Relevant bibliographies by topics / National Museums and Monuments of Zimbabwe

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'National Museums and Monuments of Zimbabwe'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "National Museums and Monuments of Zimbabwe"

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SOPER, ROBERT. "BOVINE BONES Kings, Commoners and Cattle at Great Zimbabwe Tradition Sites. By Carolyn Thorp. (Museum Memoir, NS, no. 1). Harare: National Museums and Monuments of Zimbabwe, 1995. Pp. x+129. Zim $54; US$10, paperback (ISSN 1024-9397)." Journal of African History 38, no. 2 (July 1997): 301–58. http://dx.doi.org/10.1017/s0021853797247018.

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Chipangura, Njabulo, and Patricia Chipangura. "Community museums and rethinking the colonial frame of national museums in Zimbabwe." Museum Management and Curatorship 35, no. 1 (November 7, 2019): 36–56. http://dx.doi.org/10.1080/09647775.2019.1683882.

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Krakowiak, Beata. "Museums in cultural tourism in Poland." Turyzm/Tourism 23, no. 2 (October 8, 2014): 23–32. http://dx.doi.org/10.2478/tour-2013-0008.

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The article presents the museums, their potential and their significance for cultural tourism in Poland. Its aims are achieved through a presentation of registered national museums, ‘monuments of history’, museum buildings and the cultural activities undertaken by these institutions.
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Garduno, A. "Collecting Mexico: Museums, Monuments, and the Creation of National Identity." Hispanic American Historical Review 94, no. 3 (January 1, 2014): 510–11. http://dx.doi.org/10.1215/00182168-2694499.

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SMALL, STEPHEN. "CONFEDERATE MONUMENTS, PLANTATION-MUSEUMS AND SLAVERY: Race, Public History, and National Identity." Outros Tempos: Pesquisa em Foco - História 15, no. 26 (November 24, 2018): 74–87. http://dx.doi.org/10.18817/ot.v15i26.655.

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Abstract: My primary focus in this article is on sixteen slave cabins incorporated into three heritage tourism sites in Natchitoches, North West Louisiana. The sites are Oakland Plantation, Magnolia Plantation and Melrose Plantation. How is national identity expressed and articulated at these sites; and how does consideration of slave cabins provide opportunities for highlighting and questioning issues of national identity? I seek to persuade the reader that consideration of the current representations of the slave cabins can expand our analytical intervention and broaden our understanding of the promotion of national identity at these sites.Keywords: Confederate monuments. Plantation-museums. Slavery. MONUMENTOS CONFEDERADOS, MUSEUS DE PLANTAÇÃO E ESCRAVIDáƒO: Raça, História Pública e Identidade NacionalResumo: Meu foco principal neste artigo é sobre dezesseis cabanas de escravos incorporadas em três locais de turismo de patrimônio em Natchitoches, no noroeste da Louisiana. Os locais são Oakland Plantation, Magnolia Plantation e Melrose Plantation. As questões que perpassam este trabalho são: Como a identidade nacional é expressa e articulada nesses sites? E como a consideração das cabanas de escravos oferece oportunidades para destacar e questionar questões de identidade nacional? Procuro convencer o leitor de que a consideração das atuais representações das cabanas escravas pode expandir nossa intervenção analá­tica e ampliar nossa compreensão da promoção da identidade nacional nesses locais.Palavras-chave: Monumentos confederados. Museus de plantação. Escravidão. MONUMENTOS CONFEDERADOS, MUSEOS DE PLANTACIÓN Y ESCLAVITUD: Raza, Historia Pública e Identidad NacionalResumen: Mi enfoque principal en este artá­culo es sobre dieciséis cabañas de esclavos incorporadas en tres sitios de turismo patrimonial en Natchitoches, en noroeste de Louisiana. Los sitios son Oakland Plantation, Magnolia Plantation y Melrose Plantation. Las cuestiones que atraviesan este trabajo son: ¿Cómo se expresa y se articula la identidad nacional en estos sitios? y ¿cómo la consideración de las cabañas de esclavos ofrece oportunidades para destacar y cuestionar los problemas de identidad nacional? Intento persuadir al lector de que la consideración de las representaciones actuales de las cabañas de esclavos puede ampliar nuestra intervención analá­tica y ampliar nuestra comprensión de la promoción de la identidad nacional en estos sitios.Palabras clave: Monumentos Confederados. Museos de plantación. Esclavitud.
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Gordon, Alan. "Museums, monuments, and national parks: toward a new genealogy of public history." Journal of Tourism History 10, no. 1 (January 2, 2018): 93–95. http://dx.doi.org/10.1080/1755182x.2018.1452435.

