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Journal articles on the topic 'Narratologie critique'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Davies, G. I., and M. Bal. "Femmes imaginaires. L'Ancien Testament au risque d'une narratologie critique." Vetus Testamentum 38, no. 3 (1988): 380. http://dx.doi.org/10.2307/1518090.

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2

McH., B., and Mieke Bal. "Femmes imaginaires: L'ancien testament au risque d'une narratologie critique." Poetics Today 7, no. 3 (1986): 592. http://dx.doi.org/10.2307/1772522.

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3

Froger, Marion. "Deleuze et la question de la narration." Cinémas 10, no. 1 (2007): 131–55. http://dx.doi.org/10.7202/024807ar.

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RÉSUMÉ L'objet de cet article est une mise au point sur les principaux concepts que Deleuze utilise pour explorer le champ ordinairement investi par la narratologie filmique. On entend ici dresser la carte d'un parcours singulier où Gilles Deleuze commence par se débarrasser du bagage linguistique légué par Metz et la critique littéraire, pour revenir aux sources du récit filmique, à ces sortes de mouvements qui le font naître et qui lui déploient un monde où, incidemment, il lui arrive de se suspendre, de se détourner, de se perdre. Il sera question de la différence entre « histoire » et « de

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4

Wagner, Frank. "Quand le narrateur boit(e)… (Réflexions sur le narrateur non fiable et/ou indigne de confiance)." Arborescences, no. 6 (September 23, 2016): 148–75. http://dx.doi.org/10.7202/1037508ar.

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Cet article consiste en une tentative de mise au point sur la question du narrateur non fiable et/ou indigne de confiance – « procédé » textuel susceptible de nous aider à formaliser indirectement la problématique de lapolyphoniedu texte littéraire. Y est tout d’abord esquissée une forme d’état des lieux métathéorique des thèses des tenants de l’approche « rhétorique » (Booth), de la narratologie structurale (Lintvelt, Jouve) et du cognitivisme (Fludernik, Nünning), dans l’espoir de clarifier lescritèresnécessaires à l’établissement du défaut de fiabilité de l’instance narrative. Sont ensuite

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Oluwafemi, Oyetunde, Julius. "Stratégies Narratives Et Stylistiques De La Violence Chez Dongala Emmanuel À Travers Johnny Chien Méchant." Tasambo Journal of Language, Literature, and Culture 3, no. 02 (2024): 261–72. http://dx.doi.org/10.36349/tjllc.2024.v03i02.034.

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Cet article analyse les stratégies narratives et stylistiques de la violence dans Johnny Chien Méchant de Dongala Emmanuel. La problématique principale est de comprendre comment l’auteur utilise ces stratégies pour représenter et dénoncer la violence. L'objectif de cette étude est de déceler et d'analyser les techniques narratives et stylistiques spécifiques employées par Dongala pour rendre compte de la violence dans son œuvre. En s’appuyant sur la narratologie de Gérard Genette, cette recherche examine la structure narrative ainsi que les choix linguistiques et esthétiques. Les résultats mon

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Daviau, Pierrette T. "Comptes rendus / Reviews of books: Femmes Imaginaires. L'Ancien Testament au risque d'une narratologie critique Mieke Bal Coll. «Brèches» Montréal, Editions Hurtubise, HMH, 1985. 281 p." Studies in Religion/Sciences Religieuses 16, no. 1 (1987): 119–20. http://dx.doi.org/10.1177/000842988701600110.

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7

Dayre, Eric. "Spécificité de la poésie chez Coleridge : poema, persona, biographia." Poema: Jahrbuch für Lyrikforschung / Annual for the Study of Lyric Poetry / La recherche annuelle en poésie lyrique, no. 3 (July 11, 2025): 61–77. https://doi.org/10.38072/2751-9821/p20.

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L'étude examine la formule célèbre de la « suspension volontaire momentanée de l’incrédulité », mal interprétée par la narratologie. Contrairement à l’idée commune, cette notion concerne la poésie, non la fiction. Coleridge oppose la « disposition poétique » à la fiction en prose, en insistant sur la spécificité poétique unique ; non pas la célébration de la nature, non pas la célébration de la foi. La poésie chez Coleridge représente une interruption volontaire créatrice, une ontothéologie du lyrisme visant une fidélité à soi-même et une exploration métaphysique. La poésie ne vise pas la vrai

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8

Tia, Daniel. "Analepse, Prolepse Et Pouvoir Narratif Dans Puissions-Nous Vivre Longtemps D’imbolo Mbue." East African Journal of Traditions, Culture and Religion 8, no. 1 (2025): 45–56. https://doi.org/10.37284/eajtcr.8.1.2856.

