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Journal articles on the topic 'National Gallery of Jamaica'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Paterson, Liberty. "‘Wider than the realm of England’: the Hosack family heritage, Atlantic slavery and casting Mary, Queen of Scots for the nation." Sculpture Journal 32, no. 4 (2023): 469–92. http://dx.doi.org/10.3828/sj.2023.32.4.05.

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In 1871 the Scottish-born magistrate John Hosack (1809–87) was described as ‘the chivalrous and most recent defender’ of Mary, Queen of Scots. After writing a popular historical account of her life, he had presented a plaster cast bust of her Westminster effigy to London’s National Portrait Gallery, which it then used to create an electrotype sculpture with the help of Elkington & Co. This article interrogates the ‘value’ of this sculpture as a cultural heritage object by retracing its history. It places Hosack’s desire to replicate and commemorate Scottish heritage alongside his family ti

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2

Rubinstein, Ben. "The micro gallery at the national gallery of London." Archives and Museum Informatics 6, no. 2 (1992): 5–10. http://dx.doi.org/10.1007/bf02770344.

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3

Smith, Philip E. M. "Neurology in the National Gallery." Journal of the Royal Society of Medicine 92, no. 12 (1999): 649–52. http://dx.doi.org/10.1177/014107689909201214.

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4

Mervis, J. "National Lab Day: Image Gallery." Science 329, no. 5989 (2010): 270. http://dx.doi.org/10.1126/science.329.5989.270-f.

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5

Thomas, Ann W. "The National Gallery of Canada." History of Photography 20, no. 2 (1996): 171–74. http://dx.doi.org/10.1080/03087298.1996.10443645.

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6

Sinclair-Maragh, Gaunette. "Air Jamaica … more than a national airline." Emerald Emerging Markets Case Studies 1, no. 1 (2011): 1–6. http://dx.doi.org/10.1108/20450621111110627.

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Subject area Hospitality and tourism management; strategic management; marketing, transportation system management and human resource management. Study level/applicability Undergraduate in business and management and hospitality and tourism management. Case overview This teaching case outlines the historical background, successes and challenges of the national airline of Jamaica. It shows how a national airline, which is a heritage asset and one that has provided nostalgic and sentimental value to the Jamaican people and its passengers, had to be divested. The airline has been faced with sever

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7

Tyquiengco, Marina. "Defying Empire: The Third National Indigenous Art Triennial: National Gallery of Australia, May 26 – September 10, 2017." Contemporaneity: Historical Presence in Visual Culture 6 (November 30, 2017): 113–19. http://dx.doi.org/10.5195/contemp.2017.232.

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Exhibition ReviewExhibition catalog: Tina Baum, Defying Empire: 3rd National Indigenous Art Triennial. Canberra: National Gallery of Art, 2017. 160 pp. $39.95 (9780642334688) Exhibition schedule: National Gallery of Australia, Canberra, ACT, May 26, 2017 – September 10, 2017

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8

Woodson-Boulton, Amy. "The art of compromise: the founding of the National Gallery of British, Art, 1890-1892." Museum and Society 1, no. 3 (2033): 147–69. https://doi.org/10.29311/mas.v1i3.41.

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This article argues that the press played a key role in defining the Tate Gallery by facilitating a national debate about the siting, nature, and purpose of the proposed National Gallery of British Art. Art critics, politicians, journalists and a variety of newspaper editors weighed in on whether Britain should create a museum of modern art, a museum of national art, or both. The understanding of British art as quintessentially modern at the time of the founding of the Gallery meant that from the beginning the Tate Gallery was founded as both the National Gallery of British Art and a museum of

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9

Mukarommah, Amirah Salwa, and Meylani Tuti. "THE IMPACT OF LIFESTYLE, ART COLLECTION, AND HEDONIC LIVING ON VISIT INTENTION, VISIT DECISION AND REVISIT INTENTION AT THE NATIONAL GALLERY." Journal of Management : Small and Medium Enterprises (SMEs) 16, no. 2 (2023): 397–411. http://dx.doi.org/10.35508/jom.v16i2.11247.

