Relevant bibliographies by topics / National Museum of Women in th

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Academic literature on the topic 'National Museum of Women in th'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "National Museum of Women in th"

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Lee, Sae Rom, Joon Suk Oh, and Min Young Hwang. "Material Analysis of the late 19<sup>th</sup> century to 20<sup>th</sup> century Women’s Hats Ornaments in National Folk Museum of Korea." Journal of Conservation Science 35, no. 2 (April 30, 2019): 169–76. http://dx.doi.org/10.12654/jcs.2019.35.2.07.

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Loughery, John, and Judy Pfaff. "National Museum of Women in the Arts." Woman's Art Journal 10, no. 1 (1989): 52. http://dx.doi.org/10.2307/1358139.

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Botte, Julie. "The National Museum of Women in the Arts and the Museum of Women: Preserving Women’s Heritage and Empowering Women." Museum International 72, no. 1-2 (January 2, 2020): 18–27. http://dx.doi.org/10.1080/13500775.2020.1743017.

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Heller, Nancy G. "Women Artists; Works from the National Museum of Women in the Arts." Woman's Art Journal 24, no. 1 (2003): 56. http://dx.doi.org/10.2307/1358832.

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Hrudevich, Tetiana. "MUSEUM THEMATICS IN THE LETTERS OF M. SIKORSKY IN THE 70`S OF THE XX TH - AT THE BEGINNING OF XXI CENT. (ON THE BASIS OF THE STOCK COLLECTION OF THE NATIONAL HISTORICAL AND ETHNOGRAHIC RESERVE «PEREYASLAV»)." Journal of Ukrainian History, no. 39 (2019): 124–29. http://dx.doi.org/10.17721/2522-4611.2019.39.15.

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According to this article, there is an analysis of museum thematics in the letters of M. Sikorsky in the 70's. of the XX th – at the beginning of XXI cent. (on the basis of the stock collection of the National Historical and Ethnographic Reserve "Pereyaslav"). There are comparative and historical-chronological methods used here, that allowed to make a comprehensive study of important scientific issues were applied. The main purpose of the study is to cover the formation of museums in correspondence with M. Sikorsky with figures of culture and art, scholars, museum workers and educators in the second half of the twentieth centur - at the beginning of the XXI th century, and the important role of the museum ascetic in the creation and development of new museums. In particular, the focus is on the creation of museums "Classics of Jewish Literature of Sholom Aleichem", "Museum of peaceful exploration of space", "Museum of Science and Technique", and letters that M. Sikorsky wrote and received. A certain number of letters from the personal archive of M. I. Sikorsky related to the history of the creation and activity of the museum complex in Pereyaslav-Khmelnitsky, in the funds of the National Historical and Ethnographic Reserve "Pereyaslav", were discovered. Also there some data on the pages of his life, public, professional path are revealed, and his contribution to the development of the museum business in Pereyaslavl region are described. It is shown that M. Sikorsky belongs to the number of prominent figures of Ukrainian culture and museum affairs, and international community are interested in his personality and significant museum and scientific achievements. This interest in the personality of M. Sikorsky and his significant achievements in the field of ethnicity preservation is widely and clearly reflected in his correspondence with foreigners and foreign museum institutions and foreign scientists and intellectuals.
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Das, Varsha. "Women in Satyagraha." ANTYAJAA: Indian Journal of Women and Social Change 1, no. 2 (December 2016): 275–81. http://dx.doi.org/10.1177/2455632716681110.

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This photo essay illustrates how women played an active role in the Satyagraha movements during and before the independence of India. The photographs have been sourced from the National Gandhi Museum, New Delhi.
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Wasserman, Krystyna. "The National Museum of Women in the Arts Library and Research Center." Art Libraries Journal 13, no. 3 (1988): 10–13. http://dx.doi.org/10.1017/s0307472200005757.

