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Journal articles on the topic 'Narratological analysis'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Prince, Gerald. "Narratology and Narratological Analysis." Oral Versions of Personal Experience 7, no. 1-4 (1997): 39–44. http://dx.doi.org/10.1075/jnlh.7.03nar.

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Henry, Jim. "A Narratological Analysis of WAC Authorship." College English 56, no. 7 (1994): 810. http://dx.doi.org/10.2307/378487.

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勞保勤. "A Narratological Analysis of Crescent Moon." Journal of Study on Language and Culture of Korea and China ll, no. 30 (2012): 339–58. http://dx.doi.org/10.16874/jslckc.2012..30.014.

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Abdulrraziq, Nasr M. A., and Ayman E. M. Geedallah. "Narratological Analysis of Temporality in Novel." International Journal of Community Service & Engagement 2, no. 1 (2021): 13–19. http://dx.doi.org/10.47747/ijcse.v2i1.191.

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This paper definitely attempts to intermingle them with regard to structural analysis. It adopted the theory of Gerard Genette, the analysis of the famous novel Great Expectations by Charles Dickens, the main discussion concerns order and duration whereas frequency is ruled out. Consequently, order can be presented by two different narrative techniques; through the profound analysis of analepsis and prolepsis to show the chronological and anachronological order of the novel. A further analysis of the novel also includes the alternation of the four narrative movements of duration which are divi

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Tammi, Pekka. "Problems of Nabokov's Poetics: A Narratological Analysis." Poetics Today 8, no. 2 (1987): 463. http://dx.doi.org/10.2307/1773063.

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Barabtarlo, Gene, and Pekka Tammi. "Problems of Nabokov's Poetics: A Narratological Analysis." Slavic and East European Journal 31, no. 1 (1987): 117. http://dx.doi.org/10.2307/307031.

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Connolly, Julian W., and Pekka Tammi. "Problems of Nabokov's Poetics: A Narratological Analysis." Modern Language Review 82, no. 4 (1987): 1052. http://dx.doi.org/10.2307/3729172.

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Lutostański, Bartosz. "An Introduction to the Narratological Analysis of Radio Plays." Tekstualia 1, no. 32 (2013): 53–64. http://dx.doi.org/10.5604/01.3001.0013.4636.

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Narratology is nowadays an extensive discipline of literary studies relating to particular media (literature, fi lm or theatre) and particular disciplines (philosophy, sociology or psychology). However, this narratological plurality still fails to include numerous artistic phenomena, for example a radio play; its narratological analysis is presented in the following paper. In order to tackle the variety and complexity of a radio play, I use various methodologies drawn from the narratology of literature and fi lm and the theory of theatre. Dan Rebellato’s Cavalry serves as the prime example ins

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Petrovic, Miomir. "Narratological analysis of film Wim Wenders' 'Wings of desire'." Godisnjak Fakulteta za kulturu i medije - komunikacije, mediji, kultura 6, no. 6 (2014): 377–93. http://dx.doi.org/10.5937/gfkm1406377p.

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Graca, Joanna. "Deutsche Kürzestgeschichte: Erzähltheoretische Analyse ausgewählter „short short stories“ von Kerstin Hensel und Heiner Feldhoff." Studia Litteraria 15, no. 4 (2020): 253–62. http://dx.doi.org/10.4467/20843933st.20.021.12542.

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German Shortest Story: A Narratological Analysis of Chosen „Short Short Stories” by Kerstin Hensel and Heiner Feldhoff Kürzestgeschichte (lit. shortest story), which is the German term for a subcategory of short story, became established as a literary genre in the 20th century. Its condensed content conformed to the hectic pace of life but, in terms of the issues discussed, it was more essential and dedicated to an experienced reader. In this paper, a narratological analysis of selected shortest stories by Heiner Feldhoff and Kerstin Hensel will be conducted. A methodological basis for the ana

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AVCI, ÖZTABAK, and Elif Elif. "Sentimental discipline: a narratological analysis of Susan Warner's the wide." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi - DTCF Dergisi 57, no. 2 (2017): 822–37. http://dx.doi.org/10.1501/dtcfder_0000001540.

