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Journal articles on the topic 'National images'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Wilterdink, Nico. "Images of national character." Society 32, no. 1 (November 1994): 43–51. http://dx.doi.org/10.1007/bf02693352.

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Kelman, Herbert C. "Conflict images, national narratives, and external realities." American Psychologist 63, no. 4 (2008): 280–82. http://dx.doi.org/10.1037/0003-066x.63.4.280.

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3

Smith, Anthony D. "Will and Sacrifice: Images of National Identity." Millennium: Journal of International Studies 30, no. 3 (December 2001): 571–84. http://dx.doi.org/10.1177/03058298010300031301.

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4

Kim, Jeahee, Changu Lee, and Jong Won Park. "Automatic National Image Interpretability Rating Scales (NIIRS) Measurement Algorithm for Satellite Images." Journal of Korea Multimedia Society 19, no. 4 (April 30, 2016): 725–35. http://dx.doi.org/10.9717/kmms.2016.19.4.725.

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5

Chvyr, Luidmila. "Ethno-Cultural Images at Central Asia: National Costume." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 6 (2020): 153. http://dx.doi.org/10.31857/s086919080012505-2.

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6

Giffard, C. Anthony, and Nancy K. Rivenburgh. "News Agencies, National Images, and Global Media Events." Journalism & Mass Communication Quarterly 77, no. 1 (March 2000): 8–21. http://dx.doi.org/10.1177/107769900007700102.

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One strategy used by nations to enhance their image is to host global media events. This study examines Associated Press, Reuters, and Inter Press Service coverage of six major U.N. summit meetings for their presentation of the host nations. Three of the conferences took place in western capitals; three were held in the developing world. While hosting a summit resulted in a nation getting a higher profile than it would if only a participant, western hosts received more overtly positive coverage than those from the developing world. The topic of the U.N. summit also influenced how news agencies

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7

Brettschneider, Frank, Katja Neller, and Christopher J. Anderson. "Candidate Images in the 2005 German National Election." German Politics 15, no. 4 (December 2006): 481–99. http://dx.doi.org/10.1080/09644000601062667.

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8

Petkova, Diana. "National images and intercultural dialogue in Southeast Europe." Journal of Organisational Transformation & Social Change 3, no. 2 (March 2007): 135–55. http://dx.doi.org/10.1386/jots.3.2.135_1.

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9

Snauwaert, Erwin. "National images and their reception through football literature." Transnational Image Building 10, no. 1 (June 1, 2021): 5–25. http://dx.doi.org/10.1075/ts.20007.sna.

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Abstract As demonstrated extensively by translation studies, national images and their reception undergo significant changes in the transfer process to another culture. From this perspective, La pena máxima by Roncagliolo is an interesting case: not only is the plot tied in with the theme of football, which is widely believed to embody national identity, but it has also been commented on in different target cultures. The reception study displays how the images of Argentina and Peru, which the novel deconstructs by using the 1978 World Cup as a pretext to expose the atrocities perpetrated by th

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10

Manheim, Jarol B., and Robert B. Albritton. "Insurgent Violence Versus Image Management: The Struggle for National Images in Southern Africa." British Journal of Political Science 17, no. 2 (April 1987): 201–18. http://dx.doi.org/10.1017/s0007123400004701.

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The authors examine the countervailing effects of two forces on external news coverage of Southern Rhodesia (now Zimbabwe) and South Africa during the 1970s. The first is purposeful government efforts at news management and information control undertaken by each of the two regimes. The second is the civil unrest which was present in the region during that period. They conclude that these effects and the policy consequences that flow from them are functions of the pre-existing image environment of each country in the foreign (US) press and of the character of its domestic unrest.

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11

Pérez-Santamaría, Samanta, Mercedes Martos-Partal, and Álvaro Garrido-Morgado. "Identifying a private-label supplier on national brand." Journal of Product & Brand Management 28, no. 3 (May 13, 2019): 432–43. http://dx.doi.org/10.1108/jpbm-06-2018-1908.

