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1

Problems of Nabokovʼs poetics: A narratological analysis. Suomalainen Tiedeakatemia, 1985.

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2

Köppe, Tilmann, and Dorothee Birke. Author and narrator: Transdisciplinary contributions to a narratological debate. De Gruyter, 2015.

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3

Allrath, Gaby. (En)gendering unreliable narration: A feminist-narratological theory and analysis of unreliability in contemporary women's novels. WVT, Wissenschaftlicher Verlag Trier, 2005.

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4

Hühn, Peter. The narratological analysis of lyric poetry: Studies in English poetry from the 16th to the 20th century. Walter de Gruyter, 2005.

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5

Carlos António Alves dos Reis. Dicionário de narratologia. Livraria Almedina, 1987.

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6

Carlos António Alves dos Reis. Dicionário de narratologia. Livraria Almedina, 1987.

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7

Dominique Marie Figueira Curado Castanheira da Costa. Narrative technique in postmodernist British fiction: A narratological analysis of selected novels by John Fowles and Peter Ackroyd : The collectors (1963), The French Lieutenant's woman (1969), A maggot (1985), Hawksmoor (1985). Universidade da Madeira, 2000.

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8

Zittel, Claus, and Annamaria Lossi. Nietzsche scrittore: Saggi di estetica, narratologia, etica. Edizioni ETS, 2014.

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9

Mito/romanzo: Semiotica del mito e narratologia. Bulzoni, 1986.

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10

Carbone, Rocco. Mito / romanzo: Semiotica del mito e narratologia. Bulzoni, 1986.

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11

Cinquegrani, Alessandro, Francesca Pangallo, and Federico Rigamonti. Romance e Shoah Pratiche di narrazione sulla tragedia indicibile. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-492-9.

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Over the last 70 years, Holocaust representations increased significantly as cultural objects distributed on a large scale: fictional books, museum sites, artworks, documentaries, and films are only a few samples of those echoes the Holocaust produced in contemporary Western culture. There are some specific patterns in the way the Holocaust has been represented that, however, contrast with the survivors’ account of the same event: for example, the dichotomy between bad and good characters so essential within Holocaust-based media – especially on television and film - does not really match with
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12

Carol Geronès, Lídia. Un bric-à-brac de la Belle Époque. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-434-9.

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Fortuny (1983) by Pere Gimferrer is the only novel (at least to date) that the author has written in Catalan and it represents one of the most unique novels of contemporary Hispanic narrative. The aims of the present study are mainly two: to shed light on one of the most important, but least studied, works by Pere Gimferrer, the greatest representative of Hispanic creativity for the Post-War Generation, and to analyse critical reception of the work and show how the novel has evolved from the time of publication in 1983 until today. This essay consists of three major parts: the study of critica
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13

Narrative Means To Journalistic Ends A Narratological Analysis Of Selected Journalistic Reportages. Vs Verlag F R Sozialwissenschaften, 2010.

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14

(Editor), Jan Christoph Meister, Tom Kindt (Editor), and Wilhelm Schernus (Editor), eds. Narratology Beyond Literary Criticism: Mediality and Disciplinarity (Narratologia) (Narratologia). Walter De Gruyter Inc, 2005.

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15

Clarke, Katherine. ‘…there was no Herodotus before Herodotus’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820437.003.0001.

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This chapter explores two major Herodotean contexts. One is the Greek literary tradition of which he was a part, ranging from Homer, through the periegetic texts, through ethnographic writings, and other early historians, such as Hecataeus. After considering these literary and intellectual milieus within which Herodotus operated, this chapter moves on to sketch out the modern scholarly context of recent work on Herodotus, particularly that which relates to the two chosen strands of analysis—the depiction of geographical space and the application of narratological tools, particularly those with
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16

Wickerson, Erica. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.003.0001.

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This chapter provides an introduction to the book as a whole. It situates the approach undertaken here within the existing narratological debates on time, also discussing those specifically relating to works by Thomas Mann. The most significant way in which the approach differs from existing debates is by offering an analysis of works that do not self-consciously problematize the narration of time. Criticism on Mann’s works that deals with the question of temporality has typically focused on novels such as The Magic Mountain and Doctor Faustus. This introduction outlines the structure of the b
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17

Concepción, Pérez María, ed. Los géneros literarios: Curso superior de narratología : narratividad-dramaticidad. Universidad de Sevilla, 1997.

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18

Current Trends in Narratology Narratologia Contributions to Narrative TheoryBeitrage Zure Erzahltheorie. Walter de Gruyter, 2011.

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19

(Editor), Tom Kindt, and Hans-Harald Muller (Editor), eds. What Is Narratology?: Questions and Answers Regarding the Status of a Theory (Narratologia, 1). Walter De Gruyter Inc, 2003.

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20

Schonert, Jorg, Peter Huhn, and Malte Stein. Lyrik und Narratologie: Text-Analysen zu deutschsprachigen Gedichten vom 16. bis zum 20. Jahrhundert (Narratologia). Walter de Gruyter, 2007.

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21

Charon, Rita, and Eric R. Marcus. A Narrative Transformation of Health and Healthcare. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199360192.003.0013.

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The co-authors of this chapter—an internist and a psychoanalyst—examine the situation of a patient whose care was enhanced by narrative methods of collaborative writing by physician and patient. In turns, the co-authors discuss psychoanalytic and narratological aspects of this clinical case. The analyst proposes that, in the care of medically ill patients, transference may occur not to the analyst but to the illness itself and that a stabilizing transitional space, as described by D.W. Winnicott, may open up within routine medical practice. The internist reviews concepts of creativity, reflexi
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22

Ozgur Alhassen, Leyla. Qur'anic Stories. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474483179.001.0001.

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This book approaches the Qur’ān as a literary, religious and oral text that affects its audience, drawing on narratology, rhetoric and Qur’ānic studies to develop a new methodology to analyze stories that represent some of the variety of Qur’ānic narrative, stories that are repeated and one that is not: Sūrat Yūsuf, SūratĀl ‘Imrān, SūratMaryam, SūratṬaha and Sūratal-Qaṣaṣ. It looks at how Qur’ānic stories function as narrative: how characters and dialogues are portrayed, what themes are repeated, what verbal echoes and conceptual links are present, what structure is established, and what belie
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23

Reeves, John, and Annette Yoshiko Reed. Enoch from Antiquity to the Middle Ages, Volume I. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198718413.001.0001.

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This book provides scholars with a comprehensive collection of core references extracted from Jewish, Christian, and Muslim literature to a plethora of ancient writings associated with the name of the biblical character Enoch (Gen 5:214). It assembles citations of and references to writings attributed to Enoch in non-canonical Jewish, Christian, and Muslim literary sources (ranging in age from roughly the third century BCE up through the thirteenth and fourteenth centuries CE) into one convenient thematically arranged repository, and it classifies, compares, and briefly analyzes these referenc
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