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Kruger, Haidee. "Exploring a New Narratological Paradigm for the Analysis of Narrative Communication in Translated Children’s Literature." Meta 56, no. 4 (2012): 812–32. http://dx.doi.org/10.7202/1011254ar.

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Current contributions attempting to draw together translation studies and narratology are based almost exclusively on structuralist narratology, proceeding from the assumption that changes on the micro-level of the text will result in changes to the various narrative dimensions of the text, and will lead to a different configuration of the narrative communication situation in translated texts as compared to original works. However, it is argued in this paper that this approach, firstly, results in a conceptualisation of the narrative communication situation for the translated text that is part

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Purves, I. N., and S. Kay. "Medical Records and Other Stories: a Narratological Framework." Methods of Information in Medicine 35, no. 02 (1996): 72–87. http://dx.doi.org/10.1055/s-0038-1634648.

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AbstractA new model of the medical record is introduced which can incorporate context, structure, process and use of the medical record within a single narratological framework. It is claimed that the analysis of narrative and, in particular, the study of the story metaphor can provide a theoretical model which provides coherence within the broad discipline of Medical Informatics. It is argued that this framework maintains different levels of abstraction, is useful for teaching and clinical practice, and that its concepts can be readily understood by those in both lay and technical healthcare

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Bär, Silvio. "Heracles in Homer and Apollonius: Narratological Character Analysis in a Diachronic Perspective." Symbolae Osloenses 93, no. 1 (2019): 106–31. http://dx.doi.org/10.1080/00397679.2019.1641342.

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Kluge, E. H. W. "The Medical Record: Narration and Story as a Path Through Patient Data." Methods of Information in Medicine 35, no. 02 (1996): 88–92. http://dx.doi.org/10.1055/s-0038-1634650.

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AbstractKay and Purves' proposed narratological model of the medical record is based on the familiar phenomenological insight that the perception of data is conditioned by the conceptual framework of the perceiver. Unfortunately, unless handled very carefully, this approach will make the significance of a medical record unique to the person who constructed it and impermeable to outside scrutiny. However, when integrated into the analog-model of the medical record, the narratological model can be accommodated as the clinician-relative construction of a patient profile within the data that make

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Scolari, A. Carlos. "Transmedia branding: Brands, narrative worlds, and the mcwhopper peace agreement." Semiotica 2018, no. 224 (2018): 1–17. http://dx.doi.org/10.1515/sem-2016-0216.

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Abstract In recent years there has been much discussion about the links between brands and storytelling. This article briefly describes transmedia storytelling, reflects on some exemplary works to understand its cultural dynamics, and then focuses on one particular aspect: the development of transmedia strategies in branding. This article delves into that area where branding melts and recombines with storytelling, keeping an eye on transmedia worlds throughout. After presenting a semio-narratological analytical model the article applies the categories to Burger King’s successful and internatio

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Zhang, Jinhua. "An Analysis of Pride and Prejudice from Structuralist Perspective." English Language and Literature Studies 10, no. 1 (2020): 86. http://dx.doi.org/10.5539/ells.v10n1p86.

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Pride and Prejudice is a classic novel from Jane Austen, a prominent female British writer, which has attracted considerable attention from the perspective of language, content, feminism, and marriage view but without the plot organization. Different from the previous study, this paper aims at the plot organization of the novel to see its structure and the deep meaning.  This paper is devoted to analyzing the novel from the surface and deep structure, in which the structuralist approach is employed. The surface and deep structure theory is the main clue; besides, the structuralist

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Basaraba, Nicole. "A communication model for non-fiction interactive digital narratives: A study of cultural heritage websites." Frontiers of Narrative Studies 4, s1 (2018): s48—s75. http://dx.doi.org/10.1515/fns-2018-0032.