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Purpose The purpose of this study is to examine the effects of identifying suppliers on private label (PL) packaging on the perceived quality, brand image, loyalty intention and relative price of the national brands (NB) produced by dual manufacturers, considering the possible moderating effects of the images of both the NB and PL. Design/methodology/approach The study uses an experimental setting with two different categories of grocery products. Findings The empirical evidence reveals different effects of PL supplier identification, according to brand images. Research limitations/implication

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12

Hokka, Jenni, and Matti Nelimarkka. "Affective economy of national-populist images: Investigating national and transnational online networks through visual big data." New Media & Society 22, no. 5 (August 21, 2019): 770–92. http://dx.doi.org/10.1177/1461444819868686.

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In our article, we investigate the affective economy of national-populist image circulation on Facebook. This is highly relevant, since social media has been an essential area for the spread of national-populist ideology. In our research, we analyse image circulation as affective practice, combining qualitative and quantitative methods. We use computational data analysis methods to examine visual big data: image fingerprints and reverse image search engines to track down the routes of thousands of circulated images as well as make discourse-historical analysis on the images that have gained mo

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13

Kim, Yong-kyung. "The First Lady and the National Image: Focusing on the Media Report from China and South Korea about the First Lady of China and North Korea." Asian Social Science 13, no. 12 (November 28, 2017): 68. http://dx.doi.org/10.5539/ass.v13n12p68.

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The formation of the national image is a part of the public diplomacy which presents the nation's overall power and the influence of the nation. This research, with the topic of “The First Lady and the Nation's image”, analyzes the press reports of South Korea and China on the new First Ladies of China and North Korea, Li Sol-ju and Peng Liyuan, to review the national images of the two nations. The research findings illustrate the national images of two countries: China has an image of a political power in developing process. Also, North Korea, although it is not a powerful country in internat

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14

Sâsâiac, Andi. "National Images in the Media and in Travel Writing." Messages, Sages and Ages 2, no. 1 (August 1, 2015): 29–37. http://dx.doi.org/10.1515/msas-2015-0004.

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Abstract The image that Romania has abroad represents, especially from a journalistic perspective, a more and more fashionable topic, although the westerners’ interest in this ‘different’ country is not that recent. What is recent is the self-awareness that Romanians are starting to develop, with regard to the westerners’ opinions, appreciative or deprecatory as they may be. The media play a very important role in the dissemination of national images and are the main provider of clichés and stereotypes. Ethnic groups are stereotyped and ‘otherized’ on the basis of popular media images. However

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15

Giugliano, Marcello, and Victòria Alsina Keith. "Seeing the image of one’s culture through the image of another: translating images of national identity." Meta: Journal des traducteurs 64, no. 3 (2019): 748. http://dx.doi.org/10.7202/1070538ar.

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16

Castano, Emanuele, Alain Bonacossa, and Peter Gries. "National Images as Integrated Schemas: Subliminal Primes of Image Attributes Shape Foreign Policy Preferences." Political Psychology 37, no. 3 (March 31, 2015): 351–66. http://dx.doi.org/10.1111/pops.12259.

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17

Gapurjonovich, Bakhromov Ulugbek, and Khamrohojaev Bakhtiyor Yahyokhonovich. "Fergana valley traditional national costumes and religious-divine images." Asian Journal of Multidimensional Research (AJMR) 9, no. 5 (2020): 142. http://dx.doi.org/10.5958/2278-4853.2020.00160.3.

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18

Gizatova, Gulnaz K., and Olga Gennadiyevna Ivanova. "Images of History through the Prism of National Consciousness." Journal of History Culture and Art Research 6, no. 5 (November 28, 2017): 110. http://dx.doi.org/10.7596/taksad.v6i5.1303.

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19

Klecun-Dabrowska, E., and T. Cornford. "Images of Health Technology in National and Local Strategies." Methods of Information in Medicine 42, no. 04 (2003): 353–59. http://dx.doi.org/10.1055/s-0038-1634229.

