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Books on the topic 'Narratives of the imagination'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Exile and the narrative imagination. New Haven: Yale University Press, 1986.

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2

Dennie, Wolf, ed. Thinking historically: Narrative, imagination, and understanding. New York: College Entrance Examination Board, 1990.

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3

Exile and the narrative/poetic imagination. Newcastle upon Tyne, UK: Cambridge Scholars, 2010.

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4

Holt, Thomas C. Thinking historically: Narrative, imagination, and understanding. Edited by Wolf Dennie and National Center for Cross Disciplinary Teaching & Learning. New York: College Entrance Examination Board, 1995.

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5

Blum, Hester. The view from the masthead: Maritime imagination and antebellum American sea narratives. Chapel Hill: University of North Carolina Press, 2008.

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6

Figuring the sacred: Religion, narrative, and imagination. Minneapolis: Fortress Press, 1995.

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7

The medieval Haggadah: Art, narrative, and religious imagination. New Haven: Yale University Press, 2010.

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8

Friedrich Hölderlin: Narrative vigilance and the poetic imagination. New Brunswick, N.J: Rutgers University Press, 1986.

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9

Narrative & imagination: Preaching the worlds that shape us. Minneapolis: Fortress Press, 1995.

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10

Time and imagination: Chronotopes in Western narrative culture. Evanston, Ill: Northwestern University Press, 2011.

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11

Offstage space, narrative, and the theatre of the imagination. New York, NY: Palgrave Macmillan, 2010.

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12

Gruber, William E. Offstage space, narrative, and the theatre of the imagination. New York, NY: Palgrave Macmillan, 2010.

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13

Craig, Cairns. The modern Scottish novel: Narrative and the national imagination. Edinburgh: Edinburgh University Press, 1999.

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14

Gruber, William E. Offstage space, narrative, and the theatre of the imagination. New York, NY: Palgrave Macmillan, 2010.

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15

Gruber, William. Offstage Space, Narrative, and the Theatre of the Imagination. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230105645.

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16

Julie, DeTar, ed. Teacher education and cultural imagination: Autobiography, conversation, and narrative. Mahwah, NJ: Lawrence Erlbaum Associates, 2001.

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17

Gruber, William E. Offstage space, narrative, and the theater of the imagination. New York, NY: Palgrave Macmillan, 2010.

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18

Mooij, J. J. A. Fictional realities: The uses of literary imagination. Amsterdam: J. Benjamins, 1993.

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19

Hentsch, Thierry. Raconter et mourir: Aux sources narratives de l'imaginaire occidental. Montreal: Presses de l'Universite de Montreal, 2005.

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20

Women's Holocaust writing: Memory and imagination. Lincoln: University of Nebraska Press, 1999.

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21

Fleer, David. Reclaiming the imagination: The Exodus as paradigmatic narrative for preaching. St. Louis, Mo: Chalice Press, 2009.

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22

Valis, Noël Maureen. Sacred realism: Religion and the imagination in modern Spanish narrative. New Haven: Yale University Press, 2010.

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23

Sacred realism: Religion and the imagination in modern Spanish narrative. New Haven [Conn.]: Yale University Press, 2010.

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24

Narrative, dreams, imagination: Israeli and German youth imagine their futures. Zürich: Lit Verlag, 2013.

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25

Antarctica in fiction: Imaginative narratives of the far south. New York: Cambridge University Press, 2012.

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26

Catastrophe and exile in the modern Palestinian imagination: Telling memories. New York, N.Y: Palgrave Macmillan, 2012.

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27

Friedrich, Sabine. Die Imagination des Bösen: Zur narrativen Modellierung der Transgression bei Laclos, Sade und Flaubert. Tübingen: Gunter Narr, 1998.

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28

Kulka, Otto Dov. Landscapes of the metropolis of death: Reflections on memory and imagination. London: Penguin Books, 2014.

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29

Religion, narrative, and public imagination in South Asia: Past and place in the Sanskrit Mahabharata. New York: Routledge, 2011.

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30

Karczewska, Kathryn. The world and its rival: Essays on literary imagination in honor of Per Nykrog. Amsterdam: Rodopi, 1999.

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31

Chatterji, Roma. Graphic Narratives and the Mythological Imagination in India. Taylor & Francis Group, 2019.

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32

Thomas, Helen. Slave Narratives, the Romantic Imagination and Transatlantic Literature. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199731480.013.013.

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33

Graphic Narratives and the Mythological Imagination in India. Taylor & Francis Group, 2019.

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34

Chatterji, Roma. Graphic Narratives and the Mythological Imagination in India. Routledge India, 2019. http://dx.doi.org/10.4324/9780429295928.

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35

Debus, Dorothea. Memory, Imagination, and Narrative. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198717881.003.0005.

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Sometimes we experientially (or ‘recollectively’) remember, and sometimes we sensorily imagine things. Recollective memories (or ‘R-memories’) and sensory imaginations (or ‘S-imaginations’) characteristically correspond to our use of the distinct senses, and from the experiencing subject’s own point of view, S-imaginations and R-memories are phenomenologically rather similar. At the same time, however, R-memories and S-imaginations play very different roles in a subject’s mental life. How is this possible? How can subjects (rightly) treat those different kinds of mental episodes in relevantly different ways? This chapter is centred around the observation that R-memories (usually) have a characteristic relational property—they are ‘embedded’ in a context of relevant beliefs, on the basis of which a subject can tell a relevant story (or narrative)—which S-imaginations usually lack. With the help of this observation we can explain a subject’s ability to treat S-imaginations and R-memories in relevantly different ways.