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AbstractInteractive digital narrative (IDN) is an umbrella term used to encompass the various formats of digital narrative such as hypertext fiction, transmedia stories, and video games. The study of IDNs transverses the disciplines of narratology, game studies, and media studies. The main question this article addresses is how does the digital medium affect narrative in cultural heritage websites? This question is examined by proposing a new communication model that considers the role of digital media — the Creator-Produser Transaction Model — and adapting existing “tools” of narrative analys

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Koron, Alenka. "Narrative space in Ian McEwan’s Saturday: A narratological perspective." Frontiers of Narrative Studies 4, no. 2 (2018): 359–73. http://dx.doi.org/10.1515/fns-2018-0028.

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AbstractAlthough the work of Ian McEwan, one of the most important modern British writers, has been quite thoroughly researched, the narrative space was rarely the subject of narratological treatment. This article tackles a close reading of McEwan’s novel Saturday from a narratological perspective testing the applicability of a series of spatial categories systematized by Marie-Laure Ryan in the already existing narratological tradition and in her own research in narrative space. At the macro level of the story, the circular structure of the novel and the concepts of space as a container and s

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De Bleeker, Liesbeth. "Translating space in narrative fiction: Patrick Chamoiseau’s Martinique seen from a Dutch and English perspective." Language and Literature: International Journal of Stylistics 23, no. 3 (2014): 227–43. http://dx.doi.org/10.1177/0963947014536502.

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This article analyzes what happens to the space of a narrative when it is translated. Its main goal is to demonstrate how we can deepen our understanding of space by seeing it through the twin lenses of narratology and comparative translation analysis. I will refer to the fictional universe created by the French Caribbean author Patrick Chamoiseau to illustrate this point. In particular, examples will be taken from Chronique des sept misères (2002 [1986]), from Texaco (2003 [1992]), and from the English and Dutch translations of these novels. After an introductory first section, the article se

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Candel, Daniel. "Systematizing evil in literature: twelve models for the analysis of narrative fiction." Semiotica 2021, no. 242 (2021): 141–68. http://dx.doi.org/10.1515/sem-2020-0071.

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Abstract While there are interesting connections between literature and evil, there is as of yet no systematic collection of models of evil to study literature. This is problematic, since literature is among other things an evaluative discourse and the most basic evaluative category is the polarity of good versus evil. In addition, evil shows important affinities with basic narratological principles. To initiate a discussion of models of evil for the analysis of literature, this article organizes a dozen models of evil into four groups. The first consists of a core model which coincides with b

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22

Willumsen, Liv Helene. "A Narratological Approach to Witchcraft Trial: A Scottish Case." Journal of Early Modern History 15, no. 6 (2011): 531–60. http://dx.doi.org/10.1163/157006511x600837.

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Abstract This article is a microstudy of a Scottish witchcraft document from 1662, focusing of the case of a woman accused of witchcraft in Bute. It emphasizes the various “voices” that are possible to “hear” in the material—for example, the voice of the scribe, the witnesses, or the accused person. It argues on linguistic grounds that the way the story was told by the scribe influences the interpretation of this document, since the scribe had the authority over the contents of the text. This narratological analysis is finally put in a broader historical context, adding factual information abo

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Dromnes, Tanja, Sandra Lee Kleppe, Kenneth Mikalsen, and Sigrid Solhaug. "The Distribution and Frequency of the Terms "Pride" and "Prejudice" in Jane Austen's Pride and Prejudice." Nordlit 13, no. 1 (2009): 151. http://dx.doi.org/10.7557/13.1484.

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In this article we examine the title terms of Jane Austen's Pride and Prejudice (1813) with particular attention to their distribution and frequency in the text. Our method is to connect the statistical material gathered on frequency and distribution to a narratological analysis of the terms, with special emphasis on whether they occur within the focalization of the external narrator, or that of character-focalizers. In order to approach this task, we have availed ourselves of the narratological theories of Mieke Bal. We conclude that there is a differentiation among types of focalization in t

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Seema, Johannes. "The analysis of characters’ names in Matlosa’s novel Mopheme from a narratological perspective." Nomina Africana: Journal of African Onomastics 33, no. 2 (2019): 117–27. http://dx.doi.org/10.2989/na.2019.33.2.4.1341.

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Mikó, Zoltán. "Narratologische Analyse des Gorgias-Romans Veriphantors Betrogener Frontalbo." Studia Universitatis Babeș-Bolyai Philologia 66, no. 3 (2021): 73–85. http://dx.doi.org/10.24193/subbphilo.2021.3.05.