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Summary Objectives: This paper examines the potential of various models relating technology to society and institutional structures to inform health policy. Among the models discussed are various versions of technological determinism, social constructivism, actor network theory and critical theory. Methods: The paper considers recent developments in policy and strategy that aim to shape the way the UK’s National Health Service (NHS) integrates Information and Communication Technologies (ICTs) into health care and considers what these alternative models highlight or emphasise, and how they migh

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20

Yu, Ying. "Olympic Aspirations: Reconstructed Images, National Identity and International Integration." International Journal of the History of Sport 27, no. 16-18 (November 2010): 2821–41. http://dx.doi.org/10.1080/09523367.2010.508272.

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21

Osselton, N. E. "Lexical Images. The Story of the Australian National Dictionary." International Journal of Lexicography 17, no. 1 (March 1, 2004): 89–90. http://dx.doi.org/10.1093/ijl/17.1.89.

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22

Gerlach, Larry. "Norman Rockwell and Baseball: Images of the National Pastime." NINE: A Journal of Baseball History and Culture 23, no. 1 (2014): 41–63. http://dx.doi.org/10.1353/nin.2014.0036.

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23

Gal, Susan. "Linguistic theories and national images in 19th century Hungary." Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 5, no. 2 (June 1, 1995): 155–66. http://dx.doi.org/10.1075/prag.5.2.03gal.

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24

Herstein, Ram, Shaked Gilboa, and Eyal Gamliel. "Private and national brand consumers' images of fashion stores." Journal of Product & Brand Management 22, no. 5/6 (August 19, 2013): 331–41. http://dx.doi.org/10.1108/jpbm-03-2012-0110.

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25

Sievert, K., T. Lobstein, and P. Baker. "Stigmatizing images in the media - a cross-national survey." Clinical Obesity 8, no. 6 (September 25, 2018): 407–10. http://dx.doi.org/10.1111/cob.12282.

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26

Jeffries, Martin O., Greta J. Reynolds, and John M. Miller. "First Landsat multi-spectral scanner images of the Canadian Arctic north of 80°N." Polar Record 28, no. 164 (January 1992): 1–6. http://dx.doi.org/10.1017/s0032247400020192.

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AbstractLandsat images of northern Axel Heiberg Island and northern Ellesmere Island, including part of the Ellesmere Island National Park Reserve in the Canadian high Arctic, are presented. These are believed to be the first Landsat images ever to be obtained of this region, which is north of latitude 80°N and once thought to be beyond the meaningful imaging range of Landsat. A general description of glaciological phenomena in the almost cloud-free images, and some of the attributes of the Ellesmere Island National Park Reserve, demonstrates some of the features and processes that can be imag

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27

Mueller, Christa. "The Austrian National Library’s card image catalog." OCLC Systems & Services: International digital library perspectives 18, no. 3 (September 1, 2002): 146–52. http://dx.doi.org/10.1108/10650750210439368.

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For historical reasons, the Austrian National Library (ANL) had only 10 per cent of its 2.9 million items available in its OPAC as of 1997. Its unique holdings from the sixteenth to the nineteenth centuries could still only be found via card catalogs. In order to make these unique collections accessible via the Web, the library scanned each catalog card into a digital image. An in‐house software application called KatZoom was used to browse and search the catalog card images. Within less than half a year, ANL’s unique holdings became accessible via the Web. At a later time, these digital image

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28

Sapega, E. W. "Image and Counter-Image: The Place of Salazarist Images of National Identity in Contemporary Portuguese Visual Culture." Luso-Brazilian Review 39, no. 2 (December 1, 2002): 45–64. http://dx.doi.org/10.3368/lbr.39.2.45.

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29

Tadashi, Uchino. "Images of Armageddon: Japan's 1980s Theatre Culture." TDR/The Drama Review 44, no. 1 (March 2000): 85–96. http://dx.doi.org/10.1162/10542040051058915.

