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Journal articles on the topic 'Naruto'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 January 2023

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1

Harahap, Fauzan Maulana, and Yeffry Handoko Putra. "The Depiction of Hand Symbols (In) in Animated Series Naruto: Shippuden Episode 375." ARTic 3, no. 2 (June 30, 2021): 277–86. http://dx.doi.org/10.34010/artic.v3i2.3595.

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Naruto comics by Masashi Kishimoto are very popular comics. Besides Naruto comics are made in animated series films, and they are also available in the form of a game. Like the comicsâ€™ success, the Naruto animated series films were made up of hundreds of episodes. In the Naruto series, the most dominant element appears, namely the hand symbol. The hand symbol as part of the Ninja moves becomes an important element in this film and becomes an attraction for Naruto fans. In each episode of Naruto, there are depictions of hand symbols, one of which is in the Shippuden episode 375. This study aims to classify the types of hand symbols depicted on the characters of the animated film Naruto Shippuden episode 375 and the point of view of the depiction through descriptive methods. Data were collected through literature and observations of the animated series Naruto Shippuden episode 375. Hand symbols were collected through screenshots and tabulated. The results show that there are four depictions of hand symbols on the six figures. The character is depicted with six depiction points of view so that it affects the depiction of the hand symbol.

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2

Zúñiga-Reyes, Danghelly Giovanna. "Conjunción de géneros narrativos en Naruto." Neuróptica, no. 1 (March 24, 2020): 173–88. http://dx.doi.org/10.26754/ojs_neuroptica/neuroptica.201914326.

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Resumen: Esta investigación se centró en identificar la estructura narrativa del anime Naruto. El modelo de investigación cualitativa de la estructura narrativa se basó en el análisis de cuarenta y siete capítulos de los doscientos veinte que componen la primera temporada de la serie de anime Naruto. La hipótesis de esta investigación es que Naruto es la cristalización de la mezcla de diferentes tipos de narraciones, propone exitosamente una historia construida desde el ámbito local hacia lo global, en la cual se incluyen elementos de estructuras narrativas clásicas, modernas y postmodernas. Toma la narración de Naruto elementos de la picaresca, la epopeya, la gesta, los videojuegos y el shōnen. Abstract: This research focuses on identifying the narrative structure of Naruto. The qualitative research model of the narrative structure focusing on the analysis of forty-seven chapters of the two hundred twenty that make up the first season of the anime series Naruto. This investigation hypothesizes that Naruto is the crystallization of the mixture of different types of narrations, a history constructed from the local to the global is successfully proposed, in which elements of classic, modern and postmodern narrative structures are included. The narration of Naruto, the elements of the picaresque, the epic, the deed, the video games, and the shōnen.

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3

Zabusky, Norman J., and Wesley Townsend. "NARUTO: Past and Present." Physics of Fluids 9, no. 9 (September 1997): S8. http://dx.doi.org/10.1063/1.4739137.

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4

Jadhav, Aaditya Vijay. "Uplifting Philosophies in Naruto." International Journal of Philosophical Practice 8, no. 1 (2022): 25–42. http://dx.doi.org/10.5840/ijpp2022813.

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Logic-Based Therapy (LBT), a modality of Philosophical Counselling, believes that humans suffer because of their faulty thinking patterns. It suggests antidotal reasoning and uplifting philosophies that help counselees refute these thinking patterns and adopt a healthier way of life. This paper investigates the possibility of using the influential ideologies found in Naruto (a Japanese manga and anime) in the framework of LBT, as suitable uplifting philosophies. The anime has been interpreted through the lens of Conversational Model Therapy, Japanese values, violence studies, etc.; there is an unavailability of research on its connection with philosophical counselling. This paper aims to fill the gap by reviewing literature on concepts in counselling, LBT, and philosophical counseling. It also attempts at providing behavioral exercises for the readers to implement in their own life.

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5

Asih, Ni’mah Setya. "INTEGRASI ANTARA NILAI-NILAI KEHIDUPAN DI ANIME NARUTO DAN NILAI-NILAI PENDIDIKAN AGAMA ISLAM." Al-Munqidz : Jurnal Kajian Keislaman 8, no. 2 (July 28, 2020): 212–31. http://dx.doi.org/10.52802/amk.v8i2.250.

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The integration between science and Islam is considered to have many advantages. There are many institutions that apply integration between Islam and science, especially educational institutions. There are various kinds of knowledge that can be integrated with Islamic Religious Education, one of integration of scienceand Islam is the integration of Islamic Religious Education with entertainment, Specifically entertainment in this research is the Naruto anime, this research aims to find out the integration between the values of life in the Naruto anime that originates in humanity and the values contained in Islamic Religious Education.This research is a library research by taking the main data sources namely Naruto anime and supporting data in the form of articles and relevant studies. After the data is collected, then the data are analyzed using content analysis methods which are then drawn conclusions using the theory of integration.In this study it was found that there are points of similarity between the values in the life of the Naruto anime with the values in Islamic Religious Education, Following some values can be integrated between the values of life in the Naruto anime with the value of Islamic Religious Education, there are: the spirit of life, courage, compassion, solidarity, sacrifice, love of the homeland, work ethic, learning, self-confidence. These nine values have a common point in terms of both Naruto anime life values and Islamic Religious Education values, which are both teaching about humanity More specifically, the value of Islamic Religious Education integrated with Naruto Anime life values is the value of moral education to fellow humans (hablum minannnar)

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6

Deviani, Jennisa Mayang, and Jenny Mochtar. "The Ideal Masculinity of Male Ninjas in Naruto and Naruto Shippuden Anime Series." K@ta Kita 9, no. 3 (January 6, 2022): 340–47. http://dx.doi.org/10.9744/katakita.9.3.340-347.

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Shounen is one of the most popular genres of anime. Although Shounen is usually targeted at younger boys, it is often consumed by audiences of all ages, such as Naruto and its sequel, Naruto Shippuden. In this study, I will focus on identifying the masculinity within the male ninjas in the series and analyzing the motivations behind the exercise of masculinity to find the ideal masculinity. I will combine the masculinity theory with the Japanese’s manhood, to analyze the ideal masculinity in the text. Through my analysis, I find that the male ninjas of these anime series show different kinds of masculinity, which divides them into two roles, protagonist and antagonist. The protagonists are the ones who thrive to fight for others while the antagonists fight only to benefit themselves. As a result, the protagonists are able to possess the ideal masculinity as they can exercise their masculinity positively.Keywords: anime, masculinity, male ninjas, protagonist, antagonist.

