Academic literature on the topic 'Narratologie'

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Journal articles on the topic "Narratologie"

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Grabienski, O. "Elemente der Narratologie (Narratologia, No. 8)." Poetics Today 27, no. 4 (December 1, 2006): 730–31. http://dx.doi.org/10.1215/03335372-2006-012.

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Afrin, A. K. "Latent Objectives: A Study on Narratology in the Tamil Film Captain Miller." Shanlax International Journal of Arts, Science and Humanities 11, S5 (March 1, 2024): 56–58. http://dx.doi.org/10.34293/sijash.v11is5.7654.

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Narratology is the study of narrative frame work, a theoretical foundation for discovering and sharing tales through various media. Tzvetan Todorov, a Bulgarian narratologist, introduced the term ‘narratologie’ from French. Tamil cinema plays a significant role in shaping Tamil society’s life and culture, but few films have addressed and eliminated casteism. Captain Miller, a 2024 Indian Tamil action, adventure film, is a 2024 film directed by Arun Matheswaran, set in the 1930s during the British Raj. The film incorporates Todorov’s narrative theory of equilibrium. The film also incorporates Ambedkarism, a philosophy followed by Dr. Ambedkar, focusing on fraternity, democracy, communal electorates, and conversion out of Hinduism. The hero, Captain Miller, prefers the name given by the British, reflecting the role of colonial influence in their lives.
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King, Martina. "Historische Narratologie." KulturPoetik 19, no. 2 (September 24, 2019): 319–40. http://dx.doi.org/10.13109/kult.2019.19.2.319.

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Vancea, Georgeta. "Narratologie als Leseschule." Studia Neophilologica 69, no. 1 (January 1997): 69–77. http://dx.doi.org/10.1080/00393279708588198.

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Lavergne, Gérard. "Petit précis de narratologie." Cahiers de Narratologie, no. 7 (January 1, 1996): 23–33. http://dx.doi.org/10.4000/narratologie.11769.

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Baroni, Raphaël. "Pour une narratologie transmédiale." Poétique 182, no. 2 (2017): 155. http://dx.doi.org/10.3917/poeti.182.0155.

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de Jong, Irene J. F. "Narratologie en de klassieken." Lampas 50, no. 3 (January 1, 2017): 256–70. http://dx.doi.org/10.5117/lam2017.3.006.jong.

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Baetens, Jan. "Nouvelle narratologie, nouveau récit." Questions de communication, no. 31 (September 1, 2017): 231–43. http://dx.doi.org/10.4000/questionsdecommunication.11126.

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Paschke, Boris. "Narratologie und biblische Exegese." Biblische Zeitschrift 56, no. 1 (November 24, 2012): 138–40. http://dx.doi.org/10.1163/25890468-056-01-90000020.

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Marti, Marc. "De la narratologie littéraire à la narratologie générale : l’empire et ses limes." Questions de communication, no. 31 (September 1, 2017): 199–214. http://dx.doi.org/10.4000/questionsdecommunication.11111.

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Dissertations / Theses on the topic "Narratologie"

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Dennerlein, Katrin. "Narratologie des Raumes." Berlin : de Gruyter, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3360217&prov=M&dok_var=1&dok_ext=htm.

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Kosmack, Arnd. "Narratologie der Theatralität." Bristol Berlin Tenea, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2882367&prov=M&dok_var=1&dok_ext=htm.

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Kosmack, Arnd. "Narratologie der Theatralität." Bristol [u.a.] Tenea, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2882367&prov=M&dokv̲ar=1&doke̲xt=htm.

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Dennerlein, Katrin. "Narratologie des Raumes." Berlin New York, NY de Gruyter, 2008. http://d-nb.info/997086963/04.

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Dallaire, Julie. "Pour une narratologie relative : la narratologie à l'épreuve de la science-fiction /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2004. http://theses.uqac.ca.

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Muny, Eike. "Erzählperspektive im Drama ein Beitrag zur transgenerischen Narratologie." München Iudicium, 2007. http://d-nb.info/988037351/04.

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Muny, Eike. "Erzählperspektive im Drama : ein Beitrag zur transgenerischen Narratologie /." München : Iudicium, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3084200&prov=M&dokv̲ar=1&doke̲xt=htm.

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Huwiler, Elke. "Erzähl-Ströme im Hörspiel zur Narratologie der elektroakustischen Kunst." Paderborn Mentis, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2693864&prov=M&dok_var=1&dok_ext=htm.

