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Relevant bibliographies by topics / National Gallery of Zimbabwe

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Academic literature on the topic 'National Gallery of Zimbabwe'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "National Gallery of Zimbabwe"

1

Hava, Jarmila. "The Library at the National Gallery of Zimbabwe." Art Libraries Journal 11, no. 2 (1986): 40–43. http://dx.doi.org/10.1017/s0307472200004636.

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The Library of the National Gallery of Zimbabwe dates from the 1950s. Its acquisition policies mirror those of the Gallery itself, which since Independence in 1980 have concentrated on traditional culture and contemporary art in Zimbabwe; the library also includes a collection of books on architecture. Due to insufficient funds and lack of foreign currency, Library acquisitions are heavily dependent on donations. A slide collection includes specially photographed slides of Zimbabwean art. The Library is open to the public and is well used by students but not by local artists who are often content to continue traditions without seeking to innovate or to respond to other works of art. Both Gallery and Library have accepted and are developing an active educational role.

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Chiwara, Davison. "Documentation: A Security Tool for the Identification and Repatriation of Illicitly Trafficked Objects from Museums with Particular Reference to the National Gallery of Zimbabwe." Heritage 2, no. 1 (January 28, 2019): 390–99. http://dx.doi.org/10.3390/heritage2010027.

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The aim of the study was to ascertain how documentation assisted in the recovery of stolen and illicitly trafficked objects at the National Gallery of Zimbabwe. The research objectives were to: Assess the adequacy of the gallery’s documentation system; appraise the documentation elements that were key in the tracking and repatriation of stolen objects to the gallery; analyze the gallery’s networks on the documentation and safeguarding of objects against theft; and ascertain challenges faced by the gallery in documenting its objects. Research results indicated that the gallery’s documentation system encompassed both manual and electronic documentation, which addressed vital aspects that have been prescribed by Object ID Standards for the identification and recovery of stolen objects. These include photographs, provenance, and name of objects. This, coupled with networks with key institutions involved in the fight against theft and illicit trafficking of objects, has enabled the gallery to recover its stolen objects from Poland. However, lack of state-of-the-art cameras has led to the production of poor photographs, which compromised the gallery’s claim to its stolen objects. Additionally, lack of ideal software for the gallery’s database is hampering effective documentation efforts. The research recommends that the gallery should acquire appropriate cameras for quality documentation of its objects and purchase database software with backup support for software upgrades to prevent loss of information on its objects.

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Sibanda, Doreen J. "The education programme of the National Gallery of Zimbabwe." Museum International 40, no. 2 (June 1988): 103–6. http://dx.doi.org/10.1111/j.1468-0033.1989.tb00736.x.

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Sibanda, Doreen J. "Les programmes éducatifs de la National Gallery du Zimbabwe." Museum International (Edition Francaise) 40, no. 2 (April 24, 2009): 103–6. http://dx.doi.org/10.1111/j.1755-5825.1989.tb01143.x.

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Chiwara, Davison, and Richard Mudariki. "Conserving contemporary artworks: perspectives of artists and curators at the National Art Gallery of Zimbabwe." Studies in Conservation 61, sup2 (June 2016): 280–82. http://dx.doi.org/10.1080/00393630.2016.1182698.

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Chiwara, Davison. "Fostering Human Rights and Empowering Communities through Art and Education: The Case of the National Gallery of Zimbabwe." Museum International 68, no. 3-4 (July 2016): 164–75. http://dx.doi.org/10.1111/muse.12132.

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Rubinstein, Ben. "The micro gallery at the national gallery of London." Archives and Museum Informatics 6, no. 2 (June 1992): 5–10. http://dx.doi.org/10.1007/bf02770344.

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Smith, Philip E. M. "Neurology in the National Gallery." Journal of the Royal Society of Medicine 92, no. 12 (December 1999): 649–52. http://dx.doi.org/10.1177/014107689909201214.

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Thomas, Ann W. "The National Gallery of Canada." History of Photography 20, no. 2 (June 1996): 171–74. http://dx.doi.org/10.1080/03087298.1996.10443645.

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Mervis, J. "National Lab Day: Image Gallery." Science 329, no. 5989 (July 15, 2010): 270. http://dx.doi.org/10.1126/science.329.5989.270-f.

