Relevant bibliographies by topics / National Musical Convention

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Academic literature on the topic 'National Musical Convention'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "National Musical Convention"

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Szyszkowski, Błażej. "Przemyskie obrady VIII Zjazdu Związku Muzeów w Polsce, 18–19 września 1932." Rocznik Przemyski. Historia 1 (29) (December 2023): 87–114. http://dx.doi.org/10.4467/24497347rph.23.006.18912.

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The 8th Convention of the Association of Museums in Poland on 18-19 September 1932 in Przemyśl On 18-19 September 1932 in Przemyśl, on the initiative of Kazimierz Osiński, head of the National Museum of the Przemyśl Region, the Association of Museums in Poland organized the 8th Convention of the Delegates of the Association of Museums in Poland. 40 participants from all over Poland took part in the convention: representatives of museums, conservators and ministry officials. During the meeting, current museological issues were discussed, e.g. problems and concepts of a regional museum (Rules an
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AIZENSHTADT, SERGEI A. "SOUTH KOREAN TV SERIES IN THE SERVICE OF MUSIC EDUCATION." Art and Science of Television 16, no. 3 (2020): 133–56. http://dx.doi.org/10.30628/1994-9529-2020-16.3-133-156.

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In this article we study forms and methods used to popularize western classical music in a South Korean TV series. The main subject of analysis is the TV series Beethoven Virus (2008) devoted to a symphony orchestra in a fictional South Korean city. The main purpose of this TV series is the promotion of classical music, and the author of the article comes to the conclusion that its popularity among Korean audience is explained by its engaging, convincing artistic methods with respect to national cultural specificities, which were used to show the working environment of professional musicians.
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Aronov, A. K. "Protecting copyright in the Internet age: The Kazakhstani perspective." BULLETIN OF L.N. GUMILYOV EURASIAN NATIONAL UNIVERSITY. LAW SERIES 149, no. 4 (2024): 71–83. https://doi.org/10.32523/2616-6844-2024-149-4-71-83.

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Copyright is granted to authors and right holders of literary, artistic, musical and other creative works since the creation of such works. It should be noted that some fundamental legal frameworks such as the Berne Convention, World Intellectual Property Organization (WIPO) treaties, and the Kazakhstani law on «Copyright and Related Rights» have all been imposed to recognize and protect the rights of authors and right holders globally and internationally. The advent of digital technologies such as the internet, mobile phones, e-book, social networks and others has created an opportunity for t
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Jelisavac, Sanja. "International regulation of intellectual property rights." Medjunarodni problemi 56, no. 2-3 (2004): 279–303. http://dx.doi.org/10.2298/medjp0403279j.

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Intellectual property refers to creations of the mind: inventions, literary and works of art, as well as symbols, names, images, and designs that are used in commerce. Intellectual property is divided into two categories industrial property, which includes inventions (patents), trademarks industrial designs, and geographic indications of source; and copyright which includes literary and works of art such as novels, poems and plays films, musical works, works of art such as drawings, paintings, photographs and sculptures, and architectural designs. Rights related to copyright include those of p
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Park, Jonghyun. "Crossover between Jazz and Korean Traditional Music within the Ideological Context of "Expansion of Tradition"." National Gugak Center 47 (April 30, 2023): 57–74. http://dx.doi.org/10.29028/jngc.2023.47.057.

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Since the late 20th century, plenty of collaborative works among Korean traditional musicians and jazz performers have emerged in the realm of “changjak gugak (lit. creative national music).” In 2020s, within the scene of traditional music-based crossover works, “elite” jazz musicians’ active participation and the use of musical elements of jazz music have become more and more visible.
 During the same period, the discourses of “expansion,” “popularization,” and/or “modernization” of tradition has constantly circulated and consumed as a bundle of “spirit of the times.” Those discourses be
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Dogorova, Nadezhda Alexandrovna, and Lu Han. "The phenomenon of Peking Opera: Syncretic nature, symbolism, convention and canons." Pan-Art 5, no. 1 (2025): 93–103. https://doi.org/10.30853/pa20250011.

