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Journal articles on the topic 'Narratological approach'

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1

Malcolm, David. "Ellipsis, Narrative Gaps, and Their Functions in Contemporary British Poetry: A Narratological Approach." Tekstualia 1, no. 4 (2018): 67–79. http://dx.doi.org/10.5604/01.3001.0013.5152.

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The narratological understanding of ellipsis is defined as a gap in the presentation of a narrative’s histoire. The absence of extensive consideration of verse in narratological studies is argued. It is suggested that such an absence is surprising, as narrative and verse constantly intersect. The work of several contemporary British poets is discussed in terms of their employment of narrative ellipsis. A provisional typology of ellipsis in verse and functions for such ellipsis are put forward. It is hypothesised that this device is widespread in verse, and that examination of poetry using this
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Stichnothe, Hadassah. "Engineering stories? A narratological approach to children's book apps." Barnelitterært Forskningstidsskrift 5, no. 1 (2014): 23602. http://dx.doi.org/10.3402/blft.v5.23602.

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Toivo, Raisa Maria, and Liv Helene Willumsen. "A narratological approach to witchcraft trial records: creating experience." Scandinavian Journal of History 47, no. 1 (2022): 39–61. http://dx.doi.org/10.1080/03468755.2021.2014953.

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Willumsen, Liv Helene. "A Narratological Approach to Witchcraft Trial: A Scottish Case." Journal of Early Modern History 15, no. 6 (2011): 531–60. http://dx.doi.org/10.1163/157006511x600837.

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Abstract This article is a microstudy of a Scottish witchcraft document from 1662, focusing of the case of a woman accused of witchcraft in Bute. It emphasizes the various “voices” that are possible to “hear” in the material—for example, the voice of the scribe, the witnesses, or the accused person. It argues on linguistic grounds that the way the story was told by the scribe influences the interpretation of this document, since the scribe had the authority over the contents of the text. This narratological analysis is finally put in a broader historical context, adding factual information abo
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Peek, Philip S. "Procne, Philomela, Tereus in Ovid's Metamorphoses: A Narratological Approach." Antichthon 37 (November 2003): 32–51. http://dx.doi.org/10.1017/s0066477400001404.

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A text is a device conceived in order to produce its Model Reader. I repeat that this reader is not the one who makes the ‘only right’ conjecture. A text can foresee a Model Reader entitled to try infinite conjectures. The empirical reader is only an actor who makes conjectures about the kind of Model Reader postulated by the text. Since the intention of the text is basically to produce a Model Reader able to make conjectures about it, the initiative of the Model Reader consists in figuring out a Model Author that is not the empirical one and that, at the end, coincides with the intention of t
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Vakoch, Douglas A. "A narratological approach to interpreting and designing interstellar messages." Acta Astronautica 68, no. 3-4 (2011): 520–34. http://dx.doi.org/10.1016/j.actaastro.2009.12.009.

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Vercauteren, Gert. "A narratological approach to content selection in audio description: towards a strategy for the description of narratological time." MonTI. Monografías de Traducción e Interpretación, no. 4 (2012): 207–31. http://dx.doi.org/10.6035/monti.2012.4.9.

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Vilimonovic, Larisa. "Deconstructing the narrative, constructing a meaning: Why was the Alexiad written?" Zbornik radova Vizantoloskog instituta, no. 52 (2015): 207–35. http://dx.doi.org/10.2298/zrvi1552207v.

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In the present article I offer a narratological approach to Byzantine historiography and an aim to elucidate the key elements of narrative theory that would be useful for investigating medieval Byzantine histories and their complex narrative structures. The focus is put on the key narratological aspects - genre, author, text and the audience - as those elements represent the core of literary criticism and contemporary studies of Byzantine literature. Through useful examples from the Alexiad, I intend to show how this theoretical vehicle functions and I hope to open a new field of scholarly com
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Lichagina, Anastasia P. "NARRATOLOGICAL ALGORITHM IN EXHIBITION NARRATIVE ANALYSIS SCHEMES." Articult, no. 4 (December 2024): 5–18. https://doi.org/10.28995/2227-6165-2024-4-5-18.