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Dissertations / Theses on the topic "National Gallery of Zimbabwe"

1

Ward, Debbie, and n/a. "Textile conservation at the Australian National Gallery." University of Canberra. Applied Science, 1985. http://erl.canberra.edu.au./public/adt-AUC20061109.174356.

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Urquhart, Ian McLeod, and n/a. "An internship in painting conservation at the Australian National Gallery." University of Canberra. Applied Science, 1985. http://erl.canberra.edu.au./public/adt-AUC20061109.162330.

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My employment in the Paintings Section of the Conservation Department of the Australian National Gallery began in June 1983, however my internship did not begin until March 1984 under the supervision of Allan Byrne. At that time, the paintings section was divided, rather arbitrarily, into: paintings pre-1940, headed by Ilse King and; paintings post-1940, headed by Allan Byrne. Because of the departure of the then senior curator of conservation Dr Nathan Stolow, Allan Byrne became acting senior curator. When Allan Byrne took up the position of lecturer in paintings conservation at C.C.A.E., Ilse King then became acting senior curator and my supervisor; the division within the painting section was then disbanded. Jac Macnaughtan departed temporarily from the department to undertake study and to work at the Tate Gallery and at the Courtauld Institute in London leaving me with the paintings section. I was fortunate enough to have at first one assistant Simon Hartas, then two assistants, Mark Henderson and Les Cormack to help with the task of backing, framing and restretching paintings. There was no formal training programme for an intern - work was undertaken as it came into the department and as it was allotted. For the sake of simplicity and ease of handling the dissertation is divided into 3 parts: Part 1 includes the Functions and Facilities of the conservation department. Part 2 includes an outline of painting conservation practice within the gallery and details of conservation work undertaken. Part 3 comprises a project on some of the properties of hardboard. As the gallery has in its collection a considerable number of paintings on hardboard, to augment my knowledge and perhaps give some insight into the nature of hardboard, this project was undertaken in conjunction with the internship.

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Perry, Lara Ann. "Facing femininities : women in the National Portrait Gallery, 1856-1899." Thesis, University of York, 1999. http://etheses.whiterose.ac.uk/2479/.

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Conlin, Jonathan. "The origins and history of the National Gallery, 1753-1860." Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440592.

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Fry, Tom. "Representing 'the people' : the national discourse in Zimbabwe." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/3770.

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Cains, Carol, and n/a. "Internship in textile conservation at the Australian National Gallery, 1981-1984." University of Canberra. Applied Science, 1985. http://erl.canberra.edu.au./public/adt-AUC20060623.130749.

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Dias, Rosemarie. "John Boydell's Shakespeare Gallery and the promotion of a national aesthetic." Thesis, University of York, 2003. http://etheses.whiterose.ac.uk/2532/.

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Muronda, Yeukai. "Social security and the national orphan care policy in Zimbabwe: challenges from the child headed household." Thesis, University of Fort Hare, 2009. http://hdl.handle.net/10353/564.

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This study focused on the policy responses formulated by the government of Zimbabwe and their implementation to meet the social needs of the people with special emphasis on the Zimbabwe National Orphan Care Policy (ZNOCP) of 1999. The challenges this policy is facing from the newly evolving structure of the child headed households was the centre of this study. At independence, the government adopted the incremental approach to policy making and extended formal social policy to the previously marginalized black majority. The ZNOCP was introduced in 1999 during the second phase of ESAP. The same period saw the spread of the HIV and AIDS pandemic. HIV and AIDS led to an increase in the number of orphans some of whom ended up in CHH without adult supervision. The day to day challenges of this group of orphans was investigated in Masvingo rural district. For this study both the qualitative and quantitative methodology paradigms were used. Secondary sources such as journal articles, published books and computer databases helped in complementing the field work. Four sets of questionnaires were administered to four groups of people which were the heads of CHH, extended families, community leadership and government officials. The analysis of this study led to the following conclusions about social policy and the plight of children in CHH. Firstly, that social policy has failed in Zimbabwe due to the incremental approach to policy making which was taken by the government because of its nature of being reformist as opposed to being transformative. Secondly, that the xiii ZNOCP is not being properly implemented therefore it does not have any impact on the lives of children in CHH. These children are struggling for basic social services like food and nutrition, clothing, education health, shelter and birth registration. Thirdly, the extended families and the community have been weakened by HIV and AIDS and impoverished by ESAP such that they cannot take care of their own families, let alone their deceased relatives‟ orphaned children as stipulated by the ZNOCP. Finally, the passive role being taken by the government in the care and protection of the children in CHH is detrimental to their welfare. The comparative case study of the Slangspruit informal settlement in South Africa shows that challenges faced by orphans are common. This study therefore recommends that there is need for the review of the ZNOCP. The new policy should come up with child care strategies which take into cognizance the evolutionary nature of the community. A human rights based approach ought to be the basis of child protection interventions in Zimbabwe. The study recommends that all stakeholders from the government down to the community need to fully participate in their various capacities in child care and protection. Resources in terms of finance and human resources should be made available and channeled to the intended beneficiaries. There is also need for capacity building in the communities and to intensify HIV and AIDS prevention, mitigation, care and treatment interventions to reduce the prevalence of orphans.

