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Books on the topic 'Narrative writer'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Walker, Nancy A. The disobedient writer: Women and narrative tradition. University of Texas Press, 1995.

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2

Zéndegui, Ileana C. The postmodern poetic narrative of Cuban writer Reinaldo Arenas =: Narrativa postmoderna del escritor Cubano Reinaldo Arenas : (1943-1990). Edwin Mellen Press, 2004.

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3

Hope, William Howard. The narrative contract between writer and reader in the works of Curzio Malaparte. University of Birmingham, 1997.

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4

Murray, Donald Morison. Writer in the newsroom: A moving narrative of a life as a reporter, writer, teacher, and above all, student of the world. Poynter Institute for Media Studies, 1995.

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5

Experiments in narrative technique in the novels of Muriel Spark, the most internationally recognized Scottish writer in the post-war era. Edwin Mellen Press, 2011.

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6

McDonald, Paul. Storytelling: Narratology for critics and creative writers. Greenwich Exchange, 2014.

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7

Purslow, Frances. Narrative paragraphs: Learning to write. Weigl Publishers, 2008.

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8

Clark, Roy Peter. Free to write: A journalist teaches young writers. Heinemann, 1995.

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9

Clark, Roy Peter. Free to write: A journalist teaches young writers. Heinemann, 1987.

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10

"Modernist" women writers and narrative art. Macmillan, 1994.

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11

Wheeler, Kathleen M. "Modernist" women writers and narrative art. New York University Press, 1994.

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12

Wheeler, Kathleen. 'Modernist' Women Writers and Narrative Art. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1057/9780230375826.

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13

Aughterson, Kate, and Deborah Philips, eds. Women Writers and Experimental Narratives. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-49651-7.

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14

Read, recite, and write narrative poems. Crabtree Publishing, 2014.

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15

Clark, Roy Peter. Free to write: Coaching young writers from idea to deadline. Heinemann, 1986.

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16

Smagorinsky, Peter. Teaching students to write personal narratives. Heinemann, 2012.

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17

Smagorinsky, Peter. Teaching students to write fictional narratives. Heinemann, 2012.

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18

Fictions of authority: Women writers and narrative voice. Cornell U.P., 1992.

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19

Lanser, Susan Sniader. Fictions of authority: Women writers and narrative voice. Cornell University Press, 1992.

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20

The writer's journey: Mythic structure for writers. 3rd ed. Michael Wiese Productions, 2007.

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21

The writer's journey: Mythic structure for writers. 2nd ed. M. Wiese Productions, 1998.

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22

Narrative design: A writer's guide to structure. W.W. Norton, 1997.

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23

Inside the writer's mind: Writing narrative journalism. Iowa State Press, 2002.

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24

Gendered narrative subjectivity: Some Hungarian and American women writers. Peter Lang, 2015.

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25

Healing narratives: Women writers curing cultural dis-ease. Rutgers University Press, 2000.

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26

Smorkaloff, Pamela María. Cuban writers on and off the island: Contemporary narrative fiction. Twayne Publishers, 1999.

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27

Rubie, Peter. Telling the story: How to write and sell narrative nonfiction. Quill, 2003.

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28

A, Holstein James, ed. Analyzing narrative reality. Sage Publications, 2009.

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29

Beaulieu, Elizabeth Ann. Black women writers and the American neo-slave narrative: Femininity unfettered. Greenwood Press, 1999.

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30

DuPlessis, Rachel Blau. Writing beyond the ending: Narrative strategies of twentieth-century women writers. Indiana University Press, 1985.

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31

Nicholls, Angus. Goethe the Writer. Edited by Paul Hamilton. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199696383.013.16.

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The late Goethe’s apparent total condemnations of what he calleddas Romantischehave often been used to argue that, although Goethe lived through and influenced the period known as German Romanticism, he, like his friend Friedrich Schiller,did not belong to it. The middle phase of Goethe’s life (roughly 1786–1805) came to be defined as Weimar Classicism, a reassertion of Classical aesthetic models that rejected all things redolent of mysticism and the Middle Ages, which in the early nineteenth century meant all things Romantic. But with even a cursory investigation of Goethe’s famous remark on

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32

McClain, William H. Between Real and Ideal: The Course of Otto Ludwig's Development As a Narrative Writer. University of North Carolina Press, 2020.

