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Books on the topic 'Narrator (voice)'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Tredici, David Del. Haddocks' eyes: For soprano-narrator and ten instruments. [New York]: Boosey & Hawkes, 1994.

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2

Cullen, Carolyn. The voice from below stairs: How representations of the servant narrator have changed in literature. London: University of Surrey Roehampton, 2004.

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3

Forman, Anna. In the voice of a child...: An exploration of the role of the child narrator in literature. Guildford: University of Surrey, 1999.

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4

Wall, Barbara. The Narrator’s Voice. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21109-8.

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5

The narrator's voice: The dilemma of children's fiction. Houndmills, Basingstoke, Hampshire: Macmillan, 1991.

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6

Wall, Barbara. The narrator's voice: The dilemma of children's fiction. Basingstoke: Macmillan, 1991.

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7

Wall, Barbara. The narrator's voice: The dilemma of children's fiction. New York: St. Martin's Press, 1991.

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8

Barbara, Wall. The narrator's voice: The dilemma of children's fiction. New York: St. Martin's Press, 1991.

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9

Furu, Ann-Christin. Resa i röstens landskap: En narrativ studie av hur lärare blir professionella röstanvändare. Åbo: Åbo Akademis förlag, 2011.

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10

Villa, Federica. Il narratore essenziale: Della commedia cinematografica italiana degli anni Cinquanta. Pisa: Edizioni ETS, 1999.

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11

Kozloff, Sarah. Invisible storytellers: Voice-over narration in American fiction film. Berkeley: Univ.California P., 1988.

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12

Invisible storytellers: Voice-over narration in American fiction film. Berkeley: University of California Press, 1988.

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13

Mansfield, John. Narration and editing: Sound for television. Borehamwood, Hertfordshire: BBC Television Training, 1992.

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14

Peradotto, John. Man in the middle voice: Name and narration in the Odyssey. Princeton, N.J: Princeton University Press, 1990.

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15

Richardson, Brian. Unnatural voices: extreme narration in modern and contemporary fiction. Columbus: Ohio State University Press, 2006.

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16

Re-reading The excursion: Narrative, response, and the Wordsworthian dramatic voice. Aldershot: Ashgate, 2002.

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17

Chaucer's narrative voice in The knight's tale. Copenhagen: Museum Tusculanum Press, University of Denmark, 1995.

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18

Hansen, Per Krogh. Strange voices in narrative fiction. Berlin: De Gruyter, 2011.

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19

Nomadic voices: Conrad and the subject of narrative. Urbana: University of Illinois Press, 1992.

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20

Narrative and voice in postwar poetry. London: Longman, 1999.

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21

Begnal, Michael H. Dreamscheme: Narrative and voice in Finnegans wake. Syracuse, N.Y: Syracuse University Press, 1988.

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22

L'immagine evocata: Narrazioni della voce nel cinema francese : Truffaut, Guitry, Rohmer, Allio, Cocteau, Resnais, Godard, Perec-Queysanne. Torino: Kaplan, 2008.

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23

The narrative voice in the Theogony of Hesiod. Leiden, the Netherlands: Brill, 2004.

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24

Neil, Roberts. Narrative and voice in postwar poetry. New York: Longman, 1999.

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25

Perera, Ronald. The outermost house: For chorus of mixed voices with narrator, soprano solo, and chamber orchestra accompaniment. Chester, NY: Music Associates of New York, 1993.

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26

Thornton, Weldon. Voices and values in Joyce's Ulysses. Gainesville: University Press of Florida, 2000.

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27

Stefano, Mercati, Panicoli Anna, Florence (Italy). Assessorato alla cultura., and Centre Georges Pompidou, eds. Fonè: La voce e la traccia. Firenze: La Casa Usher, 1985.

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28

Agosti, Stefano. Enunciazione e racconto: Per una semiologia della voce narrativa. Bologna: Il Mulino, 1989.

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29

Scacchi, Anna. A una voce sola: Il racconto della storia in Benito Cereno di Herman Melville. Roma: Lozzi & Rossi, 2000.

