Log in

Relevant bibliographies by topics / Narrative voice / Journal articles

To see the other types of publications on this topic, follow the link: Narrative voice.

Journal articles on the topic 'Narrative voice'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Narrative voice.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Jorgensen, Britta. "Playing with perspective: Narrative voice and trust in Australian independent podcasts." Radio Journal:International Studies in Broadcast & Audio Media 19, no. 1 (2021): 137–53. http://dx.doi.org/10.1386/rjao_00038_1.

Full text

Abstract:

Narrative voice is a frequent site of experimentation in narrative journalism, and in podcasting this voice tends to be more prominent as the listener hears the narrator’s embodied voice. It can build a strong bond with the listener, which is important for independent producers as trust is not automatically afforded to them by association with a trusted media organization. This is particularly true for emerging producers, who also lack a professional reputation. This study examines the techniques used in five Australian independent podcasts to understand how they experiment with narrative voic

APA, Harvard, Vancouver, ISO, and other styles

2

Reitan, Rolf. "Teorier om dufortællinger: En blindgyde?" K&K - Kultur og Klasse 39, no. 112 (2011): 107–32. http://dx.doi.org/10.7146/kok.v39i112.15747.

Full text

Abstract:

THEORIZING SECOND-PERSON NARRATIVES: A BACKWATER PROJECT? | In this paper Rolf Reitan proposes a closer look at three very different perspectives on second person narrative: Brian Richardson, Irene Kacandes, and Monika Fludernik have been classical references for some time, but they have never, according to Reitan, been seriously discussed. The paper begins by examining Kacandes’ intriguing concept of ‘radical narrative apostrophe’, and then discusses the three authors’ very different typological proposals. Borrowing Richardson’s idea of a Standard Form of second person narration, it returns t

APA, Harvard, Vancouver, ISO, and other styles

3

Almanssori, Salsabel. "Public Pedagogy of Hijabi Girlhood." Girlhood Studies 16, no. 3 (2023): 18–34. http://dx.doi.org/10.3167/ghs.2023.160304.

Full text

Abstract:

Abstract I use the narrative method, The Listening Guide, to investigate Hijabi girlhood on YouTube through the girl-created trend #MyHijabStory that emerged in response to public misunderstanding of Hijab. The voice analysis examines how gendered subjectivities of Hijabi girlhood are constructed among narratives of piety, culture, fashion, community, and marginalization. I identified three voices: the convicted voice; the conflicted voice; and the critical voice. The first two involve looking inward and realizing multifaceted stories of coming to Hijab while the third involves looking outward

APA, Harvard, Vancouver, ISO, and other styles

4

Siegenthaler, Perina, and Andreas Fahr. "First-Person Versus Third-Person." European Journal of Health Communication 4, no. 3 (2023): 35–52. http://dx.doi.org/10.47368/ejhc.2023.303.

Full text

Abstract:

Research on health communication shows that audience involvement with media characters displayed in narratives represents a key mechanism that facilitates persuasive outcomes. This study analyses whether different narrative voices trigger identification with story characters and affect counter-arguments against and attitudes toward proposed recommendations. The online experiment (N = 364) investigates the effects of first- and third-person narrative voice in explainer videos using the example of work-related stress, and similarities between the audience’s situations and that of the character a

APA, Harvard, Vancouver, ISO, and other styles

5

Biti, Marina, and Iva Rosanda Žigo. "The Silenced Narrator and the Notion of “Proto-Narrative”." SAGE Open 11, no. 1 (2021): 215824402098852. http://dx.doi.org/10.1177/2158244020988522.

Full text

Abstract:

Narrative voices in Ismet Prcić’s memoir/novel “Shards” are many; this article primarily focuses on what we refer to as the voice of the “silenced narrator” that appears to speak from a deep (“s ubdiegetic”) narrative level shaped by the unconscious workings of traumatic experience. Starting from psychological insights into traumatic states (Elbert and Schauer, Hunt, Crossley, etc.) and tracing the encoded symptoms of this illness across the text, the discussion moves on to a theoretical level to investigate notions proposed by authors such as Genette (to discuss narrative levels), Ricœur (in

APA, Harvard, Vancouver, ISO, and other styles

6

Lanser, Susan S. "Queering narrative voice." Textual Practice 32, no. 6 (2018): 923–37. http://dx.doi.org/10.1080/0950236x.2018.1486540.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Beaulieu, Steve. "Re-imagining first-person narrative as a collective voice in John Edgar Wideman’s Sent for you yesterday." Frontiers of Narrative Studies 4, no. 1 (2018): 82–95. http://dx.doi.org/10.1515/fns-2018-0006.

