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Relevant bibliographies by topics / Nataliya

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Academic literature on the topic 'Nataliya'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Nataliya"

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Editorial, Article. "Nataliya Alexandrovna Mazaeva." Psikhiatriya 19, no. 1 (March 28, 2021): 111–12. http://dx.doi.org/10.30629/2618-6667-2021-19-1-111-112.

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Urban-Podolan, Aleksandra. "Лики старости в рассказах Наталии Толстой." Slavica Wratislaviensia 163 (March 17, 2017): 267–76. http://dx.doi.org/10.19195/0137-1150.163.23.

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Pictures of elderliness in Nataliya Tolstoy’s short storiesAlthough the dusk of life is not the focus of Nataliya Tolstoy’s interests, it nevertheless occupies an important place among the issues dealt with by this keen observer and commentator of Soviet and Russian social realities. Assuming that the attitude to the elderly is ameasure of asociety’s humanism, the picture that emerges from Tolstoy’s works speaks very unfavourably of the society to which the writer belonged. The literary portraits of the members of the elder generation reveal the miserable conditions in which they lived in the Russia of the second half of the XX century. Few of her elderly protagonists’ lives are decent — understood here as both material well-being, whereby they can meet their basic needs and sometimes even foster their artistic and intellectual talents, and the access to spiritual goods and their families’ closeness and support, due to which in the twilight of their lives they can feel the sense of life and respect for themselves.Oblicza starości w opowiadaniach Natalii TołstojMimo że jesień życia nie stanowi głównego obiektu zainteresowania Natalii Tołstoj, niemniej jednak problematyka ta organicznie wpisuje się w krąg zagadnień poruszanych przez tę wnikliwą obserwatorkę i komentatorkę rosyjskiej i radzieckiej rzeczywistości społecznej. Jeśli przyjąć, że stosunek do starości jest miernikiem humanitaryzmu społeczeństwa, to obraz, jaki wyłania się z kart utworów Tołstoj, wystawia niepochlebne świadectwo społeczeństwu, do którego należała sama pisarka. Zaprezentowane w opowiadaniach portrety starych ludzi są świadectwem zwykle bardzo niskiego standardu ich życia w Rosji drugiej połowy XX wieku. Tylko nieliczni spośród nich żyją godnie, w dobrobycie, pozwalającym zaspokajać im podstawowe potrzeby, a niekiedy nawet rozwijać potencjał twórczy. Pomaga w tym dostęp do dóbr duchowych oraz bliskość i wsparcie rodziny.

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Vakhtina, Marina. "The blockade diary by Nataliya Aleksandrovna Enman." Archaeological News 27 (2020): 392–417. http://dx.doi.org/10.31600/1817-6976-2020-27-392-417.

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Gutorova, Nataliya O. "White-Collar Crime: Ukrainian Experience of Searching for Optimal Model of Criminal Liability." SOCRATES. Rīgas Stradiņa universitātes Juridiskās fakultātes elektroniskais juridisko zinātnisko rakstu žurnāls / SOCRATES. Rīga Stradiņš University Faculty of Law Electronic Scientific Journal of Law 2, no. 11 (2018): 100–116. http://dx.doi.org/10.25143/socr.11.2018.2.100-116.

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The Professor of the Law Institute of Poltava Nataliya O. Gutorova analyses quite a sensitive issue for society – white-collar crime in Ukraine, defining the optimally probable model of criminal liability. The white-collar shadow economy level is rather high in Ukraine – 45.96 % of the GDP and correlates with the respective data of Nigeria. The author’s approach can be related to two aspects: first, prevent excessive criminalization activities; second, effectively punish white-collar criminals. Poltavas Tiesību institūta profesore Natālija Gutorova (Nataliya O. Gutorova) analizē sociāli visai sensitīvu problēmu – t. s. balto apkaklīšu noziedzību Ukrainā, izzinot iespējamo kriminālatbildības optimālo modeli. Ar baltajām apkaklītēm saistītais ēnu ekonomikas līmenis Ukrainā ir visai augsts – 45,96 % no IKP un ir tuvs atbilstošam Nigērijas rādītājam. Autores pieeja ir attiecināma uz diviem aspektiem: pirmkārt, novērst darbību pārlieku kriminalizāciju; otrkārt, efektīvi sodīt baltās apkaklītes par noziegumiem.

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Simonova, Olga. "On history of relations between Nikolay Antsiferov and Nataliya Roskina." Literary Fact, no. 8 (2018): 314–33. http://dx.doi.org/10.22455/2541-8297-2018-8-314-333.