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After the collapse of the “bubble economy” in the early 1990s and the 1995 Aum Shinri-kyō's terrorist gas attack, the Japanese wrestled once more with the question of their national identity. What links connect today's Japan with the pre-WWII empire, Hiroshima and Nagasaki, and the early postwar years? How is theatre implicated in the national project of memory and forgetting?

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30

Abdelkareem, Hiba, Rola Ali, Mukarram Jibrini, Zaher Nazzal, Mosab Maree, Jihad Hamaida, and Khaled Demyati. "A study of the anatomic variations of the pancreatico-biliary system in Palestine: a national study." International Surgery Journal 6, no. 4 (March 26, 2019): 1020. http://dx.doi.org/10.18203/2349-2902.isj20191066.

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Background: The objective of this study is to assess the frequency of anatomic variations of the biliary system in the Palestinian population in patients undergoing MRCPs.Methods: For a period of 3 years, from March 2016 to January 2019, a total of 401 MRCPS were performed in different Palestinian Medical Centers for different indications. 346 Images were included in the study. Images were evaluated independently by two expert radiologists for the presence of variations in the anatomy of gallbladder, cystic duct, common bile duct, pancreatic duct, pancreas and intrahepatic ducts.Results: About

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31

Liu, Yu-jen. "Stealing Words, Transplanting Images." Archives of Asian Art 68, no. 2 (October 1, 2018): 191–214. http://dx.doi.org/10.1215/00666637-7162246.

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Abstract This article explores how the category “Chinese art” was articulated and consolidated in the early twentieth century by focusing on Stephen Bushell's Chinese Art, the first book in English defined in terms of this category. Bushell's monograph highlights the intercultural character of the category, which was transformed in its content and cultural significance, when ostensibly the same authentic knowledge, articulated in verbal and visual representations, was moved from China to Europe and back again. The article starts by examining how Bushell's insider knowledge of Chinese art was t

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32

Bushuev, V. V. "National Images of History in the Constitutions of the World." Vestnik Povolzhskogo instituta upravleniya 19, no. 1 (2019): 78–87. http://dx.doi.org/10.22394/1682-2358-2019-1-78-87.

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33

Terentyev, Vladislav I. "IMAGES OF CHINA AND THE CHINESE IN MONGOLIAN NATIONAL MENTALITY." Vestnik Tomskogo gosudarstvennogo universiteta, no. 406 (May 1, 2016): 152–57. http://dx.doi.org/10.17223/15617793/406/24.

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34

Ruiz, Héctor. "Images imaginées : l’imaginaire national dans le cinéma latino-américain contemporain." Cinémas d’Amérique latine, no. 16 (June 1, 2008): 160–69. http://dx.doi.org/10.4000/cinelatino.2275.

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35

Hatos, Pál. "Kossuth and the Images of Hungarian National Identity after 1989." Hungarian Studies 16, no. 2 (December 2002): 225–36. http://dx.doi.org/10.1556/hstud.16.2002.2.8.

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36

Yenigün, Halil Ibrahim. "Crucial Images in the Presentation of a Kurdish National Identity." American Journal of Islam and Society 22, no. 1 (January 1, 2005): 105–7. http://dx.doi.org/10.35632/ajis.v22i1.1733.

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This book is primarily a history of the early Kurdish movement, from itsinception in the late nineteenth century to the 1930s. Yet, its distinctivenesscomes not from the Kurdish nationalists’ more publicized products, but fromits focus on the margins of their literary attempts. This study of failed nationalism“is concerned less with how and why Kurdish nationalism did or didnot ‘catch on’ than with the efforts made by [the] Kurdish elite to constructa viable concept of Kurdish identity” (p. 1). In other words, the author’smain concern is to identify how images of the Kurds were constructed and

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37

Gockerell, Nina. "Identifying national costumes: searching for clues in words and images." Museum International 45, no. 3 (September 1993): 11–15. http://dx.doi.org/10.1111/j.1468-0033.1993.tb01113.x.