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Dans le paysage littéraire contemporain, Imbolo Mbue se distingue par sa capacité à tisser des récits qui résonnent avec les luttes pour la justice et l’autodétermination. Puissions-nous vivre longtemps (2022) son deuxième roman, ne fait pas exception. Cette œuvre explore la résilience d’une communauté, Kosawa, face à l’oppression d’une multinationale pétrolière. Au cœur de cette lutte, la temporalité narrative devient un instrument de pouvoir. Thula, une jeune femme de Kosawa, utilise l’analepse et la prolepse pour reconstruire le passé, contester le présent et imaginer un avenir où sa commun

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Sandberg, Tommy. "The critique of the common theory of narrative fiction in narratology: Pursuing difference." Frontiers of Narrative Studies 5, no. 1 (2019): 17–34. http://dx.doi.org/10.1515/fns-2019-0003.

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AbstractThis article aims to characterize a commonly misunderstood and neglected critique of narratology and insists that the critique could advance the narratological discussions if taken more seriously. I describe the notions of three individual critics and one group of critics and their suggested alternatives to what they hold to be the dominating description of narrative fiction in narratology. In turn, I take up Sylvie Patron’s linguistic approach, Lars-Åke Skalin’s aesthetic approach, and Richard Walsh’s pragmatic approach, as well as unnatural narratology (which is less radical), and su

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Michon, Jacques, and Micheline Goulet. "Le roman d’apprentissage du critique littéraire." Dossier 20, no. 3 (2006): 530–41. http://dx.doi.org/10.7202/201187ar.

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Résumé En 1963, André Brochu occupe un poste de critique littéraire à la revue Parti pris. // a un double mandat: renouveler la lecture des textes et formuler l'identité de la littérature québécoise. ("La littérature québécoise commençait avec nous", écrira-t-il plus tard.) Le parcours sera ponctué de remises en question et de changements de cap. Au terme de la traversée des méthodes (thématique, sémiotique, rhétorique, narratologique), toujours mises au service du dévoilement du sens des oeuvres, l'écrivain lèvera l'autolimitation du discours critique pour "écrire enfin à son tour".

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11

Walker, Muriel. "Pour une lecture narratologique d’Histoire d’O." Analyses 33, no. 1 (2005): 149–68. http://dx.doi.org/10.7202/501283ar.

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Il existe diverses lectures d'Histoire d'Ode Pauline Réage, alias Dominique Aury, dont peu sont vraiment sensibles au chef-d'œuvre littéraire que ce texte difficile constitue. La critique féministe, en particulier, s'est violemment attaquée à ce roman « scandaleux » dont la thématique de surface, mettant en scène une jeune femme qui s'enchaîne, volontairement rappelons-le, à de hommes qui font d'elle une esclave sexuelle, a effectivement de quoi alimenter les suspicions les plus légitimes quant à sa misogynie. Cependant je propose de lire ce texte avec une rigueur certes déjà amorcée par ce

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12

Säntti, Joonas. "Queering a Trans Life Story: The Unnatural Potential of Weak Narrativity in succubus in my pocket." Narrative 32, no. 2 (2024): 138–53. http://dx.doi.org/10.1353/nar.2024.a926172.

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ABSTRACT: Discussing similarities between antimimetic and queer/trans narratives, as well as interlacing subjects of interest in the respective fields of unnatural and queer/trans narratology, this article suggests the importance of experimental texts for theorizing trans narratives. It presents its arguments by focusing on one case study, a mixed genre manuscript written in 2004 and published in 2015, succubus in my pocket by the late trans poet kari edwards (1954–2006). My approach mines queer narratology (Susan Lanser), trans poetics (Trace Peterson), unnatural narratology (Brian Richardson

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13

de Cock de Rameyen, Jade. "Narrative Difference: Jacques Rancière, Gilles Deleuze and Uncle Boonmee Who Can Recall His Past Lives." Film-Philosophy 25, no. 2 (2021): 165–86. http://dx.doi.org/10.3366/film.2021.0167.