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The existence of numerous interpretations of the term “narrative”, including in the context of exhibition activities, restricts the possibilities of understanding and comparing narrative aspects of various visual art exhibitions. One possible approach to the analysis of exhibition narratives is the use of narratological tools, originally developed for the study of literary works. The article examines a visual art exhibition as a conventional narrative text, forms an idea of narratological categories adapted to the exhibition context (such as minimal history, events and characters), and, taking
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Vercauteren, Gert. "A Translational and Narratological Approach to Audio Describing Narrative Characters." TTR 27, no. 2 (2016): 71–90. http://dx.doi.org/10.7202/1037746ar.

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The present article examines two issues in the field of audio description (AD) that so far have received little attention. Research in AD is highly multi- and interdisciplinary, and while semiotics, discourse analysis, narratology and film studies are some of the frameworks that are regularly used to study audio description, few attempts have been made to frame AD within the field of translation studies (TS). The first part of this article, therefore, describes a functionalist approach to audio description, both to strengthen the position of AD within TS and to contribute to a systematization
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Maslov, Evgenii Sergeevich. "Narratological Approach to F. Fukuyama’s “The End of History” Conception." Manuscript, no. 1 (January 2020): 149–53. http://dx.doi.org/10.30853/manuscript.2020.1.30.

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Borins, S. F. "Making Narrative Count: A Narratological Approach to Public Management Innovation." Journal of Public Administration Research and Theory 22, no. 1 (2011): 165–89. http://dx.doi.org/10.1093/jopart/muq088.

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Ardley, Barry. "Telling Stories about Strategies: A Narratological Approach to Marketing Planning." Marketing Review 6, no. 3 (2006): 197–210. http://dx.doi.org/10.1362/146934706778605296.

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Domeracki, Piotr. "Pejorativisation of Solitude. A Narratological Deception?" Ruch Filozoficzny 79, no. 4 (2024): 197–216. http://dx.doi.org/10.12775/rf.2023.036.

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In this paper I address the problem of the pejorativisation of solitude in philosophical discourse. By the pejorativisation of solitude I mean giving it a negative meaning. I show that the tendency to the pejorativisation of solitude in philosophy was initiated by Aristotle. He saw solitude as contrary to human nature. This nature is supposed to determine people to form organised communities with others. Only through them the individual is able to survive and thrive. In solitude, one quickly learns how inautarkic is and suffers because of it. Thomas Hobbes was one of the first philosophers to
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KULAMSHAEVA, Baktygul. "A Narratological Approach To The Concepts Of Narrator And Fictional Author." Journal of Turkish Studies Volume 4 Issue 8, no. 4 (2009): 1763–83. http://dx.doi.org/10.7827/turkishstudies.1019.

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Segal, Eyal. "Thomas Hardy, Time, and Narrative: A Narratological Approach to His Novels." Poetics Today 37, no. 1 (2016): 227–29. http://dx.doi.org/10.1215/03335372-3453030.

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Liveley, Genevieve, and Rebecca Shaw. "Marriage plots: a new narratological approach to the Augustan marriage laws." Law and Humanities 14, no. 2 (2020): 244–66. http://dx.doi.org/10.1080/17521483.2020.1814004.

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Kluge, E. H. W. "The Medical Record: Narration and Story as a Path Through Patient Data." Methods of Information in Medicine 35, no. 02 (1996): 88–92. http://dx.doi.org/10.1055/s-0038-1634650.

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AbstractKay and Purves' proposed narratological model of the medical record is based on the familiar phenomenological insight that the perception of data is conditioned by the conceptual framework of the perceiver. Unfortunately, unless handled very carefully, this approach will make the significance of a medical record unique to the person who constructed it and impermeable to outside scrutiny. However, when integrated into the analog-model of the medical record, the narratological model can be accommodated as the clinician-relative construction of a patient profile within the data that make
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Currie, Graeme, and Andrew D. Brown. "A Narratological Approach to Understanding Processes of Organizing in a UK Hospital." Human Relations 56, no. 5 (2003): 563–86. http://dx.doi.org/10.1177/0018726703056005003.