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Redman, S. J. "Museums, Monuments, and National Parks: Toward a New Genealogy of Public History." Journal of American History 100, no. 1 (June 1, 2013): 251. http://dx.doi.org/10.1093/jahist/jat015.

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Igumnova, Nataliya. "The CIS libraries’ preserving cultural heritage: Regulations and documents." Scientific and Technical Libraries, no. 8 (August 1, 2018): 84–91. http://dx.doi.org/10.33186/1027-3689-2018-8-84-91.

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The author speculates on the international cooperation in preservation of the world and national cultural heritage and book monuments. She argues that the CIS libraries make the global and national cultural heritage as they perform the memorial, information and educational activities. International, regional and national regulation documents along with the information technologies and multimedia make the basis for preservation and accessibility of cultural monuments. The UNESCO and CIS conventions determine the general principles, approaches and rules of international cooperation in the cultural monuments preservation and management. Preservation and Conservation and Memory of the World programs are intended, above all, to educate staff, to develop standards, guides and methods. The essential conditions to preserve book monuments are specified: implementation of new technologies, hard- and software, cooperation with foreign libraries, museums and archives. The activities of the Eurasian Library Assembly Preservation and Conservation section is reviewed, as well as the model law on book monuments developed within the framework of the CIS Library Code.
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Samarin, Aleksandr Yu, and Irina P. Tikunova. "The Fifth All-Russian Meeting on the Work with Book Monuments." Bibliotekovedenie [Library and Information Science (Russia)] 1, no. 1 (February 28, 2016): 111–14. http://dx.doi.org/10.25281/0869-608x-2016-1-1-111-114.

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The work on identification and state registration of the book monuments is one of priority directions of the state cultural policy of Russia. Every year beginning with 2010 in the Russian state library there is held the All-Russian meeting on work with book monuments to discuss topical issues of revealing, recording and preserving the most valuable part of the national library holdings of the country. The meeting was attended by the heads and experts of the government authorities, federal and regional libraries and museums. The central theme of the meeting in 2015 was presentation of book monuments in the electronic environment as a way of organizing their accessibility to today’s readers and ensuring their preservation for future generations. A separate group of presentations was devoted to the development of the all-Russian Corpus of Book Monuments. Via video link the meeting was attended by the representatives of the National library of Belarus. The Republic of Belarus, next to Russia, proceeds to identification and state registration of book monuments.
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Farokhi, Omid Salek, and Seyedeh Yasamin Hosseini. "Evaluating the role of the National Museum of Iran in the development of cultural tourism." Studia Periegetica 34, no. 2 (March 31, 2021): 9–26. http://dx.doi.org/10.5604/01.3001.0015.0235.

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In addition to acquainting the public with the culture of a particular region, cultural tourism creates economic opportunities. Taking into account various tourist sites, museums are definitely among the most important ones. In Iran, the National Museum is one of the most important museums because of its rich collection of historical monuments related to the ancient Persia and Islamic periods. The authors of this article analyse the role of the National Museum of Iran in the development of the country’s cultural tourism. The analysis is based on information obtained from the database of the Iranian Cultural Heritage Organization and the National Museum of Iran. Confirmatory factor analysis and structural equation modelling were employed for data analysis. The results confirm the importance of the National Museum of Iran in the development of cultural tourism.
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Dissertations / Theses on the topic "National Museums and Monuments of Zimbabwe"

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Magadzike, Blessed. "An investigation of Zimbabwe's contemporary heritage practices of memorializing war : a case study of the Heroes' Acres in Matabeleland South Province." University of the Western Cape, 2011. http://hdl.handle.net/11394/5402.