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How should critics approach narrative temporality in times of ecological disorder? Literary critics have attempted to bridge eco-criticism with narrative theory, shifting attention from narrative content to narrative form. Econarratology studies how narrative shapes our understanding of the environment. Yet, eco-critical interrogations of narrative form are lacking. Grounded in a homogeneous conception of time, narratology often relays a dichotomy between narrativity and “dysnarrativity”. This dichotomy fails to translate the variety of temporal processes in film. I shall highlight the problem

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14

Wang, Rui. "The Construction and Deconstruction of the Other--On Unreliable Narratives in Othello." Journal of Education, Humanities and Social Sciences 21 (November 15, 2023): 109–16. http://dx.doi.org/10.54097/ehss.v21i.13044.

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Starting from the relationship between East and West, based on the theory of "Other" and the theory of unreliable narrative of narratology, this paper compares the texts of the story and the play and analyses Shakespeare's reconstruction of Othello's image and the three axes of unreliable narratives in the play. It comes to the conclusion that there is an interactive relationship between the construction of the "Other" and unreliable narratives and that the latter not only contribute to the construction of the "Other" but also deconstruct the "Other". The significance of this paper lies in the

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15

Perko, Gregor. "Les je gigognes du roman célinien." Linguistica 48, no. 1 (2008): 73–82. http://dx.doi.org/10.4312/linguistica.48.1.73-82.

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Le présent article se penchera sur des aspects narratologiques des trois derniers romans de l’écrivain français Louis-Ferdinand Céline (1894–1961), d’un château l’autre (1957), nord (1960) et rigodon (publication posthume en 1964). Les romans, que la tradition critique solidement établie réunit en trilogie allemande,1 présentent l’aboutissement des recherches poétiques de l’écrivain tant au niveau du style qu’au niveau des techniques narratives. L’analyse qui s’appuiera pour l’essentiel sur le modèle narratologique de Gérard Genette (Genette 1972, 1983) se centrera sur différentes valeurs du j

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16

Thériault, Patrick. "« Le narrateur se lève » : narration indécidable et fondation illégitime dans Les particules élémentaires de Michel Houellebecq." Tangence, no. 105 (May 14, 2015): 15–30. http://dx.doi.org/10.7202/1030444ar.

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Le lecteur des Particules élémentaires ne peut qu’être déconcerté par l’apparition, vers la fin du roman et dans le cadre même de la représentation, d’un personnage identifié (au) « narrateur » : « Le narrateur se lève ». En faisant « se lever » ce narrateur-personnage, le texte de Michel Houellebecq soulève une question d’ordre référentiel qu’on ne peut, en toute rigueur, ignorer : qui (quelle instance, quelle voix, quelle figure), en venant comme le dédoubler, s’énonce ainsi à la place du narrateur-personnage ? Le roman n’offre aucune réponse certaine à cette question ; il engramme en cela u

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17

Skalin, Lars-Åke. "The art of narrative – narrative as art: Sameness or difference?" Frontiers of Narrative Studies 5, no. 1 (2019): 35–56. http://dx.doi.org/10.1515/fns-2019-0004.

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AbstractThis paper is a critique of narratology’s generality thesis and especially focused on a corollary of that thesis, the “sameness premise”. It says that all objects designated by the noun “narrative”, whether actual, possible, or fictional, are defined by some basic intrinsic properties. This goes for ordinary informative telling of events as well as for literary art, such as novels and short stories. The latter assumption is rejected by me and theorists taking up a “difference premise” instead. Literary art should not be included within a general category of narrative. It would be more

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18

Bradway, Teagan. "Introduction." differences 35, no. 3 (2024): 1–13. https://doi.org/10.1215/10407391-11525244.

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This essay provides an introduction to the special issue of differences titled Unaccountably Queer, which commemorates the twentieth anniversary of Judith Butler’s contribution to moral philosophy, Giving an Account of Oneself (2005). Through Butler’s work, the introduction theorizes queer metarelationality as a vernacular ethical practice that is vital to queer life. Reframing queer theory’s debates over the antisocial thesis, the essay argues that Giving an Account of Oneself offers valuable insight for contemporary debates over critique and postcritique, queer and trans kinship, and the rel

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19

Chattopadhyay, Arka. "Politics of Transtextual Influence." Samuel Beckett Today / Aujourd'hui 37, no. 1 (2025): 155–72. https://doi.org/10.1163/18757405-03701005.