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"A Narratological Analysis of the Novel Veriphantors Betrogener Frontalbo by Johann Gorgias. Veriphantors Betrogener Frontalbo is the most important novel by the German-Transylvanian writer Johann Gorgias. It represents the pinnacle of his poetic œuvre, since earlier texts often still consist of few plot elements, and Veriphantors Buhlende Jungfer is a text that is not yet particularly well structured. The educational intent of Gorgias’s earlier texts can seem quite offensive today, as the reader is often bombarded with general rules, commonplaces, and moralizing examples drawn from life after

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Đerić-Dragičević, Borjanka. "Family history rewritten: How to narrate the life happening 'Tomorrow'." Reci Beograd 12, no. 13 (2020): 116–33. http://dx.doi.org/10.5937/reci2013116d.

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This paper is dedicated to exploring the narrative points and strategies in the novel Tomorrow, written by Graham Swift, a prominent English postmodern writer, with the main objective to draw attention to the nature of narration and narrators. The aim of the research is to give answers to the questions of choices made by the novelist when it comes to narrators, narration, narrative methods and techniques, and whether the narrators are (un)reliable, etc. The author of this paper tries to determine to which extent the 2nd person narration has become influential in postmodern literature - by bein

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Klimek, Sonja. "Functions of figurativity for the narrative in lyric poetry – with a study of English and German poetic epitaphs from the 17th century." Language and Literature: International Journal of Stylistics 22, no. 3 (2013): 219–31. http://dx.doi.org/10.1177/0963947013489239.

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Lyric poetry is a genre where discourse types such as description, argumentation, contemplation and narrative can occur together, though in varying combinations. During the last two decades, research has been devoted to the question of how to describe and to study such use of narrativity in lyric poetry. As Hühn (2007) puts it, ‘poetry can profitably be analysed on the basis of narratological categories’. However, this article argues that such a narratological analysis can never replace the traditional lyric analysis. The aim of this article is to combine the means of classical lyric analysis

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Vercauteren, Gert. "A Translational and Narratological Approach to Audio Describing Narrative Characters." TTR 27, no. 2 (2016): 71–90. http://dx.doi.org/10.7202/1037746ar.

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The present article examines two issues in the field of audio description (AD) that so far have received little attention. Research in AD is highly multi- and interdisciplinary, and while semiotics, discourse analysis, narratology and film studies are some of the frameworks that are regularly used to study audio description, few attempts have been made to frame AD within the field of translation studies (TS). The first part of this article, therefore, describes a functionalist approach to audio description, both to strengthen the position of AD within TS and to contribute to a systematization

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박정식. "Author, Audience, and Autobiography: A Narratological Analysis of Philip Caputo’s A Rumor of War." English21 20, no. 1 (2007): 183–92. http://dx.doi.org/10.35771/engdoi.2007.20.1.006.

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Reveley, James. "USING AUTOBIOGRAPHIES IN BUSINESS HISTORY: A NARRATOLOGICAL ANALYSIS OF JULES JOUBERT'S SHAVINGS AND SCRAPES." Australian Economic History Review 50, no. 3 (2010): 284–305. http://dx.doi.org/10.1111/j.1467-8446.2010.00306.x.

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Leighton, Mary Elizabeth, and Lisa Surridge. "The Plot Thickens: Toward a Narratological Analysis of Illustrated Serial Fiction in the 1860s." Victorian Studies 51, no. 1 (2008): 65–101. http://dx.doi.org/10.2979/vic.2008.51.1.65.

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Styrina, Elena V., and Anna A. Martirosyan. "Elements of Fictionality in Media Texts: Facts vs Fiction." NSU Vestnik. Series: Linguistics and Intercultural Communication 19, no. 1 (2021): 92–105. http://dx.doi.org/10.25205/1818-7935-2021-19-1-92-105.

