Relevant bibliographies by topics / National Music Museum (U.S.)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'National Music Museum (U.S.)'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "National Music Museum (U.S.)"

1

Študent, Miloslav. "Sources of Lute- and Guitar Music in the Holdings of the National Museum in Prague." Musicalia 8, no. 1-2 (2016): 114–29. http://dx.doi.org/10.1515/muscz-2017-0005.

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This study gives an overview of lute and guitar tablatures in the holdings of the National Museum (at the Czech Museum of Music and the National Museum Library), and it briefly characterizes them in the form of a catalogue. Since music from the Strahov and Lobkowicz collections, which also involve a rather large set of tablatures, has been returned to its original owners in restitution, the study provides up-to-date information about where this historical material is now kept. It reflects new knowledge and discoveries (lute tablature with the shelf mark KNM Nostic gg 412). The composers presen
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2

Jaeeun Jeong. "A Comparative Study on the National Core Music Standards in the U. S." Journal of Future Music Education 3, no. 2 (2018): 27–49. http://dx.doi.org/10.36223/jnafme.2018.3.2.002.

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Gerster, Robert. "By the Time We Got to Phoenix: Report on the 1985 A. S. U. C. National Conference." Perspectives of New Music 23, no. 2 (1985): 292. http://dx.doi.org/10.2307/832741.

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4

Valkova, Vera B. "Opening new perspectives in the study of S. V. Rachmaninoff’s legacy." Ученые записки Российской академии музыки имени Гнесиных 3, no. 50 (2024): 143–46. http://dx.doi.org/10.56620/2227-9997-2024-3-143-146.

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The new catalog of S. V. Rachmaninoff’s autographs from the collection of the Russian National Museum of Music, published in 2023, marks a qualitative breakthrough in the development of the museum’s vast holdings. The catalog is on a fundamentally different scientific level compared to the two earlier editions of 1955 and 1980. The structure of the catalog with all its complexity is clear and convenient: five main parts cover all types of autographs and four appendices. Among the important achievements of the catalog’s compilers are the epistolary documents identified for the first time, not p
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Eyster, Jason. "United States v. Pre-Columbian Artifacts and the Republic of Guatemala: Expansion of National Stolen Property Act in its Application to Illegally Exported Cultural Property." International Journal of Cultural Property 5, no. 1 (1996): 185–91. http://dx.doi.org/10.1017/s0940739196000288.

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One of the major issues confronting U. S. courts in international cultural property cases is the significance of foreign export restriction violations. This is a particularly sensitive issue for museums in art purchasing nations since aggressive support of the view that export restriction violation is theft could result in the return of much of a museum's collection. In fact, Thomas Hoving, past director of New York's Metropolitan Museum of Art stated, “almost every antiquity that has arrived in America in the past ten to twenty years has broken the laws of the country from which it came.”
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6

WASHINGTON, ELLIS. "EXCLUDING THE EXCLUSIONARY RULE: NATURAL LAW VS. JUDICIAL PERSONAL POLICY PREFERENCES*." Deakin Law Review 10, no. 2 (2005): 772. http://dx.doi.org/10.21153/dlr2005vol10no2art304.

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<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>* </span><span>A previous versions of this article was published in C. James Newlan’s journal, T</span><span>HE </span><span>S</span><span>OCIAL </span><span>C</span><span>RITIC</span><span>, </span><span>as Ellis Washington, </span><span>Excluding the Exclusionary Rule</span><span>, 3 T</span><span>HE </span><span>S</span><span&
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7

Wolberg, Donald L. "Third notice of transfer of cephalopods described and figured by Rousseau H. Flower." Journal of Paleontology 64, no. 6 (1990): 1042–43. http://dx.doi.org/10.1017/s0022336000019880.

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Rousseau H. Flower (1913-1988) described and figured more than hundreds of fossil taxa, collected throughout the world, during his long and colorful career (Wolberg, 1988). Most of the fossils Flower worked with remain at the New Mexico Bureau of Mines and Mineral Resources (NMBM&MR). Not surprisingly, given his interests in worldwide distributions of cephalopods and other groups, a rather small proportion of the fossils Rousseau worked with throughout his career were collected in New Mexico; a large proportion of the fossils actually belong to other institutions. The NMBM&MR continues
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8

Абдуллаев, Р. С. "Uzbek maqamat and composers creative." Музыкальное искусство Евразии. Традиции и современность, no. 1(10) (June 6, 2023): 25–34. http://dx.doi.org/10.26176/maetam.2023.10.1.002.