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Abstract This article focuses on Angela Moorjani’s book Beckett and Buddhism (2021) to advance a transtextual framework for understanding Beckett’s Buddhist and non-European influences. Though ‘transtext’ is mentioned by Moorjani, it is not elaborately theorized by her. I theorize this idea from Gérard Genette’s narratology to account for the mediated, multi-layered influences Moorjani reads in her book. I posit the transtextual operation as an outside-in movement where the context pushes the text from its surroundings and build on the political aspect of this transtextual influence by importi

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20

Tchokothe, Rémi Armand. "Mariama Bâ et Djaïli Amadou Amal : Une si Longue Lettre des (Im)patientes." HYBRIDA, no. 2 (June 28, 2021): 201. http://dx.doi.org/10.7203/hybrida.2.20603.

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Cette contribution « Mariama Bâ et Djaïli Amadou Amal : Une si Longue Lettre des (Im)patientes » relit/relie le classique Une si longue lettre (1980) de la Sénégalaise Mariama Bâ à travers le prisme de l’inter-actualité avec Les Impatientes (2020) de la Camerounaise Djaïli Amadou Amal. Nous mettons l’accent sur les synergies 1. Philosophico-lexicale (des mots du pulaaku sur les maux de la polygamie). 2. D’itinéraire littéraire. 3. Narratologique (voix et voies des (im)patientes) et 4. Stylistique (lettre contée munyalement comme thérapie libératrice et émancipatrice). Nous insistons néanmoins

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Devi, Dr Rachena, and Dr Shubha Vats. "The Palace of Illusions: A Feminist Reimagining of the Mahabharata in Contemporary Literature." South Asian Research Journal of Arts, Language and Literature 7, no. 03 (2025): 75–79. https://doi.org/10.36346/sarjall.2025.v07i03.003.

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Chitra Banerjee Divakaruni’s The Palace of Illusions (2008) reinterprets the Mahabharata from Draupadi’s perspective, challenging the epic’s patriarchal framework and reclaiming female agency. This paper examines how Divakaruni employs feminist narratology and postcolonial discourse to subvert traditional gender roles in mythological literature. Drawing on feminist theory (Showalter, Chakravarti), mythological studies (Doniger, Hiltebeitel), and postcolonial critiques (Spivak, Alexander), the study argues that The Palace of Illusions transforms Draupadi from a silenced victim into a politicall

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ODUOLA, M. Lekan, and O. A. OLAJUYIGBE. "Luminescing Discourse of Poet-Prophetic Nation-Building: Soyinka's and Clark's 'Abiku' Narratology Exemplified." Beyond Babel: BU Journal of Language, Literature and Humanities 9, no. 1 (2025): 109–19. https://doi.org/10.5281/zenodo.15426563.

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Poetry, believed to be an expressive vehicle for certain human experiences – be it political, social, economic, cultural, has been object of global scholarship in recent past. Extant studies have concentrated on the literariness of, predominantly, prosaic and dramatic forms with sparse considerations for worthwhile linguistic criticism of early poetic traditions. This study, therefore, explored Wole Soyinka’s and J. P. Clark’s ‘Abiku’ with a view to examining the technicality of their discursive and linguistic manipulations to convey their intended messages for na

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Irving, Dan. "Presence, Kinesic Description, and Literary Reading." CounterText 2, no. 3 (2016): 322–37. http://dx.doi.org/10.3366/count.2016.0063.

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In light of the oft-cited critique of a ‘mimetic bias’ in narrative theory, and especially in cognitive narratology, I propose that insights from embodied (or ‘second-generation’) cognitive science, particularly those dealing with kinesic and proprioceptive intelligence – that is, experience-derived knowledge of how movement and body position affect perception – can help shed light on a range of ‘weak’ narratives ( McHale 2001 ). Taking as a case study two short pieces by the contemporary American author Lydia Davis, I extend arguments made by Abbott (2013) and Pettersson (2012) regarding herm

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van der Kolk, Jacob A. "The Seduction of Narrative Desire: An Unnatural Reading of Hermann Broch's." Storyworlds: A Journal of Narrative Studies 12, no. 1-2 (2020): 149–73. http://dx.doi.org/10.1353/stw.2020.a902754.

