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Books on the topic 'Narratological approach'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Meister, Jan Christoph. Computing action: A narratological approach. Walter De Gruyter, 2003.

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2

Link, Sarah J. A Narratological Approach to Lists in Detective Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-33227-2.

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3

Messēs, Charēs. Storytelling in Byzantium: Narratological approaches to Byzantine texts and images. Uppsala University, 2018.

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4

Earwicker, Simon. Narratological and reader-response approaches to Ruth and Esther: The genesis of a complementary matriarchal tradition. University of Manchester, 1995.

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5

Meister, Jan Christoph. Computing Action: A Narratological Approach. De Gruyter, Inc., 2003.

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6

Matthews, Alastair, Marie-Laure Ryan, and Jan Christoph Meister. Computing Action: A Narratological Approach. de Gruyter GmbH, Walter, 2008.

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7

Computing Action: A Narratological Approach. De Gruyter, Inc., 2003.

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8

Paul the Storyteller: A Narratological Approach. Eerdmans Publishing Company, William B., 2024.

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9

Paul the Storyteller: A Narratological Approach. Eerdmans Publishing Company, William B., 2024.

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10

Link, Sarah J. Narratological Approach to Lists in Detective Fiction. Palgrave Macmillan, 2023.

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11

Link, Sarah J. Narratological Approach to Lists in Detective Fiction. Palgrave Macmillan, 2023.

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12

Ireland, K. Thomas Hardy, Time and Narrative: A Narratological Approach to His Novels. Palgrave Macmillan, 2014.

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13

Ireland, K. Thomas Hardy, Time and Narrative: A Narratological Approach to His Novels. Palgrave Macmillan Limited, 2014.

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14

Ireland, Ken. Thomas Hardy, Time and Narrative: A Narratological Approach to His Novels. Palgrave Macmillan, 2014.

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15

Thomas Hardy, Time and Narrative: A Narratological Approach to his Novels. Palgrave Macmillan, 2014.

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16

Shūkyō to iu gihō: Monogatarironteki apurōchi = Techiniques of religion : a narratological approach. Keisō Shobō, 1992.

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17

Shukyo to iu giho: Monogatarironteki apurochi = Techiniques of religion : A narratological approach. Keiso Shobo, 1992.

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18

Raj, Yogesh. Making Sense of Lynching in Medieval Nepal. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040801.003.0005.

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Focusing on medieval Nepal, in this chapter Yogesh Raj argues that existing sociohistorical accounts of lynching and other extreme forms of collective cruelty are inadequate for developing “a credible historical account” due to what he considers their “narratological bias.” Raj asserts that the problematic nature of the Event Catalogues, the main methodological innovation in these accounts composed by scholars of European rioting and American lynching, “call for a radically different approach to historiography.” Using Newari medieval records of lynching, Raj argues for “employing analogy, and

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19

Wickerson, Erica. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.003.0001.

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This chapter provides an introduction to the book as a whole. It situates the approach undertaken here within the existing narratological debates on time, also discussing those specifically relating to works by Thomas Mann. The most significant way in which the approach differs from existing debates is by offering an analysis of works that do not self-consciously problematize the narration of time. Criticism on Mann’s works that deals with the question of temporality has typically focused on novels such as The Magic Mountain and Doctor Faustus. This introduction outlines the structure of the b

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20

Zimmermann, Ruben. Eschatology and Time in the Gospel of John. Edited by Judith M. Lieu and Martinus C. de Boer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198739982.013.17.

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The article discusses the complex issue of time and eschatology in the Fourth Gospel. To get a grip on John’s eschatology it is necessary to take seriously John’s own use of language, and not to let the issue be determined solely by categories or terms (such as ‘eschatology’ and ‘apocalypticism’) introduced by scholars. It is essential to understand John’s eschatology as an aspect of the Gospel’s broader concept of time and the way in which this concept is given linguistic expression. This approach allows more recent, in particular narratological, methods to be applied to determine the Gospel’

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21

'Etiopiche' Di Eliodoro: Approcci Narratologici e Nuove Prospettive. Steiner Verlag Wiesbaden GmbH, Franz, 2020.

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22

Ozgur Alhassen, Leyla. Qur'anic Stories. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474483179.001.0001.

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This book approaches the Qur’ān as a literary, religious and oral text that affects its audience, drawing on narratology, rhetoric and Qur’ānic studies to develop a new methodology to analyze stories that represent some of the variety of Qur’ānic narrative, stories that are repeated and one that is not: Sūrat Yūsuf, SūratĀl ‘Imrān, SūratMaryam, SūratṬaha and Sūratal-Qaṣaṣ. It looks at how Qur’ānic stories function as narrative: how characters and dialogues are portrayed, what themes are repeated, what verbal echoes and conceptual links are present, what structure is established, and what belie

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23

Stibbe, Arran. Econarrative. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350263154.

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Econarratives are all around us, describing and shaping human interactions with other species and the physical environment. This book provides a foundational theory of econarrative, drawing from narratology, human ecology, critical discourse analysis, and ecolinguistics, and offering insights from a rich variety of texts including: Creation mythsIndigenous podcastsEthical leadership speechesHaiku poetryDocumentary filmsNew nature writingAdvertisements and campaignsApocalyptic stories Adopting a global, transdisciplinary approach, it conducts in-depth analysis of specific works, including the C

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24

Busse, Beatrix. Speech, Writing, and Thought Presentation in 19th-Century Narrative Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190212360.001.0001.

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The present study investigates speech, writing, and thought presentation in a corpus of 19th-century narrative fiction including, for instance, the novels Frankenstein, Jane Eyre, Wuthering Heights, Oliver Twist, and many others. All narratives typically contain a reference to or a quotation of someone’s speech, thoughts, or writing. These reports further a narrative, make it more interesting, natural, and vivid, ask the reader to engage with it, and, from a historical point of view, also reflect cultural understandings of the modes of discourse presentation. To a large extent, the way a reade

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25

Schiff, Brian. How Narrating Functions. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199332182.003.0005.

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Chapter 4 of A New Narrative for Psychology argues that the most salient aspect of narrative is not the arrangement of speech elements into a particular structure, but the kinds of actions that can be accomplished with narrative. It critiques narratological approaches that define narrative, minimally, as the recounting of two related events. Rather, narrative is an evolving and emergent process, an interpretive action, that comes into being when persons, along with others, attempt to make sense of self and world. Narrative is best thought of as a verb, “to narrate,” or the derived form, “narra

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26

Pursall, Dona, and Eva Van de Wiele, eds. Sugar, Spice, and the Not So Nice. Leuven University Press, 2022. http://dx.doi.org/10.11116/9789461664976.

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Sugar, Spice, and the Not So Nice offers an innovative, wide-ranging and geographically diverse book-length treatment of girlhood in comics. The various contributing authors and artists provide novel insights into established themes within comic studies, children’s comics, graphic medicine and comics by and about refugees and marginalised ethnic or cultural groups. The book enriches traditional historical, narratological and aesthetic approaches to studying girlhood in comics with practice-based research, discussion and conversation. This re-examination of girls, gender and identity in comics

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