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Magister Artium - MA
The study through the topic: An investigation of Zimbabwe's contemporary heritage practices of memorializing war: A case study of the Heroes' Acres in Matabeleland South Province focuses on post liberation war memorialisation and management in the post-colonial state of Zimbabwe. It analyses the emergence and management of war memorials and shrines in the form of heroes' acres, in the province of Matabeleland South in Zimbabwe from 1988 to 2010. Zimbabwe attained independence in 1980 after a long protracted war waged by two guerrilla movements against the unilaterally declared independent state of Rhodesia led by Ian Smith. Post-1980, ZANU (PF) became the dominant political party in the new state now renamed Zimbabwe. A national memorialisation structure was established soon after independence; charged with ensuring a befitting memorialisation of the war of liberation. Post-independence political contradictions between the parties notwithstanding, the results of the 1980 election showed an ethnicized landscape, a trajectory that has been at the centre of the national political discourse. Political disturbances in the Matabeleland and Midlands provinces became one of the most important and interesting historical issues that unsettled the nation in respect of memorialisation. Against this background, this research proposes to assess how political actors contributed to the issue of memorializing a war in post-1980 Zimbabwe. Using the central question which arose from a critique of Zimbabwe's memorialisation structure as a graded one, in which the local site subordinates the national, the research aims to examine whether the shifts in the political and management spheres of the heroes acres as represented by the inclusive government currently governing the country and the transferring of management duties of heroes acres to the National Museums and Monuments of Zimbabwe, has managed to challenge the claim made above. By embarking on this work, the research aims to examine whether the local memorial sites actually act as mere subordinates in a deliberate graded structure to the national shrine represented by the National Heroes' Acre in Harare, within the politics of memorialisation.
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Lee, Karen M. "The historical development of Zimbabwe's museums and monuments." Thesis, University of St Andrews, 1996. http://hdl.handle.net/10023/15127.

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The history of Zimbabwe's museums and monuments begins with the coming of British settlers to the colony of Rhodesia in 1890. By 1902 Rhodesia had one fully functional museum called the Rhodesia Museum. This museum concentrated on geology and natural history, two areas that the new colonists were anxious to explore and exploit in order to build up the country's young economy. In 1936 the Rhodesia Museum was nationalised and in the next twenty years two more museums were added to the National Museums of Southern Rhodesia organisation. Although the museums emphasised their objectivity as research and educational centres they also followed government policies that promoted white colonial culture over that of the indigenous black population. This suppression of the African heritage was more marked in the settlers' attitudes towards the country's monuments. At Great Zimbabwe and Matopos, both traditionally significant for local blacks, the white colonists supported interpretations that justified their rale over the African and rejected any involvement of the black tribes in the history of these two monuments. During the 1950s the museums and monuments conformed to the white administration's agenda and took an increasingly biased stand against the Africans, who had started to demand a greater say in the government of Rhodesia. By the time civil war broke out between black and white Rhodesians in 1966, these cultural organisations had become political tools for the colonial cause. This made their situation difficult when after fourteen years the black nationalists won the right to rule Zimbabwe. However, because of their unique ability to mirror the political, social and economic circumstances of the country the museums and monuments remain important contributors to Zimbabwe's cultural history and heritage.
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Samwanda, Biggie. "Postcolonial monuments and public sculpture in Zimbabwe." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1006825.

