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1

Bal, Mieke. Femmes imaginaires: L'Ancien Testament au risque d'une narratologie critique. LaSalle, Québec: Hurturbise HMH, 1985.

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2

Dean, Kingsbury Jack, ed. Gospel interpretation: Narrative-critical & social-scientific approaches. Harrisburg, Pa: Trinity Press International, 1997.

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3

Valette, Bernard. Le Roman: Initiation aux méthodes et aux techniques modernes d'analyse littéraire. Paris: Nathan, 1992.

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4

Nasr, Saoussan El-Najjar. Édition critique et analyse narratologique du recueil de contes arabes al-Tâ'ir al-Nâtiq d'après les manuscrits de la bibliothèque de Berlin (XVIIème siècle): Vol. 1. Lille: A.N.R.T, Université de Lille III, 1999.

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5

Femmes imaginaires: L'Ancien Testament au risque d'une narratologie critique. Utrecht: HES, 1986.

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6

Historische Narratologie der Figur: Studien Zu Den Drei Artusromanen des Pleier. de Gruyter GmbH, Walter, 2020.

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7

Zudrell, Lena. Historische Narratologie der Figur: Studien Zu Den Drei Artusromanen des Pleier. de Gruyter GmbH, Walter, 2020.

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8

Zudrell, Lena. Historische Narratologie der Figur: Studien Zu Den Drei Artusromanen des Pleier. de Gruyter GmbH, Walter, 2020.

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9

A time to tell: Narrative strategies in Ecclesiastes. Sheffield, England: Sheffield Academic Press, 1998.

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10

Institution and narrative: Collected essays. Rome: Biblical Institute Press, 1985.

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11

Stibbe, Mark W. G. John As Storyteller: Narrative Criticism and the Fourth Gospel. Cambridge University Press, 2012.

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12

Stibbe, Mark W. G. John as Storyteller: Narrative Criticism and the Fourth Gospel. Cambridge University Press, 2011.

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13

Subversive Symmetry: Exploring the Fantastic in Mark 6:45-56 (Biblical Interpretation Series). Brill Academic Publishers, 1999.

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14

Fludernik, Monika. Towards a 'Natural' Narratology. Taylor & Francis Group, 2010.

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15

Towards a 'natural' narratology. London: Routledge, 1996.

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16

Topic, Focus and Foreground in Ancient Hebrew Narratives. Bloomsbury Publishing Plc, 1999.

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17

Topic, Focus and Foreground in Ancient Hebrew Narratives. Bloomsbury Publishing Plc, 2010.

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18

Topic, focus and foreground in ancient Hebrew narratives. Sheffield, Eng: Sheffield Academic Press, 1999.

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19

Narratology and text: Subjectivity and identity in New France and Québécois literature. Toronto: University of Toronto Press, 2003.

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20

Rolls, Alistair. Agatha Christie and New Directions in Reading Detective Fiction: Narratology and Detective Criticism. Taylor & Francis Group, 2022.

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21

Rolls, Alistair. Agatha Christie and New Directions in Reading Detective Fiction: Narratology and Detective Criticism. Taylor & Francis Group, 2022.

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22

Rolls, Alistair. Agatha Christie and New Directions in Reading Detective Fiction: Narratology and Detective Criticism. Routledge, 2022.

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23

Agatha Christie and New Directions in Reading Detective Fiction: Narratology and Detective Criticism. Taylor & Francis Group, 2022.

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24

Smeets, Roel. Character Constellations. Leuven University Press, 2021. http://dx.doi.org/10.11116/9789461664129.

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Fiction has a major social impact, not least because it co-shapes the image that society has of various social groups. Drawing on a collection of 170 contemporary Dutch-language novels, Character Constellations presents a range of data-driven, statistical models to study depictions of characters in terms of gender, race, ethnicity, class, age, sexuality, and other identity categories. Incorporating the tools of network analysis, each chapter highlights an aspect of fictional social networks that affects the representation of social groups: their centrality, their communities, and their conflicts. While reading individual novels in light of emerging statistical patterns, combining the formal methods of social network analysis with the interpretive tools of narratology, this study shows how central societal themes such as (in)equality and emancipation, integration and segregation, and social mobility and class struggle are foregrounded, replicated, or distorted in the Dutch novel. Showcasing what character-based critiques of literary representation gain by integrating data-driven methods into the practice of critical close reading, Character Constellations contributes to societal debates on cultural representation and identity and the role fiction and art have in those debates.
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25

Smeets, Roel. Character Constellations. Leuven University Press, 2021. http://dx.doi.org/10.11116/9789461664136.

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Fiction has a major social impact, not least because it co-shapes the image that society has of various social groups. Drawing on a collection of 170 contemporary Dutch-language novels, Character Constellations presents a range of data-driven, statistical models to study depictions of characters in terms of gender, race, ethnicity, class, age, sexuality, and other identity categories. Incorporating the tools of network analysis, each chapter highlights an aspect of fictional social networks that affects the representation of social groups: their centrality, their communities, and their conflicts. While reading individual novels in light of emerging statistical patterns, combining the formal methods of social network analysis with the interpretive tools of narratology, this study shows how central societal themes such as (in)equality and emancipation, integration and segregation, and social mobility and class struggle are foregrounded, replicated, or distorted in the Dutch novel. Showcasing what character-based critiques of literary representation gain by integrating data-driven methods into the practice of critical close reading, Character Constellations contributes to societal debates on cultural representation and identity and the role fiction and art have in those debates.
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