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Fedenko, A. "The specifics of female characters embodiment in contemporary Ukrainian musicals and rock operas (on the example of Nataliya Sumska’s creativity)." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 90–102. http://dx.doi.org/10.34064/khnum2-17.06.

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Background. The creative mastery process of the musical and rock opera genres has become one of the urgent vocational training problems today considering the growing popularity of these genres both in the world and in Ukrainian musical culture. There is a need to investigate the methodological aspect of professional activity in this direction like a set of requirements for the modern actor working in the music-dramatic genre. The lack of specialized literature and scientific works which investigates the embodiment phenomenon of vocal and stage images by actors in contemporary Ukrainian musicals and rock operas raises an urgent need for its consideration. Phenomenological analysis of the vocal and stage creativity of the actress Nataliya Sumska, namely, her stage works in rock operas “Eneida by Serhii Bedusenko based on the poem-burlesque by I. Kotliarevsky, “Bila Vorona” “(The White Crow”) by Genadii Tatarchenko and Yurii Rybchynskyi and “Nezrivnianna” (“The Incomparable”) Musical, based on the famous play by Peter Quilter (the composer Ivan Nebesnyi) are the material of this study. Objectives. The purpose of the article is to investigate the performing principles and vocal techniques that contribute to the embodiment of contentemotional female images characteristics in contemporary musicals and rock operas on the example of Nataliya Sumska’s acting creativity. The results of the study. The success of the Nataliya Sumska stage activity is closely related to the actress’ high level of vocal skills. Didona’s role in the rock opera “Eneida” has required from the performer a whole range of professional skills, first of all, vocal – that is, acting universalism. The vocal and stage image created by Nataliya Sumska is realized through singing, which organically combines the traditions of folk-song performance with the best achievements of the national academic and variety performing arts. The dominance of “folk” color in the sound of the voice is one of the creative tasks that the author of the rock opera sets before the actress. The bright individual “synthesizing” vocal and performing style is the original combination of ethnic origin with jazz and pop rhythms and harmonies offered by the composer, made the unique image of Didona by N. Sumska’s performance. Thus, a perfect actress’s mastery of different singing styles and the ability to use her own voice to achieve high artistic output is of great value, as composers in rock operas and musicals are constantly performing acts of styling. In the role of Jeanne d’Arc from the Ukrainian rock opera by Genadii Tatarchenko and Yurii Rybchynskyi’s “Bila Vorona” (“The White Crow”) the main features of N. Sumska’s art were clearly revealed, such as: great tragedy, heroic pathos and pathetics combined with lyric scourge and poetic sorrow. The stage techniques, by which N. Sumska created the image of Jeanne, were: enhanced sound supply and high dynamic tone of performance, expedient use of registers, expanded palette of sound dynamics and its filing (“filer un son”); going beyond the range of sound characteristic of academic vocal performance, the use of different singing styles and techniques; skillful presentation of intonation recitation gradations (from whisper to cry); possession of sound amplification equipment; maintaining a vocal line, subject to any nature of sound production; finally, acting is the ability to convey the character of the heroine through the voice, facial expressions, gestures, to make the viewer feel the pain and joy of her soul. Thus, Nataliya Sumska is fully capable of using the necessary means of artistic expression, various methods of performance, revealing the semantic and emotional content of the stage image and the work as a whole. In the “Nezrivnianna” (“The Incomparable”) Musical Nataliya Sumska embodied the comedic image of an American pianist who believed in her talent as an opera singer and one of the earliest representatives of “outsider music”. The actress brilliantly demonstrated that she was able to sing both “strictly past the notes” and only in “disgusting” voice, as her role required. She did not only change her voice for the horrific performance of operatic classics, but she was able to convey faith and belief in her own success to her Florence heroine. The actress was able to achieve great artistic power in the embodiment of the image, first of all, thanks to the mastery of vocal technique, as different modes of the larynx, specific techniques: conscious oscillation of sound, different attack power, accentuation of individual sounds, etc. Conclusions. Considered the creating specifics of vocal and stage image in contemporary rock operas and musicals by actress Nataliya Sumska, we came to the conclusion that vocal performance in modern rock operas and musicals poses special requirements for actresses. Modern musicals and rock opera demonstrate all possible polystylistic and polygenre syntheses, including the incorporation of folk and academic elements, and some genres of light music. The vocal part is complicated by changes in priorities in harmony, which is represented mainly by dissonant sounds. Accordingly, the melody of rock operas and musicals today is filled with unconventional unexpected intonations and lines, characteristic of metrorhythmic constructions. Conversational intonations, variety of singing manners and vocal techniques that form the basis of modern musical performances help to emphasize the emotional lines of the work. The presence of conversational dialogues, dance episodes with specific plasticity, the use of elements of the musical language of other cultures, a wide style range (from folklore to avant-garde, from Baroque stylings to jazz and smash hit), features of singing with a microphone – all this requires knowledge of specific acting and choreographic techniques, a good mastery of vocal technique, that is, all that constitutes professional acting universalism.