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Firmansyah, Dede M. Halim, and Andri Noviadi. "NILAI MORAL DALAM ANIME FILM NARUTO THE MOVIE ROAD TO NINJA KARYA MASHASI KISHIMOTO." Diksatrasia : Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia 6, no. 2 (October 28, 2022): 132. http://dx.doi.org/10.25157/diksatrasia.v6i2.7803.

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Penulis tertarik meneliti film Naruto The Movie Road To Ninja Karya Mashasi Kishimoto karena nilai kehidupan dalam film ini difokuskan pada pembahasan nilai moral. Selanjutnya, pembentukan nilai moral para tokoh tersebut dikaitkan dengan latar belakang asal tempat yang terdapat dalam film dan kehidupan masyarakat. Film ini juga mengajak penontonnya untuk bisa saling membantu satu sama lain, menumbuhkan rasa kasih sayang, dan perjuangan membela yang benar. Penelitian ini bertujuan untuk mendeskripsikan nilai moral dalam film Naruto The Movie Road To Ninja Karya Mashasi Kishimoto, digunakan dalam pembelajaran apresiasi sastra di sekolah. Adapun hasil penelitian ini penulis tuangkan ke dalam bentuk skripsi dengan "Nilai Moral Dalam Anime Film Naruto The Movie Road To Ninja Karya Mashasi Kishimoto".Rumusan masalah dalam penelitian ini adalah "Bagaimana Nilai Moral yang terdapat dalam film Naruto The Movie Road To Ninja Karya Mashasi Kishimoto?" Masalah dalam penelitian ini dibatasi dengan nilai moral yang berkaitan dengan hubungan manusia dengan dirinya sendiri, hubungan manusia dengan manusia lain dan lingkungannya, dan hubungan manusia dengan Tuhannya.Penelitian ini bertujuan untuk "Mendeskripsikan nilai-nilai moral yang terdapat dalam film Naruto the Movie Road to Ninja Karya Mashasi Kishimoto." Metode yang digunakan adalah metode deskriptif analisis yaitu metode yang menggambarkan hasil penelitian.Hasil penelitian ini dapat disimpulkan bawha film Naruto the Movie Road to Ninja Karya Mashasi Kishimoto mengandung nilai-nilai moral yaitu: (1) Hubungan manusia dengan dirinya sendiri (percaya diri, berani dalam mengambil keputusan, kerja keras, pendirian yang kuat, emosi kebahagiaan). (2) Hubungan manusia dengan manusia lainnya dan lingkungannya (tolong menolong dan kesetiakawanan, cinta kasih kedua orang tua, tanggung jawab). (3) Hubungan manusia dengan Tuhannya (percaya adanya Tuhan)Kata Kunci : Nilai Moral, Film

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8

Shabrina, Aisyah, Yusida Lusiana, and Yudi Suryadi. "Ambisi Tokoh Uchiha Itachi Dalam Anime Naruto Shippuden Karya Masashi Kishimoto." J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang 2, no. 2 (November 30, 2020): 99. http://dx.doi.org/10.20884/1.jlitera.2020.2.2.3144.

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Penelitian ini membahas penokohan dan ambisi dari tokoh Uchiha Itachi dalam anime Naruto Shippuuden karya Mashashi Kishimoto. Tujuan penelitian ini adalah mendeskripsikan penokohan dan ambisi dari tokoh Uchiha Itachi muncul untuk mempertahankan kedamaian desa Konoha sebagai pemicu konflik dan membantu penyelesaian konflik dalam alur cerita anime Naruto Shippuuden melalui teori penokohan dan ambisi. Penelitian ini menggunakan metode deskriptif kualitatif, simak catat, kemudian konsep teori yang digunakan dalam penelitian ini ialah penokohan dari Nurgiyantoro dan ambisi oleh Widarso. Sumber data penelitian ini adalah dua belas episode anime Naruto Shippuuden yang memunculkan atau mendeskripsikan tokoh Uchiha Itachi meskipun tokoh tersebut bukanlah tokoh utama. Hasil dari penelitian ini ialah penggambaran tokoh Uchiha Itachi dan penggambaran ambisi tokoh Uchiha Itachi mempertahankan kedamaian desa Konoha yang dipengaruhi beberapa faktor dan ambisi buruk.

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9

Sako, Shoji. "Yoshitami Naruto, his Life and Achievements." Historical English Studies in Japan, no. 23 (1990): 115–31. http://dx.doi.org/10.5024/jeigakushi.1991.115.

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10

Cahyani, Yesy Tri, and Amalina Iariva Putri Astria. "ANALISIS PENERJEMAHAN KALIMAT ELIPSIS VERBAL DALAM KOMIK NARUTO KARYA MASASHI KISHIMOTO KE DALAM BAHASA INDONESIA." LINGUA : JURNAL ILMIAH 15, no. 2 (October 29, 2019): 132–46. http://dx.doi.org/10.35962/lingua.v15i2.16.

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Incomplete sentence (ellipsis verbal) are often to be the problem in translating from Japanese into Indonesian. The purpose of this research is to explain the techniques to translate incomplete sentence to achive equivalence found in Japanese comics Naruto volumes 29, 30, and 31, and analyze the translation of incomplete sentence contained in Naruto comic from Japanese to Indonesian. The method of this research is descriptive and qualitative methods. Data source are the Japanese comic title Naruto by Masashi Kishimoto as the source text, and the translation comic in Indonesia as the target text. Thirteen incomplete sentence data on source text were analyze using appropriate translation techniques to achieve equvalence in target text. The result showed that incomplete sentence had board meanings. In addition, incomplete sentence cannot be translate literally, without looking at the context. Context is an important reference so the messagges from source text can be conveyed.

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11

Istiqomah, Himatul, and Muhammad Ihsan Sholeh. "Projection of Islamic Doctrinal Values in Anime Naruto 1-3 as Character Formation." AJIS: Academic Journal of Islamic Studies 4, no. 2 (December 9, 2019): 117. http://dx.doi.org/10.29240/ajis.v4i2.959.