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Abstract: Unnatural narratology enhances reader-response theory. In particular, Henrik Skov Nielsen's interpretive praxis can account for texts that resist normal methods of reception, even when they do not adhere to the narratological definition of unnatural. To demonstrate this flexibility, this article adapts Nielsen's praxis to Hermann Broch's Der Tod des Vergil ( The Death of Virgil , 1945), an enigmatic text that puts notions of conventional reception to the test. At first glance, the work flirts with readers' narrative desire, the compulsion for a mimetic, plot-driven interpretation. Ne

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Lo, Noble Po Kan. "From Structuralism to Interpretation: Revisiting the Prague School’s Theoretical Legacy." Forum for Linguistic Studies 6, no. 6 (2024): 1029–42. https://doi.org/10.30564/fls.v6i6.7477.

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The Prague School, established in 1926, stands as a critical intellectual development in the study of language and literature, offering a systematic framework for analyzing the structural and functional aspects of communication. Guided by the intellectual rigour of figures such as Vilém Mathesius, Roman Jakobson, Jan Mukařovský, and René Wellek, the School introduced foundational methodologies that advanced structural linguistics through the study of phonemes, markedness theory, and the functional sentence perspective. In the realm of literary theory and poetics, the School emphasised principl

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Ejaz, Muhammad Ansar, and Ayesha Asghar Gill. "Cracking The Code of If: The Language of Strength and Wisdom." Research Journal for Social Affairs 3, no. 2 (2025): 367–73. https://doi.org/10.71317/rjsa.003.02.0159.

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This study delves into Rudyard Kipling’s lyrical poem If— (1910), focusing on its linguistic craftsmanship and how its form and figurative language encapsulate moral philosophy. By employing an interdisciplinary methodology that combines stylistics (Leech & Short, 2007), narratology (Genette, 1980), and postcolonial critique (Said, 1994; Ahmed, 2020), the research investigates how Kipling’s structural precision and rhetorical choices transform abstract virtues into concrete ideals. The analysis examines linguistic elements—such as anaphora, iambic pentameter, and paradox—as well as figurat

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Dr, Arpana Jha. "The Language of Assumptions and Perceptions: A Stylistic Study of Mohsin Hamid's The Reluctant Fundamentalist." Criterion: An International Journal in English 15, no. 1 (2024): 271–78. https://doi.org/10.5281/zenodo.10795660.

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The novel<em> The Reluctant Fundamentalist, </em>by Mohsin Hamid,<em> </em>has marked its presence in the global literary scene because of its severe critique of the neo-imperial superpowers and the rising religious fundamentalism. The novel presents two sides of the world –of a developing country like Pakistan and its people and the developed countries like the US, through the eyes of a Pakistani youth who goes to the US on a scholarship to Princeton and works in a multi-national evaluation firm. His return to Pakistan after the 9/11 terrorist attack on the US makes him ponder over and

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Arseneau, Isabelle. "Un roman dont il n’y a rien à dire." Études françaises 53, no. 2 (2017): 131–51. http://dx.doi.org/10.7202/1040900ar.

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L’examen comparé des manuscrits qui ont conservé le roman de Méraugis de Portlesguez de Raoul de Houdenc (v. 1225-1235) tend à suggérer qu’il y aurait autant de versions de cette oeuvre qu’il y a de copies. Dans le manuscrit de Vienne ÖN 2599 – un livre du second quart du xive siècle qui se distingue fortement de la tradition manuscrite des romans arthuriens en vers par sa facture (un luxe rare) et sa composition (une oeuvre unique) –, les variantes sont à ce point nombreuses que leur collationnement semble témoigner de la volonté de proposer un roman différent de celui conservé dans les recue

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Liao, Yujia. "Herstory and the practice of innovative construction of female media imageThe image of women from passive resistance to active definition." Advances in Social Behavior Research 16, no. 3 (2025): None. https://doi.org/10.54254/2753-7102/2025.23158.