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The National Museum of Women in the Arts was established in Washington in 1981 to make known the achievements of women in the visual arts. Its Library and Research Center plays a central part in the Museum’s essentially educative role, providing information on art by women primarily by means of one of the largest specialised collections of materials on women’s art. This includes extensive archival files and a number of special collections. Ongoing projects include the compilation of a database on women artists, an inventory of works of art by women in private and public collections, and an index to women artists documented in group exhibition catalogues. The activities of the Library and Research Center demonstrate how this and other art libraries can counteract the neglect of women in the arts.
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Miller, Jack, and Krystyna Wasserman. "MUSEUM TOL: Library and Research Center (LRC) of the National Museum of Women in the Arts (NMWA)." Art Documentation: Journal of the Art Libraries Society of North America 7, no. 1 (April 1988): 29. http://dx.doi.org/10.1086/adx.7.1.27947877.

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Zham, Olena. "CONCEPTUAL CONFLICT BETWEEN THE FOUNDERS OF THE PEREYASLAV SKANSEN REGARDING ITS NAME AND THEMATIC STRUCTURE (IN THE LATE 1950es AND 1960es)." Almanac of Ukrainian Studies, no. 27 (2020): 88–93. http://dx.doi.org/10.17721/2520-2626/2020.27.13.

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Monumental and museum work in Ukraine in 1960-1970's of XX century. characterized by a wave of mass interest in Ukrainian culture and the spread of the progressive idea of creating ethnographic museums of a new type – open-air museums, commonly called scans. The first such museum in Ukraine was the Museum of Folk Architecture and Life in the Middle Dnieper region in Pereyasla, Kyiv region, which is one of the richest treasures of original folk architecture and life of the inhabitants of the Dnieper villages of the 19 th – beginning оf the 20 th. The museum is a part of National historical and ethnographic reserve «Pereyaslav». This project had no precedents in Ukraine, so the path to the realization of this idea was difficult and long. Foreign experience in creating open-air ethnographic exhibitions was especially useful, as the museum practice of Ukraine still lacked theoretical knowledge, polished methodology, clear principles of museum studies, international standards, and good work experience. The approaches of Pereyaslav museums to this new, methodically and practically not developed business, were creative and original. The experience of its founders was useful for creating other museums of folk architecture and life in Ukraine. The article examines the history of the Pereyaslav scansen. Different conceptual approaches of its founders are analyzed. The proposed article deals, first of all, with the scientific controversy between the director of the Pereyaslav-Khmelnytsky State Historical Museum M.I. Sikorsky and public figure E.F. Ishchenko regarding the definition of the type of museum, its name, thematic structure, exposition content, landscaping and other issues. Scientific discourse also had its positive sides. The controversy that arose between the founders allowed both sides to consider true, logical ideas in the theory of each of them. Scientific discourse also had its positive sides. The controversy that arose between the founders allowed both sides to consider true, logical ideas in the theory of each of them.
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QUICKENDEN, K. "Women Silversmiths 1685 1845: Works from the Collection of the National Museum of Women in the Arts." Journal of Design History 4, no. 2 (January 1, 1991): 124–25. http://dx.doi.org/10.1093/jdh/4.2.124.

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Dissertations / Theses on the topic "National Museum of Women in th"

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Poirrier, Lauren. "A Comparative Study of the National First Ladies' Library and the Women's Rights National Historical Park." Youngstown State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1277819335.

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Berriola, Riccardo. "Les terres cuites figurées de la collection Raffaele Gargiulo au Musée National de Naples : recherches sur le goût et le marché de l'art dans la première moitié du XIXe siècle." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100194.