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The study critically examines public art in postcolonial Zimbabwe‘s cities of Harare and Bulawayo. In a case by case approach, I analyse the National Heroes Acre and Old Bulawayo monuments, and three contemporary sculptures – Dominic Benhura‘s Leapfrog (1993) and Adam Madebe‘s Ploughman (1987) and Looking into the future (1985). I used a qualitative research methodology to collect and analyse data. My research design utilised in-depth interviews, observation, content and document analysis, and photography to gather nuanced data and these methods ensured that data collected is validated and/or triangulated. I argue that in Zimbabwe, monuments and public sculpture serve as the necessary interface of the visual, cultural and political discourse of a postcolonial nation that is constantly in transition and dialogue with the everyday realities of trying to understand and construct a national identity from a nest of sub-cultures. I further argue that monuments and public sculpture in Zimbabwe abound with political imperatives given that, as visual artefacts that interlace with ritual performance, they are conscious creations of society and are therefore constitutive of that society‘s heritage and social memory. Since independence in 1980, monuments and public sculpture have helped to open up discursive space and dialogue on national issues and myths. Such discursive spaces and dialogues, I also argue, have been particularly animated from the late 1990s to the present, a period in which the nation has engaged in self-introspection in the face of socio-political change and challenges in the continual process of imagining the Zimbabwean nation. Little research focusing on postcolonial public art in Zimbabwe has hitherto been undertaken. This study addresses gaps in this literature while also providing a spring board from which future studies may emerge.
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Mataga, Jesmael. "Practices of pastness, postwars of the dead, and the power of heritage: museums, monuments and sites in colonial and post-colonial Zimbabwe, 1890-2010." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/12843.

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This thesis examines the meanings, significances, and roles of heritage across the colonial and postcolonial eras in Zimbabwe. The study traces dominant ideas about heritage at particular periods in Zimbabwean history, illustrating how heritage has been deployed in ways that challenge common or essentialised understandings of the notion and practice of heritage. The study adds new dimensions to the understanding of the role of heritage as an enduring and persistent source terrain for the negotiation and creation of authority, as well as for challenging it, linked to regimes and the politics of knowledge. This work is part of an emerging body of work that explores developments over a long stretch of time, and suggests that what we have come to think of as heritage is a project for national cohesion, a marketable cultural project, and also a mode of political organisation and activity open for use by various communities in negotiating contemporary challenges or effecting change. While normative approaches to heritage emphasise the disjuncture between the precolonial, colonial and postcolonial periods, or between official and non-official practices, results of this study reveal that in practice, there are connections in the work that heritage does across these categories. Findings of the study shows a persistent and extraordinary investment in the past, across the eras and particularly in times of crises, showing how heritage practices move across landscapes, monuments, dispersed sites, and institutionalised entities such as museums. The thesis also points to a complex relationship between official heritage practices and unofficial practices carried out by local communities. To demonstrate this relationship, it traces the emergence of counter-heritage practices, which respond to and challenge the official conceptualisations of heritage by invoking practices of pastness, mobilised around reconfigured archaeological sites, human remains, ancestral connections, and sacred sites. Counter-heritage practices, undertaken by local communities, challenge hegemonic ideas about heritage embedded in institutionalised heritage practices and they contribute to the creation of alternative practices of preservation. I propose that attention to the relationship between institutionalised heritage practices and community-held practices helps us to think differently about the role of local communities in defining notions of heritage, heritage preservation practices and in knowledge production.
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Monis, Alicia. ""If you have lied about me, you have lied about everything" : Huis Gideon Malherbe : a discussion of the Afrikaans Taal Museum." Master's thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/22238.

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Bibliography: pages 184-192.
Within academia it is now accepted that personal experiences, as well social construction influence the way people perceive the world, and thus the research process and findings. Research, no matter how empirical, is not immune to personal quess work and conclusions. The same however, can be said for the establishment of museums and monuments which are meant to commemorate events, or epochs in the history of a nation. For in the establishment of the museum or monument the curators and researchers do choose those events which are deemed important enough as history to be preserved for prosperity. The following thesis is an investigation of the Afrikaans Taal museum, or Afrikaans Language Museum situated in Paarl, Cape Province. The museum aims to reproduce a history of the Afrikaans language, culminating in the eventual recognition of Afrikaans as an official language. In the thesis though, I argue that by choosing to represent certain events in the history of the language, and excluding others, the museum becomes a symbol of/for Afrikanerdom. If South Africa is to heal its wounds caused by Apartheid and the Armed Struggle, all monuments and museums established during the reign of the National Party will have to be investigated, and the feasibility of their existence called into question.
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Kim, Hangyul. "L'usage des maîtres anciens dans le discours de l'art national en France, 1780-1850." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H054.