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В статье рассматриваются вопросы взаимоотношений традиционной музыки и композиторского творчества в музыкальной культуре Узбекистана, в которой макомат в его различных аспектах проявления реализовал свои огромные креативные возможности при создании национальной стилистики в новых жанрах профессионального многоголосного искусства: в музыкально-сценических произведениях (музыкальная драма, опера, балет) В. Успенского и Г. Мушеля, М. Ашрафи, С. Василенко, Т. Садыкова, Р. Глиэра, М. Бурханова, У. Мусаева, И. Акбарова, М. Бафоева; в симфонической музыке Т. Курбанова, М. Таджиева, М. Махмудова и дру
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9

Korobeinykova, Yaroslava, and Olena Pobihun. "THE PROBLEM OF USAGE OF ELEMENTS OF NATURAL RESERVE AND MUSEUM HERITAGE IN TOURISM (ON THE EXAMPLE OF IVANO-FRANKIVSK REGION)." SCIENTIFIC ISSUES OF TERNOPIL VOLODYMYR HNATIUK NATIONAL PEDAGOGICAL UNIVERSITY. SERIES: GEOGRAPHY 51, no. 2 (2021): 128–38. http://dx.doi.org/10.25128/2519-4577.21.2.15.

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In terms of pandemics, tourism gained a huge loss. However, the background for a qualitatively new restoration of the branch has appeared. One of the actual scientific and practical problems is an estimation of the condition of usage of elements of natural and historical-cultural heritage in tourism in terms of probable growth of domestic tourism during quarantine.
 In the article was analyzed the potential of natural heritage and museums as elements of the historical-cultural heritage of the Ivano-Frankivsk region in the context of their usage in tourism and dynamics of tourism visits of
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10

Krčmar, Filip. "NAROD I RAD: PRILOG PROUČAVANjU NACIFIKACIJE NEMACA U MEĐURATNOJ JUGOSLAVIJI." Serbian Studies Research XIII, no. 1 (2022): 171–206. http://dx.doi.org/10.46793/ssrxiii1.171k.

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In mid-1930’s, previously united leadership of the German minority in Kingdom of Yugoslavia became torn apart by the fallout between two mutually opposed and irreconcilable fractions. Group of older and conservative but democratic politicians, with political experience gained already in pre-1918 Austria-Hungary was still in charge of affairs, holding key positions within Schwäbisch-deutsche Kulturbund, the umbrella Volksdeutsche organization in Yugoslavia; however, they were challenged by the so-called Renewalists – younger, energetic politicians who were educated in Germany where they embrace
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Dissertations / Theses on the topic "National Music Museum (U.S.)"

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Veverka, Karel. "Hudební život a významné hudební události u pražských křižovníků s červenou hvězdou v 18. století ve světle listinných pramenů." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-371303.

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This dissertation thesis is focused on music performance within the bounds of Order of the Cross with Red Star in the 18th century. The history of the Knight's Order rises from the first half of the 13th century and concerns the only original Czech church order. In the 18th century Knights of the Cross belonged to the most significant patrons of Art in Czech lands. Church and monastery of St. František in Prague, the center of the Order, became the most influential culture center. The charity work of the Order of that time influenced the creation of the extraordinary institution - the Order's
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Books on the topic "National Music Museum (U.S.)"

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Leeches of the U. S. National Museum. Creative Media Partners, LLC, 2018.

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2

Barnacles: Contained in the Collections of the U. S. National Museum. Creative Media Partners, LLC, 2023.

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3

Bernadou, Allen, and Jouy Corean Collections in the U. S. National Museum. Creative Media Partners, LLC, 2023.

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4

Pilsbry, Henry Augustus. The Barnacles: Contained in the Collections of the U. S. National Museum. Arkose Press, 2015.

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5

Mason, Otis Tufton 1838-1908. Aboriginal Skin-Dressing: A Study Based on Material in the U. S. National Museum. Creative Media Partners, LLC, 2023.

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6

Christensen, Carl. American Ferns of the Group of Dryopteris Opposita Contained in the U. S. National Museum. Creative Media Partners, LLC, 2015.

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7

Christensen, Carl. American Ferns of the Group of Dryopteris Opposita Contained in the U. S. National Museum. Creative Media Partners, LLC, 2018.

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American Ferns of the Group of Dryopteris Opposita Contained in the U. S. National Museum. Creative Media Partners, LLC, 2023.

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American Ferns of the Group of Dryopteris Opposita Contained in the U. S. National Museum. Creative Media Partners, LLC, 2023.

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10

Rockhill, William Woodville. Notes on the Ethnology of Tibet: Based on the Collections in the U. S. National Museum. Creative Media Partners, LLC, 2018.

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Book chapters on the topic "National Music Museum (U.S.)"

1

"The Renewed Focus On Comics As Art After 1970." In Comic Art in Museums, edited by Kim A. Munson. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0011.

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This is a brief interstitial introduction by art historian Kim A. Munson describing the rediscovery of original comic art following the Pop Art movement and influential publications of the late 1960’s. A wave of large survey shows were organized that took on a more formal appearance and established a loose canon of comic artists. The National Cartoonist Society’s Cavalcade of Comics toured the US. Well reviewed shows of the early 70s included The Art of the Comic Strip (U of Maryland, 1971), The Comics as an Art Form (U of Nevada Las Vegas), and 75 Years of the Comics (New York Cultural Center
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