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Naruto anime is so popular and favored by many audiences, both the children, teenagers, and adult, men or women. It is not only influenced by uniqueness figures ang a groove the story, but also by magnificence values of Islamic teaching projected very well there. Through this descriptive qualitative research, the researcher aims to analyze whatever values of Islamic teaching projected in Naruto anime 1-3 and its influence on develop the character, by roll of note, observation, an documentation. The result of this research is; It needs enough attention to support children; It needs hard work and courage in order to achieve dreams; And it needs differences to create balance. It has huge influence on establishment of positive character toward audiences. They are not only have entertainments, but also think about the God ways are implied in Naruto anime. So, they will do to be personal, better than ever.

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12

Silva, Guilherme Matheus da, and Ana Cristina Carmelino. "A (RE)CONSTRUÇÃO DO ETHOS DE NARUTO UZUMAKI." Diálogos Pertinentes 16, no. 2 (December 30, 2020): 188–213. http://dx.doi.org/10.26843/dp.v16i2.3711.

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O presente artigo tem como finalidade mostrar como se efetiva a mudança dos ethé, de negativo para positivo, de Naruto Uzumaki, personagem principal da série Naruto (2007), considerando sua relevância no anime. A metodologia adotada será a captura, pelos stills dos vídeos, de sete cenas e a transcrição dos discursos com base nas normas do NURC/SP (CASTILHO; PRETI, 1986). O sucesso da série, segundo entendemos, deve-se à personalidade forte e à coragem do protagonista, elementos que sustentam a persuasão da trama. A análise fundamenta-se nos pressupostos teóricos da Retórica clássica (ARISTÓTELES, 2015), da Nova Retórica (PERELMAN; OLBRECHTS-TYTECA, 2005; REBOUL, 2004; MEYER, 2007; FERREIRA, 2010; FIORIN, 2015) e da Análise do Discurso (MAINGUENEAU, 2008), respaldando-se especificamente na noção de ethos.

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13

Naruto, Hiroki, and Hideo Togo. "Correction: Preparation of 2-arylquinolines from β-arylpropionitriles with aryllithiums and NIS through iminyl radical-mediated cyclization." Organic & Biomolecular Chemistry 18, no. 3 (2020): 570. http://dx.doi.org/10.1039/c9ob90192b.

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Correction for ‘Preparation of 2-arylquinolines from β-arylpropionitriles with aryllithiums and NIS through iminyl radical-mediated cyclization’ by Hiroki Naruto, et al., Org. Biomol. Chem., 2019, 17, 5760–5770.

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14

Uchiyama, Yusuke, Xu Zhang, and Shota Yanase. "Generation Mechanism of Tidally-driven Whirlpools at A Narrow Strait in An Estuary." IOP Conference Series: Earth and Environmental Science 945, no. 1 (December 1, 2021): 012028. http://dx.doi.org/10.1088/1755-1315/945/1/012028.

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Abstract This study investigates the generation mechanism and influence of the whirlpools in the Naruto Strait on the surrounding marine environment using state-of-the-art high-resolution numerical ocean circulation modeling in a quadruple nested configuration. The Naruto whirlpools is recognized as an extraordinary seascape that the local governments and the citizens seek to register as a world natural heritage site. We found that the pronounced pressure gradient force associated with the meridional surface elevation difference was induced by a phase difference of two bifurcating major tidal waves. These waves originate from the Kitan Strait, and ultimately produce intense tidal currents at the Naruto Strait. One branch of the tidal waves propagates counter-clockwise along Awaji Island through the Akashi Strait, while the other occurs directly from the Kii Channel. As such, the whirlpool emerges as a large number of sub-mesoscale eddies, primarily due to the horizontal shear instability of tidal currents energized at the narrow topography between two headlands that extend into the strait. A dipole of overturning vertical circulations appears underneath the whirlpools with convergent downward transport at the strongest tidal current near the center of the strait; this causes efficient vertical mixing. This three-dimensional non-linear mixing promotes a time-averaged southeastward mass transport that extracts water and materials from the Harima-nada Sea into the Kii Channel.

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Costa, Daniel Lula, and Rodolpho Alexandre Santos Melo Bastos. "Os entrelaçamentos temporais e mitológicos das presenças das deusas antigas na personagem Kaguya no anime Naruto Shippuden." Palíndromo 14, no. 32 (January 3, 2022): 328–48. http://dx.doi.org/10.5965/2175234614322022328.

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As animações japonesas, conhecidas como animes, são produzidas para públicos diversos e muito populares fora do Japão, como é o caso do Brasil. Algumas dessas animações se utilizam de narrativas e imagens mitológicas possíveis de serem identificadas pelo estudo da alegoria histórica (BENJAMIN, 1984) presente na narrativa, em suas imagens e, principalmente, emanada pela presença de temporalidades múltiplas, que emanam o anacronismo das imagens (DIDI-HUBERMAN, 2011). Esse é o caso da personagem Kaguya do anime Naruto Shippuden. Essa personagem transmite entrelaçamentos culturais e mitológicos que estão ligados a figura da deusa presente nas mitologias antigas. O objetivo é analisar as presenças transtemporais da imagem da deusa transmitidas pela personagem Kaguya no anime Naruto Shippuden. Para isso, serão utilizados os conceitos de alegoria histórica (BENJAMIN, 1984), presenças do passado (GUMBRECHT, 2010) e anacronismo da imagem (DIDI-HUBERMAN, 2011).

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Furuki, Tatsuwo. "Lethocolea naruto-toganensis, a New Hepatic from Swamps of Japan." Bryologist 104, no. 2 (June 2001): 306–9. http://dx.doi.org/10.1639/0007-2745(2001)104[0306:lntanh]2.0.co;2.

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UCHIYAMA, Yusuke, Xu ZHANG, and Shota YANASE. "GENERATION MECHANISM OF TIDALLY-DRIVEN WHIRLPOOLS AT NARUTO STRAIT, JAPAN." Journal of Japan Society of Civil Engineers, Ser. B2 (Coastal Engineering) 76, no. 2 (2020): I_97—I_102. http://dx.doi.org/10.2208/kaigan.76.2_i_97.