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The current article is dedicated to the analysis of fictionality in modern English media texts. Fictionality is a term applied in narrative theory, and traditionally associated with the belles-lettres style (i.e. fictional narrative). In brief, fictionality is an intentional use of invented stories, which is opposed to factuality. We found that, being a fiction-specific narratological category, fictionality may appear in some kinds of media texts in the shape of separate pieces of text of different length - fictional inclusions. In our study we relied on the works by W. Schmid, J. Jenette, R.

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Todres, Mathew, and James Reveley. "Achieving selves." Journal of Management History 25, no. 3 (2019): 323–40. http://dx.doi.org/10.1108/jmh-01-2019-0005.

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Purpose Arguably, how psychohistorians treat entrepreneur life-writing interiorizes the autobiographer’s self, thereby limiting the extent to which self can be accessed by researchers. By advocating a different approach, based on socio-narratology, this paper provides insight into how entrepreneurs in both the distant and recent past construct narrative identities – the textual corollary of “storied selves” – within their autobiographies. Design/methodology/approach The object of analysis is the failed entrepreneur autobiography, straddling two sub-genres – “projective” and “confessional” – wh

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Beeks, Sarah, Charlotte de Beus, and Esther Op de Beek. "‘Jij zult nooit een slachtoffer blijven [...], want jij bent een held’ : De plaats van de Ander in Dertig dagen (2015) van Annelies Verbeke." Nederlandse Letterkunde 25, no. 3 (2020): 225–51. http://dx.doi.org/10.5117/nedlet2020.3.001.beek.

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Abstract Who is allowed to occupy which space in a multicultural society? Whose worlds and perspectives are represented in the fictional space? In this article we investigate the answers to these questions by means of a narratological analysis, informed by insights from postcolonial and cultural theory, of the novel Dertig dagen (2015) by Annelies Verbeke. While Saskia Pieterse (2014) suggests that in many recent novels ‘the Other’ is often a flat character and merely the embodiment of the theme of multiculturalism, in Dertig dagen a Senegalese-born Fleming is the main focalizing character. St

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Jourdy, Natascha. "Narrative structure of literary text: Free indirect discourse as a linguistic and narratological category." Glottodidactica. An International Journal of Applied Linguistics 35 (November 5, 2018): 59–68. http://dx.doi.org/10.14746/gl.2009.35.5.

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The paper focuses on the analysis of free indirect discourse as a modernist narrative form. We outline the basic narrative and linguistic characteristics of free indirect discourse and examine its main functions in the literary texts. We undertake a comparative analysis of three examples of free indirect discourse (drawn from the texts of G. Flaubert, F. Kafka and V. Nabokov) and display their common and distinctive features.

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Salmose, Niklas. "“A past that has never been present”: The Literary Experience of Childhood and Nostalgia." Text Matters, no. 8 (October 24, 2018): 332–51. http://dx.doi.org/10.1515/texmat-2018-0020.

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This essay explores the modernist aesthetic involved in creating a fictive, nostalgic, childhood experience. Evoking the experience of childhood through fiction is as close to actually reliving childhood as we can get. The author argues that it is possible to actually transport the reader into not only the idealized world of childhood, but more so into an embodied experience of childhood through the use of different kinds of narrative and stylistic configurations. In a stylistic and narratological analysis of three modernist novels, Virginia Woolf’s The Waves (1931), Tarjei Vesaas’ The Ice Pal

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Nassauer, Gudrun. "Gegenwart des Abwesenden. Eidetische Christologie in Lk 1.39–45." New Testament Studies 58, no. 1 (2011): 69–87. http://dx.doi.org/10.1017/s0028688511000294.

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The Graeco–Roman bios depicts its characters through elements of narrative construction. In order to show that it is worth noting those elements within the Gospel of Luke we use an episode in the infancy narrative (Lk 1.39–45) in which the main character at first sight seems to be absent. The semantic and narratological analysis of the figurative elements opens access to the normative ‘presence’ of Jesus, thereby furnishing fresh insights into the narrative mode of Lukan christology.

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Vukasinovic, Milan. "A cracked mirror? - forming the ideal ruler in Epirus and Nicaea in the first half of the 13th century." Zbornik radova Vizantoloskog instituta, no. 52 (2015): 313–29. http://dx.doi.org/10.2298/zrvi1552313v.