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Di, Crosta Marida. "L' interface-film : vers une narratologie du film actable." Paris 13, 2007. http://www.theses.fr/2007PA131019.

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Le film actable incarne de manière emblématique la complexité de la relation entre cinéma et interactivité. L’informatisation des dispositifs fictionnels narratifs reconfigure les rapports entre l’univers de la narration et le contexte réel extradiégétique. Par le truchement du programme informatique, ces nouvelles formes de production narrative permettent la permutation intermittente et conditionnée des instances narrateur-narrataire. Fictionnel mais non immersif, diégétique plutôt que mimétiques, le film actable ouvre la voie à une coopération narrative originale, instrumentalisée et médiatisée, où la logique structurant l’action se déplace et devient métanarrative. Le travail d’analyse contextuelle actante « colle » aux objets de l’étude et parvient par la répétition méthodique d’usage à rendre compte des pratiques signifiantes dans la dynamique de la réception interactive. En appliquant certaines catégories analytiques de la narratologie à ces dispositifs hybrides, notre recherche montre que l’interactivité permet non seulement de séparer, mais aussi de réunir, sur de nouvelles bases, des modes communicationnels et représentationnels spécifiques à chaque média. La portée communicationnelle, cognitive et esthétique du film actable se situe au niveau de la visée narrative de son écriture audiovisuelle, dans l’architecture scénaristique de son interface. Parce que le système-interface décompose, modélise mais aussi synthétise des opérations factuelles et cognitives des deux côtés de l’écran, il produit l’effet de les « narrativiser ». Espace de production des actes narratifs et de leur interprétation, niveau de l’échange communicationnel entre des matériaux expressifs pluricodiques et le spectateur, l’interface est le film
Interactive film embodies the complex link between cinema and digital media. The computerization of narrative fictional devices reconfigures the relationships between the diegetic world and the extradiegetic level. By means of the computer software, these new forms of narrative works allow periodic and controlled shifts between narrator and narratee. Fictional but not immersive, diegetic rather than mimetic, the interactive film opens the way to a computerized narrative cooperation. Thus the logic structuring action moves upwards and becomes metanarrative
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Abou, Zahra May. "De la narratologie à l'analyse du discours, analyse macro- et micro-contextuelle." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ57452.pdf.

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Books on the topic "Narratologie"

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Walter, Grünzweig, and Solbach Andreas 1954-, eds. Grenzüberschreitungen: Narratologie im Kontext = Transcending boundaries : narratology in context. Tübingen: G. Narr, 1999.

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von Contzen, Eva, and Stefan Tilg, eds. Handbuch Historische Narratologie. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04714-4.

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Haferland, Harald, Matthias Meyer, Carmen Stange, and Markus Greulich, eds. Historische Narratologie – Mediävistische Perspektiven. Berlin, New York: De Gruyter, 2010. http://dx.doi.org/10.1515/9783110226263.

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Congress, International Comparative Literature Association. Fiction, narratologie, texte, genre. New York: P. Lang, 1989.

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Gansel, Carsten, and Hermann Korte. Kinder- und Jugendliteratur und Narratologie. Götttingen: V&R Unipress, 2009.

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Vauth, Michael. Eine digitale Narratologie der Binnenerzählung. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67036-1.

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Textes réunis par Yves Baudelle. ONOMASTIQUE ROMANESQUE - Narratologie n° 9. Paris: Editions L'Harmattan, 2008.

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N, Ponce, ed. Dictionnaire de l'espagnol littéraire: Narratologie, poétique, rhétorique. Nantes: Éditions du Temps, 2007.

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Ze, Barnabé Mbala. La narratologie revisitée: Entre antée et protée. Yaoundé: Presses universitaires de Yaoundé, 2001.

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collab, Bouveresse Jacques, Arabyan Marc collab, Joly André éd, and Mattia Monique de éd, eds. De la syntaxe à la narratologie énonciative. Gap: Editions Ophrys, 2001.

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Book chapters on the topic "Narratologie"

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Blödorn, Andreas. "Narratologie." In Handbuch Kriminalliteratur, 14–23. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05430-2_2.

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Kuhn, Markus. "Narratologie." In Handbuch Filmanalyse, 233–51. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-13339-9_21.

