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Books on the topic 'National Museums and Monuments of Zimbabwe'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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1

Collecting Mexico: Museums, monuments, and the creation of national identity. Minneapolis: University of Minnesota Press, 2012.

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2

Kendrick, James W. Collection management plan: El Malpais and El Morro National Monuments. Santa Fe, N.M: National Park Service, Intermountain Regional Office, 2004.

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3

Museums, monuments, and parks: Toward a new genealogy of public history. Amherst: University of Massachusetts Press, 2012.

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4

National Law Enforcement Museum Act: Report (to accompany S. 1438). [Washington, D.C: U.S. G.P.O., 2000.

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5

Léon, Pressouyre, and Cité de l'architecture et du patrimoine (Paris, France), eds. Le musée des monuments français: Cité de l'architecture et du patrimoine. Paris: N. Chaudun ; Cité de l'architecture et du patrimoine, 2007.

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6

National Law Enforcement Museum Act: Report, together with dissenting views (to accompany H.R. 2710) (including cost estimate of the Congressional Budget Office.). [Washington, D.C: U.S. G.P.O., 2000.

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7

United, States Congress House Committee on Resources Subcommittee on National Parks Recreation and Public Lands. Hearing on H.R. 107, H.R. 400, and H.R. 452: Legislative hearing before the Subcommittee on National Parks, Recreation, and Public Lands of the Committee on Resources, U.S. House of Representatives, One Hundred Seventh Congress, first session, March 8, 2001. Washington: U.S. G.P.O., 2001.

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8

Ashabranner, Brent K. On the Mall in Washington, D.C.: A visit to America's front yard. Brookfield, Conn: Twenty-First Century Books, 2002.

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9

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2017 Florence. Florence: Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-502-9.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Sciences and Culture Developments and Applications; New Technical Developments & Applications; Museums - Virtual Galleries and Related Initiatives; Art and Humanities Ecosystem & Applications; Access to the Culture Information. Two Workshops regard: Innovation and Enterprise; the Cloud Systems connected to the Culture (eCulture Cloud) in the Smart Cities context. The more recent results of the Researches at national and international are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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10

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2018 Florence. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Sciences and Culture Developments and Applications; New Technical Developments & Applications; Museums - Virtual Galleries and Related Initiatives; Art and Humanities Ecosystem & Applications; Access to the Culture Information. Two Workshops regard: Innovation and Enterprise; the Cloud Systems connected to the Culture (eCulture Cloud) in the Smart Cities context. The more recent results of the Researches at national and international are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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11

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2019 Florence. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-869-3.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Science and Culture Developments & Applications; New Technical Developments & Applications; Cultural Activities – Real and Virtual Galleries and Related Initiatives, Access to the Culture Information. One Workshop regards Innovation and Enterprise. The more recent results of the Researches at national and international level are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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12

Traviglia, Arianna, Lucio Milano, Cristina Tonghini, and Riccardo Giovanelli. Stolen Heritage Multidisciplinary Perspectives on Illicit Trafficking of Cultural Heritage in the EU and the MENA Region. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-517-9.

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It is a well-known fact that organized crime has developed into an international network that, spanning from the simple ‘grave diggers’ up to powerful and wealthy white-collar professionals, makes use of money laundering, fraud and forgery. This criminal chain, ultimately, damages and dissipates our cultural identity and, in some cases, even fosters terrorism or civil unrest through the illicit trafficking of cultural property.The forms of ‘possession’ of Cultural Heritage are often blurred; depending on the national legislation of reference, the ownership and trade of historical and artistic assets of value may be legitimate or not. Criminals have always exploited these ambiguities and managed to place on the Art and Antiquities market items resulting from destruction or looting of museums, monuments and archaeological areas. Thus, over the years, even the most renowned museum institutions have - more or less consciously - hosted in their showcases cultural objects of illicit origin. Looting, thefts, illicit trade, and clandestine exports are phenomena that affect especially those countries rich in historical and artistic assets. That includes Italy, which has seen its cultural heritage plundered over the centuries ending up in public and private collections worldwide.This edited volume features ten papers authored by international experts and professionals actively involved in Cultural Heritage protection. Drawing from the experience of the Conference Stolen Heritage (Venice, December 2019), held in the framework of the NETCHER project, the book focuses on illicit trafficking in Cultural Property under a multidisciplinary perspective.The articles look at this serious issue and at connected crimes delving into a variety of fields. The essays especially expand on European legislation regulating import, export, trade and restitution of cultural objects; conflict antiquities and cultural heritage at risk in the Near and Middle East; looting activities and illicit excavations in Italy; the use of technologies to counter looting practices.The volume closes with two papers specifically dedicated to the thorny ethical issues arising from the publication of unprovenanced archaeological objects, and the relevance of accurate communication and openness about such topics.
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13

10 Jahre Zimbabwe: Kunst + Geschichte : Übersee-Museum, Bremen, 21.6.-5.8. 1990 : in Zusammenarbeit mit the National Museums & Monuments and the National Archives of Zimbabwe : Mitveranstalter, Haus der Kulturen der Welt, Berlin (West), 17.8.-30.9. 1990. Bremen: Das Museum, 1990.

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14

The National Gallery of Zimbabwe: 1957-2007 : celebrating 50 years. Harare: National Gallery of Zimbabwe, 2008.