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The National Gallery hosts several local and foreign travelers for art exhibitions and events. It is intriguing to look at the lifestyle characteristics, gallery art collections, and hedonic factors that affect tourists' decisions to visit the National Gallery. The purpose of this study was to determine the impact of Lifestyle, Art Collection, and Hedonic Living on Visit Intention, Visit Decision, and Revisit Intention in the National Gallery. Purposive sampling was used to collect data on 152 National Gallery visitors in December 2022 for this study. The analytical method employed is the Stru

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10

Sarmiento, Sergio Munoz, and Lauren van Haaften-Schick. "Cariou v. Prince." 2013 Fall Intellectual Property Symposium Articles 1, no. 4 (2014): 941–57. http://dx.doi.org/10.37419/lr.v1.i4.6.

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In the winter of 2008, Richard Prince had a major exhibition of new and controversial paintings at Gagosian Gallery in New York titled Canal Zone. For the exhibition, Prince, an early member of the appropriationist art group known as The Pictures Generation, presented a body of artworks that incorporated reproductions of published photographs protected by the United States Copyright Act of 1976 The original published photographs were taken by the artist Patrick Cariou for his book, Yes Rasta, which consisted of a series of portraits of Rastafarians in Jamaica.

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11

Gosine, Andil. "Everything Slackens in a Wreck." Small Axe: A Caribbean Journal of Criticism 26, no. 2 (2022): 119–43. http://dx.doi.org/10.1215/07990537-9901696.

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This is a curatorial essay in which the author explains his research and process for the conception and production of everything slackens in a wreck, a visual arts exhibition running at the Ford Foundation Gallery in New York from June to September 2022. Gosine elaborates his thinking about the title of the exhibition, which is taken from a Khal Torabully poem, and explains the relevance of and his intrigue with the four artists whose works comprise the exhibition: Wendy Nanan (Trinidad and Tobago), Margaret Chen (Jamaica/Canada), Andrea Chung (Jamaica/United States), and Kelly Sinnapah Mary (

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12

Garraway, Eric. "THE BIOLOGY OF IPS CALLIGRAPHUS AND IPS GRANDICOLLIS (COLEOPTERA: SCOLYTIDAE) IN JAMAICA." Canadian Entomologist 118, no. 2 (1986): 113–21. http://dx.doi.org/10.4039/ent118113-2.

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AbstractIps calligraphus (Germar) has previously been recorded from Jamaica but this is the first record of Ips grandicollis (Eichhoff) in the island. In Jamaica, both bark beetles attack 5 species of Pinus, 4 of which had not been previously recorded. The beetles thrive mainly on freshly cut logs and weakened trees, but recently they have been rising to economic importance in plantations. Successful attack on live trees is enhanced by mass aggregation of dispersing adults during invasion. Some adults may re-emerge after a phase of oviposition and disperse to new food sources. There is degener

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13

Braman, George N. "The Girl in the National Gallery." Annals of Internal Medicine 144, no. 8 (2006): 595. http://dx.doi.org/10.7326/0003-4819-144-8-200604180-00010.

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14

Cannon, Catríona. "The National Gallery of Ireland Library." Art Libraries Journal 25, no. 3 (2000): 21–24. http://dx.doi.org/10.1017/s030747220001172x.

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The National Gallery of Ireland Library has recently re-opened to internal and external readers after a number of years. The concentration so far has been on reader services, while a major revision of the cataloguing and classification procedures is being undertaken. New projects to organise the Gallery’s Archives and make them more accessible for research, and to open a sponsored Centre for the Study of Irish Art in 2002-3, show the Library’s revived interest in reaching its potential users.

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15

Molnar, Michael. "Freud in the National Portrait Gallery." American Imago 69, no. 1 (2012): 107–33. http://dx.doi.org/10.1353/aim.2012.0000.

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16

Raymond, Mareeni. "Making Sculpture at the National Gallery." BMJ 326, Suppl S5 (2003): 0305171. http://dx.doi.org/10.1136/sbmj.0305171.

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17

C.-B., P. "The National Gallery Christies Furniture Fund." Museum Management and Curatorship 8, no. 3 (1989): 327–28. http://dx.doi.org/10.1016/0260-4779(89)90082-4.