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33

Graham, Masako Nakagawa. The Autobiographical Narrative in Modern Japan: A Study of Kasai Zenzo, a Shi-shosetsu Writer. Edwin Mellen Press, 2007.

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34

The Postmodern Poetic Narrative of Cuban Writer Reinaldo Arenas/ La Narrativa Postmoderna Del Escritor Cubano Reinaldo Arenas (1943-1990) (Hispanic Literature). Edwin Mellen Press, 2004.

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35

Berman, Joshua A. Blending Discordant Laws in Biblical Narrative. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658809.003.0009.

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This chapter highlights a peculiar phenomenon in biblical literature outside of the Pentateuch: a biblical writer will invoke iterations of a given law from two or more of the Pentateuch’s four corpora. Scholars have assumed that this phenomenon was limited to post-exilic literature, and stemmed from the exigencies of exile and return that created an urgent need to create a vehicle that would grant legitimacy to various communities and their legal traditions. However, the broad array of books in which such legal blending is found mandates us to question whether the legal blend is strictly a li

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36

Wickerson, Erica. The Architecture of Narrative Time. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.001.0001.

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Time matters to all of us. It dominates everyday discourse: diaries, schedules, clocks, working hours, opening times, appointments, weekdays and weekends, national holidays, religious festivals, birthdays, and anniversaries. But how do we, as unique individuals, subjectively experience time? The slowness of an hour in a boring talk, the swiftness of a summer holiday, the fleetingness of childhood, the endless wait for pivotal news: these are experiences to which we all can relate and of which we commonly speak. How can a writer not only report such experiences but also conjure them up in words

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37

Poe, Edgar Allan. The Narrative of Arthur Gordon Pym of Nantucket and Related Tales. Edited by J. Gerald Kennedy. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199540471.001.0001.

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And now I found these fancies creating their own realities, and all imagined horrors crowding upon me in fact. The Narrative of Arthur Gordon Pym is an archetypal American story of escape from home and family which traces a young man's rite of passage through a series of terrible brushes with death during a fateful sea voyage. But it also goes much deeper, as Pym encounters various interpretative dilemmas, at last leaving the reader with a broken-off ending that defies solution. Apart from its violence and mystery, the tale calls attention to the act of writing and to the problem of representi

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38

Get It Write!: Creating Lifelong Writers from Expository to Narrative. Teacher Ideas Press, 2004.

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39

Raubicheck, Walter, and Walter Srebnick. Final Drafts. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036484.003.0004.

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This chapter examines the characters and themes of the shooting scripts rather than of the three films themselves. It considers whether or not the screenwriters had written for Hitchcock in ways that suited his own particular visual style. These scripts represent the fullest extent of the collaborative process that began when the writer first sat with the director in his office to discuss the possibilities for narrative and character development inherent in the source material; they also highlight the particular verbal talents of the writers, talents that Hitchcock himself did not possess; and

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40

Writer's Journey: Mythic Structure for Writers. Wiese Productions, Michael, 2020.

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41

How to Write a Narrative. PowerKids Press, 2014.

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42

Narrative Paragraphs (Learning to Write). Weigl Publishers, 2007.

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43

Narrative Paragraphs (Learning to Write). Weigl Publishers, 2007.

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44

Howell, Sara. How to Write a Narrative. Powerkids Pr, 2014.

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45

Mary, Burger, ed. Biting the error: Writers explore narrative. Coach House Books, 2004.

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46

Hosmer, Robert E. Contemporary British Women Writers: Narrative Strategies. Palgrave Macmillan, 1993.

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47

1953-, Rainwater Catherine, and Scheick William J, eds. Contemporary American women writers: Narrative strategies. University Press of Kentucky, 1985.

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48

(Editor), Gail Scott, Robert Gluck (Editor), and Camille Roy (Editor), eds. Biting the Error: Writers Explore Narrative. Coach House Press, 2004.

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49

Contemporary American women writers: Narrative strategies. University Press of Kentucky, 1985.

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50

Rainwater, Catherine, and William J. Scheidk. Contemporary American Women Writers: Narrative Strategies. University Press of Kentucky, 1985.

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