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Ce travail étudie la place particulière accordée aux « maîtres anciens » dans la littérature artistique et les pratiques muséales depuis la Révolution jusqu’au milieu du XIXe siècle en France. Dès la fin de l’Ancien Régime, la définition des « maîtres anciens » connaît une transition progressive : des artistes de la Grèce antique aux fondateurs de l’École nationale. Par l’usage de leurs noms et de leurs vertus artistiques mais aussi morales, l’art national en France doit acquérir une notoriété digne d’une République nouvelle qui puisse rivaliser avec les autres écoles nationales prééminentes. Cette nouvelle prépondérance des maîtres anciens français doit répondre au souci républicain de l’instruction publique, en assurant la diffusion de la connaissance de l’histoire nationale et des qualités édifiantes par voie de la « vision » : leurs œuvres exposées dans des espaces ad hoc et leur image représentée dans la production artistique contemporaine en tant que grands hommes, héros et pères de la Nation. Les textes d’Alexandre Lenoir, d’Émeric-David et de La Décade ont été explorés dans cette optique, avant la considération de la disposition d’œuvres dans les musées et des catalogues, en particulier les Annales de Landon, et des créations artistiques dédiées à l’image des maîtres anciens. Redécouverts à dessein, les maîtres anciens contribuent à la construction d’une identité culturelle nationale et collective
This thesis problematises in historical context the identity of the ‘Old Masters’ in the literature on art and practices of museums in France from the time of the French Revolution until the mid-nineteenth century. Since the end of the Old Regime, the definition of the ‘Old Masters’ was transformed: a transition of principal elements, from the classical Greek artists to the founders of the National School, took place. This transition reflected the anxiety of the newborn French Republic facing an international rivalry in art history and myriad obstacles to its social and political goals. To meet the concerns of competition and emulation, the names as well as the artistic and moral qualities of ‘Masters’ were recognised, with emphasis, as being closely linked to public instruction and national history. The thesis analyses the texts and museum theories of Alexandre Lenoir and Toussaint-Bernard Émeric-David and the discussion of ‘Old Masters’ in the republican journal La Décade. Also analysed in this context are the displays of the Old Masters in the museums, catalogues (with a focus of Landon’s Annales) and works of art during the Revolution and the first half of the nineteenth century recreating the images of the Old Masters as national heroes or fathers of French art. This consciously performed reconstruction of the ‘Old Masters’ during the French Revolution made a crucial contribution to the formation of the cultural identity of France
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Books on the topic "National Museums and Monuments of Zimbabwe"

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Collecting Mexico: Museums, monuments, and the creation of national identity. Minneapolis: University of Minnesota Press, 2012.

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Kendrick, James W. Collection management plan: El Malpais and El Morro National Monuments. Santa Fe, N.M: National Park Service, Intermountain Regional Office, 2004.

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Museums, monuments, and parks: Toward a new genealogy of public history. Amherst: University of Massachusetts Press, 2012.

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National Law Enforcement Museum Act: Report (to accompany S. 1438). [Washington, D.C: U.S. G.P.O., 2000.

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Léon, Pressouyre, and Cité de l'architecture et du patrimoine (Paris, France), eds. Le musée des monuments français: Cité de l'architecture et du patrimoine. Paris: N. Chaudun ; Cité de l'architecture et du patrimoine, 2007.

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National Law Enforcement Museum Act: Report, together with dissenting views (to accompany H.R. 2710) (including cost estimate of the Congressional Budget Office.). [Washington, D.C: U.S. G.P.O., 2000.

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United, States Congress House Committee on Resources Subcommittee on National Parks Recreation and Public Lands. Hearing on H.R. 107, H.R. 400, and H.R. 452: Legislative hearing before the Subcommittee on National Parks, Recreation, and Public Lands of the Committee on Resources, U.S. House of Representatives, One Hundred Seventh Congress, first session, March 8, 2001. Washington: U.S. G.P.O., 2001.

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Ashabranner, Brent K. On the Mall in Washington, D.C.: A visit to America's front yard. Brookfield, Conn: Twenty-First Century Books, 2002.