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Takasugi, Yoshio, Tateki Fujiwara, and Takehiko Higo. "Structure of the strong tidal jet in the naruto strait." Journal of the Oceanographical Society of Japan 46, no. 3 (June 1990): 69–83. http://dx.doi.org/10.1007/bf02123433.

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19

Muller, S. Marek. "Monkey Business in a Kangaroo Court: Reimagining Naruto v. Slater as a Litigious Event." Rhetoric and Public Affairs 25, no. 1 (March 1, 2022): 31–59. http://dx.doi.org/10.14321/rhetpublaffa.25.1.0031.

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Abstract This essay performs a critical rhetorical analysis of out-of-court texts pertaining to Naruto v. Slater, colloquially known as the “Monkey Selfie Lawsuit.” By veering from a legal positivist perspective on law and turning toward theories of the public screen, it argues that while People for the Ethical Treatment of Animals (PETA) formally lost its case on appeal, it successfully litigated their case in the court of public opinion. It further offers the concept of the “litigious event”—a staged lawsuit designed for mass media dissemination—to explain my perspective. By latching onto the already-viral monkey selfies at the center of the copyright dispute, PETA took advantage of the public screen by bringing a private, logocentric civil suit into a public, image-based digital sphere. Increased coverage of the case allowed PETA's legal team to harness the power of digital media to disseminate important arguments about legal rights for animals. Naruto v. Slater functioned as a trial for media, as a strategic lawsuit for public participation—in other words, as a strategically sound and rhetorically powerful litigious event.

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Rocha Alves, Judson. "SHARINGAN NO KAKASHI, DA NEGAÇÃO À ACEITAÇÃO: O LUTO SEGUNDO O MODELO DE KÜBLER-ROSS." RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218 3, no. 1 (November 25, 2022): e3112401. http://dx.doi.org/10.47820/recima21.v3i1.2401.

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Lidar com a perda de um ente querido é visto por alguns como a pior das experiências humanas e, quando o processo de luto não ocorre de maneira adequada, pode haver complicações e se tornar patológico. Deste modo, entender como se dá esse processo pode ser de grande ajuda para aqueles envolvidos, desde os profissionais de saúde – especialmente aqueles que trabalham com cuidados paliativos – até familiares e os próprios pacientes terminais. O presente artigo teve como objetivo a análise e interpretação dos comportamentos – verbais e não verbais – referentes ao processo de luto de Hatake Kakashi, personagem fictício do mangá e anime Naruto e o que contribuiu para possíveis complicações desse processo. Utilizou-se como fonte norteadora os estágios do luto propostos por Elisabeth Kübler-Ross, a saber, negação e isolamento, raiva, barganha, depressão e aceitação. Foi possível observar cada um desses estágios durante o luto do personagem, facilitando a compreensão de como ocorre cada fase, ampliando assim as chances para o uso da obra Naruto e outras similares para fins didáticos e até mesmo terapêuticos.

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Hennilawati, Hennilawati. "The Children’s Perception toward Comic in Developing Indonesia Children’s Mentality." Journal Polingua : Scientific Journal of Linguistics, Literature and Education 7, no. 1 (March 25, 2018): 20–23. http://dx.doi.org/10.30630/polingua.v7i1.109.

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The purpose of this research is to see the moral values aspect in child comics by conducting sociology literature. It uses the qualitative method with the data sources are used by 10 comic Naruto. The results of this research are positive aspects of moral value, such as (1) life passion, (2) courage, (3) affection, (4) solidarity, (5) sacrifice, (6) love the homeland.

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Tiwiyanti, Leni, and Yulia Sofiani. "The Representation of gender Ideology in Hinata Figure, Naruto Shippuden Film." Scope : Journal of English Language Teaching 4, no. 2 (June 27, 2020): 87. http://dx.doi.org/10.30998/scope.v4i2.6239.

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<p>Anime and manga can closely present Japanese culture. The concept of Hinata Hyuga as a woman ninja in Naruto Shippuden, an anime film, depicts the gender ideology of Japanese culture. The research aims to describe the representation of gender ideology in Hinata Hyuga's figure and to know the semiotic representation in Hinata Hyuga as a woman who has broken the Japanese gender ideology. The scope of this study is investigating the woman's identity in gender ideology (feminism), by seeing signs represented in Hinata Hyuga. The research is qualitative and applies a descriptive qualitative method. The primary data source of this research is taken from Naruto Shippuden animated film. After the animated film is obtained, the researchers watch several series which are related to Hinata Hyuga. To get the expected research purpose, theory by Simone de Beauvoir about gender ideology combined with semiotic Barthes is applied to analyze the representation of gender ideology. The results show that Hinata Hyuga is a Japanese woman who can be a strong ninja who has broken Japanese gender ideology. In short, by seeing signs, semiotic can prove that Hinata’s characterization is not defined as a weak woman. Hinata’s identity as a Japanese woman, who is expected to be calm, gentle, fragile and in charge of all the housework is deconstructed into a strong and brave woman who refuse to give up in any problems.</p>

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23

Ito, Satomi, and Tamotsu Miyoshi. "Determination of Mg and Zn contents of naruto "Wakame" (Undaria pinnatifida)." Nippon Eiseigaku Zasshi (Japanese Journal of Hygiene) 45, no. 3 (1990): 795–800. http://dx.doi.org/10.1265/jjh.45.795.

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24

Pereira, Isac dos Santos. "O CÉREBRO ANIMADO DA CRIANÇA: A ANIMAÇÃO NARUTO ENQUANTO CONCEITO PRÁTICO DE INTERAGENTE-CORPÓREO NA ESCOLA." Revista Ibero-Americana de Humanidades, Ciências e Educação 8, no. 4 (April 30, 2022): 101–19. http://dx.doi.org/10.51891/rease.v8i4.4980.