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Viatkina, Natalia, Amina Kkhelufi, Kseniia Myroshnyk, and Nataliia Reva. ""The saved and the lost." Attempt to recall on-line." Sententiae 39, no. 2 (December 29, 2020): 226–40. http://dx.doi.org/10.31649/sent39.02.226.

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Viatkina, Natalia, Amina Khelufi, Kseniia Myroshnyk, and Nataliia Reva. "“The saved and the lost.” Attempt to recall on-line. Part II." Sententiae 40, no. 1 (April 1, 2021): 160–74. http://dx.doi.org/10.31649/sent40.01.168.

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Mykhalskyj, U. V., and A. V. Prokip. "Nataliya Kobrynska and ideology of women's emancipation of the late XIX-early XX century." Herald of Lviv University of Trade and Economics. Humanitarian sciences, no. 14 (2016): 29–34. http://dx.doi.org/10.36477/2616-8510-2016-14-02.

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Horvath, Robert. "The Reinvention of ‘Traditional Values’: Nataliya Narochnitskaya and Russia’s Assault on Universal Human Rights." Europe-Asia Studies 68, no. 5 (May 27, 2016): 868–92. http://dx.doi.org/10.1080/09668136.2016.1184230.

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Dissertations / Theses on the topic "Nataliya"

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Deyneka, Nataliya [Verfasser]. "Properties of nanocrystalline cubic boron nitride films / Nataliya Deyneka." Ulm : Universität Ulm. Fakultät für Naturwissenschaften, 2003. http://d-nb.info/1015354882/34.

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Horbenko, Nataliya [Verfasser]. "Robuste Ansätze für Operationelle Risiken von Banken / Nataliya Horbenko." München : Verlag Dr. Hut, 2012. http://d-nb.info/1021072796/34.

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Barasinska, Nataliya [Verfasser]. "Essays on determinants of financial behavior of individuals / Nataliya Barasinska." Berlin : Freie Universität Berlin, 2011. http://d-nb.info/1025551303/34.

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Kusa, Nataliya [Verfasser]. "Citizens’ preferences for intrafamilial wealth distribution and inheritance taxation / Nataliya Kusa." Kassel : Kassel University Press, 2017. http://d-nb.info/114739010X/34.

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Porayko, Nataliya Konstantinovna [Verfasser]. "Probing the Interstellar Medium and Dark Matter with Pulsars / Nataliya Konstantinovna Porayko." Bonn : Universitäts- und Landesbibliothek Bonn, 2020. http://d-nb.info/1207923710/34.

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Möser, Nataliya [Verfasser]. "Präferenzen und Investitionsabsichten russischer Agrarmessebesucher : eine conjointanalytische und verhaltenswissenschaftliche Betrachtung / Nataliya Möser." Gießen : Universitätsbibliothek, 2012. http://d-nb.info/1063955254/34.

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Vorbringer-Dorozhovets, Nataliya [Verfasser], Gerd [Akademischer Betreuer] Jäger, René [Gutachter] Theska, and Wolfgang [Gutachter] Osten. "Laserinterferometrisches Rasterkraftmikroskop / Nataliya Vorbringer-Dorozhovets ; Gutachter: René Theska, Wolfgang Osten ; Betreuer: Gerd Jäger." Ilmenau : TU Ilmenau, 2019. http://d-nb.info/1202011365/34.

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Rebrova, Nataliya [Verfasser], and Ulrich [Akademischer Betreuer] Schmidt. "Development of a non-depolarizing neutron guide for PERC / Nataliya Rebrova ; Betreuer: Ulrich Schmidt." Heidelberg : Universitätsbibliothek Heidelberg, 2014. http://d-nb.info/1180031601/34.

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Zhivkova, Nataliya [Verfasser]. "Charakterisierung der immunsuppressiven Wirkung von humanem Choriongonadotropin in einem murinen Asthma Modell / Nataliya Zhivkova." Mainz : Universitätsbibliothek Mainz, 2016. http://d-nb.info/1112155732/34.