Full text

Abstract:

AbstractThis article considers the “narrating-I” in African American fiction, reexamining its significance for narratological and sociopolitical theorizations of literature. First-person narratives can normally be understood as autodiegetic, in which the narrators present their experiences from their own perspectives at the expense of access to the viewpoints of other characters. However, African American narratives sometimes present their readers with first-person narrators who are seemingly more omniscient. Able to slip across the boundaries that demarcate their experience from that of other

APA, Harvard, Vancouver, ISO, and other styles

8

Lugo, Victoria, and Carol Gilligan. "Narratives of Surviving and Restoration: “Here I Am a Total Llanera Woman”." Qualitative Inquiry 25, no. 9-10 (2018): 1091–100. http://dx.doi.org/10.1177/1077800418809125.

Full text

Abstract:

This article is about survival and resistance in the context of armed conflicts, such as the one in Colombia. The story of Anna, a “Total Llanera woman” was constructed during the inquiry “Narratives of Surviving and Restoration” conducted in Manizales, Colombia. Working within a socioconstructionist framework and with narrative therapy assumptions, the inquiry was designed to comprehend the survival process of people affected by the armed conflict, through a narrative and action research process. The story of Anna was analyzed using the Listening Guide Method, which intended to offer a way of

APA, Harvard, Vancouver, ISO, and other styles

9

Grieshofer, Tatiana. "The importance of being heard Stories of unrepresented litigants in small claims cases and private family proceedings." Language and Law=Linguagem e Direito 9, no. 1 (2022): 73–91. http://dx.doi.org/10.21747/21833745/lanlaw/9_1a4.

Full text

Abstract:

e article explores narrativisation practices in small claims cases andprivate family proceedings, focusing predominantly on cases where at least oneof the parties is not represented by a lawyer. By drawing on the data collectedduring court observations and analysed using the ethnography of communicationas the main methodological framework, the study identifies narrative genresacross different stages of legal proceedings and illustrates communication barriersexperienced by lay court users. The discussion focuses on how formalised narrativegenres and the staggered presentation of narratives impa

APA, Harvard, Vancouver, ISO, and other styles

10

Tollance, Pascale. "Voices from nowhere." English Text Construction 1, no. 1 (2008): 141–53. http://dx.doi.org/10.1075/etc.1.1.11tol.

Full text

Abstract:

Graham Swift’s oeuvre reflects a fascination with voice which appears most clearly in two of his novels, Waterland and Last Orders, but in seemingly diametrically opposed ways. Whilst Waterland foregrounds the act of narration through a voluble and chatty narrator, Last Orders is deprived of any central narrating agency and consists of a collage of different voices. In spite of this, in both novels, voice is a factor of instability as it no longer speaks with authority but proceeds erratically and repetitively, constantly echoing other voices. Voice unsettles the narrative by imposing multipli

APA, Harvard, Vancouver, ISO, and other styles

11

Jingyi, Xu, and Zhong Jingdong. "A Study of Authorial Voice in To the Lighthouse from the Perspective of Feminist Narratology." International Journal of Social Science and Human Research 05, no. 06 (2022): 2066–72. https://doi.org/10.5281/zenodo.6616060.

Full text

Abstract:

The history of Western literature since the 18th century has witnessed some excellent works by women writers, however, due to stereotypes and the authority of male discourse, these writers still endured great pressure from society in the creative process. To break the authority and gain recognition, female writers gradually formed a narrative voice belonging to themselves. In her novel To the Lighthouse, Virginia Woolf uses a great deal of interior monologue and free indirect discourse to cleverly construct her narrative authority. This adequately denotes the essence of feminist narratology, w

APA, Harvard, Vancouver, ISO, and other styles

12

Rautajoki, Hanna, and Matti Hyvärinen. "Aspects of voice in the use of positioning in polyphonic storytelling: Ventriloquial moves within a biographical interview." Journal of Interdisciplinary Voice Studies 6, no. 1 (2021): 55–73. http://dx.doi.org/10.1386/jivs_00037_1.

Full text

Abstract:

This article investigates the rhetorical use of voices and ventrilocution in occasioned storytelling. We explore the use of external voicing in the narration, arguing that to understand voice as an argumentative resource, it is important to include both material and metaphoric aspects of voice. Our article explicates the differences and relations between these two aspects in a polyphonic life story interview. The material voice involves the acoustic sphere of communication: prosody, intonation and tone, whereas the metaphoric voice is commonly understood as a marker of subjectivity or group in

APA, Harvard, Vancouver, ISO, and other styles

13

Wang, Yunhong, and Gao Zhang. "Translation of Narrative Voice and Reproduction of a Simulated Storytelling Mode." SAGE Open 11, no. 4 (2021): 215824402110603. http://dx.doi.org/10.1177/21582440211060349.