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Dias após dias, meses após meses... Memórias sobre memórias, objetivos sobre objetivos... Lágrimas de dores, lágrimas de conquistas... Amizades... Quiçá, resumam a animação Naruto, sintetizem os sentimentos emanados no contemplador (criança) ativo. Face a isso, o presente artigo objetiva por salientar a importância das animações que a criança toma para si como objeto de Arte significativo a ponto de lhe conformar como sujeito ativo e criativo diante da matéria para a criação de suas obras. Enquanto interagente-corpóreo em sua concretude, a animação Naruto possibilita ao contemplador um intercâmbio para além do ver, sendo mostrada doravante por intermédio da metodologia de campo em que o pesquisador coletou diversos desenhos em uma linha temporal na sala de aula com crianças do Fundamental I, sendo alguns deles inseridos no decorrer do texto. A pesquisa também se fundamenta, preponderantemente, em reflexões teóricas com autores da Arte/Educação, neurociências, comunicação audiovisual, entre outros. Tão logo, considera-se que é mais do que premente a formação e interação do Arte/Educador para as mídias preferidas de seus educandos e, ao mesmo tempo entender e receber essas produções artísticas diferentes e criativas desses pequenos aventureiros que se confrontam e conformam sua Arte a partir das relações que estabelecem com diversos outros interagentes-corpóreos.

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Purnaningtyas Widiastuti, Gusti Ayu Dyah, Ni Nengah Suartini, and Kadek Eva Krishna Adnyani. "REPRESENTASI HONNE DAN TATEMAE PADA TOKOH SAKURA DALAM MANGA NARUTO (ANALISIS PRAGMATIK)." Jurnal Pendidikan Bahasa Jepang Undiksha 4, no. 2 (November 26, 2019): 126. http://dx.doi.org/10.23887/jpbj.v4i2.14663.

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Penelitian ini menganalisis honne dan tatemae dari representasi budaya honne dan tatemae pada interaksi tokoh Sakura dengan tokoh lain dalam manga "Naruto" serta faktor-faktor yang memengaruhi penggunaan honne dan tatemae oleh tokoh Sakura. Penelitian ini menggunakan teori representasi dan teori pragmatik. Metode pengumpulan data dengan metode pustaka dan instrumen berupa kartu data. Data yang dikumpulkan kemudian dikelompokkan sesuai rumusan masalah lalu dianalisis menggunakan metode analisis deskriptif kualitatif. Hasil yang ditemukan yaitu representasi honne dan tatemae terlihat pada interaksi tokoh Sakura dengan tokoh lain dalam manga "Naruto". Ketika berinteraksi dengan orang yang memiliki hubungan dekat, pada situasi informal dan saat tujuan tuturnya tidak dapat tersampaikan dengan baik bila menggunakan tatemae, Sakura menggunakan honne. Tetapi pada situasi tutur tertentu Sakura tidak mengungkapkan seluruh pemikirannya di depan publik karena dikhawatirkan akan merusak keharmonisan hubungan apabila hal tersebut diungkapkan seluruhnya. Sedangkan ketika berbicara dengan orang yang lebih tua, orang yang baru dikenal, orang asing, orang yang memiliki jabatan dan status sosial yang lebih tinggi, Sakura menggunakan tatemae. Tatemae juga digunakan oleh Sakura pada situasi formal dan bila honne tidak sesuai dengan norma yang berlaku atau memiliki potensi merusak keharmonisan hubungan dan menyakiti lawan tutur. Faktor-faktor yang memengaruhi penggunaan honne dan tatemae oleh tokoh Sakura yaitu situasi tutur, hubungan dengan lawan tutur dan tujuan tuturan.Kata Kunci : representasi, honne, tatemae 本研究は、サクラのキャラクターが「ナルト」漫画の他のキャラクターとやりとりしているときに、本音と建前の文化を表現することによって、本音と建前の分析を論じて、サクラのキャラクターによる本音と建前の使用に影響を及ぼす要因について明らかにする。本研究は表現理論と実用理論を用いている。使用されるデータは文学的方法であり、データカードの形で器具を使用する。収集したデータは問題の定式化に従ってグループ化され、記述的定性分析法を使用して分析される。その研究の結果、「ナルト」漫画ではサクラと他のキャラクターとの相互作用に本音と建前の表現が見られる。サクラは次のことをするときに本音を使う。彼女と密接な関係を持っている人とのやりとり、非公式な状況でのとき、建前の使用時に会話の目的を正しく伝えることができないとき。しかし、特定の状況では、サクラは彼女の考えをすべて公開していない。それが恐れるので、それが完全に開示されていれば、調和関係に損害を与える。サクラは次のことをするときに建前を使う。高齢者と、より高い地位と社会的地位を持つ人、新しい人と見知らぬ人と話すこと、本音が一般的な規範に従っていない場合、または関係の調和に害を及ぼし特定の関係者に害を及ぼす可能性がある場合、正式な状態である。本音と建前の使用に影響を与える要因は状況、他の人との関係、そして目的。keyword : 表示, 本音, 建前

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Vives-Ferrándiz Sánchez, Luis. "Simia manu facta: el selfie de Naruto y los márgenes de la creatividad." Boletín de Arte, no. 40 (November 28, 2019): 219–29. http://dx.doi.org/10.24310/bolarte.2019.v0i40.5776.

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El presente artículo estudia el selfie del mono Naruto y lo pone en relación con temas de la Historia del Arte como el automatismo de la imagen fotográfica, el tópico clásico ars simia naturae y la creatividad en los tiempos del posthumanismo. El artículo analiza como el selfie realizado por un mono revela una serie de problemas que se han mantenido constantes en la historia del arte y que afecta a aquellas imágenes obtenidas en los márgenes (artísticos, técnicos, sociales o humanos) y su lucha por ser integradas en un canon.

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Intan, Tania. "Redefinisi Fungsi Desa dalam Manga Naruto dan Bande Dessinée Astérix: Sebuah Kajian Komparasi Budaya Populer." Metahumaniora 7, no. 3 (December 3, 2017): 293. http://dx.doi.org/10.24198/metahumaniora.v7i3.18847.