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Rebrova, Nataliya V. [Verfasser], and Ulrich [Akademischer Betreuer] Schmidt. "Development of a non-depolarizing neutron guide for PERC / Nataliya Rebrova ; Betreuer: Ulrich Schmidt." Heidelberg : Universitätsbibliothek Heidelberg, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:16-heidok-170298.

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Books on the topic "Nataliya"

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Natalie Natalia. London: Minerva, 1995.

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Natalie Natalia. Normal, IL: Dalkey Archive Press, 1996.

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Olga, Popović Ošmjanski, ed. Natalija: Dnevnički zapisi Natalije Matić Zrnić. Beograd: Signature, 2002.

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Kruchkevych, Natalii͡a. Natalii͡a Kruchkevych, Mykhailo Sydorenko : mali͡arstvo =: Natalia Kroutchkevitch, Mykhailo Sydorenko : paintings. [Lʹviv]: "MALTI-M", 2006.

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Frankl, Sperber Suzi, ed. Natalika. Campinas, SP, Brasil: Editora da Unicamp, 1993.

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Natalia. Curitiba: Travessa dos Editores, 2004.

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Natalia. Paris: L'Harmattan, 2004.

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Kising, Amelly Ann. Natalia. Kuala Lumpur: Dewan Bahasa dan Pustaka, 2001.

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Natalya. New York: Ballantine Books, 1991.

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Cantu, Elizabeth C. Natalia. Ft. Lauderdale, Fla: Ashley Pub., 1991.

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Book chapters on the topic "Nataliya"

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West, Rebecca. "Introduction." In Natalia Ginzburg, 1–9. Toronto: University of Toronto Press, 2000. http://dx.doi.org/10.3138/9781442677579-005.

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Polukhina, Valentina. "Natal’ya Gorbanevskaya." In Brodsky through the Eyes of his Contemporaries, 74–93. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22138-7_4.

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Wild, Gerhard. "Ginzburg, Natalia." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3795-1.

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Strauss, Manfred. "Natalia Ginzburg." In Kindler Kompakt Italienische Literatur 20. Jahrhundert, 158–59. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_32.

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Riedel, Annette. "Ginzburg, Natalia." In Metzler Autorinnen Lexikon, 191–92. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_135.

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McLaughlin, Sigrid. "Natalya Baranskaya." In The Image of Women in Contemporary Soviet Fiction, 111–22. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20371-0_6.

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Smith, Nigel. "Aphandra natalia." In Geobotany Studies, 21–27. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-05509-1_4.

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Wiesemann, Claudia. "Natality." In Moral Equality, Bioethics, and the Child, 45–58. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32402-9_3.

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Sullivan, Rebecca. "Introduction." In Natalie Wood, 1–11. London: British Film Institute, 2016. http://dx.doi.org/10.1007/978-1-84457-670-8_1.

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Sullivan, Rebecca. "The Child-Woman." In Natalie Wood, 12–28. London: British Film Institute, 2016. http://dx.doi.org/10.1007/978-1-84457-670-8_2.

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Conference papers on the topic "Nataliya"

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Schierke, Petra. "Natalis." In SIGGRAPH Asia 2013 Computer Animation Festival. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2542398.2542408.

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Brkovic, Daniel, and Jan-Marcel Kuehn. "Natalis." In ACM SIGGRAPH 2013 Computer Animation Festival. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2503541.2503600.

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Ferreira, Maria Flávia Frajácomo, Bruna Teixeira Pinto, Ana Luiza Lanza, and Daniela Carvalho Bérgamo. "Oficina de Atividade Natalina: uma Proposta Terapêutica a Familiares." In Congresso Internacional de Humanidades & Humanização em Saúde. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/medpro-cihhs-10507.

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He, Y., and J. Brassil. "NATALIE: An Adaptive, Network-Aware Traffic Equalizer." In 2007 IEEE International Conference on Communications. IEEE, 2007. http://dx.doi.org/10.1109/icc.2007.103.

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Motuz, Valeria. "NATALIA KOBRYNSKA – FOUNDER OF THE ORGANIZED UKRAINIAN WOMEN’S MOVEMENT IN WESTERN UKRAINE." In МІЖГАЛУЗЕВІ ДИСПУТИ: ДИНАМІКА ТА РОЗВИТОК СУЧАСНИХ НАУКОВИХ ДОСЛІДЖЕНЬ. Міжнародний центр наукових досліджень, 2020. http://dx.doi.org/10.36074/10.07.2020.v2.23.

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Batista dos Santos, Ramon, and Carolina Gusmão Souza. "EDUCAÇÃO E PERCEPÇÃO AMBIENTAL: A ORNAMENTAÇÃO NATALINA DAS PRAÇAS PÚBLICAS DE IBIRATAIA-BA." In I Congresso Virtual de Estudantes e Profissionais de Engenharia Ambiental e Sanitária. Goiânia, Goiás: Even3, 2020. http://dx.doi.org/10.29327/convepeas.267043.