Full text

Abstract:

Chinese vernacular fiction is characterized by a simulated storytelling mode through which the narrator manipulates narration and facilitates interaction with the reader. There is little research on the representation of this distinctive Chinese narrative mode across languages and cultures. Recently scholars in translation studies have begun to focus on how different types and levels of voice are represented in translated texts. The present article investigates how the overt voice of the simulated storyteller characterizing the Chinese vernacular narrative style is represented in three complet

APA, Harvard, Vancouver, ISO, and other styles

14

Leggo, C. "Who speaks for extinct nations? The Beothuk and narrative voice." Literator 16, no. 1 (1995): 31–50. http://dx.doi.org/10.4102/lit.v16i1.582.

Full text

Abstract:

The Beothuk of Newfoundland were among the first inhabitants of North America to encounter European explorers and settlers. By the first part of the nineteenth century the Beothuk were extinct, exterminated by the fishers and soldiers and settlers of western Europe. The last Beothuk was a woman named Shanadithit. She was captured and lived with white settlers for a few years before she died in 1829. Today all that remains of the Beothuk nation, which once numbered seven hundred to one thousand people, are some bones, arrowheads, tools, written records of explorers and settlers, and copies of d

APA, Harvard, Vancouver, ISO, and other styles

15

Thomsen, Jessi. "Feature: Making Voice Visible: Using Graphic Narrative in the Composition Classroom." Teaching English in the Two-Year College 42, no. 1 (2014): 27–40. http://dx.doi.org/10.58680/tetyc201426087.

Full text

Abstract:

This article addresses the challenge of teaching voice in the introductory composition classroom, using graphic narrative to make voice visible for students as they identify and rhetorically compose their own voices.

APA, Harvard, Vancouver, ISO, and other styles

16

Lumintang, Merlin Brenda Angeline. "Suara Sang Subaltern: Sebuah Narasi Autobiografi Perempuan Tanpa Nama dalam Hakim-hakim 19." DUNAMIS: Jurnal Teologi dan Pendidikan Kristiani 5, no. 2 (2021): 261–77. http://dx.doi.org/10.30648/dun.v5i2.364.

Full text

Abstract:

Abstract. This paper offers a postcolonial feminist reading of Levi’s concubine narration recorded in the Book of Judges 19 that focuses on the subaltern voice from Gayatri Spivak's thinking. It defines the subaltern as oppressed people who cannot speak on their own to represent themselves. This study was conducted by autobiographical criticism. Through auto-biographical narratives, the story is re-told through the nameless woman's point of view as the subaltern and it will reveal the narrative of her unspeakable suffering. The nameless woman's voice was claimed to be the voice that was cast b

APA, Harvard, Vancouver, ISO, and other styles

17

Millán-Varela, Carmen. "Hearing voices: James Joyce, narrative voice and minority translation." Language and Literature: International Journal of Stylistics 13, no. 1 (2004): 37–54. http://dx.doi.org/10.1177/0963947004039486.

Full text

Abstract:

This article explores the question of voice in translated texts, more specifically in the case of literary texts translated into a minority language. Drawing on Bakhtinian concepts, and focusing on the Galician translation of James Joyce’s ‘The Dead’, this study traces back the translators’ voice and its interaction with other voices already present in the source text. This type of qualitative study shows, I would like to argue, how texts translated into minoritized languages become an ideal arena in which to explore not only translating processes, but also issues of language, ideology and ide

APA, Harvard, Vancouver, ISO, and other styles

18

Andrus, Jennifer. "Narrative Intersubjectivity: Voice and Connection in Stories about Intimate Partner Violence." Storyworlds: A Journal of Narrative Studies 12, no. 1-2 (2020): 27–55. http://dx.doi.org/10.1353/stw.2020.a902750.

Full text

Abstract:

Abstract: This study of narratives about intimate partner violence (IPV) asserts that narrative can exemplify a patterning of language that weaves a complex structure of "voice." For Jan Blommaert, voice is the ability to have one's speech heard such that the speaker is understood as closely as possible to his or her intended meaning and that the speaker's subject position is recognized/recognizable. Like narrative, voice is produced in on-the-ground performances that are by nature social. Taking a discourse analytic approach to narrative, narrative is a discourse that responds to the changeab

APA, Harvard, Vancouver, ISO, and other styles

19

Kim, Hyejin. "The Ethics of Love in Toni Morrison’s Love." Criticism and Theory Society of Korea 28, no. 2 (2023): 141–69. http://dx.doi.org/10.19116/theory.2023.28.2.141.

Full text

Abstract:

This study focuses on the dual narrative structure of Toni Morrison’s Love. While the narrative unfolds the characters’ internal monologues and omnipotent voice through a third-person perspective, it is framed by the spectral voice of the first-person narrator, L. L’s subtle, humming voice interjects into the main narrative, providing analytical insights into events and characters. Her sensory, fragmented narration is intimately tied to Julia Kristeva’s concept of “herethics”—a transgressive ethics of love rooted in maternal relationships that embraces self/other ambiguity and challenges hiera

APA, Harvard, Vancouver, ISO, and other styles

20

Phelan, James. "Voice, tone, and the rhetoric of narrative communication." Language and Literature: International Journal of Stylistics 23, no. 1 (2014): 49–60. http://dx.doi.org/10.1177/0963947013511723.