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38

Hart, Jonathan Locke. "Texts and Images in a National, Comparative, and World Context." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 44, no. 3 (2017): 482–500. http://dx.doi.org/10.1353/crc.2017.0040.

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39

Valger, Olesya Alekseevna, and Irina Anatolyevna Vezner. "Live blogging and national identity: Images of now and here." Novosibirsk State Pedagogical University Bulletin 7, no. 4 (August 31, 2017): 136–49. http://dx.doi.org/10.15293/2226-3365.1704.09.

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40

Spark, Alasdair. "Wrestling with America: Media, National Images, and the Global Village." Journal of Popular Culture 29, no. 4 (March 1996): 83–98. http://dx.doi.org/10.1111/j.0022-3840.1996.83984987.x.

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41

Kerlan, Anne. "Wishful images: Three cinematographic portraits of a national film company." Journal of Chinese Cinemas 15, no. 1 (February 23, 2021): 1–21. http://dx.doi.org/10.1080/17508061.2021.1926637.

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42

Cameron, Ann. "Capturing moving images online." Indexer: The International Journal of Indexing: Volume 24, Issue 3 24, no. 3 (April 1, 2005): 142–44. http://dx.doi.org/10.3828/indexer.2005.24.3.8.

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‘Archive Live’, the online catalogue from Scottish Screen Archive, brings the film and video material in Scotland’s National Moving Image Collection to life on the web. Designed to service the general public and the commercial programme maker, the catalogue is an essential reference tool, offering detailed information about moving images from 1895 to the present day. This article describes the planning and decision-making processes involved in actually getting the catalogue online, and provides a look at cataloguing and indexing practice in a film archive.

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43

Rajabova, Marifat Bakoyevna. "EXPRESSION OF IM EXPRESSION OF IMAGES REL GES RELATED TO NATIONAL TRADI AL TRADITIONS IN A.NAVOI'S WORK." Scientific Reports of Bukhara State University 4, no. 5 (October 27, 2020): 141–46. http://dx.doi.org/10.52297/2181-1466/2020/4/5/10.

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Background. It is known that the customs, traditions, material and spiritual riches of the Turkic peoples belong to the great poet A. Thanks to Navoi's sharp intellect and artistic thinking; it has become an immortal property of our spirituality. Therefore, the creative heritage of the great poet is important not only as a work of art, but also as a unique historical and ethnographic source of culture of life of the Turkic peoples, including the Uzbek nation. This article examines the works of Alisher Navoi, depicting the way of life, culture, socio-political, theological and mystical worldvie

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44

Cohen, Dov, Geoffrey H. Campbell, Wayne E. King, and C. Barry Carter. "Quantitative Hrtem of Twin Boundaries in Compound Semiconductors and Metals Using Non-Linear Least-Squares Methods." Microscopy and Microanalysis 4, S2 (July 1998): 784–85. http://dx.doi.org/10.1017/s1431927600024041.

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The analysis of the atomic structure of grain boundaries is often performed through the use of high-resolution transmission electron microscopy (HRTEM). A complication of the HRTEM technique is the inability to analyze directly the experimental images in order to determine projected atomic models of lattice defects. Since contrast features in HRTEM images, in general, do not correspond directly to atomic positions, experimental images are typically evaluated qualitatively through comparison with image simulation. Recently, the interest in quantitatively measuring the atomic structure of intern

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45

Chew, Cindy, Patrick J. O'Dwyer, Alan Jaap, Suanne McDowall, Olga JL Remers, JJZ Williams, I. McPhee, and Predrag Bjelogrlic. "Medical student assessments—frequency of radiological images used: a national study." BJR|Open 2, no. 1 (November 2020): 20200047. http://dx.doi.org/10.1259/bjro.20200047.