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La these analyse la collection de terre cuite de Raffaele Gargiulo (1785-après 1864), céramiste et restaurateur affirmé, personnage de première importance du Musée de Naples, marchand napolitain d'antiquité des années 20 et 30 du XIXe siècle. La proposition de vente de sa collection au Musée de Naples est faite en décembre 1852. Après deux années de dures négociations le 29 mai 1855 la vente se conclut pour 6000 ducats. Pour comprendre le personnage de Gargiulo en tant que marchand d'oeuvre d'art, 315 documents, conservés dans l'Archive d'État de Naples et la Surintendance de Naples, ont èté analysés. L'étude de 11 arrêtés royaux entrés en vigueur entre 1807 et 1852, ont permis de reconstruire le cadre législatif en vigueur de l'époque. La petite plastique, la classe la plus nombreuse, représente environ les trois quarts de la collection de terre cuite. En ce qui concerne les provenances, les Pouilles et la Campanie sont largement dominantes avec 578 objets (95.54% de la collection entière): dans le détail on note que les localités se trouvant aux premières places sont aussi bien les Pouilles (Gnathia, Ruvo et Canosa) que la Campanie (Capoue et Calès), plus célèbres pour les fabrications coroplastiques. Le matériel architectonique va de la fin du VIe s. av. J.- C. au I Ier s. ap. J.-C., le matériel coroplastique se situe entre la moitié du IVe s. et la fin du IIIe s. av. J.-C., la céramique à décoration plastique et polychrome et celle achrome entre le IVe et le IIIe s. av. J.-C., alors que la chronologie des vases modelés va de la fin du VIe et le IIIe s. av. J.-C. Enfin, les lampes à huile sont toutes datées entre la première moitié et le dernier quart du Ier s. ap. J.-C
The thesis analyzes the collection of terracottas of Raffaele Gargiulo (1785-after 1864), ceramist and restorer, leading figure of the Museum of Naples, neapolitan merchant of antiquity in the twenties and thirties of the 19th century. The proposed sale to the Museum of Naples of his collection is made in December 1852, but only after more than two years of hard deals it comes to the purchase on May 29th, 1855, for 6000 ducats. In order to understand the figure of Gargiulo as merchant of art 315 documents, kept in the State Archive of Naples and in the Historical Archive of the Archaeological Superintendence of Naples, have been analyzed. By the study of 11 royal decrees dated between 1807 and 1852 the legislative framework in force at the time was rebuilt, as part of the trade and export of archaeological and art objects. In the Gargiulo’s collection of terracottas the little plastic (443 specimens, 73.88%) is the most documented class, accounting for about three-quarters of the collection. About the provenances, Apulia and Campania with 578 items, the 95.54%, prevail. At the top lie the towns, both in Apulia (Gnathia, Ruvo and Canosa) and Campania (Capua and Cales), most famous for the coroplastic products. If the architectural material is dated from the end of the 6th century BC to 1st century AD, the coroplastic material lies mostly between the mid-4th century BC and the end of the 3rd BC. The pottery ranges between the 4th century and 3rd century BC, especially the plastic and polychrome decoration and the achromatic ceramic; the chronology of plastic vessels is more varied, between the late 6th and 3rd centuries BC. The lamps, finally, are dated to 1st century AD
La tesi analizza la collezione di terrecotte di Raffaele Gargiulo (1785-post 1864), ceramista e restauratore affermato, figura di primo piano del Museo di Napoli, grande mercante napoletano di antichità degli anni Venti e Trenta dell'Ottocento. La proposta di vendita al Museo di Napoli della sua collezione viene fatta nel dicembre del 1852, ma dopo oltre due anni si giunge all'acquisto, il 29 maggio 1855, per seimila ducati. Per inquadrare la figura del Gargiulo come mercante di opere d'arte sono stati analizzati 315 documenti custoditi nell'Archivio di Stato di Napoli e nell'Archivio Storico della Soprintendenza Archeologica di Napoli. Attraverso lo studio di 11 regi decreti tra il 1807 e il 1852 si è ricostruito il quadro legislativo in vigore all'epoca nell'ambito del commercio e dell'esportazione di reperti archeologici e oggetti d'arte. Nella collezione Gargiulo di terrecotte la piccola plastica (443 esemplari, pari al 73.88%) è la classe più documentata, rappresentando circa i tre quarti della collezione. Tra le provenienze prevalgono la Puglia e la Campania con 578 oggetti, il 95.54%. Ai primi posti si collocano le località, sia pugliesi (Egnazia, Ruvo e Canosa) che campane (Capua e Cales), più celebri per i prodotti coroplastici. Se il materiale architettonico va dalla fine del VI a.C. al I d.C., quello coroplastico si colloca per lo più tra la metà del IV e la fine del III a.C. La ceramica spazia tra il IV e il III secolo a.C., soprattutto per la ceramica a decorazione plastica e policroma e per quella acroma, più varia è la cronologia dei vasi plastici, tra la fine del VI e il III a.C. Le lucerne, infine, si datano nell'ambito del I secolo d.C
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Books on the topic "National Museum of Women in th"

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Fisher, Sterling Susan, ed. Women artists: The National Museum of Women in the Arts. New York: Abbeville Press, 1995.