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36

Reese, Elaine. Culture, Narrative, and Imagination. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195395761.013.0014.

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37

Kashmir's Contested Pasts: Narratives, Sacred Geographies, and the Historical Imagination. Oxford University Press India, 2014.

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38

Zutshi, Chitralekha. Kashmir's Contested Pasts: Narratives, Sacred Geographies, and the Historical Imagination. Oxford University Press, 2018.

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39

Narrative Imagination And Everyday Life. Oxford University Press Inc, 2014.

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40

Blum, Hester. View from the Masthead: Maritime Imagination and Antebellum American Sea Narratives. University of North Carolina Press, 2012.

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41

Comer, Christopher, and Ashley Taggart. Brain, Mind and the Narrative Imagination. Bloomsbury Publishing Plc, 2021.

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42

The View from the Masthead: Maritime Imagination and Antebellum American Sea Narratives. The University of North Carolina Press, 2008.

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43

The View from the Masthead: Maritime Imagination and Antebellum American Sea Narratives. The University of North Carolina Press, 2008.

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44

Portier-Young, Anathea E. Daniel and Apocalyptic Imagination. Edited by Carolyn J. Sharp. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199859559.013.13.

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The book of Daniel forms a bridge between Israel’s classical prophetic literature and the genre apocalypse. Daniel has often been classified among the prophets, but also stands apart. An examination of revealed knowledge and textual authority in Daniel clarifies the relationship among Daniel, earlier prophets, and Mesopotamian divinatory wisdom. Daniel’s apocalyptic imagination combines prophetic language and imagery with new visionary experience, offering readers powerful new language, symbols, and models for embodied practice. Cross-disciplinary studies of imagination suggest ways that Daniel’s prophetic and apocalyptic imagination allowed ancient readers to interact with the legacies of the Mesopotamian and Hellenistic empires while simultaneously rejecting their totalizing narratives. The book ignites a fuse in readers’ imaginations, inviting and empowering audiences to break out of the prison of imperial imaginaries and to imagine in their place an alternative structure of governance, a path to religious and national freedom, and heavenly existence beyond death.

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45

Callard, Felicity. Afterword: Mind, Imagination, Affect. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474400046.003.0027.

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The eight essays in ‘Mind, Imagination, Affect’ address topoi, phenomena and historical junctures as varied as the prostrate form of an individual being put to death in the US via the necropolitical ritual of lethal injection; the prostrate form of Virginia Woolf that allows her to fashion, while prone with illness and ‘as a “deserter” ’ of the ‘army of the upright’,1 a new relationship with words; the affective piety of Margery Kempe’s copious tears; the dense relationalities that narratives about autistic individuals, their family members and animal assistants unfurl; and Antoine Artaud’s autoscopic, aesthetically realised fantasies in which bodies are eviscerated and suspended mid-air.

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46

Handelman, Matthew. The Mathematical Imagination. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823283835.001.0001.

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The Mathematical Imagination is an archaeology of the undeveloped potential of mathematics for critical theory. As Max Horkheimer and Theodor W. Adorno first conceived of the critical project in the 1930s, critical theory steadfastly opposed the mathematization of thought. Mathematics flattened thought into a dangerous positivism that led reason to the barbarism of the Second World War. The Mathematical Imagination challenges this narrative and argues that it has obscured how mathematics provided three lesser-known German-Jewish thinkers—Gershom Scholem, Franz Rosenzweig, and Siegfried Kracauer—with metaphors to negotiate the crises of modernity during the Weimar Republic. Their theories of poetry, messianism, and cultural critique borrowed ideas from the philosophy of mathematics, infinitesimal calculus, and geometry in order to refashion cultural and aesthetic discourse. Drawn to the austerity and muteness of mathematics, these friends and forerunners of the Frankfurt School found in mathematical approaches to negativity strategies to capture the marginalized experiences and perspectives of Jews in Germany. This vocabulary, in which theory could be both mathematical and critical, is missing in the intellectual history of critical theory—from the work of second-generation critical theorists such as Jürgen Habermas to contemporary critiques of technology. Building on the work of Martin Jay and Susan Buck-Morss, The Mathematical Imagination shows how Scholem, Rosenzweig, and Kracauer’s engagement with mathematics uncovers a more capacious vision of the critical project, one with tools that can help us confront and intervene in our digital, and increasingly mathematical, present.

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47

Black Africans in the British Imagination: English Narratives of the Early Atlantic World. LSU Press, 2016.

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48

Ricoeur, Paul. Figuring the Sacred: Religion, Narrative, and Imagination. Augsburg Fortress Publishers, 1995.

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49

Tally, Robert T. Topophrenia: Place, Narrative, and the Spatial Imagination. Indiana University Press, 2018.

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50

Photography Narrative Time Imaging Our Forensic Imagination. Intellect Books, 2014.

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