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Journal articles on the topic 'National Visual Art Competition (Nigeria)'

Author: Grafiati
Published: 22 February 2023
Last updated: 24 February 2023

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1

Lee, Alan. "Art Education and the National Review of Visual Education." Australian Journal of Education 53, no. 3 (2009): 217–29. http://dx.doi.org/10.1177/000494410905300302.

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The recently completed review of visual education, First we see, makes recommendations that contrast sharply with most traditional forms of art teaching in Australian schools. Although the review implicitly stands against a narrow conception of a visual education founded on artistic and aesthetic concerns, I argue that the concept of ‘visuacy’ that the review offers as a complement to literacy and numeracy is misconceived as an educational objective. Theories of art education today derive from a history of ideas about creativity and self-expression, while classroom practice is dominated by the
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Omran Zailuddin, Firdaus Naif, Muhammad Abdullah, Hawari Berahim, and Azharudin Mappon. "Interpretation of 9 Selected Visual Works of Contemporary Young Talent from the Context of the National Cultural Policy Core." Idealogy Journal 3, no. 2 (2018): 43–60. http://dx.doi.org/10.24191/idealogy.v3i2.64.

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Contemporary Young Talent (CYT) is a visual arts competition organized by the National Visual Arts Gallery (NVAG) which is the most prestigious in Malaysia. Its 40 years of organization have successfully produced many renowned artists who are now pioneers in the Malaysian and regional visual arts arena. In line with the strength of CYT as a reflection of the future of Malaysian visual arts and the role of art as a cultural vehicle, the objective of the study is to analyze and further dismantle the latest visual art works of Malaysian artists from the perspective of national culture through the
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Lenssen, Anneka. "The Two-Fold Global Turn." ARTMargins 7, no. 1 (2018): 83–99. http://dx.doi.org/10.1162/artm_r_00201.

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This essay is a review of art historian Chika Okeke-Agulu's Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria (Duke University Press, 2015). The book offers a chronicle of artistic theories, practices, and institutions during Nigeria's independence years (1957–67) amid the historical frames of Third World liberation, African decolonization, and Cold War realpolitik. The essay explores in particular how Postcolonial Modernism revisits and explores the thematic of “national culture”—the concept presented by Frantz Fanon in 1959, with long-lasting impact on theories of p
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Omoniyi, Tope. "English and the other Tongues in Official Communicative Interaction in Nigeria." ITL - International Journal of Applied Linguistics 103-104 (January 1, 1994): 57–75. http://dx.doi.org/10.1075/itl.103-104.04omo.

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Abstract This paper examines issues of language choice and language use patterns, attitudes to English and to indigenous languages in official communicative interaction in Nigeria as they exist in the offices today. The report is projected against the background of the claim that English is 'the language of government, education, commerce, etc.' in Nigeria; a claim that does not present the current roster of functions performed or shared by English and the other languages. It does not correctly portray workers' preferences of language medium in participating in the numerous communicative inter
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Hasirci, Deniz, and Zeynep Tuna Ultav. "The Multiple Stories Behind the Modern Ceramic Coffee Tables of the Grand National Assembly of Turkey." Journal of Design History 33, no. 3 (2020): 225–42. http://dx.doi.org/10.1093/jdh/epaa022.

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Abstract At the end of the 1950s, 200 coffee tables and other furniture and fittings were created by interior designers who won a design competition organized by the Grand National Assembly of Turkey (GNAT) in Ankara. The tables were envisioned to be made by modern ceramic artists and designers of the time. Despite never meeting, they created joint works that were celebrated at the time for their artistic quality. The coffee tables, which were used by government ministers, were useful for introducing ceramics into government interiors while informing the leaders of a modernizing Turkish nation
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Taib Bin Saearani, Muhammad Fazli, Abdul Hamid Chan, and Nur Nabila Micheal Lung Abdullah. "Pedagogical Competency of Dance Instructors in The Training of Malay Court Dance Skills Among Upper Secondary Students at Johor National Art School." Harmonia: Journal of Arts Research and Education 21, no. 2 (2022): 221–32. http://dx.doi.org/10.15294/harmonia.v21i2.31668.

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Dance pedagogy is a complex and dynamic field of competency that involves various skills and self-appearance. Therefore, dance instructors must widen the scope of their competency to strengthen and improve their level. This research aimed to identify the competency of dance instructors teaching the practical subject of Malay Court Dance based on factors including the components of pedagogy, curriculum, assessment, and professionalism. The data was collected from interviews with the instructors and was analyzed through thematic analysis. The findings indicated that the instructors’ competency l
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Anna, Váraljai. "Lechner Ödön rajzai a szegedi városházához." Művészettörténeti Értesítő 69, no. 2 (2021): 303–26. http://dx.doi.org/10.1556/080.2020.00014.