Full text

Abstract:

The essay argues for a rhetorical view of narrative communication as an author’s deployment of particular resources in order to generate certain responses in readers, and then examines the nature and possible functions of voice as a resource. It defines voice as the synthesis of style (diction and syntax), tone (a speaker’s attitude toward an utterance) and values (ideological and ethical), and then turns to analyzing the role of voice—and more particularly, the role of tone—in narrative communication. With George V Higgins’s The Friends of Eddie Coyle as Exhibit A, the essay examines the func

APA, Harvard, Vancouver, ISO, and other styles

21

Chmielińska, Aleksandra, and Monika Modrzejewska-Świgulska. "Life Re-Decisions – Stories That Divide in Order to Connect." Horyzonty Wychowania 24, no. 70 (2025): 33–43. https://doi.org/10.35765/hw.2025.2470.05.

Full text

Abstract:

RESEARCH OBJECTIVE: The aim of this article is to explore the narrative thread My Own Voice – (Not) My Own Voice, reconstructed through an analysis of the life stories of women who have declared making significant, transformative life changes. THE RESEARCH PROBLEM AND METHODS: The central research question is: What do the collected narratives of these women reveal about the individual and social contexts surrounding major life transitions? The study employs a narrative-biographical approach, utilizing both the narrative interview technique and a proprietary tool called the Life Line. The analy

APA, Harvard, Vancouver, ISO, and other styles

22

Klinke, Julie. "A Gesture Life as Traumatic Heteroglossia." Leviathan: Interdisciplinary Journal in English, no. 3 (August 30, 2018): 30–39. http://dx.doi.org/10.7146/lev.v0i3.107778.

Full text

Abstract:

Traumatic narratives differ from traditional ones by defying chronological structure. Often, victims of trauma are unable to recall their trauma, and it is then present in their narratives only symptomatically. This article argues that the structure of A Gesture Life lends itself to an interpretation based on trauma theory. The narrator, Hata, is revealed as traumatized through an analysis of his evasive voice, the counter-narratives presented by other characters, and the novel’s disjointed chronology. It is concluded that like victims of trauma, Hata seeks to make up for the absence of the ev

APA, Harvard, Vancouver, ISO, and other styles

23

Napolitano, Martina. "“Studyin This Volapuke” That Makes the “Barrel of the Narrative” Roll." Canadian-American Slavic Studies 55, no. 3-4 (2021): 280–94. http://dx.doi.org/10.30965/22102396-05503001.

Full text

Abstract:

Abstract Sasha Sokolov’s second novel Mezhdu sobakoi i volkom has its origins in the author’s reflection on the role and nature of the narrating voice. In concocting the most appropriate voice for this narrative, the author constructed a language, defined by one of the heroes as “Volapuke,” a 19th-century constructed idiom (Volapük). In Sokolov’s “Volapuke,” every trope, word, and even grapheme is allowed to transfigure into its direct, objectified meaning. As for the voices that weave together the linguistic threads, there are many, and at the same time they are all combined into one. Like al

APA, Harvard, Vancouver, ISO, and other styles

24

Ridout, Susy. "The autistic voice and creative methodologies." Qualitative Research Journal 17, no. 1 (2017): 52–64. http://dx.doi.org/10.1108/qrj-07-2016-0046.

Full text

Abstract:

Purpose The purpose of this paper is to recognise communication as a central challenge between autistic and non-autistic individuals as the autistic voice is not silent, but lacks involvement at any level other than that of the observed participant (Milton and Bracher, 2013; NAS and Ask Autism, 2014; Parsons et al., 2009). The main research question, therefore, explores data to understand how some autistic individuals conceptualise their experiences. Design/methodology/approach The research design, informed by autistic people, used a flexible methodology to accommodate their communication pref

APA, Harvard, Vancouver, ISO, and other styles

25

Thornton, Rebecca Mercado. "Co-Authoring Lives." Departures in Critical Qualitative Research 4, no. 4 (2015): 33–51. http://dx.doi.org/10.1525/dcqr.2015.4.4.33.