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Kuhn, Markus. "Narratologie." In Handbuch Filmanalyse, 1–19. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-13352-8_21-1.

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Kindt, Tom. "Narratologie." In Thomas Mann-Handbuch, 735–39. Berlin, Heidelberg: Springer Berlin Heidelberg, 2025. https://doi.org/10.1007/978-3-662-69437-4_151.

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Pieper, Vincenz. "Narratologie und Interpretation." In Kleist-Jahrbuch 2014, 172–87. Stuttgart: J.B. Metzler, 2014. http://dx.doi.org/10.1007/978-3-476-01374-3_14.

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Scheffel, Michael. "36 Erzähltheorie/Narratologie." In Effi Briest-Handbuch, 225–32. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04874-5_36.

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Becker, Annika. "2.1 Performativitätstheoretische Narratologie." In Täuschungsspiele, 33–53. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839464137-006.

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Breiner, Tobias C. "Narratologie in Computerspielen." In Psychologie des Geschichtenerzählens, 77–87. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-57862-9_5.

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Schmitz, Thomas A. "1 Theorien und Praktiken – Antike / Theories and Practices – Antiquity." In Handbuch Historische Narratologie, 3–10. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04714-4_1.

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De Temmerman, Koen. "10 Figur – Antike / Character – Antiquity." In Handbuch Historische Narratologie, 105–15. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04714-4_10.

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Conference papers on the topic "Narratologie"

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Ogata, Takashi, Shohei Imabuchi, and Taisuke Akimoto. "Narratology and narrative generation." In AH '14: 5th Augmented Human International Conference. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2582051.2582077.

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Arjoranta, Jonne, and Veli-Matti Karhulahti. "Ludology, Narratology and Philosophical Hermeneutics." In Proceedings of Nordic DiGRA 2014 Conference. Digitial Games Research Association DiGRA, 2014. https://doi.org/10.26503/dl.v2014i2.703.

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Savov, Smilen. "DANCE NARRATOLOGY (SIGHT, SOUND, MOTION AND EMOTION)." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-139.

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"The Significance of Narratology in Teaching of Literary Works." In 2018 3rd International Social Sciences and Education Conference. Francis Academic Press, 2018. http://dx.doi.org/10.25236/issec.2018.060.

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Nie, Xiaomei, Shunru Li, Chun Yuan, Qifang Cao, Mingchun Wang, Wenlong Liu, and Maomao Li. "Narratology-Based Interaction Design of 3D Reconstructed Cultural Relics." In 2019 IEEE Fourth International Conference on Data Science in Cyberspace (DSC). IEEE, 2019. http://dx.doi.org/10.1109/dsc.2019.00092.

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Trisno, Rudy, Andreas Wibisono, Fermanto Lianto, and Vallen Sularko. "Translation of Narratology Model in Literature into Narrative Museum Architecture." In The 2nd Tarumanagara International Conference on the Applications of Social Sciences and Humanities (TICASH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201209.181.

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Sun, Yuqing, and Zhao Shuo. ""Subversion and Reconstruction: A Feminist Narratology Approach to The Golden Notebook"." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.22.

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You, Yuan Chun. "Integrative Narratology and Its Application in AI-based Virtual Education System." In 2023 7th International Conference on E-Society, E-Education and E-Technology (ESET). IEEE, 2023. http://dx.doi.org/10.1109/eset60968.2023.00009.

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Xia, Jinjun, Yi Liu, and Yingjie Wang. "Research on the application of Narratology in the design of Interactive Exhibition space." In 2020 International Conference on Innovation Design and Digital Technology (ICIDDT). IEEE, 2020. http://dx.doi.org/10.1109/iciddt52279.2020.00019.

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Gabura, Carolina. "Dislocation the lyrical narrative regime in Max Blecher’s prose." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a, 354–60. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.39.

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Less studied in terms of narratology, M. Blecher’s work opens generous perspectives in the exploration of the lyrical narrative regime, despite the typological labelling of belonging to different literary orientations that would exclude the presence of this kind of exposition. In this article, the specifics of the dislocations of the lyrical narrative regime will be examined, following the poetics of the narrative perspective and the imaginary, the discourse situations created by the narrator, his alterities, the formal organization of the discourse. It will also be observed how the transgression of the real, the explosion of the image, the escape into unreality, transposed in this regime, attribute hallucinatory authenticity to the drama of the identity of the self.
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