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The paper is about the set of drawings and documents by Ödön Lechner and Gyula Pártos for the Town-hall of Szeged dated to 1881–1883 (Hungarian National Archives, Csongrád-Csanád County Archives, Szeged [MNL CSML], Collection of Building Plans and Documents of the Municipality of Szeged, marked Lecher Ödön, Pártos Gyula: A Szegedi Városházhoz készített tervek, rajzok és iratok, [Plans, drawings and documents for the Szeged Town-hall], XV.2b. 45. d.-49.d). The elaborated theme includes ground-plans, rosette, baluster and skylight plans, detail plans of staircase and main cornice, plan of the ro
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Osariyekemwen, D. N., P. O. Otimeyin, and G. O. Esebameh. "Ideal Certification of Visual Arts in Nigeria through Valid Practical Assessment." MIMBAR PENDIDIKAN 2, no. 2 (2017): 155–62. http://dx.doi.org/10.17509/mimbardik.v2i2.8625.

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ABSTRACT: The inappropriate practical assessment of the Visual Arts for ideal practical evaluation has necessitated the general outcry on the factors responsible for it. This paper tries to investigate the factors responsible for the non-compliance with credible practical assessment in Visual Arts for quality certification. It is giving some insight into solutions that will help in stamping out these inhibiting factors against the credible practical assessment in Visual Arts. When more emphasis are laid on practical courses and standard practical test examination conducted, it will go a long w
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9

Prstačić, Miroslav. "Museum of Charms and Fetish Objects in Nigeria." Collegium antropologicum 46, no. 2 (2022): 159–72. http://dx.doi.org/10.5671/ca.46.2.11.

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On the assumption, upon which perception may be considered as an associative integration of available memory pictures or archetypes as universal thought forms, the deep ecological, cross-cultural and holistic approach is conceived for two complementary areas of research: 1) contemplations about the anthropological traits of imagination, symbolic meanings of museum objects, culture, archetype image symbols and induced associations; 2) meditation on the notion of man in the language and culture of Igbo people in Nigeria, and group visual art expression. These contents are discussed with referenc
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Susak, Vita. "Open Fora." Connexe : les espaces postcommunistes en question(s) 5 (October 23, 2020): 139–55. http://dx.doi.org/10.5077/journals/connexe.2019.e255.

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Just half a century ago, Malevich’s name was familiar to very few people. On a wave of international interest to the avant-garde, he became a world-famous artist. Kazimir Malevich (1879–1935) was born into a Polish family in Kyiv and created the Black Square (1915) in Moscow. These are the most important facts that todayallow three countries (Poland, Ukraine, and Russia) to consider him as their “own” artist. Art historians and curators actively research Malevich’s work, usually arguing that he belongs to the culture they themselves represent.This paper gives a brief overview of the discovery
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11

Auslander, Mark. "Chief S.O. Alonge: Photographer to the Royal Court of Benin, Nigeria National Museum of African Art, Washington, DC September 17, 2014—July 31, 2016." African Arts 49, no. 1 (2016): 88–91. http://dx.doi.org/10.1162/afar_r_00275.

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12

Idahosa, S. O., and O. J. Makpah. "Xenophobic Threat to Nigerians Abroad – How Relevant is the Concept of “Afrocentrism”?" Uchenie zapiski Instituta Afriki RAN 59, no. 2 (2022): 88–95. http://dx.doi.org/10.31132/2412-5717-2022-59-2-88-95.

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The subject of this article is the relevance of Afrocentrism in the view of xenophobic threat to Nigerians abroad. The Afrocentrism in Nigeria’s foreign policy had been successful in both decolonization of Africa and the fight against apartheid in South Africa. However, the attacks on Nigerians abroad continue to question the price that Nigeria has paid in human, capital and material resources in ensuring peace on the continent. The fusion between policy and practice in the articulation and implementation of Nigeria’s foreign policy (often at the expense of its own people) reflects the sacrifi
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Martínez-Íñigo, Laura, Pauline Baas, Harmonie Klein, Simone Pika, and Tobias Deschner. "Intercommunity interactions and killings in central chimpanzees (Pan troglodytes troglodytes) from Loango National Park, Gabon." Primates 62, no. 5 (2021): 709–22. http://dx.doi.org/10.1007/s10329-021-00921-x.