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Within the patriarchal hegemony of media ecosystems, female representations have historically manifested as passive objectifications and monodimensional semiotic constructs under the oppressive regime of the male gaze. While emerging digital platforms ostensibly expand discursive spaces for feminine expression, they paradoxically perpetuate gender stereotypes through algorithmic reinforcement. This phenomenon exemplifies a reversed spiral of silence: algorithmically curated opinion climates engender expressive dominance by privileged demographic cohorts. Director Shao Yihui's Herstory constitu

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Sharma, Khum Prasad. "Construction, Deconstruction, and the Question of Authorship in Magical Realist Narratives." Voice of Teacher 8, no. 1 (2023): 76–88. http://dx.doi.org/10.3126/vot.v8i1.60829.

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Colonial discourse in particular has constructed fixed frames and grids in which to place and separate individuals according to their class, race, gender, culture, nationality and ethnic models of unified and stereotypical representation of otherness and difference which postcolonial writers challenge. Writers from across the globe have adopted and adapted magical realism to fit their own cultures and within their own frame of reference. As a dominant literary mode, it can be considered as a decolonizing agent in a postmodern context. What the narrative mode offers is a way to discuss alternat

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Banazeer Banu, G., and S. Gunasekaran. "Transcending Cultures Through Humor: A Study of Wit and Satire in The Works of Stephen Leacock, Mark Twain, And R.K. Narayan." Journal of Neonatal Surgery 14, no. 7S (2025): 18–25. https://doi.org/10.52783/jns.v14.2354.

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Humor serves as a universal language that transcends cultural and temporal boundaries. This paper explores the wit, satire, and narrative brilliance in the works of Stephen Leacock, Mark Twain, and R.K. Narayan, focusing on their distinctive approaches to humor in storytelling. By examining select works, the study aims to highlight the cultural contexts, linguistic subtleties, and thematic depth that define their humor. The objectives of the research are to identify the techniques employed by these authors to evoke laughter, analyze how humor reflects the socio-political and cultural realities

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عبد الرحيم, هنادي عادل. "Les Déshérités de la Société Égyptienne d’Avant 52 d’Après ( Ceux Qui Souffrent sur Terre ) de Taha Hussein et ( Les Hommes Oubliès de Dieu ) d’Albert Cossery : Ètude Critique , Narratologique et Comparative." الاستواء, no. 1 (February 2013): 207–18. http://dx.doi.org/10.12816/0015352.

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Fitzgerald, Joshua Jacob. "As the Digital <i>Teocalli</i> Burns: Mesoamerica as Gamified Space and the Displacement of Sacred Pixels." Review of International American Studies 16, no. 1 (2023): 259–306. http://dx.doi.org/10.31261/rias.13932.

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Intricately concocted temples—seemingly historically accurate down to the pixel—flash across the gamer’s screen, as the player-conquistador re-creates the downfall of the so-called “Aztec Empire,” circa 1521, a keyboard at hand instead of a cutlass. Playing the Spanish Conquest has never been easier or more exciting for the victor. Today’s recreational sundering of Indigenous-American sacred spaces and cultural monuments repeats disturbing patterns in colonialism and cultural imperialism from the Early Modern past (Carpenter 2021; Ford 2016; Mukherjee 2017). What are the lessons gamers learn b

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Uhlig, Torsten. "Bridging Worlds or Fusing Horizons? : A Review of Three Recent Collections of Essays on the Pentateuch." European Journal of Theology 28, no. 1 (2020): 5–20. http://dx.doi.org/10.5117/ejt2019.1.002.uhli.

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SummaryReviewing three important recently published volumes on Pentateuch criticism, Torsten Uhlig highlights their merits and limits, evaluates their contribution to the interpretation of the Pentateuch and summarises some of the central issues that Pentateuch studies need to address. Among them, he raises the issue of integrating diachronic studies and narrative approaches. Moreover, while previous evangelical contributions to Pentateuch studies often focused on aspects of unity, Uhlig indicates the merits of acknowledging and integrating the diversities in a narratological approach. He conc

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Melançon, Johanne. "Transpoétique. Éloge du nomadisme, and: The Muse Strikes back. Female Narratology in the Novels of Hédi Bouraoui, and: Perspectives critiques. L'œuvre d'Hédi Bouraoui (review)." University of Toronto Quarterly 79, no. 1 (2010): 142–46. http://dx.doi.org/10.1353/utq.2010.0019.