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AbstrakSecara alamiah, manusia membutuhkan sarana untuk mengisi waktu luangnyasetelah bekerja keras. Satu media yang murah, mudah dijangkau, dan digemari oleh semuakalangan di seluruh dunia adalah cerita bergambar atau komik yang merupakan bagiandari budaya populer. Pada umumnya, karya paraliteratur-visual ini memang bersifat fiktifdan hanya merupakan peniruan dari kenyataan yang digambarkan secara berlebihan(grotesque). Namun demikian, di dalam komik, sering ditemukan nilai-nilai kehidupanyang bersifat universal dan abadi sehingga dianggap layak sebagai bahan kajian budaya.Naruto, salah satu manga Jepang, dan Astérix, bande dessinée dari Prancis, akan ditelitisebagai representasi dunia Timur dan Barat. Latar sebagai unsur struktural dalam karyakaryafiksi ini ternyata juga menunjukkan kesamaan mendasar, yaitu keberadaan desasebagai tempat hidup para tokohnya. Dalam tulisan ini, akan dibahas pemaknaan lainterhadap lingkungan rural tersebut, yang memiliki andil dalam pembentukan karakterpara tokoh dari kedua komik. Metode kajian komparasi budaya akan digunakan denganpenerapan teori-teori yang relevan. Penelitian singkat ini bertujuan untuk melengkapistudi mengenai komik yang belum banyak dilakukan di Indonesia.Kata kunci: Desa, komik, Naruto, Astérix, Komparasi BudayaAbstractNaturally, humans need a way to fill their spare time after working hard. Acheap, accessible and popular medium by all circles around the world is a picture or comicstory, which is part of popular culture. McCloud (1993:7) defines comics as drawings andembossed symbols in a particular order, aimed at providing information or achievingaesthetic responses from the reader. In general, this visual-paraliterature work isindeed fictitious and merely an imitation of grotesque reality. However, in the comics, itis often found that values of life that are universal and eternal so comics are consideredappropriate as a material of cultural studies. Naruto, one of the Japanese manga, andAstérix, the bande dessinée of France, are examined as a representation of the East andWest. The background as a structural element in these works of fiction also shows the basicsimilarity of the existence of the village as the place of life of the characters. According toKartohadikoesoemo (1984:16), the village is a legal entity, in which a ruling society livesits own government. In this paper, other meanings of the rural environment, which hascontributed in the character formation of the characters from both comics are discussed.The method of cultural comparative is used with the application of relevant theories. Thisbrief study aims to complete the study of comics which is still very limited in Indonesia.Keywords: Village, Comic, Naruto, Astérix, Cultural Comparison

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Intan, Tania. "Redefinisi Fungsi Desa dalam Manga Naruto dan Bande Dessinée Astérix: Sebuah Kajian Komparasi Budaya Populer." Metahumaniora 7, no. 3 (December 3, 2017): 293. http://dx.doi.org/10.24198/mh.v7i3.18847.

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AbstrakSecara alamiah, manusia membutuhkan sarana untuk mengisi waktu luangnyasetelah bekerja keras. Satu media yang murah, mudah dijangkau, dan digemari oleh semuakalangan di seluruh dunia adalah cerita bergambar atau komik yang merupakan bagiandari budaya populer. Pada umumnya, karya paraliteratur-visual ini memang bersifat fiktifdan hanya merupakan peniruan dari kenyataan yang digambarkan secara berlebihan(grotesque). Namun demikian, di dalam komik, sering ditemukan nilai-nilai kehidupanyang bersifat universal dan abadi sehingga dianggap layak sebagai bahan kajian budaya.Naruto, salah satu manga Jepang, dan Astérix, bande dessinée dari Prancis, akan ditelitisebagai representasi dunia Timur dan Barat. Latar sebagai unsur struktural dalam karyakaryafiksi ini ternyata juga menunjukkan kesamaan mendasar, yaitu keberadaan desasebagai tempat hidup para tokohnya. Dalam tulisan ini, akan dibahas pemaknaan lainterhadap lingkungan rural tersebut, yang memiliki andil dalam pembentukan karakterpara tokoh dari kedua komik. Metode kajian komparasi budaya akan digunakan denganpenerapan teori-teori yang relevan. Penelitian singkat ini bertujuan untuk melengkapistudi mengenai komik yang belum banyak dilakukan di Indonesia.Kata kunci: Desa, komik, Naruto, Astérix, Komparasi BudayaAbstractNaturally, humans need a way to fill their spare time after working hard. Acheap, accessible and popular medium by all circles around the world is a picture or comicstory, which is part of popular culture. McCloud (1993:7) defines comics as drawings andembossed symbols in a particular order, aimed at providing information or achievingaesthetic responses from the reader. In general, this visual-paraliterature work isindeed fictitious and merely an imitation of grotesque reality. However, in the comics, itis often found that values of life that are universal and eternal so comics are consideredappropriate as a material of cultural studies. Naruto, one of the Japanese manga, andAstérix, the bande dessinée of France, are examined as a representation of the East andWest. The background as a structural element in these works of fiction also shows the basicsimilarity of the existence of the village as the place of life of the characters. According toKartohadikoesoemo (1984:16), the village is a legal entity, in which a ruling society livesits own government. In this paper, other meanings of the rural environment, which hascontributed in the character formation of the characters from both comics are discussed.The method of cultural comparative is used with the application of relevant theories. Thisbrief study aims to complete the study of comics which is still very limited in Indonesia.Keywords: Village, Comic, Naruto, Astérix, Cultural Comparison

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Ariza Granadillo, Trad María Mercedes. "Naruto v. Slater, n.° 15-cv-04324-who (N.D. Cal. Jan. 28, 2016)." Revista La Propiedad Inmaterial, no. 26 (December 6, 2018): 253–58. http://dx.doi.org/10.18601/16571959.n26.10.

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KAMAL, Md Syeeduzzaman, and Takao AMAYA. "Case Study on the Salinity Behavior in the Alluvial Farmland near the Naruto Straits." Journal of Japan Society of Hydrology and Water Resources 15, no. 2 (2002): 176–86. http://dx.doi.org/10.3178/jjshwr.15.176.

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WAKE, Hirotsugu, and Kiyoshi HARA. "On the Effects of Bridge Lights on the Bridge over Naruto Kaikyo on Ship's Track." Journal of Japan Institute of Navigation 78 (1988): 35–41. http://dx.doi.org/10.9749/jin.78.35.

