of the particular human-animal relationship and the extent of its prior nurturing and the circumstances of its genesis. Animal narratives in turn provide insight into animal individuality that may allow for contemplation of unique, specific approaches applicable to a wide range of circumstances in veterinarian medicine. Some films encompass various facets of the human-animal divide, or la
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Fluckiger, Grace. Amplifying voices through Narrative Journalism. Iowa State University, 2023. http://dx.doi.org/10.31274/cc-20240624-152.

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Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.

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The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion
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Monier, Elizabeth. Whose Heritage Counts? Narratives of Coptic People’s Heritage. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/creid.2021.015.

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This paper examines whose voices narrate official Coptic heritage, what the in-built biases in representations of Coptic heritage are and why, and some of the implications of omissions in narratives of Coptic heritage. It argues that the primary narrator of official Coptic heritage during the twentieth century was the leadership of the Coptic Orthodox Church. The Coptic Orthodox Church is the body that holds authority over the sources of heritage, such as church buildings and manuscripts, and also has the resources with which to preserve and disseminate heritage. The Church hierarchy’s leaders
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Few, Roger, Mythili Madhavan, Narayanan N.C., et al. Voices After Disaster. Indian Institute for Human Settlements, 2021. http://dx.doi.org/10.24943/vad09.2021.

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This document is an output from the “Voices After Disaster: narratives and representation following the Kerala floods of August 2018” project supported by the University of East Anglia (UEA)’s GCRF QR funds. The project is carried out by researchers at UEA, the Indian Institute for Human Settlements (IIHS), the Indian Institute of Technology (IIT), Bombay, and Canalpy, Kerala. In this briefing, we provide an overview of some of the emerging narratives of recovery in Kerala and discuss their significance for post-disaster recovery policy and practice. A key part of the work was a review of repo
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Kenes, Bulent, and Ihsan Yilmaz. Digital Authoritarianism and Religious Populism in Turkey. European Center for Populism Studies (ECPS), 2024. http://dx.doi.org/10.55271/pp0042.

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This article explores the interplay between religious populism, religious justification and the systematic attempts to control cyberspace by the Justice and Development Party (AKP) in Turkey. Drawing from an array of scholarly sources, media reports, and legislative developments, the study unravels the multifaceted strategies employed by the ruling AKP to monopolize digital media spaces and control the information published, consumed and shared within these spaces. The narrative navigates the evolution of the AKP’s tactics, spotlighting the fusion of religious discourse with state policies to
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Ruiz-Romero, GA, BE Múnera Barbosa, and J. Ignacio ´Iñaki´ Chaves G. Beyond the illusion of peace in Colombia. Articulation of local voices against narrative violence. Revista Latina de Comunicación Social, 2019. http://dx.doi.org/10.4185/rlcs-2019-1379en.

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Pizzini, Nigel, and Helen Gremillion. Counsellor Clients as Insider Experts in a School Community. Unitec ePress, 2017. http://dx.doi.org/10.34074/ocds.82017.

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This paper describes a practice developed at a large secondary school in Auckland whereby students’ experiences of overcoming problems are made available to others in the form of insider brochures. These students are thus able to share their insights and strategies in support of peers who may be experiencing similar problems. Drawing on narrative counseling conversations as well as narrative community work, a school counselor facilitates the process. This paper describes how insider voices contribute to the brochures and provides detail from one case example. In keeping with narrative approach
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Uche, Chidi, Zita Ekeocha, Stephen Robert Byrn, and Kari L. Clase. Retrospective Study of Inspectors Competency in the Act of Writing GMP Inspection Report. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317445.

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The research was a retrospective study of twenty-five Good Manufacturing Practice (GMP) inspection reports (from March 2017 through to December 2018) of a national medicine regulatory agency, drug Inspectorate, in West Africa, designed to assess the inspectors’ expertise in the act of inspection report writing. The investigation examined a paper-based tool of thirteen pre-registration Inspection reports and twelve GMP reassessment reports written prior and following an intervention program by external GMP trainers to enhance inspectors’ skill in pharmaceutical cGMP inspection. The study made u
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Yilmaz, Ihsan, and Kenes Bulent. Digital Authoritarianism in Turkish Cyberspace: A Study of Deception and Disinformation by the AKP Regime’s AKtrolls and AKbots. Populism & Politics (P&P), 2023. http://dx.doi.org/10.55271/pp0026.

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Abstract:
This article explores the evolving landscape of digital authoritarianism in Turkish cyberspace, focusing on the deceptive strategies employed by the AKP regime through AKtrolls, AKbots and hackers. Initially employing censorship and content filtering, the government has progressively embraced sophisticated methods, including the weaponization of legislation and regulatory bodies to curtail online freedoms. In the third generation of information controls, a sovereign national cyber-zone marked by extensive surveillance practices has emerged. Targeted persecution of critical netizens, coupled wi
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