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Mor, Tal, and Yair Rezek. "Pro-Natalism Policy, Demography and Democracy - Nonlinear Dynamics Analysis." In 2nd International Conference on Complexity, Future Information Systems and Risk. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0006367301240129.

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Sretenskaya, Larissa. "qImpracticalityq as one of the features of national character (on the basis of narration of Natalia Tolstaya)." In 45th International Philological Conference (IPC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.125.

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Erdman, Laura K., Lauren Ramsay, Rafael Miranda, Carsten Krueger, Raphael Ximenes, Shannon Willmott, Joanna M. Bielecki, Kellie E. Murphy, Beate Sander, and Shaun K. Morris. "Health Outcomes in Post-natally Acquired Pediatric Zika Virus Infection: A Systematic Review." In ANAIS ONLINE DO "HEALTH TECHNOLOGY RESEARCH IN BRAZIL: CHALLENGES FOR THE NEW DECADE". Galoa, 2021. http://dx.doi.org/10.17648/htbr-2021-125084.

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Kovalchuk, Yulia. "THE INTERPRETATION OF THE IMAGE OF OLGA IN OF THE «OLD OF KIEV LEGENDS» NATALENA KOROLEVAS." In Modern Global Trends in the Development of Innovative Scientific Researches. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-588-39-6-19.

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Reports on the topic "Nataliya"

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Moráis Morán, José Alberto. The Romanesque Casket of Saints Adrian and Natalia (The Art Institute of Chicago): Cultural Context and Artistic Analysis. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/itma.2018.12.05.

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Clarke, Jennifer. Review of Natalie Loveless (ed.) “Knowings and Knots: Methodologies and Ecologies in Research-Creation”. Jar-online.net, July 2020. http://dx.doi.org/10.22501/jarnet.0031.

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Billows, Jo, and Stephanie Springgay. Review of Natalie Loveless "How to Make Art at the End of the World: a Manifesto for Re-search-Creation". Jar-online.net, October 2020. http://dx.doi.org/10.22501/jarnet.0035.

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Olivares, Claudio, Camilo Urbano, Darío Hidalgo, Natalia Tinjacá, José Manuel Pérez, Maria Clara Gutiérrez, Cristian Navas, Claudia Glen, Lauramaría Pedraza, and Manuel Rodriguez Porcel. Mapas de viaje: Metodología para el diagnóstico y propuestas de mejora de la accesibilidad universal en sistemas de transporte público en América Latina y el Caribe. Edited by Isabel Granada and Camila Ramos. Inter-American Development Bank, December 2019. http://dx.doi.org/10.18235/0002065.

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AUTOROlivares, Claudio; Urbano, Camilo; Hidalgo, Darío; Tinjacá, Natalia; Pérez, José Manuel; Gutiérrez, Maria Clara; Navas, Cristian; Glen, Claudia; Pedraza, Lauramaría; Rodriguez Porcel, ManuelFECHADec 2019DESCARGA:Español (928 descargas)DOIhttp://dx.doi.org/10.18235/0002065EDITORIsabel Granada, Camila RamosSe propone una nueva metodología, mapeando experiencias de viaje, para identificar las barreras y brechas en la accesibilidad universal para usuarios del transporte público con discapacidad, movilidad reducida permanente o temporal y de viajes asociados al cuidado. La metodología se centra en la experiencia de viaje de estos usuarios teniendo en cuenta sus percepciones, sentimientos y emociones. Para ello, la metodología utiliza métodos etnográficos y proporciona una representación gráfica del viaje o Mapa de Viaje de Cliente (MVC). Esta herramienta ayuda a identificar elementos clave para visualizar la aplicación de la metodología y permite orientar a los investigadores para encontrar brechas y barreras de modo que permita definir acciones de mejora en la planificación, diseño, implementación y operación de los sistemas de transporte público. La metodología tiene dos partes: i) Acompañamiento y observación del viaje completo y cotidiano de las personas con discapacidad permanente o temporal, y ii) análisis y visualización de la experiencia de viaje, mediante la elaboración de un Mapa de Viaje de Cliente para cada uno de los usuarios observados. La metodología se aplicó en Bogotá, Santiago de Chile y Medellín. Los resultados de la metodología permitieron formular recomendaciones de políticas para mejorar los sistemas de transporte de estas ciudades a corto, mediano y largo plazo.

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