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Chimange, Mizeck. "Implementation of the Zimbabwe National Orphan Care Policy: implications of partnership between government and civil society." Thesis, University of Fort Hare, 2012. http://hdl.handle.net/10353/d1007188.

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The study focused on the exploration of the implication of partnership between the government and civil society organizations in the implementation of the Zimbabwe National Orphan Care Policy (ZNOCP). The study was carried out in Masvingo District in Zimbabwe to explore on the feasibility of inter-organizational interaction in policy implementation and how it affects the service delivery system. The study incorporated government departments, civil society organizations and ward councillors who stood as the custodians of the people. The study was intended on unveiling the different contextual aspects that exist between government departments and civil-society organizations (CSOs) as individual and separate entities and how the compromising of their values would affect the partnership. Looking at the hierarchical and bureaucratic features of government institutions, the study also intended to understand how this could be concealed and compromised with CSOs‟ open agendas in public policy implementation to ensure effective service delivery to the people. The 5C protocol, critical variables in policy implementation which are policy content, context, capacity, commitment of those entrusted with the implementation process and also clients and coalitions were used as the yardsticks. These variables acted as a yardstick on which to analyze the partnership between the Zimbabwean government and the civil society in the implementation of the Z.N.O.C.P, their different attitudes, bureaucratic settings, organizational culture, values, norms, and how their readjustments or failure affect the service delivery system. It also became imperative to look at the government legislations that govern the CSO space of operation and financial aspects to understand the implications of partnership between government and civil society. An understanding of these aspects leads to an increased understanding of the feasibility of state-CSO partnerships and its implications on policy implementation.

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Hahn, Catherine Neville. "The political house of art : the South African National Gallery, 1930-2009." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19314/.

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The thesis analyses modes of representation in the South African National Gallery (SANG) between 1930 and 2009. Built in 1930, for the larger part of its history SANG was situated in a white state that disenfranchised the black populace. Whiteness, as citizenship, was normalised and glorified in the state’s museums. Analysis of evidence collected from the archive, décor, art collection, exhibitions, attendance of walking tours and semi-structured interviews with staff demonstrates that SANG’s historic practice does not fit neatly within the dominant theoretical understanding of the art museum, namely a sacred space in which power has been obscured through the ‘art for art’s sake’ model. Instead, the thesis finds at SANG invisible symbolic capital resided alongside the more muscular capital of the colony, which derived its strength from an overt relationship with commerce, politics and race. The thesis further finds that SANG developed a close relationship with its white audience through its construction as a ‘homely space’. As a consequence, I argue SANG developed museological conventions that better fit the analogy of the political house than the temple. Taking new museum ethics into consideration, the thesis examines how SANG’s distinctive heritage impacted on its ability to be inclusive. My fieldwork on recent representational practice at SANG reveals strategies congruent with the post-museum, including performative political exhibitions, diversification of the collection and active dialogue with the communities it seeks to serve. At the same time embedded modes of white cultural representation were identified that restricted its capacity to ‘move-on’. The thesis contributes to the field of museum studies by drawing attention to the significance of the individual histories of art institutions in determining their ability to make change. The thesis also contributes to the field of visual sociology by presenting images and ‘map-making’ as an integral feature of the research design.

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Books on the topic "National Gallery of Zimbabwe"

1

Silver Jubilee: Twenty five years of collecting art for the nation. Harare: National Gallery of Zimbabwe, 2005.