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20

Hussung, J. Benjamin. "The Narrative of πίστις: A Narratological Approach to πίστις in 1 Peter". Bulletin for Biblical Research 34, № 1 (2024): 74–93. http://dx.doi.org/10.5325/bullbiblrese.34.1.0074.

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Abstract One important aspect of moral formation in 1 Peter is Peter’s goal to encourage believers to continue in their trust in God amidst suffering, and narratives play a key role in achieving this goal. This article argues that a narrative of trust (πίστις) made up of three events—the choice of trust, trust through suffering, and the outcome of trust—underlies 1 Peter. First, this article outlines the author’s narratological method. Second, the article exegetes the relevant passages where the πίστις word group is prevalent. Third, the article reconstructs Peter’s narrative of trust based ar
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Susanto, Moh Arif, Setya Yuwana Sudikan, Anas Ahmadi, and Nadya Afdholy. "Exploring the Possible Worlds of Religious Literature in Indonesia: A Narratological Approach." International Journal of Multicultural and Multireligious Understanding 10, no. 6 (2023): 222. http://dx.doi.org/10.18415/ijmmu.v10i6.4680.

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This article explores the application of narratology and possible worlds theory in the study of religious literature in Indonesia. It begins by providing an overview of narratology and possible worlds theory and how these approaches can be applied to religious narratives. The significance of religious literature in Indonesia is then discussed, highlighting the role that these narratives play in shaping religious beliefs and practices. The article then explores the use of possible worlds theory in the study of Islamic epics, Javanese mystical texts, and Balinese Hindu texts, demonstrating the c
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Gialatzi, Despina. "Narratological approach of the film adaptation of Thérèse Desqueyroux by François Mauriac." Digital Age in Semiotics & Communication 5 (December 30, 2022): 193–220. http://dx.doi.org/10.33919/dasc.22.5.10.

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The aim of this paper is to examine translation as a phenomenon from literature into movies through isotopies. In particular, the research concen-trates on the intertextual phenomenon between the original classic version in literature and the two film versions (1962 and 2012). In Gideon Toury’s work, translation is seen as an intertextual phenomenon. The three “texts” form an intertextual triangle. Mauriac’s classic novel is at the top of the triangle as a significant guide, and at the same time the two films rest on the triangle’s base. In 1927, the French writer, François Mauriac wrote his i
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Awadallah, Mariam Rizk. "The Impact of Aristotle’s Poetics on Modern Narratological Approach: A Phenomenological Study." مجلة کلية التربية بالمنصورة 127, no. 4 (2024): 275–303. https://doi.org/10.21608/maed.2024.409546.

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24

Leenu, Lenus. "Intermental Interaction in Margaret Atwood's Oryx and Crake: A Cognitive Narratological Approach." Shanlax International Journal of Arts, Science and Humanities 11, S2 (2024): 68–72. https://doi.org/10.5281/zenodo.12606218.

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This research explores the externalist perspective projected by Margaret Atwood’s Oryx and Crake through the protagonist’s perception of the unification of social thoughts. It dynamically examines the dystopian scenario presented as a tool for expressing the shared consciousness of fear and uncertainty, thereby engendering a feeling of socialised deviation. The potential strength of the situated identity is essential as a basis for initiating interaction in this narrative and tracking a unified mind. This interface is developed and centred on social interactions rather than individ
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Moenandar, Sjoerd-Jeroen. "When not to tell stories: Unnatural narrative in applied narratology." Frontiers of Narrative Studies 4, no. 1 (2018): 6–20. http://dx.doi.org/10.1515/fns-2018-0002.