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FUH, Bing-Shan, Takao ICHII, Tetsu NAKANISHI, and Yoshitaka KAWAI. "Changes in Lipid Composition in the Flavedo Tissue of Naruto (Citrus medioglobosa) during Fruit Development." Journal of the Japanese Society for Horticultural Science 57, no. 1 (1988): 109–15. http://dx.doi.org/10.2503/jjshs.57.109.

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OHIRA, Kazuhiro, Mari FUJIMOTO, Yu FUKUMOTO, and Hiroki AKAZAWA. "A Study on the Historical Change of Landscape Recognition in Naruto Strait Based on Paintings." Journal of The Japanese Institute of Landscape Architecture 82, no. 5 (March 29, 2019): 457–62. http://dx.doi.org/10.5632/jila.82.457.

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Pereira, Isac dos Santos, and Maria Ignês Carlos Magno. "desenho animado no papel, o grafismo do papel na animação." PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG 11, no. 22 (July 19, 2021): 332–63. http://dx.doi.org/10.35699/2237-5864.2021.25821.

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Pensando nas técnicas desenvolvidas ao longo da história geral sobre o papel como um suporte artístico e focando em suas extensões expressivas no Japão, o artigo anseia por refletir sobre o estreitamento das relações entre elas e as apresentadas no desenho animado Naruto. A pesquisa ancora-se na produção bibliográfica e audiovisual, acreditando que, como fruto da contribuição do grafismo e das animações para a extensão da experiência, criação de memórias, imaginário e criatividade, o processo e a obra de Masashi Kishimoto configuram-se em uma poética como uma manifestação e preservação de documentos gráficos do imaginário japonês, em uma indissociabilidade artística instigante, confundindo o que é animação e o que é desenho, em um novo arcabouço artístico.

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Pereira, Isac dos Santos, and Maria Ignes Carlos Magno. "Naruto, um artista ou um intruso na aula de arte? Interferências de memórias audiovisuais no discurso criativo da criança ao desenhar." Comunicação & Educação 27, no. 2 (November 28, 2022): 105–24. http://dx.doi.org/10.11606/issn.2316-9125.v27i2p105-124.

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O artigo desenvolve como breve tema geral, mesmo que de forma implícita as discussões acerca da inserção dos produtos audiovisuais dentro do campo da Arte/Educação contemporânea, salientando sua importância e mudança na maneira de se ensinar e aprender Arte na atualidade, e posteriormente, de forma preponderante, a construção poética das crianças ao desenharem nutridas audiovisualmente, principalmente pela animação Naruto, estando elas muito mais propícias a serem criativas. Logo, tem-se em vista que compreender as produções gráficas das crianças como objetos de Arte conformados dentro do contexto contemporâneo, é também ao mesmo tempo entendê-las como status documentais/memórias da Arte/Educação afeitos à época da comunicação audiovisual e inerentes ao processo criativo.

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FUH, Biing Shan, and Takao ICHII. "Effects of aging and temperature on fatty acid composition of the flavedo tissue of Naruto (Citrus medioglobosa)." Journal of the Japanese Society for Horticultural Science 56, no. 3 (1987): 344–51. http://dx.doi.org/10.2503/jjshs.56.344.

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MORI, Yukihiro. "Record of Study of Wind for Construction of a Transmission Line Crossing the Naruto Straits in 1950s." Journal of Wind Engineering 40, no. 3 (2015): 82–90. http://dx.doi.org/10.5359/jwe.40.82.

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38

Costa, Daniel Lula, and Rodolpho Alexandre Santos Melo Bastos. "Usos do passado nos animes japoneses: a presença de imagens míticas das deusas da destruição e do mito dos irmãos, em Naruto Shippuden." Tempos Históricos 24, no. 2 (December 28, 2020): 487–510. http://dx.doi.org/10.36449/rth.v24i2.23938.

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Anime é um termo ocidental que se refere às animações japonesas. Algumas dessas animações possuem imagens alegóricas de mundos passados, mitológicos que são presentificados. Essas presenças (GUMBRECHT, 2010) imagéticas podem ser analisadas pela alegoria histórica (BENJAMIN, 1984) que atribui outra perspectiva de estudo da imagem, sendo possível identificar sintonias de mundos passados que são emanados no presente, como em uma constelação de imagens. Nesse sentido, as imagens transmitem temporalidades múltiplas e emanam o anacronismo (DIDI-HUBERMAN, 2011). Nosso objetivo é analisar as presenças transtemporais, com base nas teorias expostas, das imagens de Kaguya e de seus filhos Hagoromo e Hamura enquanto detentoras de mundos antigos que se presentificam através do anime, Naruto Shippuden, sendo identificáveis as imagens (e os traços) das deusas da destruição em Kaguya e do mito dos irmãos gêmeos em Hagoromo e Hamura.

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KUDAI, Kenta, Shiro MAENO, Ryosuke AKOH, and Keisuke YOSHIDA. "PREDICTION MODEL OF TSUNAMI HITTING OKAYAMA CITY USING WAVEFORM AT NARUTO AND AKASHI CHANNEL UNDER NANKAI TROUGH EARTHQUAKE." Journal of Japan Society of Civil Engineers, Ser. B1 (Hydraulic Engineering) 72, no. 4 (2016): I_379—I_384. http://dx.doi.org/10.2208/jscejhe.72.i_379.

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40

Hiraoka, Hisaaki, Sakie Morita, Yunosuke Gotou, Satoshi Hattori, Testuo Ishikawa, and Keiichi Okano. "Confirming the authenticity of the geographical origin of Naruto dried wakame Undaria pinnatifida using stable nitrogen isotope ratios." Fisheries Science 80, no. 3 (April 11, 2014): 635–42. http://dx.doi.org/10.1007/s12562-014-0733-y.

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41

Funakura, Masaaki Alves, and Gelson Vanderlei Weschenfelder. "Resiliência na cultura pop japonesa: possibilidades metodológicas como ferramenta de mediação de conflito no âmbito educacional." Conhecimento & Diversidade 13, no. 31 (December 9, 2021): 152. http://dx.doi.org/10.18316/rcd.v13i31.8852.

