Relevant bibliographies by topics / National Museums and Monuments of Zimbabwe

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'National Museums and Monuments of Zimbabwe'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "National Museums and Monuments of Zimbabwe"

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SOPER, ROBERT. "BOVINE BONES Kings, Commoners and Cattle at Great Zimbabwe Tradition Sites. By Carolyn Thorp. (Museum Memoir, NS, no. 1). Harare: National Museums and Monuments of Zimbabwe, 1995. Pp. x+129. Zim $54; US$10, paperback (ISSN 1024-9397)." Journal of African History 38, no. 2 (1997): 301–58. http://dx.doi.org/10.1017/s0021853797247018.

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Chipangura, Njabulo, and Patricia Chipangura. "Community museums and rethinking the colonial frame of national museums in Zimbabwe." Museum Management and Curatorship 35, no. 1 (2019): 36–56. http://dx.doi.org/10.1080/09647775.2019.1683882.

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Krakowiak, Beata. "Museums in cultural tourism in Poland." Turyzm/Tourism 23, no. 2 (2014): 23–32. http://dx.doi.org/10.2478/tour-2013-0008.

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The article presents the museums, their potential and their significance for cultural tourism in Poland. Its aims are achieved through a presentation of registered national museums, ‘monuments of history’, museum buildings and the cultural activities undertaken by these institutions.
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Garduno, A. "Collecting Mexico: Museums, Monuments, and the Creation of National Identity." Hispanic American Historical Review 94, no. 3 (2014): 510–11. http://dx.doi.org/10.1215/00182168-2694499.

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SMALL, STEPHEN. "CONFEDERATE MONUMENTS, PLANTATION-MUSEUMS AND SLAVERY: Race, Public History, and National Identity." Outros Tempos: Pesquisa em Foco - História 15, no. 26 (2018): 74–87. http://dx.doi.org/10.18817/ot.v15i26.655.

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Abstract: My primary focus in this article is on sixteen slave cabins incorporated into three heritage tourism sites in Natchitoches, North West Louisiana. The sites are Oakland Plantation, Magnolia Plantation and Melrose Plantation. How is national identity expressed and articulated at these sites; and how does consideration of slave cabins provide opportunities for highlighting and questioning issues of national identity? I seek to persuade the reader that consideration of the current representations of the slave cabins can expand our analytical intervention and broaden our understanding of
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Gordon, Alan. "Museums, monuments, and national parks: toward a new genealogy of public history." Journal of Tourism History 10, no. 1 (2018): 93–95. http://dx.doi.org/10.1080/1755182x.2018.1452435.

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Redman, S. J. "Museums, Monuments, and National Parks: Toward a New Genealogy of Public History." Journal of American History 100, no. 1 (2013): 251. http://dx.doi.org/10.1093/jahist/jat015.

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Igumnova, Nataliya. "The CIS libraries’ preserving cultural heritage: Regulations and documents." Scientific and Technical Libraries, no. 8 (August 1, 2018): 84–91. http://dx.doi.org/10.33186/1027-3689-2018-8-84-91.

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The author speculates on the international cooperation in preservation of the world and national cultural heritage and book monuments. She argues that the CIS libraries make the global and national cultural heritage as they perform the memorial, information and educational activities. International, regional and national regulation documents along with the information technologies and multimedia make the basis for preservation and accessibility of cultural monuments. The UNESCO and CIS conventions determine the general principles, approaches and rules of international cooperation in the cultur
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Samarin, Aleksandr Yu, and Irina P. Tikunova. "The Fifth All-Russian Meeting on the Work with Book Monuments." Bibliotekovedenie [Library and Information Science (Russia)] 1, no. 1 (2016): 111–14. http://dx.doi.org/10.25281/0869-608x-2016-1-1-111-114.

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The work on identification and state registration of the book monuments is one of priority directions of the state cultural policy of Russia. Every year beginning with 2010 in the Russian state library there is held the All-Russian meeting on work with book monuments to discuss topical issues of revealing, recording and preserving the most valuable part of the national library holdings of the country. The meeting was attended by the heads and experts of the government authorities, federal and regional libraries and museums. The central theme of the meeting in 2015 was presentation of book monu
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Farokhi, Omid Salek, and Seyedeh Yasamin Hosseini. "Evaluating the role of the National Museum of Iran in the development of cultural tourism." Studia Periegetica 34, no. 2 (2021): 9–26. http://dx.doi.org/10.5604/01.3001.0015.0235.