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AbstractInterest in literary fiction and literary theory from other academic fields and professional practices of storytelling has often been limited to what we could call an Aristotelian narrative approach, with its emphasis on coherence and closure. In this paper, I critically assess interdisciplinary applications of narratological theory as being too limited. After all, literature also offers an alternative narrative tradition, that of, anti-mimetic or ‘unnatural’ narratives. This tradition could enrich what is referred to in this paper as ‘applied narratology’: the transfer of narratologic
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Dromnes, Tanja, Sandra Lee Kleppe, Kenneth Mikalsen, and Sigrid Solhaug. "The Distribution and Frequency of the Terms "Pride" and "Prejudice" in Jane Austen's Pride and Prejudice." Nordlit 13, no. 1 (2009): 151. http://dx.doi.org/10.7557/13.1484.

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In this article we examine the title terms of Jane Austen's Pride and Prejudice (1813) with particular attention to their distribution and frequency in the text. Our method is to connect the statistical material gathered on frequency and distribution to a narratological analysis of the terms, with special emphasis on whether they occur within the focalization of the external narrator, or that of character-focalizers. In order to approach this task, we have availed ourselves of the narratological theories of Mieke Bal. We conclude that there is a differentiation among types of focalization in t
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Groza, Bogdan, and Adrian Momanu. "Plot Patterns in Manga Based on Propp’s narratological elements." Journal of Anime and Manga Studies 3 (December 14, 2022): 34–61. http://dx.doi.org/10.21900/j.jams.v3.945.

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This article takes into consideration Vladimir Propp’s work on narratological elements and applies them to the narrative strategies of manga. Through a generalization of Propp’s scheme, an in-depth explanation of how they interact with one another and the addition of several new functions, this work demonstrates that these categories are functional in the study of the narratological elements found in manga. For the purpose of this article, most of the provided examples derive from shōnen manga as they provide for a clearer analysis. The secondary aim is to emphasize that there is room for crit
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Alatawi. "When Narrative Becomes Theatrical: A Narratological Approach to Modern and Contemporary Irish Drama." Harold Pinter Review 5 (2021): 107. http://dx.doi.org/10.5325/haropintrevi.5.1.0107.

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송영민. "The Narratological Approach on Moral Education Textbook-based on Gérard Genette’s Narrative Discourse." JOURNAL OF KOREAN PHILOSOPHICAL HISTORY ll, no. 44 (2015): 179–208. http://dx.doi.org/10.35504/kph.2015..44.007.

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Aguilar, Marcela Alejandra. "A Narratological Approach to Latin American Contemporary Chronicle under American Literary Journalism Parameters." Brazilian Journalism Research 15, no. 1 (2019): 244–65. http://dx.doi.org/10.25200/bjr.v15n1.2019.1139.

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Dolcerocca, Özen Nergis. "Between Form and Content: Narrative Typology, Metafiction and Ideology in The Thousand and One Nights." Fabula 62, no. 3-4 (2021): 301–25. http://dx.doi.org/10.1515/fabula-2021-0016.

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Abstract With few exceptions, narrative theory does not ordinarily consider the self-reflexive capacity of The Thousand and One Nights beyond its canonical instance of framing, and Arabic literary scholarship does not ordinarily engage with its narratological aspects. This article proposes a narratological approach for a systematic breakdown of story cycles through abstraction, partly by making use of computer programming language, in order to demonstrate the narrative typology in the Nights. It argues that repetitions, transpositions, substitutions, and reversals testify to tensions between t
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Kruger, Haidee. "Exploring a New Narratological Paradigm for the Analysis of Narrative Communication in Translated Children’s Literature." Meta 56, no. 4 (2012): 812–32. http://dx.doi.org/10.7202/1011254ar.

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Current contributions attempting to draw together translation studies and narratology are based almost exclusively on structuralist narratology, proceeding from the assumption that changes on the micro-level of the text will result in changes to the various narrative dimensions of the text, and will lead to a different configuration of the narrative communication situation in translated texts as compared to original works. However, it is argued in this paper that this approach, firstly, results in a conceptualisation of the narrative communication situation for the translated text that is part
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Roberts, Neil. "Narrative and contemporary poetry." Revista Leitura, no. 36 (March 16, 2019): 85–99. http://dx.doi.org/10.28998/2317-9945.200536.85-99.