Full text

Abstract:

This essay illuminates Mikhail M. Bakhtin's “Author and Hero in Aesthetic Activity” by co-narrating the shared experiences of two friends and showing how Bakhtin's author/hero relationship parallels my relationship with my amiga, Brandy. In doing so, I demonstrate the philosophical similarities between writing biographyand co-authoring an enduring friendship. Both are aesthetic achievements “consummated” and made “whole” only through the contributions of the other. Presenting narratives written in an idiosyncratic, subjective voice and extended by that of my friend, I hope to provide a more nu

APA, Harvard, Vancouver, ISO, and other styles

26

Reuck, J. A. de. "A new voice in narrative." Journal of Literary Studies 2, no. 2 (1986): 41–56. http://dx.doi.org/10.1080/02564718608529792.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Gardner, Cristine. "Humanism in the Narrative Voice." Anthropology Humanism 19, no. 2 (1994): 166–68. http://dx.doi.org/10.1525/ahu.1994.19.2.166.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Rajaa Radwan Hilles, Rajaa Radwan Hilles. "Anachronisms in Charles Dickens’s ‘Great Expectations’: A Case Study Based on Gerard Genette’s Structural Narratology: الإيقاع الزمني في رواية تشارلز ديكنز "آمال عظيمة" دراسة حالة في ضوء تقنيات السرد البنائي عند جيرارد جينيت". مجلة العلوم الإنسانية و الإجتماعية 5, № 14 (2021): 130–17. http://dx.doi.org/10.26389/ajsrp.d140421.

Full text

Abstract:

This paper deals with the narrative order of time in Charles Dickens’s novel Great Expectations. Time is crucial in narratological structure as it establishes a logical relation for events in the narrative. Besides, a narrative develops its point of view through the voices in the narrative. This point of view is called focalization. This paper assumes that the sequence of events in Dickens’s Great Expectations does not follow a linear order and consequently, the point of focalization changes throughout the narrative. Accordingly, the current paper intends to investigate the order of narration

APA, Harvard, Vancouver, ISO, and other styles

29

Sharma, Shyam Prasad. "Revisiting the voices from the Margins: A Study of Subaltern Narrative in Amitav Ghosh’s The Calcutta Chromosome." Dhaulagiri Journal of Contemporary Issues 2, no. 1 (2024): 116–25. http://dx.doi.org/10.3126/djci.v2i1.67467.

Full text

Abstract:

The Calcutta Chromosome by Amitav Ghosh delves into the subaltern narrative giving voice to marginalized people often overlooked in mainstream literature. The narrative draws on the themes of identity, power, and history through its characters and their experiences challenging traditional narratives and offers a unique perspective on the complexities of colonialism, science, and storytelling. The novel resurfaces the issues of defiance and resistance against the imperial power and its’ hegemony as depicted by Ghosh through the characters like Murugan, Mangala and Laakhan against British scient

APA, Harvard, Vancouver, ISO, and other styles

30

Motard-Noar, Martine. "Hybridité et voix auctoriale." Quêtes littéraires, no. 6 (December 30, 2016): 168–76. http://dx.doi.org/10.31743/ql.227.

Full text

Abstract:

This article analyzes three hybrid narratives – Sylvie Gracia’s Le livre des visages (2012), Pascal Quignard’s Les ombres errantes (2002), and Hélène Cixous’s Hyperrêve (2006). Although their hybridity can be found at different levels, such as the generic level, or the lexical level, all three texts attempt to catch the Mother in their narrative subterfuges in order to bring her back to life (or in the case of Cixous, to keep her alive), in vain. In the process, the authorial voice is reinforced as the voice leading the reader through narrative transgressions.

APA, Harvard, Vancouver, ISO, and other styles

31

Didipu, Herman. "TEORI NARATOLOGI GÉRARD GENETTE (TINJAUAN KONSEPTUAL)." TELAGA BAHASA 7, no. 2 (2020): 163–72. http://dx.doi.org/10.36843/tb.v7i2.58.

Full text

Abstract:

Artikel ini bertujuan menguraikan pokok pemikiran konseptual teori naratologi Gérard Genette. Pokok pemikiran teori naratologi Gérard Genette dituangkan dalam bukunya yang berjudul Narrative Discourse: An Essay in Method. Genette mengusulkan untuk menggunakan tiga istilah yang berbeda. Pertama, kata story ‘cerita’ yang menjadi signified ‘petanda’ atau konten narasi. Istilah story ini sepadan dengan kata histoire (Prancis) dan geschichte (Jerman). Kedua, kata narrative ‘naratif atau penceritaan’ sebagai signifier atau penanda, pernyataan, wacana atau sebagai teks naratif itu sendiri. Istilah na

APA, Harvard, Vancouver, ISO, and other styles

32

Rahmanto, Andre Noevi. "One Government One Voice? Government Narrative in Crisis Communication during the Pandemic." Jurnal The Messenger 15, no. 2 (2024): 159–77. https://doi.org/10.26623/themessenger.v15i2.5895.