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Nancy, Heller, ed. Women artists: Works from the National Museum of Women in the Arts. Washington, D.C: Rizzoli International Publications, 2000.

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Fisher, Sterling Susan, ed. Women artists: National Museum of Women in the Arts. 2nd ed. New York: Abbeville, 2010.

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Philip, Kopper, ed. A museum of their own: National Museum of Women in the Arts. New York: Abbeville Press, 2008.

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Holladay, Wilhelmina Cole. A museum of their own: National Museum of Women in the Arts. New York: Abbeville Press, 2008.

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Zakai, Shai. Faces and facets: B'nai B'rith Klutznick National Jewish Museum, Washington, DC, June-July 1996. Washington, DC: The Museum, 1995.

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Glanville, Philippa. Women silversmiths, 1685-1845: Works from the collection of the National Museum of Women in the Arts. New York, N.Y: Thame and Hudson, 1990.

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Glanville, Philippa. Women silversmiths 1685-1845: Works from the collection of the National Museum of Women in the Arts. Washington,DC: National Museum of Women in the Arts, 1990.

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Wasserman, Krystyna. The book as art: Artists' books from the National Museum of Women in the Arts. New York, N.Y: Princeton Architectural Press, 2011.

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Wasserman, Krystyna. The book as art: Artists' books from the National Museum of Women in the Arts. 2nd ed. New York, N.Y: Princeton Architectural Press, 2011.

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Book chapters on the topic "National Museum of Women in th"

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"A New Center: The National Museum of Women in the Arts." In Museum Culture, 270–84. Routledge, 2004. http://dx.doi.org/10.4324/9780203168196-16.

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"5. Excavating the (Gendered) Nation: Oksana Zabuzhko’s Museum Novel." In Ukrainian Women Writers and the National Imaginary, 117–30. University of Toronto Press, 2020. http://dx.doi.org/10.3138/9781487533090-008.

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Hurl-Eamon, Jennine, and Lynn MacKay. "Private Joseph Reid, Rifle Brigade, 2nd Battalion, National Army Museum 1999–03–130." In Women, Families and the British Army 1700-1880, 358–59. Routledge, 2020. http://dx.doi.org/10.4324/9781003017974-150.

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Hurl-Eamon, Jennine, and Lynn MacKay. "Private John Pine, Rifle Brigade, 1st Battalion, National Army Museum 1996–05–4." In Women, Families and the British Army 1700-1880, 366–71. Routledge, 2020. http://dx.doi.org/10.4324/9781003017974-153.

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Hurl-Eamon, Jennine, and Lynn MacKay. "Private George Greenfield, 30th (Cambridgeshire) Regiment of Foot, National Army Museum, 1976–07–85." In Women, Families and the British Army 1700-1880, 363–65. Routledge, 2020. http://dx.doi.org/10.4324/9781003017974-152.

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"Th e Rise of Western Women to National Stature in the Early Twentieth Century." In The World of the American West, 468–93. Routledge, 2010. http://dx.doi.org/10.4324/9780203846056-21.

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Hurl-Eamon, Jennine, and Lynn MacKay. "Hospital Sergeant Frederick Newman, 97th (Earl of Ulster's) Regiment, National Army Museum 2002–03–167." In Women, Families and the British Army 1700-1880, 375–76. Routledge, 2020. http://dx.doi.org/10.4324/9781003017974-155.

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Hurl-Eamon, Jennine, and Lynn MacKay. "Gunner Charles Branton to His Wife, 12th Battalion, Royal Artillery, National Army Museum 1993–02–243." In Women, Families and the British Army 1700-1880, 389–90. Routledge, 2020. http://dx.doi.org/10.4324/9781003017974-160.

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Hurl-Eamon, Jennine, and Lynn MacKay. "Tsm George Cruse to His Wife, 1st Royal Dragoons, National Army Museum 1974– 12–76, Letters 9 and 10." In Women, Families and the British Army 1700-1880, 360–62. Routledge, 2020. http://dx.doi.org/10.4324/9781003017974-151.

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"Statues, Murals and the National Museum: Mediating the Presence and Absence of Women in Zimbabwean Political Struggles." In War and Memorials, 183–214. Verlag Ferdinand Schöningh, 2019. http://dx.doi.org/10.30965/9783657788231_009.

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