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Limet, Yun Sun. "Entre-temps, Intertextualité et critique." Cahiers de Narratologie, no. 13 (September 1, 2006). http://dx.doi.org/10.4000/narratologie.349.

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Yocaris, Ilias. "L’apport d’une approche événementialiste du style : bilan critique." Cahiers de Narratologie, no. 35 (September 3, 2019). http://dx.doi.org/10.4000/narratologie.9466.

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Bonvalot, Anne-Laure. "Compte rendu : « Événement et roman. Une relation critique »." Cahiers de Narratologie, no. 26 (September 11, 2014). http://dx.doi.org/10.4000/narratologie.6903.

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Tran-Gervat, Yen-Mai. "Pour une définition opérationnelle de la parodie littéraire: parcours critique et enjeux d'un corpus spécifique." Cahiers de Narratologie, no. 13 (September 1, 2006). http://dx.doi.org/10.4000/narratologie.372.

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Masoni, Céline. "Politique des récits médiatiques et esthétique de l’émancipation." Cahiers de Narratologie 45 (2024). http://dx.doi.org/10.4000/124sv.

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Une ambition typologique première nous permet de positionner différents récits numériques en tant que récits médiatiques, dont nous interrogerons les compétences de leurs lecteurs-scripteurs. Notre approche s’inscrit dans un cadre épistémologique et méthodologique pluriel, qui dans une visée politique et esthétique met en tension narratologie et analyse de discours, en vue d’analyser la réflexivité critique des lecteurs-scripteurs de récits médiatiques. Notre visite des théories de la réception déplace la réflexion de la prise en compte d’individualités agissantes ou passives, vers la question

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Bulamur, Ayşe Naz. "Representations of Istanbul in A. S. Byatt's 'The Djinn in the Nightingale's Eye." AnaChronisT 16 (January 1, 2011). http://dx.doi.org/10.53720/azfc7997.

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This paper explores how Istanbul fantasies in A. S. Byatt’s “The Djinn in the Nightingale’s Eye” (1994) function as a critique of British patriarchal constructions of femininity. In Orientalism Postmodernism and Globalism, Bryan Turner argues that “the Orient in Western imagination is often perceived as the fantastic, it is associated with sexual fantasies” (98). Due to the European invention of Istanbul as “Oriental,” Byatt’s fifty-year-old female protagonist, Gillian Perholt, creates her own fairy tale by miraculously releasing a djinn from a Turkish glass vase in late twentieth-century Ista

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Baroni, Raphaël. "Passion et narration1." 34, no. 2-3 (2007): 163–75. http://dx.doi.org/10.7202/014274ar.

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RésuméCet article vise à décrire un aspect de la narrativité qui constitue un impensé de la théorie narratologique « classique » en France durant la période structuraliste. L’accent est mis sur les liens existant entre passion et narration. Il s’agit de mettre en évidence la dimension passive, aussi bien de l’action narrée que de la narration elle-même (dans sa forme dialogique). Le versant cognitif de l’interprétation ne devrait jamais être considéré séparément des questions relatives à la tension narrative, à la curiosité et au suspense, qui représentent les traits passifs de l’actualisation

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"A Theoretical Critique of J.K. Rowling’s Harry Potter Series." International Journal of Recent Technology and Engineering 8, no. 3S (2019): 526–32. http://dx.doi.org/10.35940/ijrte.c1109.1083s19.

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Every once in a while, someone comes along and takes the world by storm. This holds true of a skinny spectacled boy with green eyes and a lightning scar on his forehead who first appeared on June 26, 1997. This boy, Harry Potter, captivated a generation of readers and turned them into believers. The success of J.K. Rowling’s Harry Potter Series is not out of luck. It is not because of marketing or popularity. It has immense literary credit as well. This paper is an attempt to analyse J.K. Rowling’s Harry Potter Series as a literary text. In this paper, the researcher proposes the elucidation o

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Velu, Roopalakshmi, and Dr Rajasekaran V. "“This story must be told:” unveiling environmental and social tapestry in Imbolo Mbue’s How Beautiful We Were." Humanities and Social Sciences Communications 11, no. 1 (2024). http://dx.doi.org/10.1057/s41599-024-03944-z.