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30

Echo chambers: Figuring voice in modern narrative. Iowa City: University of Iowa Press, 1992.

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31

The demotic voice in contemporary British fiction. Basingstoke: Palgrave Macmillan, 2009.

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32

Stimmenzauber: Über eine literaturästhetische Vokalistik. Freiburg im Breisgau: Rombach Verlag, 2014.

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33

Sauer, Elizabeth. Barbarous dissonance and images of voice in Milton's epics. Montreal: McGill-Queen's University Press, 1996.

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34

Garner, Stanton B. The absent voice: Narrative comprehension in the theater. Urbana: University of Illinois Press, 1989.

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35

Vision voiced: Narrative viewpoint in autobiographical writing. New York: P. Lang, 1991.

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36

Religious voices in self-narratives: Making sense of life in times of transition. Berlin, Germany: De Gruyter, 2013.

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37

Manganaro, Marc. Myth, rhetoric, and the voice of authority: A critique of Frazer, Eliot, Frye & Campbell. New Haven: Yale University Press, 1992.

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38

Lanser, Susan Sniader. Fictions of authority: Women writers and narrative voice. Ithaca: Cornell University Press, 1992.

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39

Voices of authority: Criminal obsession in Guy de Maupassant's short works. New York: P. Lang, 1994.

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40

Menke, Bettine. Prosopopoiia: Stimme und Text bei Brentano, Hoffmann, Kleist und Kafka. München: W. Fink, 2000.

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41

The voices of African American women: The use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker. New York: P. Lang, 1998.

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42

Say, Elizabeth A. Evidence on her own behalf: Women's narrative as theological voice. Savage, Md: Rowman & Littlefield, 1990.

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43

Narrative therapy masters: The voices of Andersen, Anderson, & White. New York, NY: Routledge, 2011.

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44

Macrí, Oreste, and Vittorio Pagano. Lettere 1942-1978. Edited by Dario Collini. Florence: Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6453-369-8.

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Abstract:

Sullo sfondo delle ‘dimore vitali’ di Lecce, Parma e Firenze tra gli anni Quaranta e Settanta del secolo scorso, spiccano in primo piano un autore pressoché dimenticato (poeta, traduttore dal francese, narratore) e il suo «maestro», tra i critici più agguerriti del nostro Novecento. Sono molte le storie che si intrecciano nei 142 pezzi epistolari raccolti in questo volume, accuratamente trascritti e annotati da Dario Collini. Storie personali – alle lettere è in primis affidato l’inedito e intrigante ritratto di un Pagano poliedrico, complesso, sfuggente – e storie collettive, come quelle di «Libera Voce» e del «Critone», tra le imprese culturali che contribuirono ad avvicinare la periferica realtà salentina ai maggiori centri letterari della penisola. Lungo un ampio arco cronologico, a palesarsi è anche la storia di una profonda amicizia, che senza la pretesa di annullare le distanze fra i due corrispondenti avrebbe continuato nel tempo ad alimentarsi di «gratitudine», «stima», «fiducia».

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45

The appropriated voice: Narrative authority in Conrad, Forster, and Woolf. Ann Arbor: University of Michigan Press, 1990.

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46

The mechanical song: Women, voice, and the artificial in nineteenth-century French narrative. Stanford, Calif: Stanford University Press, 1995.

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47

Sakhubai, Shahani Roshan G, SPARROW, and Oral History Workshop (1998 : Bombay, India), eds. Sakhubai, talking in the transplanting season: A first person narration with intervening voices based on the Oral History Workshop, July 26, 1998. Mumbai: SPARROW, 1998.

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48

The voice of the mother: Embedded maternal narratives in twentieth-century women's autobiographies. Carbondale: Southern Illinois University Press, 2000.

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49

Camatsos, Efrosini. The female "I" in modern Greek prose fiction, 1924-1962: A literary development of freeing the female voice. Lewiston, N.Y: The Edwin Mellen Press, 2013.

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50

Passions of the voice: Hysteria, narrative, and the figure of the speaking woman, 1850-1915. Baltimore: Johns Hopkins University Press, 1995.

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