Full text

Abstract:

Introduction: Government public relations ideally conveys policies and regulations in an integrated manner (one government one voice), but in reality there is often different and contradictory information in each government institution, thus confusing the public and hindering the handling of the pandemic. This research answers the question of how the crisis narrative is built by 5 (five) central government institutions in Indonesia through their official websites, whether the narrative tends to be integrated or vice versa. Methods: The method used in this study is qualitative content analysis

APA, Harvard, Vancouver, ISO, and other styles

33

Haruna, Haruna Abubakar, and Ali Mahmood Asmai. "The Phenomenon of Polyphony in the Short Story Collection “The Seagull Man” by the Libyan Writer Hussein Nassib Al-Maliki." Al-Uslub: Journal of Arabic Linguistic and Literature 6, no. 02 (2022): 126–48. http://dx.doi.org/10.30631/al-uslub.v6i02.128.

Full text

Abstract:

This study aims to illuminate the features of the relationship of the narrator character in the story group, with the narrative that contributes to its presentation through the story, and the impact of that relationship on the narrative consistency in it. The Libyan "Hussein Nassib Al-Maliki", who tried through the "polyphony" technique, as he was able, over the course of an extended experience, to dedicate his own narrative voice, And to pass images of condemnation of behaviors and social phenomena that are still destructive in the human spirit, and in the structure of society alike, and it i

APA, Harvard, Vancouver, ISO, and other styles

34

Piscayanti, Kadek Sonia, Januarius Mujiyanto, Issy Yuliasri, and Puji Astuti. "The Voice of Identity: The Power of Mindfulness-Based Approach in EFL Poetry Classroom." Theory and Practice in Language Studies 14, no. 2 (2024): 376–84. http://dx.doi.org/10.17507/tpls.1402.08.

Full text

Abstract:

Mindfulness-based approach has been widely used in English language learning. It is highly promoted to stimulate and build peace of mind, well-being, and creativity. In EFL poetry writing, a mindfulness-based approach stimulates novelty, new perspective, context awareness, and productivity. The process of how the mindfulness-based approach is implemented is gained through the narrative inquiry of the learning. This study aims to identify the voice of identity revealed through mindfulness-based poetry writing. The researchers focused on the voice of identity because it is a crucial aspect of po

APA, Harvard, Vancouver, ISO, and other styles

35

Batsevych, Florij. "Лінгвальні вияви оповідних голосів у наративі (на матеріалі новели Василя Стефаника „Нитка”)". Slavica Wratislaviensia 176 (1 вересня 2022): 93–102. http://dx.doi.org/10.19195/0137-1150.176.7.

Full text

Abstract:

The article provides a foundation for the necessity of differentiating a number of narrative discourse categories as well as for the importance of taking into account and clarifying the essence of the category of “storytelling voice” in cases of studying the means of the teller’s realisation of a particular fiction story. A storytelling voice is understood as a means of language (semantic, syntactic, pragmatic, rhetoric-stylistic) realisation of narrative instances from different persons, which forms the discourse of the story told. A story written by Ukrainian classic writer Vasyl Stefanyk, A

APA, Harvard, Vancouver, ISO, and other styles

36

Batsevych, Floriy. "Лінгвальні вияви оповідних голосів у наративі (на матеріалі новели Василя Стефаника „Нитка”)". Slavica Wratislaviensia 175 (6 вересня 2022): 131–40. http://dx.doi.org/10.19195/0137-1150.175.10.

Full text

Abstract:

The article discusses the necessity of differentiating a number of categories of narrative discourse and the importance of taking into account and clarifying the essence of the category of “story-telling voice” in cases of studying the means of the narrator’s realisation of a particular fiction story. A story-telling voice is understood as a means of the lingual (semantic, syntactic, pragmatic, rhetoric-stylistic) realisation of persons of narrative instances that forms the discourse of the story being told. A novel by the Ukrainian classic writer Vasyl Stefanyk entitled A Thread (1927) is ana

APA, Harvard, Vancouver, ISO, and other styles

37

Sofinkić, Milica M. "ŽANROVSKA I NARATIVNA POLIVALENTNOST U FUNKCIJI RESEMANTIZACIJE PROŠLOSTI U MEMOARSKOJ PROZI AUŠVIC I POSLE NjEGA ŠARLOT DELBO." Nasledje Kragujevac XX, no. 56 (2023): 231–41. http://dx.doi.org/10.46793/naskg2356.231s.

Full text

Abstract:

This paper examines the connections and established relationships between genre solu- tions and narrative strategies, which collectively serve as the foundation for interpreting various perspectives and voices within Charlotte Delbo’s memoir prose Auschwitz and After (Auschwitz et après). The aim of this study is to explore the techniques employed by the nar- rator to convey the experience of the internment camp, which are also fundamental char- acteristics of Delbo’s poetics. Methodologically, the research draws on studies that analyse the phenomenon of the Holocaust in terms of its transposi

APA, Harvard, Vancouver, ISO, and other styles

38

Önen, Ufuk. "The Voice as a Narrative Element in Documentary Films." Resonance 2, no. 1 (2021): 6–18. http://dx.doi.org/10.1525/res.2021.2.1.6.