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15

1954-, Sibanda Doreen, Staunton Irene, and National Gallery of Zimbabwe, eds. The National Gallery of Zimbabwe: 1957-2007 : celebrating 50 years. Harare: National Gallery of Zimbabwe, 2008.

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16

Wenli, Zhang. The Qin Terracotta Army: Treasures of Lintong (National Museums & Monuments of Ancient China Ser.)). London Editions (Hk) Limited, 2006.

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17

Andersonville National Historic Site, Georgia: Official map and guide. [Washington, D.C.?]: National Park Service, U.S. Dept. of the Interior, 1998.

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18

Anne, Hughes Sarah, and National Museum, Monuments, and Art Gallery (Botswana), eds. Tshomarelo Ngwao: The museums of Botswana celebrate twenty-five years of independence : a compilation of articles from the Kgosi Sechele I Museum, Khama III Memorial Museum, National Museum, Monuments and Art Gallery, Phuthadikobo Museum, and Supa-Ngwao Museum Centre. [Gaborone]: National Museum, Monuments and Art Gallery, 1991.

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19

Elizabeth, Bauer, United States. National Park Service. Intermountain Region., and United States. National Park Service. Pacific West Region., eds. Southeast Utah group. [Santa Fe, N.M.]: Dept. of the Interior, National Park Service, U.S., Intermountain Region [and] Pacific West Region, 2003.

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20

US GOVERNMENT. Hearing on H.R. 107, H.R. 400, and H.R. 452: Legislative hearing before the Subcommittee on National Parks, Recreation, and Public Lands of the Committee ... Congress, first session, March 8, 2001. For sale by the Supt. of Docs., U.S. G.P.O. [Congressional Sales Office], 2001.

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21

Burgard, Karen L. B., and Michael L. Boucher. The Special Responsibility of Public Spaces to Dismantle White Supremacist Historical Narratives. Edited by Angela M. Labrador and Neil Asher Silberman. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190676315.013.29.

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Public historical spaces hold a powerful role in the teaching of a regional and national heritage curriculum. Those public sites, markers, museums, and monuments provide the narrative from which citizens conceptualize the past and they comprise a curriculum of American history. However, the calculated and intentional omission of the histories and identities of marginalized and oppressed people creates an unequal, ahistorical void that is filled by the hegemonic normality of the White supremacist narrative, creating a curriculum of White supremacy. Using research of historical understanding, racialized historical understanding, historical understanding in museums and public spaces, and the concept of erasure in history, this chapter investigates the important role public spaces play in presenting a holistic and complete historical narrative that goes beyond the additive models of multiculturalism and preserves the culture and heritage of all peoples.
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22

Maurantonio, Nicole. The Politics of Memory. Edited by Kate Kenski and Kathleen Hall Jamieson. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199793471.013.026.

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This chapter considers the definitional and disciplinary politics surrounding the study of memory, exploring the various sites of memory study that have emerged within the field of communication. Specifically, this chapter reviews sites of memory and commemoration, ranging from places such as museums, monuments, and memorials, to textual forms, including journalism and consumer culture. Within each context, this chapter examines the ways in which these sites have interpreted and reinterpreted traumatic pasts bearing great consequence for national identity. It concludes with a discussion of the challenges set forth by new media for scholars engaging in studies of the politics of memory and identifies areas worthy of future research.
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23

Valls, Andrew. Justice, Acknowledgment, and Collective Memory. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190860554.003.0003.

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In regime transitions, a number of mechanisms are utilized to memorialize the past and to reject the ideas associated with human rights abused of the prior regime. This is often done through truth commissions, apologies, memorials, museums, changes in place names, national holidays, and other symbolic measures. In the United States, some efforts along these lines have been undertaken, but on the whole they have been very limited and inadequate. In addition, many symbols and memorials associated with the past, such as Confederate monuments and the Confederate Battle Flag, continue to be displayed. Hence while some progress has been made on these issues, much more needs to be done.
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24

Watanabe-O'Kelly, Helen. Projecting Imperial Power. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198802471.001.0001.

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The nineteenth century is notable for its newly proclaimed emperors, from Franz I of Austria and Napoleon I in 1804, through Agustín and Pedro, the emperors of Mexico and Brazil, in 1822, to Napoleon III in 1852, Maximilian of Mexico in 1864, Wilhelm I, German emperor, in 1871, and Victoria, empress of India in 1876. These monarchs projected an imperial aura by means of coronations and acclamations, courts, medals, and costumes, portraits and monuments, ceremonial and religion, international exhibitions and museums, festivals and pageants, architecture and town planning. They relied on ancient history for legitimacy while partially espousing modernity. The empress consorts had to find a meaningful role for themselves in a changing world. The first emperors’ successors—Pedro II of Brazil, Franz Joseph of Austria, and Wilhelm II of Germany—expanded their panoply of power, until Pedro was forced to abdicate in 1889 and the First World War brought the Austrian and German empires to an end. Britain invented an imperial myth for its Indian empire in the twentieth century, until George VI relinquished the title of emperor in 1947. The imperial cities of Berlin, Paris, Vienna, and New Delhi bear witness to these vanished empires, as does Chapultepec Castle in Mexico City and the town of Petrópolis in Brazil. How the empires came to an end and how imperial cities and statues are treated nowadays demonstrates the contested place of the emperors in national cultural memory.
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