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Dzimbadzemabwe. Zimbabwe national orphan care policy. [Harare]: Ministry of Labour and Social Services, 2010.

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Zimbabwe. Ministry of Youth Development, Gender, and Employment Creation. and United Nations Population Fund, eds. National youth policy of Zimbabwe. [Harare]: Ministry of Youth Development, Gender and Employment Creation, 2000.

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4

Raymond, Keaveney, ed. National Gallery of Ireland. London: Scala Books, 1998.

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5

(Pakistan), National Art Gallery. National Art Gallery collection. Islamabad: Pakistan National Council of the Arts, 2007.

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Maaz, Bernhard. The Old National Gallery. Berlin: Berlin Edition, 1999.

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Britain), National Gallery (Great, ed. The National Gallery, London. New York: Thames and Hudson, 1989.

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(Pakistan), National Art Gallery. National Art Gallery collection. Islamabad: Pakistan National Council of the Arts, 2008.

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Raymond, Keaveney, ed. National Gallery of Ireland. London: Scala Books, 1990.

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10

Laitala, Susanna. The Finnish National Gallery. Helsinki: The Gallery, 1992.

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Book chapters on the topic "National Gallery of Zimbabwe"

1

Ndlovu-Gatsheni, Sabelo J. "ZANU-PF in power in Zimbabwe, 1980–2013." In National Liberation Movements as Government in Africa, 122–40. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315101361-9.

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Mano, Winston. "The State and Public Broadcasting: Continuity and Change in Zimbabwe." In Global Media and National Policies, 190–205. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137493958_12.

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3

Sagiya, Munyaradzi Elton, and Joost Fontein. "Toward a critical history of the National Museums and Monuments of Zimbabwe." In National Museums in Africa, 206–23. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003013693-12.

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Mhiripiri, Nhamo Anthony. "Narratives of the Zimbabwe Crisis, National Sovereignty, and Human and Media Rights Violations." In National Democratic Reforms in Africa, 165–99. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137518828_6.

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Ruiz, Ana Baeza. "Curatorial Experiments at the National Gallery After the Second World War." In Making Art History in Europe After 1945, 67–82. 1. | New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351187596-5.

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Andreeva, Golina. "The Military Gallery in the Winter Palace (The Hermitage): International Aspects of the National Memorial." In Memory & Oblivion, 151–57. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_18.

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"The National Gallery." In The Road Back, 79–81. Toronto: University of Toronto Press, 1986. http://dx.doi.org/10.3138/9781487577490-022.

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"The National Gallery." In The Grants Register 2019, 536. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1007/978-1-349-95810-8_862.

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"The National Gallery." In The Grants Register 2018, 536. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1007/978-1-349-94186-5_831.

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Olmsted, John Charles. "“The National Gallery”." In Victorian Painting, 626–28. Routledge, 2018. http://dx.doi.org/10.4324/9780429430275-52.

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Conference papers on the topic "National Gallery of Zimbabwe"

1

Bishi, Amos. "Digital archiving - the current state at the National Archives of Zimbabwe." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419534.

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Sigauke, Delight Tawanda. "Digitisation technologies for newspaper archives in Zimbabwe: The ICT requirements for digitising a selected Bulawayo newspaper publication at the national archives of Zimbabwe." In 2017 IST-Africa Week Conference (IST-Africa). IEEE, 2017. http://dx.doi.org/10.23919/istafrica.2017.8102315.

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Qi, Fei, and Yi Chen. "The Study of Configuration Analysis in Art Gallery based on Space Syntax mmComparison of Washington national gallery and the Shanghai art gallery." In 2015 4th International Conference on Sustainable Energy and Environmental Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icseee-15.2016.207.

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Li, Yangcheng, Alexey V. Maslov, Nicholaos I. Limberopoulos, and Vasily N. Astratov. "Demonstration of whispering-gallery-mode resonant enhancement of optical forces." In NAECON 2014 - IEEE National Aerospace and Electronics Conference. IEEE, 2014. http://dx.doi.org/10.1109/naecon.2014.7045777.

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Buynevich, Ilya, Alexa Silverman, Tilghman H. Moyer, Kaylen M. Policino, Yung Jan Yang, and Nolan Barrette. "ZOOGEOMORPHIC IMPACT OF AFRICAN ELEPHANTS IN HWANGE NATIONAL PARK, ZIMBABWE: INSIGHTS FROM SATELLITE-BASED ANALYSIS." In Northeastern Section-56th Annual Meeting-2021. Geological Society of America, 2021. http://dx.doi.org/10.1130/abs/2021ne-361374.