Full text

Abstract:

Modern documentary filmmakers use fiction-influenced narrative styles that blur the boundaries between fact and fiction, stretching the limits and rules of the genre set by what is referred to as classic or expository documentary. Another major change in the documentary form and narrative style is the inclusion of the filmmaker in the film. As a result of filmmakers starring in their own films, interacting with the subjects, and narrating the story themselves, documentaries have become more personality driven. In these modern methods, the voices of the narrators and/or the filmmakers carry a s

APA, Harvard, Vancouver, ISO, and other styles

39

Klein, Michael L. "Chopin Fragments: Narrative Voice in the First Ballade." 19th-Century Music 42, no. 1 (2018): 30–52. http://dx.doi.org/10.1525/ncm.2018.42.1.30.

Full text

Abstract:

This article considers the problem of narration in a collection of works gathered around Chopin's Ballade in G Minor, op. 23: Guillermo del Toro's Crimson Peak, Poe's “The Raven,” Mickiewicz's Konrad Wallenrod, Dickens's The Chimes, and Władysław Szpilman's The Pianist along with its cinematic adaptation by Roman Polanski. Chopin's Ballade is featured prominently in the two movies under consideration, while the remaining works are either influential for the composer (Konrad Wallenrod) or develop themes common to the Ballade. Study of narration in these works reveals that the narrator can be ju

APA, Harvard, Vancouver, ISO, and other styles

40

Kristiawan Indriyanto. "Spatial Imagination and Narrative Voice of Korean- American Experience in Gary Pak’s <i>A Ricepaper Airplane</i>." Asiatic: IIUM Journal of English Language and Literature 16, no. 1 (2022): 87–102. http://dx.doi.org/10.31436/asiatic.v16i1.2490.

Full text

Abstract:

   This study reads Gary Pak’s A Ricepaper Airplane (1998) as a reflection of the Korean-American diasporic imagination in Hawai’i and their turbulent experience. Through Sun Wha’s recollection of his eventful past as revolutionary, activist and labourer, both in Korea and Hawai’i, Pak dramatises the rootlessness which results from inability to be attached to a particular locality. The theme of exile features prominently in Pak’s spatial imagination of both Hawai’i and Korea, illustrated through Wha’s continuous fight for survival from the Japanese occupiers, Hawai’ian labour

APA, Harvard, Vancouver, ISO, and other styles

41

Kang, Suk. "Narrative and the Voice of Poetry." Korean Society for the Study of Moral Education 35, no. 4 (2023): 207–27. http://dx.doi.org/10.17715/jme.2023.12.35.4.207.

Full text

Abstract:

In this paper, ‘narrative’ is a key concept in Jerome Bruner’s later theory, and ‘the voice of poetry’ is one of the major terms in Michael Oakeshott’s educational theory. The purpose of this paper is to extend and refine Bruner’s narrative discourse in the light of Oakeshott’s idea of ‘the voice of poetry.’ Broadly speaking, the voice of poetry helps to reveal the specific content of narrative discourse and the kind of image of humanity to be cultivated through narrative. Oakeshott suggests that ‘conversation’ is the proper form of human intercourse and emphasizes the role of the voice of poe

APA, Harvard, Vancouver, ISO, and other styles

42

Vasconcellos, Maria Lúcia Barbosa de. "The eye/I upon the event: a study of narrative voice in Robert Penn Warren's All the King's Men." Estudos Germânicos 8, no. 1 (1987): 53. http://dx.doi.org/10.17851/0101-837x.8.1.53.

Full text

Abstract:

This thesis is a study of the relationship between the narrating self and its enunciation in Robert Penn Warren's All the king's men. The concept of point of view is surveyed and discussed and the poetics of narrative is opposed to the poetics of drama, since All the king's men is a novelization of a play by the same author. It is argued that narrative prose allows for a temporal perspective and is thus the adequate genre for the portrayal of man trapped in the complex tensions of time, a major theme of the novel. The narrative discourse is then analyzed through the categories of time, mode an

APA, Harvard, Vancouver, ISO, and other styles

43

Birat, Kathie. "Rediscovering the sound of the voice in Caribbean fiction." English Text Construction 1, no. 1 (2008): 97–112. http://dx.doi.org/10.1075/etc.1.1.08bir.

Full text

Abstract:

This article examines the way in which the use of effects of orality in fiction by Caribbean novelists makes possible a re-examination of the assumptions underlying the use of voice in fiction. By looking at definitions of voice proposed by twentieth-century critics and exploring the ambiguity that underlies the metonymic extension of the term to designate the voice that is ‘heard’ in a written text, we attempt to show that there are two facets of voice, one of which is related to sound and to the body, the other to the notion of space and to the position of the speaking subject. A reflection

APA, Harvard, Vancouver, ISO, and other styles

44

Cirell, Anna Montana, and Joseph David Sweet. "A Posthumanist Unsmoothing of Narrative Smoothing." Qualitative Inquiry 26, no. 10 (2020): 1184–95. http://dx.doi.org/10.1177/1077800420939206.