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The study is devoted to the art analysis of Peking Opera. Particular attention is paid to the study of the deep potential of expressive themes and ideas, the creative heritage of drama, techniques and means of language in creating unique artistic images. On the basis of a comprehensive analysis, the phenomenon of Peking Opera is explored as a syncretic art form, where special attention is paid to the interaction of four key components: symbolism (symbolic codes), theatrical convention, syncretic nature and aesthetic canons. The choice of Peking Opera as a canonical example of traditional Chine
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Paoletti, Matteo. "‘A Single Purpose: The Conquest of the Foreign Art Markets’: Theatre and Cultural Diplomacy in Mussolini’s Italy (1919–1927)." New Theatre Quarterly 38, no. 3 (2022): 201–21. http://dx.doi.org/10.1017/s0266464x22000148.

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This article explores the role of theatre in the strategies of cultural diplomacy that developed in Italy between the last years of the liberal state (1919–22) and the rise of Benito Mussolini. It covers the period until 1927, when the establishment of the Istituti Italiani di Cultura (Italian Cultural Institutes) and the approval of a new regulatory framework for migration marked a new era for fascist soft-power ambitions. The article draws upon unpublished sources of the Historical Diplomatic Archive of the Italian Ministry of Foreign Affairs and offers a new perspective on the use of theatr
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Hara, Yuta, Takashi Izutsu, Eiko Narita, et al. "Inclusive Disaster Risk Reduction Toward a Society Wherein All People Can Choose How They Live: A Report from a Panel of World BOSAI Forum 2023." Journal of Disaster Research 19, no. 3 (2024): 539–49. http://dx.doi.org/10.20965/jdr.2024.p0539.

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This report is summary of a panel discussion at the World BOSAI Forum held in Sendai in 2023. We invited panelists with diverse backgrounds from the inclusion and diversity frontlines and were able to document their experiences. The panel included a mental health specialist, an employee of a UN agency, working on sexual and reproductive health, a musical producer, persons with disabilities working for the independence of disabled people (a local NGO staff), and a young undergraduate student. First, it was shared that the protection and safety of persons with disabilities in times of disaster i
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Larkey, Edward. "Austropop: popular music and national identity in Austria." Popular Music 11, no. 2 (1992): 151–85. http://dx.doi.org/10.1017/s0261143000004980.

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The diffusion of rock and popular music from the US and British mass entertainment industries since the 1950s has had a profound impact on the music traditions world-wide. Several generations of youth have been socialised to the musical accompaniment of rock and roll music of the 1950s, the ‘beat music’ of the 1960s, the so-called ‘psychedelic’ or ‘underground’ rock music of the 1970s, disco, punk and new wave music in the 1970s and 1980s. It has resulted in the transplantation of these ‘foreign’ styles into music cultures with small groups of fan communities for rock and roll, country and wes
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Rothstein, Joseph, Robert Owens, and Norm Garcia. "National Association of Music Merchants Convention: Two Views." Computer Music Journal 14, no. 3 (1990): 73. http://dx.doi.org/10.2307/3679962.

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Books on the topic "National Musical Convention"

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New York. Historic flutes from private collections: André Mertens galleries for musical instruments, the Metropolitan Museum of Art, New York, July-August 1986. the Metropolitan Museum of Art, 1986.

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N.Y.). André Mertens Galleries for Musical Instruments Metropolitan Museum of Art (New York. Historic flutes from private collections: André Mertens Galleries for Musical Instruments, the Metropolitan Museum of Art, New York, July-August 1986. The Museum, 1986.

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Office, General Accounting. District of Columbia: National Museum of American Music. The Office, 2000.

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Office, General Accounting. District of Columbia: P.L. 94-142 compliance and management of Youth Services Administration : report to Congressional requesters. The Office, 1986.

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Office, General Accounting. District of Columbia: P.L. 94-142 compliance and management of Youth Services Administration : report to Congressional requesters. The Office, 1986.

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Office, General Accounting. District of Columbia: Information on the District's debt : report to congressional requesters. The Office, 1994.