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18

Molaro, P. "Thomas Harriot at the National Gallery?" Astronomische Nachrichten 339, no. 1 (2017): 103–8. http://dx.doi.org/10.1002/asna.201713374.

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19

Garrett, Jason T. "Smithsonian Celebrates the American Musical." Theatre Survey 37, no. 2 (1996): 137–39. http://dx.doi.org/10.1017/s0040557400001654.

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Two of the Smithsonian museums in Washington, D.C., the National Portrait Gallery and the National Museum of American History, are celebrating Broadway and Hollywood with their collaborative exhibit “Red, Hot, and Blue: A Salute to American Musicals,” which runs 25 October 1996 to 6 July 1997, at the National Portrait Gallery.

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20

Nugraha, Rizki Nurul, and Anisa Sesar Yuni Purwati. "Metaverse Strategy And Planning At The National Gallery." West Science Interdisciplinary Studies 2, no. 03 (2024): 572–81. http://dx.doi.org/10.58812/wsis.v2i03.716.

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This research examines the strategy and planning of metaverse in the National Gallery. The purpose of this research is to find out and learn the right strategy and planning in tourism, especially at the National Gallery tourist attraction. The research method used is the literature study method by collecting library data, reading and recording, and processing research materials. The results show that regarding the strategy of Augmented Reality (AR) and Virtual Reality (VR) technology that will be carried in the development of Metaverse and analysis of the use of information media, it can be su

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21

Morrison, Belinda F., William Aiken, Richard Mayhew, Yulit Gordon, and Marvin Reid. "Prostate Cancer Screening in Jamaica: Results of the Largest National Screening Clinic." Journal of Cancer Epidemiology 2016 (2016): 1–4. http://dx.doi.org/10.1155/2016/2606805.

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Prostate cancer is highly prevalent in Jamaica and is the leading cause of cancer-related deaths. Our aim was to evaluate the patterns of screening in the largest organized screening clinic in Jamaica at the Jamaica Cancer Society. A retrospective analysis of all men presenting for screening at the Jamaica Cancer Society from 1995 to 2005 was done. All patients had digital rectal examinations (DRE) and prostate specific antigen (PSA) tests done. Results of prostate biopsies were noted. 1117 men of mean age 59.9 ± 8.2 years presented for screening. The median documented PSA was 1.6 ng/mL (maxim

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22

Hava, Jarmila. "The Library at the National Gallery of Zimbabwe." Art Libraries Journal 11, no. 2 (1986): 40–43. http://dx.doi.org/10.1017/s0307472200004636.

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The Library of the National Gallery of Zimbabwe dates from the 1950s. Its acquisition policies mirror those of the Gallery itself, which since Independence in 1980 have concentrated on traditional culture and contemporary art in Zimbabwe; the library also includes a collection of books on architecture. Due to insufficient funds and lack of foreign currency, Library acquisitions are heavily dependent on donations. A slide collection includes specially photographed slides of Zimbabwean art. The Library is open to the public and is well used by students but not by local artists who are often cont

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23

Imhof, Robin. "National Portrait Gallery200442National Portrait Gallery. London: National Portrait Gallery Gratis URL: http://www.npg.org.uk/ Last visited September 2003." Reference Reviews 18, no. 1 (2004): 48–49. http://dx.doi.org/10.1108/09504120410513429.

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24

Honoris, Robby, and Andalucia . "Design of North Sumatera Paradise Gallery in Medan City (Metaphor Architecture)." International Journal of Architecture and Urbanism 1, no. 1 (2017): 91–99. http://dx.doi.org/10.32734/ijau.v1i1.266.

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The purpose of this Art Gallery designing is for giving space for the local artist to place and promote their art products. It’s because Medan city has not decent gallery according to the national standard. The surplus of this art gallery out of showing fine art is giving room experience impression to support fine art showcase. The theme of the building is a metaphor of water ripple to represent Babura river, so the art installation to the building is using water concept that gives unique aspect to building and can be art identity of Medan city. This gallery building is hoped to fulfill galler

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25

Wain, Alison. "Playing creatively." Early Years Educator 24, no. 14 (2025): 1–2. https://doi.org/10.12968/eyed.2025.24.14.12.