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Contemporary narrative poetry presents a challenge to the teacher: how toapproach it from a narratological perspective and still pay attention to the details of poetic language? This essay uses a Bakhtinian approach to explore the generic experiments of five contemporary poets: Tony Harrison, Derek Walcott, Peter Reading, Ted Hughes and Anne Stevenson. DOI: 10.28998/0103-6858.2005v2n36p85-99
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Potanina, N. L. "THE DISCOURSE OF DICKENS IN MODERN RUSSIAN PROSE." Voprosy Kognitivnoy Lingvistiki, no. 4 (2024): 91–105. https://doi.org/10.20916/1812-3228-2024-4-91-105.

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The article is devoted to the actual problem of polydiscursivity in modern literature and the peculiarities of the classical literary discourse functioning in it. Basing our observations on the texts by modern Russian authors, who have not previously been the subject of analysis in this aspect, we described the content of Dickens’s discourse as an important component of classical literary discourse and determined its role in creating a semantic continuum, organizing the narrative structure and character poetics of modern Russian prose. The methodology of the material research is based on an in
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Schiavi, Giuliana. "There Is Always a Teller In a Tale." Target. International Journal of Translation Studies 8, no. 1 (1996): 1–21. http://dx.doi.org/10.1075/target.8.1.02sch.

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Abstract This paper tracks down the translator's voice in the translated text; sees whether it can be included in a textual structure; and considers whether it can be regarded as part and parcel of a translated text, thus making the latter into something structurally different from an original text. The source is narrative texts, their translations, and the narratological approach to literature description.
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Todres, Mathew, and James Reveley. "Achieving selves." Journal of Management History 25, no. 3 (2019): 323–40. http://dx.doi.org/10.1108/jmh-01-2019-0005.

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Purpose Arguably, how psychohistorians treat entrepreneur life-writing interiorizes the autobiographer’s self, thereby limiting the extent to which self can be accessed by researchers. By advocating a different approach, based on socio-narratology, this paper provides insight into how entrepreneurs in both the distant and recent past construct narrative identities – the textual corollary of “storied selves” – within their autobiographies. Design/methodology/approach The object of analysis is the failed entrepreneur autobiography, straddling two sub-genres – “projective” and “confessional” – wh
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Dilani, Nipunika. "Bridging the Shakespearean and Jataka Narratives: A Narratological Analysis of Othello and Sambulā Jātaka (519)." Religions 15, no. 11 (2024): 1298. http://dx.doi.org/10.3390/rel15111298.

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This study explores the thematic and structural parallels between William Shakespeare’s Othello and the Sambulā Jātaka (519) from ancient Buddhist literature. Through a detailed narratological analysis, this study examines the narrative structure, narrator and narrative perspectives, focalization, temporal aspects, and narrative techniques employed in both texts. By investigating how each narrative addresses themes of sexual jealousy, trust, and human frailty, this paper highlights the universal nature of these emotions and their impact across two cultural contexts. This study employs the qual
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Grimova, Olga A. "Horizons of Historical Narratology." Studia Litterarum 9, no. 1 (2024): 380–89. http://dx.doi.org/10.22455/2500-4247-2024-9-1-380-389.

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The article is devoted to the analysis of two pieces of research that develop the idea of diachronic consideration of narratological categories in application to the Russian literary process — the monograph by V.I. Tupa “Horizons of Historical Narratology” and the collective work “Thesaurus of Historical Narratology (Based on Russian Literature): An Experimental Dictionary.” The purpose of the article is to present the worldview and axiological principles, conceptual and methodological innovations of the emerging scientific school, and to define its role in the space of modern humanities. A se
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NAZLİ, Elzem, and Elif ÖZTABAK AVCI. "A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great Expectations." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 58, no. 1 (2018): 571. http://dx.doi.org/10.33171/dtcfjournal.2018.58.1.27.