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Abolmaali, Farzaneh, Yangcheng Li, Anatole Lupu, Maria Tchernycheva, Alexey V. Maslov, Nicholaos I. Limberopoulos, Augustine M. Urbas, and Vasily N. Astratov. "Identification of whispering gallery modes in a fiber based sensor platform." In 2017 IEEE National Aerospace and Electronics Conference (NAECON). IEEE, 2017. http://dx.doi.org/10.1109/naecon.2017.8268786.

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Abdellatif, Sameh, Khaled Kirah, Rami Ghannam, Ahmed S. G. Khalil, and Wagdy Anis. "Numerical investigation of whispering gallery modes in dielectric nanospheres for photovoltaic applications." In 2018 35th National Radio Science Conference (NRSC). IEEE, 2018. http://dx.doi.org/10.1109/nrsc.2018.8354352.

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Deller, J. R., Aparna Gurijala, and Michael S. Seadle. "Audio watermarking techniques for the National Gallery of the Spoken Word." In the first ACM/IEEE-CS joint conference. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/379437.379660.

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Abolmaali, Farzaneh, Yangcheng Li, Kenneth W. Allen, Nicholaos I. Limberopoulos, Augustine M. Urbas, Yury Rakovich, Alexey V. Maslov, and Vasily N. Astratov. "Photonic molecules and sensors based on coupling between whispering gallery modes in microspheres." In 2017 IEEE National Aerospace and Electronics Conference (NAECON). IEEE, 2017. http://dx.doi.org/10.1109/naecon.2017.8268770.

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Li, Hanyang, Boya Jin, Nicholaos I. Limberopoulos, and Vasily N. Astratov. "Self-referencing in microfluidic with whispering-gallery mode sensors for label-free detection of biomolecules." In NAECON 2019 - IEEE National Aerospace and Electronics Conference. IEEE, 2019. http://dx.doi.org/10.1109/naecon46414.2019.9057986.

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Reports on the topic "National Gallery of Zimbabwe"

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Rae Kokeš, Rae Kokeš. Tracking Male Lions in Matusadona National Park, Zimbabwe using Satellite GPS Collars. Experiment, January 2015. http://dx.doi.org/10.18258/4516.

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Maggwa, Baker, Ian Askew, Caroline Marangwanda, Ronika Nyakauru, and Barbara Janowitz. An assessment of the Zimbabwe National Family Planning Council's community based distribution programme. Population Council, 2001. http://dx.doi.org/10.31899/rh4.1225.

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Mutyasira, Vine. Impact of COVID-19 on Food Systems and Rural Livelihoods in Zimbabwe - Round 1 Report. Institute of Development Studies (IDS), September 2020. http://dx.doi.org/10.19088/apra.2020.007.

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COVID-19 has undoubtedly affected lives and livelihoods across the globe. In Zimbabwe, preliminary indications point to a worsening economic situation in a country already facing macroeconomic challenges, particularly in rural communities where most households depend on agriculture. National lockdown and movement restrictions have affected agricultural activities as well as access to markets and farming inputs.

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Clarke, Alison, Sherry Hutchinson, and Ellen Weiss. Psychosocial support for children. Population Council, 2005. http://dx.doi.org/10.31899/hiv14.1003.

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Masiye Camp in Matopos National Park, and Kids’ Clubs in downtown Bulawayo, Zimbabwe, are examples of a growing number of programs in Africa and elsewhere that focus on the psychological and social needs of AIDS-affected children. Given the traumatic effects of grief, loss, and other hardships faced by these children, there is increasing recognition of the importance of programs to help them strengthen their social and emotional support systems. This Horizons Report describes findings from operations research in Zimbabwe and Rwanda that examines the psychosocial well-being of orphans and vulnerable children and ways to increase their ability to adapt and cope in the face of adversity. In these studies, a person’s psychosocial well-being refers to his/her emotional and mental state and his/her network of human relationships and connections. A total of 1,258 youth were interviewed. All were deemed vulnerable by their communities because they had been affected by HIV/AIDS and/or other factors such as severe poverty.

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