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In addition to acquainting the public with the culture of a particular region, cultural tourism creates economic opportunities. Taking into account various tourist sites, museums are definitely among the most important ones. In Iran, the National Museum is one of the most important museums because of its rich collection of historical monuments related to the ancient Persia and Islamic periods. The authors of this article analyse the role of the National Museum of Iran in the development of the country’s cultural tourism. The analysis is based on information obtained from the database of the Ir
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Dissertations / Theses on the topic "National Museums and Monuments of Zimbabwe"

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Magadzike, Blessed. "An investigation of Zimbabwe's contemporary heritage practices of memorializing war : a case study of the Heroes' Acres in Matabeleland South Province." University of the Western Cape, 2011. http://hdl.handle.net/11394/5402.

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Magister Artium - MA<br>The study through the topic: An investigation of Zimbabwe's contemporary heritage practices of memorializing war: A case study of the Heroes' Acres in Matabeleland South Province focuses on post liberation war memorialisation and management in the post-colonial state of Zimbabwe. It analyses the emergence and management of war memorials and shrines in the form of heroes' acres, in the province of Matabeleland South in Zimbabwe from 1988 to 2010. Zimbabwe attained independence in 1980 after a long protracted war waged by two guerrilla movements against the unilaterally d
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Lee, Karen M. "The historical development of Zimbabwe's museums and monuments." Thesis, University of St Andrews, 1996. http://hdl.handle.net/10023/15127.

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The history of Zimbabwe's museums and monuments begins with the coming of British settlers to the colony of Rhodesia in 1890. By 1902 Rhodesia had one fully functional museum called the Rhodesia Museum. This museum concentrated on geology and natural history, two areas that the new colonists were anxious to explore and exploit in order to build up the country's young economy. In 1936 the Rhodesia Museum was nationalised and in the next twenty years two more museums were added to the National Museums of Southern Rhodesia organisation. Although the museums emphasised their objectivity as researc
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Samwanda, Biggie. "Postcolonial monuments and public sculpture in Zimbabwe." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1006825.

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The study critically examines public art in postcolonial Zimbabwe‘s cities of Harare and Bulawayo. In a case by case approach, I analyse the National Heroes Acre and Old Bulawayo monuments, and three contemporary sculptures – Dominic Benhura‘s Leapfrog (1993) and Adam Madebe‘s Ploughman (1987) and Looking into the future (1985). I used a qualitative research methodology to collect and analyse data. My research design utilised in-depth interviews, observation, content and document analysis, and photography to gather nuanced data and these methods ensured that data collected is validated and/or
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Mataga, Jesmael. "Practices of pastness, postwars of the dead, and the power of heritage: museums, monuments and sites in colonial and post-colonial Zimbabwe, 1890-2010." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/12843.

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Includes bibliographical references.<br>This thesis examines the meanings, significances, and roles of heritage across the colonial and postcolonial eras in Zimbabwe. The study traces dominant ideas about heritage at particular periods in Zimbabwean history, illustrating how heritage has been deployed in ways that challenge common or essentialised understandings of the notion and practice of heritage. The study adds new dimensions to the understanding of the role of heritage as an enduring and persistent source terrain for the negotiation and creation of authority, as well as for challenging i
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Monis, Alicia. ""If you have lied about me, you have lied about everything" : Huis Gideon Malherbe : a discussion of the Afrikaans Taal Museum." Master's thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/22238.

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Bibliography: pages 184-192.<br>Within academia it is now accepted that personal experiences, as well social construction influence the way people perceive the world, and thus the research process and findings. Research, no matter how empirical, is not immune to personal quess work and conclusions. The same however, can be said for the establishment of museums and monuments which are meant to commemorate events, or epochs in the history of a nation. For in the establishment of the museum or monument the curators and researchers do choose those events which are deemed important enough as histor
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Kim, Hangyul. "L'usage des maîtres anciens dans le discours de l'art national en France, 1780-1850." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H054.

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Ce travail étudie la place particulière accordée aux « maîtres anciens » dans la littérature artistique et les pratiques muséales depuis la Révolution jusqu’au milieu du XIXe siècle en France. Dès la fin de l’Ancien Régime, la définition des « maîtres anciens » connaît une transition progressive : des artistes de la Grèce antique aux fondateurs de l’École nationale. Par l’usage de leurs noms et de leurs vertus artistiques mais aussi morales, l’art national en France doit acquérir une notoriété digne d’une République nouvelle qui puisse rivaliser avec les autres écoles nationales prééminentes.
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Books on the topic "National Museums and Monuments of Zimbabwe"

1

Collecting Mexico: Museums, monuments, and the creation of national identity. University of Minnesota Press, 2012.

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2

Kendrick, James W. Collection management plan: El Malpais and El Morro National Monuments. National Park Service, Intermountain Regional Office, 2004.

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Museums, monuments, and parks: Toward a new genealogy of public history. University of Massachusetts Press, 2012.

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National Law Enforcement Museum Act: Report (to accompany S. 1438). U.S. G.P.O., 2000.