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AbstractThe article examines Imbolo Mbue’s How Beautiful We Were from the scant critical attention to the question of reading Oil Culture in the light of Climate Change within the context of ecocriticism and narratology. This novel is a powerful commentary on the environmental, social, and epistemic injustices inflicted upon the Kosawa people, whose lives hung between the crossfire of corporate greed and governmental corruption. Employing eco-narratology as a critical lens, this article delves into how Mbue’s storytelling reflects and critiques environmental injustices while advocating for col

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Chris, Hall. "A "Savage Mode": The Transmedial Narratology of African American Protest." October 21, 2019. https://doi.org/10.5281/zenodo.3515123.

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This article explores narrative in African American protest art by examining Richard Wright’s 1940 novel Native Son, alongside 21 Savage (Shayaa Abraham-Joseph) and Metro Boomin’s 2016 rap album Savage Mode. I open with a discussion of Native Son as a project of protest and with James Baldwin’s criticism of the novel, and of protest fiction at large. Centring Baldwin’s critique, this article explores the violence and horror of the narrative worlds of Wright’s Bigger Thomas and Abraham-Joseph’s 21 Savage, in an effort to discover if these works are capable of

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Núñez-Pacheco, Rosa, and Phillip Penix-Tadsen. "Divergent theoretical trajectories in Game Studies: a bibliographical review." Artnodes, no. 28 (July 9, 2021). http://dx.doi.org/10.7238/artnodes.v0i28.380176.

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Video games have become important objects of study for different academic disciplines. From the birth of the medium in the mid-twentieth century to the present, video games have offered new and creative ways of approaching reality and fiction, and not only serve as entertainment, but also have significant cultural, social, and technological implications. The formal study of this medium is the purview of the field of game studies, which brings together the contributions of various disciplines. This paper presents a bibliographical review of several theoretical trajectories in game studies, refl

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"Performativity and Visualisation: A Critique of Mimesis in Odysseus’ Scar." Transilvania, 2024. https://doi.org/10.51391/trva.2024.11-12.06.

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The representation of reality in the Homeric Odyssey has spurred many conflicting interpretations due to the question of its orality. The awareness of the oral tradition can be traced in the history of Homer criticism and it starts with the Analysts (19th century higher criticism) that sought to determine how fragments of earlier poems had been layered together and culminated with Milman Parry’s (1928) discovery that the Homeric epic exhibits oral methods of composition (Ong). The oral quality of the text and the oral culture that produced it demanded a new type of criticism that shifted the f

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Schuhen, Gregor. "Le discours actuel sur les transclasses et les autosociobiographies en France et en Allemagne : un entre-deux à bien des égards." Textes et contextes, no. 19-1 (July 15, 2024). http://dx.doi.org/10.58335/textesetcontextes.4597.

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L’article aborde tout d'abord la thèse selon laquelle les autosociobiographies constituent une forme narrative hybride qui peut très bien être caractérisée par le modèle de l’« entre-deux ». On peut constater que les récits autosociobiographiques franchissent les frontières entre la littérature et les sciences sociales, en racontant des parcours personnels dans le miroir d’un diagnostic socio-analytique. Au niveau du texte, le caractère hybride peut également être démontré à l’aide des protagonistes transclasses car des individus passent d’un milieu d’origine populaire à la bourgeoisie. Sur le

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O'Meara, Radha, and Alex Bevan. "Transmedia Theory’s Author Discourse and Its Limitations." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1366.

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As a scholarly discourse, transmedia storytelling relies heavily on conservative constructions of authorship that laud corporate architects and patriarchs such as George Lucas and J.J. Abrams as exemplars of “the creator.” This piece argues that transmedia theory works to construct patriarchal ideals of individual authorship to the detriment of alternative conceptions of transmediality, storyworlds, and authorship. The genesis for this piece was our struggle to find a transmedia storyworld that we were both familiar with, that also qualifies as “legitimate” transmedia in the eyes of our prospe

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Kustritz, Anne. "Transmedia Serial Narration: Crossroads of Media, Story, and Time." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1388.

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The concept of transmedia storyworlds unfolding across complex serial narrative structures has become increasingly important to the study of modern media industries and audience communities. Yet, the precise connections between transmedia networks, serial structures, and narrative processes often remain underdeveloped. The dispersion of potential story elements across a diverse collection of media platforms and technologies prompts questions concerning the function of seriality in the absence of fixed instalments, the meaning of narrative when plot is largely a personal construction of each au

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