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During the first half of the 13th century both Byzantine Empire and the image of its ideal ruler had to undergo a transformation. By applying mostly the narratological analysis to the parenetic texts written in the two successor states of the Empire, the paper sheds light on the dynamic ?negotiations? within the Roman elites of the place that the Emperor should have inside the symbolic order, and suggests a possible model of approach to other Byzantine texts and periods.

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Matsevko-Bekerska, Lidiia. "THE TEXT – THE READER – THE LITERARY WRITING: A COGNITIVE AND NARRATOLOGICAL PARADIGM." Scientific Journal of Polonia University 34, no. 3 (2019): 36–46. http://dx.doi.org/10.23856/3404.

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The article presents the study of some aspects in the specificity of the dialogue between the artistic text and the consciousness of the addressee. This issue is quite actively discussed in the modern literary criticism – both in theoretical approaches to analysis and in applied poetics studies. To a large extent, the methodological and terminological apparatus for examining the cognitive specificity of literature has been formed in classical narratological studies and refined in the latest developments. The article focuses on clarifying the essence of the reader as an important element of rep

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Tsapiv, A. O. "Methodology of the poetic-narratological analysis of fairy ethnonarratives (Сase Study of Australian Literary texts for Children)". Science and Education a New Dimension VII(210), № 61 (2019): 63–69. http://dx.doi.org/10.31174/send-ph2019-210vii61-13.

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Muñoz González, Esther. "Lost Children: Hearing the Past in the Silence of an Empty House." ES Review. Spanish Journal of English Studies, no. 38 (December 18, 2017): 47. http://dx.doi.org/10.24197/ersjes.38.2017.47-63.

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This article analyses Maggie Gee’s novel Lost Children (1994) from the combined perspectives of feminist and trauma theories. It contends that the sudden disappearance of the protagonist’s teenage daughter triggers a psychological quest for the recovery of her voice and self, shattered by a traumatic experience she had in her childhood. My analysis, which pays especial attention to narratological issues —since this barely perceptible, insidious trauma is expressed both formally and thematically— shows that Alma’s behaviour is representative of the worries, expectations and impositions that con

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Theron, L., and H. Du Plessis. "Die ontwikkeling van 'n paradigma vir die skryf van 'n kinderverhaal." Literator 15, no. 3 (1994): 21–40. http://dx.doi.org/10.4102/lit.v15i3.675.

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The American linguist, William Labov, distinguished six elements underlying a well-structured oral narrative. These elements are, in the course of this article, developed into a paradigm which can he used in the writing of a children's story. Against the background of the sociolinguistics of Labov’s analysis the elements are further placed within Mary Louise Pratt's narratological approach. The elements are then applied to children's literature. Published and unpublished children's stories are analysed with reference to the elements indicated by Labov. On the basis of the analysis the elements

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Alber, Jan, Stefan Iversen, Henrik Skov Nielsen, and Brian Richardson. "Unaturlige fortællinger. Hinsides mimetiske modeller." K&K - Kultur og Klasse 39, no. 112 (2011): 7–32. http://dx.doi.org/10.7146/kok.v39i112.15742.

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UNNATURAL NARRATIVES, UNNATURAL NARRATOLOGY | In recent years, the study of unnatural narrative has developed into one of the most exciting new paradigms in narrative theory. Both younger and more established scholars have become increasingly interested in the analysis of unnatural texts, many of which have been consistently neglected or marginalized in existing narratological frameworks. By means of the collaboration of four scholars who have been developing unnatural narratology, this article seeks to summarize key principles, to consolidate some conclusions, to extend the work through caref

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Yefymenko, Victoria. "COMICS AS A TRANSMEDIAL PHENOMENON: FROM A PRINTED TO A DIGITAL MEDIUM." Folia linguistica et litteraria XII, no. 35 (2021): 159–74. http://dx.doi.org/10.31902/fll.35.2021.8.