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5

Léon, Pressouyre, and Cité de l'architecture et du patrimoine (Paris, France), eds. Le musée des monuments français: Cité de l'architecture et du patrimoine. N. Chaudun ; Cité de l'architecture et du patrimoine, 2007.

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National Law Enforcement Museum Act: Report, together with dissenting views (to accompany H.R. 2710) (including cost estimate of the Congressional Budget Office.). U.S. G.P.O., 2000.

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7

United, States Congress House Committee on Resources Subcommittee on National Parks Recreation and Public Lands. Hearing on H.R. 107, H.R. 400, and H.R. 452: Legislative hearing before the Subcommittee on National Parks, Recreation, and Public Lands of the Committee on Resources, U.S. House of Representatives, One Hundred Seventh Congress, first session, March 8, 2001. U.S. G.P.O., 2001.

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Ashabranner, Brent K. On the Mall in Washington, D.C.: A visit to America's front yard. Twenty-First Century Books, 2002.

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9

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2017 Florence. Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-502-9.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging &amp; the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Mon
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Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2018 Florence. Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging &amp; the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Mon
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Book chapters on the topic "National Museums and Monuments of Zimbabwe"

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Sagiya, Munyaradzi Elton, and Joost Fontein. "Toward a critical history of the National Museums and Monuments of Zimbabwe." In National Museums in Africa. Routledge, 2021. http://dx.doi.org/10.4324/9781003013693-12.

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DeMario, Mark, and John Balestrieri. "Cultural Institutions Security (Art, Museums, Libraries, National Monuments)." In Encyclopedia of Security and Emergency Management. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-69891-5_36-1.

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Sheskin, Ira, and Arnold Dashefsky. "Jewish Institutions: Jewish Federations, Jewish Community Centers, Jewish Social Service Agencies, National Jewish Organizations, Synagogues, College Hillels, Jewish Day Schools, Jewish Overnight Camps, Jewish Museums, Holocaust Museums, Memorials and Monuments." In American Jewish Year Book. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09623-0_20.

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Gurira, Nyasha Agnes. "Challenging the Concept of Infinity Retention of Collections in Selected National Museums in Zimbabwe." In Handbook of Research on Heritage Management and Preservation. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-3137-1.ch020.

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The chapter challenges the concept of undefined, infinity, and indefinite retention periods of collections in Zimbabwe's state museums and underscores the need for each state museum to develop a collections management policy. The concept of indefinitely retaining collections characterizes Zimbabwe's National Museums. In that regard, this chapter interrogates issues surrounding collections management in Zimbabwe's state museums. Museums in Zimbabwe are overburdened with inherited collections from the past with limited supporting information. This coupled with the need to store contemporary collections congests the storage space in museums. A multiple case study approach was employed to examine the state of collections in three selected state museums in Zimbabwe. Findings revealed that collections in these museums have been inherited from the past collectors who amassed collections with limited information about them. There was no formal collections management policy. The chapter proposes a regime to guide museums in dealing with their collections.
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Mataga, Jesmael, and Farai M. Chabata. "Museums, sites and the limits of representation in Africa – A case study of ‘traditional villages’ at archaeological monuments and sites in Zimbabwe." In African Museums in the Making. Langaa RPCIG, 2015. http://dx.doi.org/10.2307/j.ctvh9vwmh.15.

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Melman, Billie. "Mandated Pasts." In Empires of Antiquities. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198824558.003.0002.

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Chapter 1 examines the new definitions of antiquity that emerged after the First World War and relates them to the new post-war imperial order and international system. It tracks the shift from a perception of ancient objects and monuments as the loot of victors, through their handling within the framework, which had first emerged in the nineteenth century, of laws of war, to their treatment as a part of policies of an imperial peace in the Middle East—in peace treaties and the new mandates system. The chapter follows the internationalization of the discourse on antiquity and the formation of a new “regime of antiquities”, a term referring to international and local mandatory legislation on archaeology and to practices of its monitoring. It offers a view “from above” of the new regime and its formulation by internationalist experts, within the League of Nations and its organizations for intellectual cooperation, such as the International Institute for Intellectual Cooperation (IIIC) and International Museums Office (OIM), and of internationalist apparatuses, as well as considering the implementation of the regime “on the ground” by the antiquities’ administrations in mandate A territories, formerly under Ottoman rule (Palestine and Transjordan, and Iraq), and the nominally independent Egypt. The chapter demonstrates how the internationalist pull and discourse seeped to colonial rhetoric but conflicted with notions of imperial sovereignty and the power of the mandatories to implement policies on the ground. At the same time, visions of regional cooperation amongst archaeologists and national rights to patrimony were adopted by local archaeologists and nationalists.
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