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A presente pesquisa busca alternativas metodológicas para a mediação de conflitos no âmbito escolar utilizando-se do anime japonês Naruto, obra do autor Masashi Kishimoto, onde é apresentado pontos importantes na evolução do personagem que é útil para uma possibilidade intervenção de conflitos no que cabe assuntos como superação e determinação em momentos críticos e delicados, tornando o personagem um exemplo de resiliência e virtudes. O trabalho será embasado com estudos bibliográficos e metodológicos que visam somar nas possibilidades do uso deste objeto de pesquisa para criar uma intervenção de combate ao bullying e somar nas políticas públicas e educacionais, evitando que crianças e adolescentes que apresentem riscos psicossociais não desenvolvam um desfecho negativo na sua vida adulta. Será apresentado ao leitor fundamentações teóricas relevantes para o estudo desta pesquisa, seguido da justificativa, objetivos e metodologia a serem atingidas com excelência deixando também em aberto futuros estudos pertinentes à pesquisa.

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Ariga, H., T. Itani, and S. M. Iguchi-Ariga. "Autonomous replicating sequences from mouse cells which can replicate in mouse cells in vivo and in vitro." Molecular and Cellular Biology 7, no. 1 (January 1987): 1–6. http://dx.doi.org/10.1128/mcb.7.1.1-6.1987.

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We have already reported that the cloned mouse DNA fragment (pMU65) could replicate in a simian virus 40 T antigen-dependent system in vivo and in vitro (H. Ariga, Z. Tsuchihashi, M. Naruto, and M. Yamada, Mol. Cell. Biol. 5:563-568, 1985). The plasmid p65-tk, containing the thymidine kinase (tk) gene of herpes simplex virus and the BglII-EcoRI region of pMU65 homologous to the simian virus 40 origin of DNA replication, was constructed. The p65-tk persisted episomally in tk+ transformants after the transfection of p65-tk into mouse FM3Atk- cells. The copy numbers of p65-tk in FM3Atk+ cells were 100 to 200 copies per cell. Furthermore, the p65-tk replicated semiconservatively, and the initiation of DNA replication started from the mouse DNA sequences when the replicating activity of p65-tk was tested in the in vitro DNA replication system developed from the FM3A cells. These results show that a 2.5-kilobase fragment of mouse DNA contains the autonomously replicating sequences.

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Ariga, H., T. Itani, and S. M. Iguchi-Ariga. "Autonomous replicating sequences from mouse cells which can replicate in mouse cells in vivo and in vitro." Molecular and Cellular Biology 7, no. 1 (January 1987): 1–6. http://dx.doi.org/10.1128/mcb.7.1.1.

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We have already reported that the cloned mouse DNA fragment (pMU65) could replicate in a simian virus 40 T antigen-dependent system in vivo and in vitro (H. Ariga, Z. Tsuchihashi, M. Naruto, and M. Yamada, Mol. Cell. Biol. 5:563-568, 1985). The plasmid p65-tk, containing the thymidine kinase (tk) gene of herpes simplex virus and the BglII-EcoRI region of pMU65 homologous to the simian virus 40 origin of DNA replication, was constructed. The p65-tk persisted episomally in tk+ transformants after the transfection of p65-tk into mouse FM3Atk- cells. The copy numbers of p65-tk in FM3Atk+ cells were 100 to 200 copies per cell. Furthermore, the p65-tk replicated semiconservatively, and the initiation of DNA replication started from the mouse DNA sequences when the replicating activity of p65-tk was tested in the in vitro DNA replication system developed from the FM3A cells. These results show that a 2.5-kilobase fragment of mouse DNA contains the autonomously replicating sequences.

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Nakada, Satoshi, Ikuya Morimoto, Kyoko Hasegawa, and Satoshi Tanaka. "Visualization of riverine water and vortex dynamics around the Naruto Strait based on high-resolution ocean simulation and satellite images." Journal of Advanced Simulation in Science and Engineering 7, no. 1 (2020): 214–25. http://dx.doi.org/10.15748/jasse.7.214.

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Gō. "Particularities of Boys’ Manga in the Early Twenty-First Century: How Naruto Differs from Dragon Ball." Mechademia: Second Arc 11, no. 1 (2018): 113. http://dx.doi.org/10.5749/mech.11.1.0113.

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Pereira, Isac dos Santos. "REFLETIR O PROCESSO CRIATIVO DA ARTE / EDUCADOR FACE ÀS OBRAS DOS EDUCANDOS ADVINDAS DO CENÁRIO IMAGÉTICO DE NARUTO E OUTRAS CONFIGURAÇÕES VISUAIS / REFLECT THE CREATIVE PROCESS OF ART / EDUCATOR FACING THE WORKS OF EDUCANDS ARISING FROM THE IMAGETIC SCENARIO OF NARUTO AND OTHER VISUAL CONFIGURATIONS." Brazilian Journal of Development 6, no. 12 (2020): 96538–55. http://dx.doi.org/10.34117/bjdv6n12-229.

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KASHIWAGI, Masashi. "A New Method for Calculating the Maneuvering Motion of a Ship in Non-uniform Current and Its Application in Naruto Kaikyou." Journal of Japan Institute of Navigation 75 (1986): 55–67. http://dx.doi.org/10.9749/jin.75.55.

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Saito, Makoto, and Tomohisa Kawamoto. "Identification of basement rocks and their characteristics in the Naruto area, Northeast Chiba, Japan, based on newly found Triassic radiolarian fossils." Journal of the Geological Society of Japan 117, no. 5 (2011): 299–302. http://dx.doi.org/10.5575/geosoc.117.299.

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Natori, K., M. Tamari, O. Watanabe, Y. Onouchi, Y. Shiomoto, S. Kubo, and Y. Nakamura. "Mapping of a gene responsible for dermatitis in NOA (Naruto Research Institute Otsuka Atrichia) mice, an animal model of allergic dermatitis." Journal of Human Genetics 44, no. 6 (October 1999): 372–76. http://dx.doi.org/10.1007/s100380050181.

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FUH, Bing-Shan, Takao ICHII, Yoshitaka KAWAI, and Tetsu NAKANISHI. "Changes in Lipid Composition in the Flavedo Tissues of Naruto (Citrus medioglobosa) during Storage, and the Effects of Growth Regulators and Storage Temperature." Journal of the Japanese Society for Horticultural Science 57, no. 3 (1988): 529–37. http://dx.doi.org/10.2503/jjshs.57.529.

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