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A new learning centre will open at the National Gallery next month, co-curated and designed with a child-centred approach which aims to foreground the child’s voice. Alison Wain, Family and Children’s Programmer at the National Gallery, shares more about the centre and how it has been designed.

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26

Lashley, Beverley, Nicholas Graham, and Nicole Prawl. "Coping with Covid-19: The case of the National Library of Jamaica." Alexandria: The Journal of National and International Library and Information Issues 30, no. 2-3 (2020): 135–46. http://dx.doi.org/10.1177/0955749020984937.

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While Asian and European countries were grappling with the Covid-19 pandemic, the first imported case from the United Kingdom surfaced in Jamaica on 10 March 2020. The article will trace the steps taken by the National Library of Jamaica (NLJ) before and during the pandemic while improving the value of our cultural heritage to Jamaica and the wider diaspora. The NLJ celebrated 40 years of sterling contribution to the development of Jamaica from March 1979 to April 2020. It has been a leading voice in the region in disaster management and preparedness. Through its Preservation and Conservation

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27

Wijaya, Sherren, and Imam Ardiansyah. "PENGARUH DAYA TARIK WISATA TERHADAP MINAT BERKUNJUNG WISATAWAN DI GALERI NASIONAL INDONESIA." SOCIA: Jurnal Ilmu-Ilmu Sosial 20, no. 1 (2023): 77–89. http://dx.doi.org/10.21831/socia.v20i1.64556.

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This study aims to determine the effect of attractiveness on tourist interest in the National Gallery of Indonesia. The object of this research is people who are visiting the National Gallery of Indonesia. The research sample amounted to 100 people used by purposive sampling method. All data were processed using the SPSS (Statistical Program for Social Science) version 25.This research uses quantitative methods. In this study the results showed that the t value of the variable count Attraction (X1) amounted to 3.454 t table (1.984) with a value of Sig. 0.001 0.05 then H0 is rejected and HA is

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28

Mohamedali, Ownali Nurdin. "NATIS (National Information Systems): The Jamaican Experience." Alexandria: The Journal of National and International Library and Information Issues 8, no. 3 (1996): 167–80. http://dx.doi.org/10.1177/095574909600800303.

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In December 1973 the Prime Minster of Jamaica appointed a National Council on Libraries, Archives and Document Services (NACOLADS) to advise the government on the development of an integrated network information system. It was thought that this could best be done by using UNESCO's NATIS concept. Several working parties were established, and among their recommendations were the creation of a series of networks as the basis of a national information system, the establishment of a National Library (achieved in 1979), new legislation for the National Archives and Records Center (passed in 1982), a

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29

Warner, Malcolm. "The Pre-Raphaelites and the National Gallery." Huntington Library Quarterly 55, no. 1 (1992): 1–11. http://dx.doi.org/10.2307/3817652.

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30

Strauss, RM, H. Marzo-Ortega, and V. Goulden. "Skin abnormalities in the National Portrait Gallery." Journal of the European Academy of Dermatology and Venereology 18, no. 5 (2004): 566–68. http://dx.doi.org/10.1111/j.1468-3083.2004.01024.x.

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31

ROGERS, MALCOLM. "MASTER DRAWINGS FROM THE NATIONAL PORTRAIT GALLERY." Art Book 1, no. 2 (1994): 30. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00038.x.

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32

Wiseman, Frederick. "Presentación de National Gallery, de Frederick Wiseman." Cuadernos de Cine Documental, no. 10 (September 2, 2016): 62–66. http://dx.doi.org/10.14409/ccd.v0i10.6036.

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33

Wright, Elizabeth. "Virginia Woolf at the National Portrait Gallery." Women: A Cultural Review 25, no. 4 (2014): 429–30. http://dx.doi.org/10.1080/09574042.2014.989744.