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Bu çalışma, Charles Dickens’ın Büyük Umutlar (1861) romanında suç konusuna ve suçlu karakterlere odaklanarak romanın retorik-odaklı anlatıbilimsel bir incelemesini yapmayı amaçlar. Romanının okuyucu için bir suç ve suçlu anatomisi çizdiğine dikkat çeken birçok çalışma olmuştur, fakat romanın suçlu karakterlere farklı yaklaşımı ve bunun okuyucu üzerindeki olası etkileri pek fazla anlatıbilimsel bir dikkat çekmemiştir. Yasa önünde hepsi suçlu olarak nitelense de, Magwitch, Compeyson ve Molly karakterleri metinde farklı şekillerde konumlandırılmıştır. Eser, Magwitch karakterine yönelik okuyucuyu
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Im, Dong Uk, Hak Ro Yoon, and Jong Oh Lee. "A Semiotic Narratological Approach to the Facilitation of Persona Method for Enhancing User Experience." International Journal of Smart Home 8, no. 4 (2014): 97–104. http://dx.doi.org/10.14257/ijsh.2014.8.4.09.

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De Bleeker, Liesbeth. "Translating space in narrative fiction: Patrick Chamoiseau’s Martinique seen from a Dutch and English perspective." Language and Literature: International Journal of Stylistics 23, no. 3 (2014): 227–43. http://dx.doi.org/10.1177/0963947014536502.

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This article analyzes what happens to the space of a narrative when it is translated. Its main goal is to demonstrate how we can deepen our understanding of space by seeing it through the twin lenses of narratology and comparative translation analysis. I will refer to the fictional universe created by the French Caribbean author Patrick Chamoiseau to illustrate this point. In particular, examples will be taken from Chronique des sept misères (2002 [1986]), from Texaco (2003 [1992]), and from the English and Dutch translations of these novels. After an introductory first section, the article se
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Antoshchenko, A. V. "Celebration of the 175th anniversary of Moscow university in Russia abroad (on research methods)." Herald of Omsk University. Series: Historical studies 10, no. 1 (37) (2023): 61–68. http://dx.doi.org/10.24147/2312-1300.2023.10(1).61-68.

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The article defines research methods for studying the mechanism of formation of the cultural and historical identity of Russian emigrants of the "first wave" who survived such traumatic events as the 1917 revolution and the Russian Civil War. The author substantiates the most important research methods that will make it possible to combine the narratological study of commemorative practices with the mathematical analysis of mass sources that recorded the change in the situation of that part of the Russian intellectual elite that ended up in exile. As a basic principle for studying the annivers
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Afandi, Titah. "REVEALING JAVANESE TRADITIONAL ORCHESTRA SONGS MEANING DURING THE VILLAGE PURIFYING RITUAL 'NYADRAN'." ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture 8, no. 1 (2024): 1. http://dx.doi.org/10.17977/um006v8i12024p1-14.

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Indonesia, as a multicultural country, has many indigenous cultures; one of those cultures is the village purifying ritual usually held by Javanese society. This study investigates the relationship between the Javanese traditional orchestra songs meaning and the village purifying ritual in Sonoageng Village, Nganjuk Regency. This study employs the descriptive qualitative method with a narratological approach. The results show a relationship between the implicit meaning of analyzed gendhing and the village purifying ritual.
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Björninen, Samuli, Mari Hatavara, and Maria Mäkelä. "Narrative as social action: a narratological approach to story, discourse and positioning in political storytelling." International Journal of Social Research Methodology 23, no. 4 (2020): 437–49. http://dx.doi.org/10.1080/13645579.2020.1721971.

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Duan, Lian. "Meta-Art History: Introduction to a Narratological Study of Art History." Signs and Media 1, no. 2 (2021): 142–56. http://dx.doi.org/10.1163/25900323-12340008.