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Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2017 Florence. Florence: Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-502-9.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Sciences and Culture Developments and Applications; New Technical Developments & Applications; Museums - Virtual Galleries and Related Initiatives; Art and Humanities Ecosystem & Applications; Access to the Culture Information. Two Workshops regard: Innovation and Enterprise; the Cloud Systems connected to the Culture (eCulture Cloud) in the Smart Cities context. The more recent results of the Researches at national and international are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2018 Florence. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Sciences and Culture Developments and Applications; New Technical Developments & Applications; Museums - Virtual Galleries and Related Initiatives; Art and Humanities Ecosystem & Applications; Access to the Culture Information. Two Workshops regard: Innovation and Enterprise; the Cloud Systems connected to the Culture (eCulture Cloud) in the Smart Cities context. The more recent results of the Researches at national and international are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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Book chapters on the topic "National Museums and Monuments of Zimbabwe"

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Sagiya, Munyaradzi Elton, and Joost Fontein. "Toward a critical history of the National Museums and Monuments of Zimbabwe." In National Museums in Africa, 206–23. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003013693-12.

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DeMario, Mark, and John Balestrieri. "Cultural Institutions Security (Art, Museums, Libraries, National Monuments)." In Encyclopedia of Security and Emergency Management, 1–12. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-69891-5_36-1.

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Sheskin, Ira, and Arnold Dashefsky. "Jewish Institutions: Jewish Federations, Jewish Community Centers, Jewish Social Service Agencies, National Jewish Organizations, Synagogues, College Hillels, Jewish Day Schools, Jewish Overnight Camps, Jewish Museums, Holocaust Museums, Memorials and Monuments." In American Jewish Year Book, 397–740. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09623-0_20.

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Gurira, Nyasha Agnes. "Challenging the Concept of Infinity Retention of Collections in Selected National Museums in Zimbabwe." In Handbook of Research on Heritage Management and Preservation, 408–27. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-3137-1.ch020.

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The chapter challenges the concept of undefined, infinity, and indefinite retention periods of collections in Zimbabwe's state museums and underscores the need for each state museum to develop a collections management policy. The concept of indefinitely retaining collections characterizes Zimbabwe's National Museums. In that regard, this chapter interrogates issues surrounding collections management in Zimbabwe's state museums. Museums in Zimbabwe are overburdened with inherited collections from the past with limited supporting information. This coupled with the need to store contemporary collections congests the storage space in museums. A multiple case study approach was employed to examine the state of collections in three selected state museums in Zimbabwe. Findings revealed that collections in these museums have been inherited from the past collectors who amassed collections with limited information about them. There was no formal collections management policy. The chapter proposes a regime to guide museums in dealing with their collections.
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Mataga, Jesmael, and Farai M. Chabata. "Museums, sites and the limits of representation in Africa – A case study of ‘traditional villages’ at archaeological monuments and sites in Zimbabwe." In African Museums in the Making, 289–314. Langaa RPCIG, 2015. http://dx.doi.org/10.2307/j.ctvh9vwmh.15.

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Melman, Billie. "Mandated Pasts." In Empires of Antiquities, 29–60. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198824558.003.0002.

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Chapter 1 examines the new definitions of antiquity that emerged after the First World War and relates them to the new post-war imperial order and international system. It tracks the shift from a perception of ancient objects and monuments as the loot of victors, through their handling within the framework, which had first emerged in the nineteenth century, of laws of war, to their treatment as a part of policies of an imperial peace in the Middle East—in peace treaties and the new mandates system. The chapter follows the internationalization of the discourse on antiquity and the formation of a new “regime of antiquities”, a term referring to international and local mandatory legislation on archaeology and to practices of its monitoring. It offers a view “from above” of the new regime and its formulation by internationalist experts, within the League of Nations and its organizations for intellectual cooperation, such as the International Institute for Intellectual Cooperation (IIIC) and International Museums Office (OIM), and of internationalist apparatuses, as well as considering the implementation of the regime “on the ground” by the antiquities’ administrations in mandate A territories, formerly under Ottoman rule (Palestine and Transjordan, and Iraq), and the nominally independent Egypt. The chapter demonstrates how the internationalist pull and discourse seeped to colonial rhetoric but conflicted with notions of imperial sovereignty and the power of the mandatories to implement policies on the ground. At the same time, visions of regional cooperation amongst archaeologists and national rights to patrimony were adopted by local archaeologists and nationalists.
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