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34

Baxter, Paula A. "THE NATIONAL PORTRAIT GALLERY COLLECTION. Susan Foister." Art Documentation: Journal of the Art Libraries Society of North America 9, no. 1 (1990): 43. http://dx.doi.org/10.1086/adx.9.1.27948199.

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35

Whitehead, Christopher. "Architectures of display at the National Gallery." Journal of the History of Collections 17, no. 2 (2005): 189–211. http://dx.doi.org/10.1093/jhc/fhi023.

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36

Hasnes, Geir. "Chesterton and the National Portrait Gallery Postcards." Chesterton Review 46, no. 1 (2020): 87–111. http://dx.doi.org/10.5840/chesterton2020461/212.

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37

Kluger, Nicolas. "Skin abnormalities in the Finnish National Gallery." Journal of Cosmetic Dermatology 19, no. 4 (2019): 960–63. http://dx.doi.org/10.1111/jocd.13095.

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38

Yaneva, Alexandra. "Pre-Columbian Ecuador in the National Gallery." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 9, no. 1 (2023): 131–40. http://dx.doi.org/10.55630/kinj.2023.090110.

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Fourteen artifacts reveal reality and believes of ancient societies of Ecuador. The collection consists of anthropomorphic and zoomorphic ceramic figures created between the 16th century BCE and 16th century CE. It is donated in 1988 by Guaysamin Foundation and since 2015 - exhibited in permanent exposition at Kvadrat 500, National gallery, Sofia.

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39

James, Stuart. "National Gallery Catalogues:98339Judy Egerton. National Gallery Catalogues: The British School. London: National Gallery Publications 1998. 456 pp, ISBN: 1 85709 170 1 £50.00 Distributed by Yale University Press." Reference Reviews 12, no. 6 (1998): 37–38. http://dx.doi.org/10.1108/rr.1998.12.6.37.339.

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40

Waddington, Murray. "The national role of the Library of the National Gallery of Canada." Art Libraries Journal 19, no. 1 (1994): 27–29. http://dx.doi.org/10.1017/s0307472200008671.

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The financial situation of cultural institutions is becoming increasingly perilous, and two years into its new national mandate the Library of the National Gallery of Canada finds its resources absorbed by internal needs and local use. To sustain a vital presence in the community of art information specialists the Library must restrict its contributions to those which have modest or no resource imperatives: generously shared collections; well conceived services which are publicized and accessible; strengthened cataloguing to be shared; attention to preservation; development of expertise to be

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41

Furness, Jane. "Research resources in the National Galleries of Scotland." Art Libraries Journal 28, no. 3 (2003): 37–41. http://dx.doi.org/10.1017/s0307472200013225.

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The National Galleries of Scotland is entering an exciting period of development: phase one of its Playfair Project is due for completion in summer 2003, with the opening of the remodelled Royal Scottish Academy building adjacent to the National Gallery and the exhibition Monet: the Seine & the sea. As well as providing increased gallery, education and visitor facilities, this project also has information technology and access implications for the Archives, Libraries and Reference Section as well as for the commercial Picture Library.

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42

Lydon, Andrea. "The right space: 150 years of housing a national gallery's library and archive collection." Art Libraries Journal 43, no. 1 (2017): 24–30. http://dx.doi.org/10.1017/alj.2017.44.

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The National Gallery of Ireland is the country's premier art institution. It houses the nation's collection of fine art in addition to a collection of library and archive material relating to the visual arts. The library and archive collections play an invaluable role supporting the work of the gallery and are regularly consulted by external researchers. Surprisingly, for more than a century there was no dedicated library space allocated to this collection. This article explores the development of the collection and the space it has occupied within the Gallery over the last 150 years, chronicl

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43

Ardhiati, Yuke, Ashri Prawesthi D, Diptya Anggita, et al. "An Adaptive Re-use of Cultural Heritage Buildings in Jabodetabek (Greater Jakarta) as the National Gallery of Indonesia's Satellites." International Journal of Built Environment and Scientific Research 4, no. 2 (2020): 115. http://dx.doi.org/10.24853/ijbesr.4.2.115-126.