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Abstract This article outlines a narratological study of art history, discussing how to tell the story of art while telling the story. With this twofold purpose in mind, the author in this article draws the grande ligne of a narrative model on the one hand and proposes a historical argument about modern Chinese art on the other. The former aims at breaking down the boundary between intrinsic and extrinsic studies of art history, whereas the latter aims at proposing a main thesis about modern Chinese art. For the main thesis, the author argues that the development of Chinese art in the twentiet
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Vukasinovic, Milan. "A cracked mirror? - forming the ideal ruler in Epirus and Nicaea in the first half of the 13th century." Zbornik radova Vizantoloskog instituta, no. 52 (2015): 313–29. http://dx.doi.org/10.2298/zrvi1552313v.

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During the first half of the 13th century both Byzantine Empire and the image of its ideal ruler had to undergo a transformation. By applying mostly the narratological analysis to the parenetic texts written in the two successor states of the Empire, the paper sheds light on the dynamic ?negotiations? within the Roman elites of the place that the Emperor should have inside the symbolic order, and suggests a possible model of approach to other Byzantine texts and periods.
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Muhammad, Mastura, Norlela Ismail, Nur Nafishah Azmi, and Azri Abu Hassan. "Reimagining the Intersection of Minangkabau Custom and Islam in Film Tenggelamnya Kapal Van Der Wijck (2013)." International Journal of Art and Design 8, no. 1/SI-1 (2024): 117–33. http://dx.doi.org/10.24191/ijad.v8i1/si-1.2533.

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This paper examines the representation of the Malay muslim world in the Indonesian film Tenggelamnya Kapal van Der Wijck (2013) by using cinematic analysis and a narratological approach. The film intricately explores the interrelationships between Malay culture, focuses on Minangkabau customs and religion while highlighting the significant impacts of strict adherence to these customs within the Malay traditional settings on the love stories of the central characters, Zainuddin and Hayati. In this scholarly exposition, contention revolves around the assertion that the convergence of Malay tradi
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Veshchykova, Olena. "The asymmetry of memory and memories in fiction: narratological aspect." Synopsis: Text Context Media 28, no. 2 (2022): 46–53. http://dx.doi.org/10.28925/2311-259x.2022.2.1.

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The relevance of the article lies in the theoretical generalization of philosophical, aesthetic, and narratological approaches to the explication of the phenomenon of a narrator’s and a character’s individual memory, namely the interaction of memorization, forgetting, and memories as necessary components of an entire cognitive process. The subject of the research is the asymmetry of memory and memories in the homodiegetic narrative. The methodology of analysis is based on the works of A. Assman, Aristotle, M. Bal, Ya. Bystrov, A. Erll, B. Neumann, A. Nünning, W. Randall, and other scholars, po
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Tyupa, V. I. "An experiment in narratological reading. The Bishop [Arkhierey] by Chekhov." Voprosy literatury, no. 2 (June 17, 2021): 92–115. http://dx.doi.org/10.31425/0042-8795-2021-2-92-115.

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The article showcases the distinctive characteristics and analytical powers of the narratological approach to examination of a literary text as a system of episodes comprising a unique subject of the artistic whole. The author specifies the typological concept of the narrative picture of the world as the basis for accurate understanding of epic literature. An analytical description of the system of episodes in the short story The Bishop [Arkhierey] reveals the consistency of Chekhov's masterpiece with the precedential (in this case, evangelical) picture of the world. The story's narrative cont
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Christenson, David. "The Art of Communicative Grammar." Mnemosyne 77, no. 1 (2024): 145–56. http://dx.doi.org/10.1163/1568525x-bja10274.

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Abstract This review article of the Oxford Latin Syntax (Vols. I-II, 2015 and 2021) demonstrates how the communicative approach of Harm Pinkster’s monumental grammar complements recent revivals of oral, aural, and active Latin pedagogical methods. I conclude with examples of how Pinkster’s analysis of discourse may be applied to select passages (from Plautus’ Rudens, as a productive means of explicating dramaturgical and narratological matters there) in order to illustrate the OLS’s manifold potential for exploring discursive strategies of Latin texts generally.
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