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Comics have recently attracted the increased attention of theorists as a very dynamic and fast-growing genre. A characteristic feature of contemporary comics is their transmediality, i.e., exceeding the boundaries of the printed page and transforming to digital narratives. Transition to a digital medium gives a number of advantages, including the possibility of using different display modes, deeper immersion in the fictional world, greater degree of interactivity. This paper examines comics, which are adaptations of the classic fairy tale Little Red Riding Hood, identifies intertextual referen

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KHALIL, Hend Mohamed Samir. "The Revival of Radio Drama: A Narratological Analysis of John Dryden’s Pandemic (2012) and Martin Millien’s COVID39 (2020)." مجلة البحث العلمی فی الآداب 22, no. 1 (2021): 26–53. http://dx.doi.org/10.21608/jssa.2021.52774.1223.

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Horstmann, Jan. "Zeitraum und Raumzeit: Dimensionen zeitlicher und räumlicher Narration im Theater." Journal of Literary Theory 13, no. 2 (2019): 185–205. http://dx.doi.org/10.1515/jlt-2019-0007.

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Abstract The positioning in space and time of performed narration in theater poses a specific challenge to classical narratological categories of structuralist descent (developed, for example, by Gérard Genette or Wolf Schmid, for the analysis of narrative fiction). Time is the phenomenon which connects narratology and theater studies: on the one hand, it provides the basis for nearly every definition of narrativity; on the other, it grounds a number of different methodologies for the analysis of theater stagings, as well as theories of performance – with their emphasis on transience, the ephe

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Mcintyre, Dan. "Point of View in Drama: A Socio-Pragmatic Analysis of Dennis Potter’s Brimstone and Treacle." Language and Literature: International Journal of Stylistics 13, no. 2 (2004): 139–60. http://dx.doi.org/10.1177/0963947004041972.

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The study of point of view in dramatic texts has been largely neglected by stylisticians. This is perhaps due to the fact that point of view is usually considered to be a narratological phenomenon, whereas most contemporary plays do not make use of narratorial mediation. Nevertheless, linguistic indicators of point of view do exist in dramatic texts and are not always the same as those which indicate viewpoint in prose fiction. I argue that studying point of view in drama can assist in the interpretation of dramatic texts, provide valuable insights into characterization and the relationships b

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Sjöberg, Mikael. "Jephthah's Daughter as Object of Desire or Feminist Icon." Biblical Interpretation 15, no. 4-5 (2007): 377–94. http://dx.doi.org/10.1163/156851507x194233.

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AbstractThe narrative of Jephthah and his daughter (Judg. 10:6-12:7) has inspired approximately five hundred artistic treatments throughout history. In this article, I investigate two works of fiction from the twentieth century: Richardt Gandrup's Jeftas Datter (1922) and Naomi Ragen's Jephte's Daughter (1989). My main purpose is to see how these pieces of literature deal with the issue of violence by engaging in dialogue with the biblical tradition. On the basis of a narratological analysis, I discuss these works in terms of their strategies for interpreting the biblical text and of their imp

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Paris, Orlando. "The “Fiat 500L” commercial: A journey into Italian style." Semiotica 2019, no. 229 (2019): 237–46. http://dx.doi.org/10.1515/sem-2018-0010.

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AbstractThis essay will analyze a single script, the television commercial that advertises the Fiat 500L in the United States, released in 2013. This commercial has stimulated wide debate both in Italy and the United States. It was generally well received by the press, even if it did attract some criticism on the part of those who simply read it as the latest version of a series of stereotypes of Italian mores. Without neglecting the functional dynamic of advertising (narratological structure and underlying rhetorical devices), this analysis will focus in particular on the decisive role played

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van de Löcht, Joana. "Schlacht und Struktur." Scientia Poetica 22, no. 1 (2018): 286–98. http://dx.doi.org/10.1515/scipo-2018-014.

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Abstract This article assesses how historical events play an important role for the narratological structure of Hans Jacob Christoffel von Grimmelshausen’s Simplicissimus Teutsch and Courasche. Furthermore, it asks whether it was possible for the contemporary literate reader to foresee parts of the books’ plots based on his historical knowledge. The plot devices thought to be most promising for such an analysis were descriptions of battles in which the main characters were engaged. It can be shown that battles, as datable and locatable events, allow the reader to estimate the duration between

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