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The Nasional Gallery of Indonesia is a reputable art gallery owned by Indonesian State. It roles as the venue for exhibitions and art events on International scale. To maintain the reputation then it employed the Independent Curators to cary out exhibitions. In recent years, the phenomenon of the proffesional Fine Art Artists show the hing spirits. To enrich their international publication then they began to realize their opportunity to exhibit at this gallery. Unfortunately, the gallery building is an adaptive reuse of the Cultural Heritage Building. The National Gallery building which has a

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44

Hayes, Sandy. "Technology Toolkit: I Hear American Writing: NCTE’s National Day on Writing." Voices from the Middle 17, no. 1 (2009): 46–47. http://dx.doi.org/10.58680/vm20097966.

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When the National Gallery of Writing opens to the public on October 20, Hayes is hoping to hear from every profession, every socioeconomic group, every race, and … your students. Here are ideas for the many forms that writing might take, as well as a list of resources to help make writing for the gallery a unique experience for each writer.

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45

Collier, Lorna. "Get Ready for the National Day on Writing." Council Chronicle 19, no. 1 (2009): 6–9. http://dx.doi.org/10.58680/cc200912092.

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46

Sari, Desy Novita, and Rahmi Rahmi. "National Gallery of Indonesia’s Website Evaluation Using WebQual 4.0." Paradigma - Jurnal Komputer dan Informatika 25, no. 2 (2023): 71–80. http://dx.doi.org/10.31294/p.v25i2.2022.

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Although there is a lot of research on websites, there is very little research on art gallery websites in Indonesia. As a result, this study examines the quality of the National Gallery of Indonesia’s (commonly referred to as Galnas) website as a source providing information about the gallery by analyzing end-user perceptions through methods such as WebQual 4.0, importance–performance analysis, and customer satisfaction index (CSI). Fifty undergraduate and postgraduate college students in the Library and Information Science (LIS) program of the Faculty of Humanities at the University of Indone

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47

Stillwell, Joana. "Art Museum Exhibitions in the Library." International Journal of Librarianship 9, no. 2 (2024): 103–7. http://dx.doi.org/10.23974/ijol.2024.vol9.2.376.

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Typically, museums are seen as the primary venue for exhibitions. However, an interest in library exhibitions has been growing as indicated by increased literature in the library field, albeit with a large focus on academic libraries. On a broader scale, library exhibitions continue to be under-researched as indicated by the continuing lack of library exhibition evaluation standards, library exhibition reviews, and exhibition-related professional training for librarians. In this 2021 study, interviews were conducted at eight Washington, DC-based art museum libraries: The National Gallery of Ar

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48

Hoffman, Sheila K., Aya Tanaka, Bai Xue, et al. "Exhibition Reviews." Museum Worlds 9, no. 1 (2021): 175–207. http://dx.doi.org/10.3167/armw.2021.090114.

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Museum of Russian Icons, Clinton, Massachusetts by Sheila K. HoffmanLocal Cultures Assisting Revitalization: 10 Years Since the Great East Japan Earthquake, National Museum of Ethology (Minpaku), Osaka by Aya TanakaTianjin Museum of Finance, Tianjin by Bai XueVegetation and Universe: The Collection of Flower and Bird Paintings, Zhejiang Provincial Museum, Hangzhou by Ni Na Camellia NgThree Kingdoms: Unveiling the Story, Tokyo National Museum and Kyushu National Museum, Japan, and China Millennium Monument, Nanshan Museum, Wuzhong Museum, and Chengdu Wuhou Shrine, People’s Republic of China by

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49

Beaulieu, Micheline, and Victoria Mellor. "The Micro Gallery: an evaluation of the hypertext system in The National Gallery, London." New Review of Hypermedia and Multimedia 1, no. 1 (1995): 233–60. http://dx.doi.org/10.1080/13614569508914669.

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50

Horman, Mary M. "National Gallery of Art ‐ The Collection0047National Gallery of Art. National Gallery of Art ‐ The Collection. 1997 to date; updated weekly. http://www.nga.gov/collection/collect.htm No charge." Electronic Resources Review 4, no. 5 (2000): 51. http://dx.doi.org/10.1108/err.2000.4.5.51.47.

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