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Objectives: Assessments are a key part of life for medical students at University. We know there is variation in these assessments across Universities. The aims of this study were to expatiate summative assessments in Scottish Medical Schools and to examine how frequently radiological images feature in them. Methods: All Scottish medical schools were invited to participate in the study. Data on objective structured clinical examinations (OSCEs; 5 years) and written assessments (3 years) were retrospectively collected for each university and results were collated. Each University was randomly a

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46

Rita, Paulo, and Nuno António. "Promotion of inclusive tourism by national destination management organizations." Worldwide Hospitality and Tourism Themes 12, no. 6 (December 3, 2020): 701–14. http://dx.doi.org/10.1108/whatt-07-2020-0068.

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Purpose Inclusive tourism has the potential to counter balance some of the disadvantages relating to tourism development and effectively exert positive impacts on society at large and specifically on tourist destinations. However, there is a research gap in studies on inclusiveness related to the promotional efforts of national destination management organizations. Design/methodology/approach Data science-based methods, mainly text mining and image mining, were used to analyze both the explicit and implicit content in text and images in the English brochures published by nine European official

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47

Lee, Thomas F., Steven D. Miller, Carl Schueler, and Shawn Miller. "NASA MODIS Previews NPOESS VIIRS Capabilities." Weather and Forecasting 21, no. 4 (August 1, 2006): 649–55. http://dx.doi.org/10.1175/waf935.1.

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Abstract The Visible/Infrared Imager Radiometer Suite (VIIRS), scheduled to fly on the satellites of the National Polar-orbiting Operational Environmental Satellite System, will combine the missions of the Advanced Very High Resolution Radiometer (AVHRR), which flies on current National Oceanic and Atmospheric Administration satellites, and the Operational Linescan System aboard the Defense Meteorological Satellite Program satellites. VIIRS will offer a number of improvements to weather forecasters. First, because of a sophisticated downlink and relay system, VIIRS latencies will be 30 min or

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48

Winslow, Margaret. "Aesthetic Dynamics, Inc. Presents: Afro-American Images 1971." Journal of Curatorial Studies 8, no. 2 (October 1, 2019): 184–204. http://dx.doi.org/10.1386/jcs_00003_1.

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Abstract In February 1971, the artist collective Aesthetic Dynamics, Inc. presented its first major undertaking: an exhibition of over 130 works of art by 66 artists. Organized as a memorial to the late James A. Porter, Afro-American Images 1971 was presented at the National Guard Armory in Wilmington, Delaware. Many of the artists who participated in the show were well-established nationally; however, the location and inclusion of many artists known only to the local community resulted in the marginalization of this significant exhibition. In 2021, the Delaware Art Museum will restage the exh

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49

BLINDER, CAROLINE, and CHRISTOPHER LLOYD. "US Topographics: Imaging National Landscapes." Journal of American Studies 54, no. 3 (February 12, 2020): 461–69. http://dx.doi.org/10.1017/s0021875819000987.

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In 1975, the New Topographics: Photographs of a Man-Altered Landscape exhibition, organized by William Jenkins, at George Eastman House, changed the scope and aesthetics of American landscape photography. Ostensibly pared-back and banal, these black-and-white images formally presented the United States as a series of streets, suburban new builds, industrial sites and warehouses. None bigger than eleven inches by four or thirteen by thirteen, the photographs were also small and unassuming, refusing the grandness and potential sublimity of previous evocations of the US landscape. Rather than pre

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50

MacLochlainn, Gráinne. "Moving pictures: the National Photographic Archive." Art Libraries Journal 25, no. 3 (2000): 33–36. http://dx.doi.org/10.1017/s0307472200011755.

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The large and varied collection of Irish historical photographs previously housed in the National Library of Ireland has recently been relocated to Dublin’s Temple Bar. A purpose-built archive provides storage vaults, reading room facilities and an exhibition space for this important aspect of the Irish cultural heritage, thus balancing the preservation of the photographs with access to the images. This paper provides a candid look at the development of a National Photographic Archive.

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