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Office, General Accounting. District of Columbia: Status of the new convention center project : report to the Chairman, Subcommittee on the District of Columbia, Committee on Government Reform, House of Representatives. The Office, 2000.

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Office, General Accounting. District of Columbia: Status of the new Convention Center Project : report to the chairman, Subcommittee on the District of Columbia, Committee on Government Reform and Oversight, House of Representatives. The Office, 1998.

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Office, General Accounting. District of Columbia: The District has not adequately planned for and managed its new personnel and payroll system : report to the Chairman of the Subcommittee on the District of Columbia, Committee on Appropriations, House of Representatives. The Office, 1999.

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Office, General Accounting. District of Columbia: Software acquisition processes for a new financial management system : report to the Chairman, Subcommittee on the District of Columbia, Committee on Appropriations, House of Representatives. The Office, 1998.

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Book chapters on the topic "National Musical Convention"

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Krüger, Viggo, and Kathleen M. Murphy. "Situating the Best Interest of the Child and Its Relevance for Music Therapy." In Child-Centred Music Therapy. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-85724-9_1.

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Abstract This chapter examines the integration of professional discretion and child-centered music therapy within the framework of the United Nations Convention on the Rights of the Child (UNCRC). Child-centered music therapy prioritizes the child’s individual needs, preferences, and rights, fostering a collaborative and supportive therapeutic environment. This approach empowers children to actively participate in decision-making processes, express themselves creatively, and develop resilience. However, the UNCRC’s concept of the “best interests of the child” is critiqued for its ambiguity and
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Glinsky, Albert. "A Eunuch in a Harem." In Switched On. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197642078.003.0008.

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Abstract The Abominatron was an unexpected hit at the 1964 Audio Engineering Society (AES) convention, attracting the attention of luminaries and musical heavy-hitters such as Alwin Nikolais, Eric Siday, Lejaren Hiller, and people from the Columbia-Princeton Electronic Music Center. Bob found himself taking orders for modules, something he’d never anticipated. Nikolais and Siday become his first customers. But in the meantime, he needed to roll out the high-end amp (dubbed the PMS-15) because the business had lost $28,000. Tooling up to produce 100, he ended up selling three—a catastrophic end
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Ricketson, Sam, and Jane C. Ginsburg. "The Rights Protected by the Convention: General Introduction; Moral Rights (Article 6bis)." In International Copyright and Neighbouring Rights. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198801986.003.0010.

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This chapter begins by describing the articulation of rights in national legislation and under the Berne Convention. Each successive revision of the Convention has seen the addition of a new right or rights. The original Berne Act contained exclusive rights only in relation to the making and public performance of translations of works. Rights in relation to cinematographic adaptations and the mechanical reproduction of musical works were added at the time of the Berlin Revision; broadcasting and moral rights at Rome; public performance and recitation and adaptation, together with the droit de
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Halliwell, Martin. "The Ceremony is about to Begin: Performance and 1968." In Reframing 1968. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9780748698936.003.0008.

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Cultural visibility was one of its most effective mechanisms of protest in the late 1960s via posters, slogans, songs and images that gave collective purpose to ideas and campaigns. This chapter looks at performance of protest, looking specifically at the way that protest was “staged” as musical and theatrical spectacle in 1968. It focuses on three case studies: the musical spectacle of the Los Angeles rock group The Doors and the folk singer Phil Ochs who performed at the Chicago Democratic National Convention in August 1968; the theatrical experimentation of The Living Theatre’s radical play
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Miller, Leta E. "Coda." In Union Divided. University of Illinois Press, 2024. http://dx.doi.org/10.5622/illinois/9780252045561.003.0010.