Full text

Abstract:

Researchers assert that narratives do political work. Yet, in this article, we trouble the nature of this political work to account for narrative inquiry’s smoothing over of polyvocality for univocal coherence. Our posthumanist unsmoothing builds an analytical example around three successive Latourian tasks to bring to the fore competing voices and truths often obscured in conventional narrative. Drawing from ethnographic data of one low-income rural family, we seek to complicate the human-centered deficit perspective. In teasing out various voices and sociotechnical systems, this posthuman an

APA, Harvard, Vancouver, ISO, and other styles

45

Gubrium, Jaber F. "Voice, Context, and Narrative in Aging Research." Canadian Journal on Aging / La Revue canadienne du vieillissement 14, S1 (1995): 68–81. http://dx.doi.org/10.1017/s0714980800005432.

Full text

Abstract:

RÉSUMÉLa façon dont l'expérience est utilisée dans le cadre du quotidien constitue l'une des principales questions en matière de recherche sociale. Les méthodologies conventionnelles fournissent des réponses techniques. Toutefois, les questions contextuelles et les aspects méthodologiques sur le plan de la structure sociale et de la narration ne constituent pas des préoccupations analytiques et critiques, elles sont plutôt considérées comme des problèmes de procédé. Cet article étudie cette question au plan de la recherche sur le vieillissement. Deux facettes de la tension analytique sont exam

APA, Harvard, Vancouver, ISO, and other styles

46

Lima, Angélica Alves de. "CHAINED BY A VOICE." Scripta Alumni 27, no. 1 (2024): 85–96. http://dx.doi.org/10.55391/2676-0118.2024.3217.

Full text

Abstract:

This article explores the poetic mosaic between literature and cinema by examining the significance of sound, tone, and narration in Samuel Beckett's television play Eh Joe (1965) and its 1986 film adaptation of the same name by Irish director Alan Gilsenan. The character Joe grapples with haunting memories and repressed emotions of anguish, sorrow, and guilt, conveyed to the audience through the character Voice, originating from his past. The article investigates the role of Voice as an essential narrative element in both media, facilitating the audience's immersion into Joe's psyche. This an

APA, Harvard, Vancouver, ISO, and other styles

47

Feng, Dezheng, and Peter Wignell. "Intertextual voices and engagement in TV advertisements." Visual Communication 10, no. 4 (2011): 565–88. http://dx.doi.org/10.1177/1470357211415788.

Full text

Abstract:

By analysing multimodal TV advertisements, this study aims to show how intertextual voices are exploited in advertising discourse to enhance persuasive power. Taking as their point of departure the assumption that all discourses are intertextual recontextualizations of social practice that draw on external voices from both specific discourses and discursive conventions, the authors identify two types of intertextual voice in TV advertisements: character and discursive voice. This article illustrates the multimodal construction of voices and demonstrates that the choice of voices is closely rel

APA, Harvard, Vancouver, ISO, and other styles

48

Swift, Helen. "Picturing Narrative Voice: Communication and Displacement." Digital Philology: A Journal of Medieval Cultures 5, no. 1 (2016): 28–46. http://dx.doi.org/10.1353/dph.2016.0004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Hermans, Theo. "The Translator's Voice in Translated Narrative." Target. International Journal of Translation Studies 8, no. 1 (1996): 23–48. http://dx.doi.org/10.1075/target.8.1.03her.

Full text

Abstract:

Abstract When we read translated narrative, the original Narrator's voice is not the only which comes to us. The Translator's discursive presence in the translated text becomes discernible in certain cases, e.g. when the pragmatic displacement resulting from translation requires paratextual intervention for the benefit of the Implied Reader of the translated text; when self-reflexive references to the medium of communication itself are involved; when 'contextual overdetermination' leaves no other option. The ways in which the Translator's discursive presence manifests itself are demonstrated o

APA, Harvard, Vancouver, ISO, and other styles

50

Henderson, Alex. "Non-Binary Narration." Papers: Explorations into Children's Literature 28, no. 1 (2024): 26–49. http://dx.doi.org/10.21153/pecl2024vol28no1art1668.

Full text

Abstract:

Narratologist Susan S. Lanser argues ‘that questions of representation, and especially of queer representation, are as much questions of form as of content’ (2015, p. 24). As marginalised identities, such as those under the LGBTQIA+ umbrella, are increasingly represented in fiction for young audiences, the creative methods authors use to construct these representations warrant investigation. In this article, I examine how non-binary gender identity is depicted in a corpus of contemporary young adult (YA) novels, and how the authors of these texts use narrative voice and point of view (POV) to

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!