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The book’s final chapter summarizes and further analyzes the AFM’s history of segregated locals. In the 1910s and 1920s, authorizing the formation of Black locals, as requested by African American musicians, was actually the progressive stance, as Black musicians gained economic, social, and musical advantages from them. But ultimately the system was untenable and the federation went through a painful process of dismantling the dual union structure in more than fifty cities, often in the face of strong opposition from African American members. The result, as Black musicians feared, was loss of
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Palmer, Katherine. "Reaching Our Roots: An Interdisciplinary Approach to Promoting Sustainability of the African Blackwood Tree." In Wie wir leben wollen. Kompendium zu Technikfolgen von Digitalisierung, Vernetzung und Künstlicher Intelligenz. Logos Verlag Berlin, 2021. http://dx.doi.org/10.30819/5319.09.

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Prized by instrument makers for its tone and resiliency since the early nineteenth century, the African Blackwood tree (Dalbergia melanoxylon), also known as granadilla or mpingo (Swahili), faces an uncertain future. Often overharvested and inefficiently used, African Blackwood has been on the International Union for Conservation of Nature’s “near threatened” red list since 1998 and is categorized by CITES (Convention on International Trade in Endangered Species of Wild Fauna and Flora) in Appendix II, which restricts and controls trade. As instrument manufacturers, makers, and musicians conti
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"Introduction." In Music, Communities, Sustainability, edited by Anthony Seeger and Huib Schippers. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197609101.003.0001.

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Abstract The 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage was a major step in addressing concerns about musical diversity and vitality on a global scale; 180 nation-states have ratified the Convention to date. Many have developed policies to address the sustainability of their music practices. On the eve of the twentieth anniversary of the Convention, 14 experts were invited to reflect on two decades of approaching music as Intangible Cultural Heritage. In introducing the contributions to this volume, this chapter introduces the genesis of the Convention, its
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Kurin, Richard. "Recognizing Intangible Cultural Heritage." In Music, Communities, Sustainability. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197609101.003.0002.

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Abstract The 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage is an international treaty that has reached almost universal acceptance and has encouraged the development of global, regional, and national programs recognizing the importance of traditional music, artistry, and knowledge. The history of the Convention’s formulation implicates shifts in terminology, changes in disciplinary foci, debates about how best to ensure the vitality of grassroots traditions, and assessments of the relationships between cultural communities, scholars, and the state. This accoun
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Fava, Maria Cristina. "The Living Newspaper Unit and Innovative Musical Approaches." In Art Music Activism. University of Illinois Press, 2024. http://dx.doi.org/10.5622/illinois/9780252045714.003.0005.

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Drawing primarily on materials of the WPA held at the National Archive, Chapter 4 demonstrates ways in which the Living Newspaper Unit of the Federal Theater Project provided an often-unacknowledged medium to test out musical innovations. It argues that the experimental nature of the living newspapers offered a forum for testing some of the same original musical approaches that were at the center of musical modernism, including a growing interest in percussion and non-Western music. This chapter considers how the editorial team of Ethiopia challenged the stereotypical portrayal of ethnicity th
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Yampolsky, Philip. "INDONESIAN REGIONAL MUSIC ON VCD." In Sounding Out the State of Indonesian Music, edited by Andrew McGraw and Christopher J. Miller. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501765216.003.0012.

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This chapter assesses the influence of commercial media on cultural representation and change in regional music, both popular and traditional. Focusing on the VCD format, introduced in Indonesia in the mid-1990s, the chapter seeks to see what is published on VCD and what is not, and to what extent regional genres on VCD are adapted to national conventions and standards, both musical and aesthetic. It also describes the categories and trends of VCD production, and discusses an example of the kind of traditional rural genre that is excluded from VCDs because it has no commercial appeal. The chap
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Conference papers on the topic "National Musical Convention"

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Badrajan, Svetlana, and Diana Bunea. "Safeguarding and researching the intangible musical heritage in the context of contemporary digital technologies." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.02.

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The article deals with a topical problem regarding the safeguarding of the intangible musical heritage. In the context of the contemporary tendencies, international conventions, the UNESCO and Governments’ policy referring to this huge cultural layer, the protection, valorization and study of the heritage become a priority. The contemporary technologies represent an important mechanism that can realize these directives. The Folklore Archive of the Academy of Music, Theatre and Fine Arts from Chisinau, Republic of Moldova contains valuable factual materials referring to the Romanian Folklore an
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