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AbstractIntercommunity competition in chimpanzees (Pan troglodytes) has been widely studied in eastern (P. t. schweinfurthii) and western (P. t. verus) communities. Both subspecies show hostility towards neighboring communities but differ in rates of lethal attacks and female involvement. However, relatively little is known about the territorial behavior of the two other subspecies, central (P. t. troglodytes) and Nigeria-Cameroon chimpanzees (P. t. ellioti). Here, we present the first insights into intercommunity interactions of individuals of a community of central chimpanzees living in the
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14

Buckland, Theresa Jill. "How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part Two: The Waltz Regained." Dance Research 36, no. 2 (2018): 138–72. http://dx.doi.org/10.3366/drs.2018.0236.

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Part One of this study on the transmutation of the Victorian waltz into the modern English waltz of the early 1920s examined the labile social and choreographic climate of social dancing in London's fashionable ballrooms before, during and just after World War One. The article ended with the teachers’ unsatisfactory effort to characterise the features of a distinctively modern waltz style in response to a widespread discourse to recover and adapt the dance for the contemporary English ballroom. Part Two investigates the role of club and national competitions and exhibition dancers in changing
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15

Romanenkova, Julia V. "The Bookplate in the Artistic Culture of Ukraine at the Turn of the 21st Century." Tekst. Kniga. Knigoizdanie, no. 25 (2021): 122–43. http://dx.doi.org/10.17223/23062061/25/7.

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The object of research in this article is the ex-libris sphere of Ukraine in the period from the beginning of the 1990s to the present day. Ukrainian ex-libris actually began to exist in 1991, when it became possible to speak about the Ukrainian bookplate as a phenomenon of art rather than about it as a segment of Soviet graphic art. It has headily changed its character and started a different transformation since the early 1990s. Over the past 20 to 25 years, the Ukrainian bookplate not only has come out of the shadows, turning into a valuable work of art, but also has received several new ro
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16

György, Horváth. "Adalékok Kondor Béla sors-történetéhez." Művészettörténeti Értesítő 69, no. 2 (2021): 171–256. http://dx.doi.org/10.1556/080.2020.00011.

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In the course of my research in archives – in search of documents about the history of the Art Foundation of the People’s Republic (from 1968 Art Fund) – while leafing through the sea of files in the National Archives of Hungary (MNL OL) year after year, I came across so-far unknown documents on the life and fate of Béla Kondor which had been overlooked by the special literature so far.Some reflected the character of the period from summer of 1956 to spring 1957, more precisely to the opening of the Spring Exhibition. In that spring, after relieving Rákosi of his office, the HWP (Hungarian Wor
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17

Grigoryeva, Elena. "alternatives." проект байкал 19, no. 74 (2023): 1. http://dx.doi.org/10.51461/pb.74.01.

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“I’ll start drinking again... or no, I’ll wait!” said Grishka to himself, hesitating between the two alternatives, “I’d better go to Moscow!”М. Е. Saltykov-Shchedrin. Little Things in Life, 1887.The expression “burden of choice” is well understood by anyone who has ever made a design decision or any other important decision. To make a choice means to reject all variants, all alternatives, except for one. At the same time you are not always sure that you have chosen the best one.Nevertheless, alternatives are necessary, without choices there is no movement and no development. Looking back on th
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18

Geary, Christraud M. "Fragile Legacies: The Photographs of Solomon Osagie Alonge By Amy J. Staples, Flora Edouwaye S. Kaplan, and Bryna Freyer With contributions from Kokunre Agbontaen-Eghafona, Eni Ehizibue Ehikhamenor, Tam Fiofori, Daniel E. Inneh, George Osodi, and Theophilus Umogbai Washington DC: National Museum of African Art, Smithsonian Institution, Abuja: National Commission for Museums and Monuments, Nigeria, London: Giles, 2017. 210 pp., 154 ill., timeline, biblio, index. $49.95 hardcover, $34.95 paper." African Arts 52, no. 3 (2019): 92–93. http://dx.doi.org/10.1162/afar_r_00492.

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19

Schrenk, Janet L. "Corrosion and Past“Protective “Treatments of the Benin “Bronzes“ in the National Museum of African Art." MRS Proceedings 185 (1990). http://dx.doi.org/10.1557/proc-185-805.

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AbstractThe Benin (Nigeria) “bronzes“1, like many museum objects have been subjected to a variety of coatings and other surface treatments by museums, dealers and private collectors since their removal from Africa during the British Punitive Expedition of 1897. Today these surfaces are discolored, corroded, saturated with “oils and waxes” and generally do not represent the original West African aesthetic. Corrosion often occurs below the “protective” surface coating, despite the apparent visual stability of the surfaces.Samples of coatings and corrosion from the Benin “bronzes” in the National
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20

Güven, Koray. "Eliminating ‘Aesthetics’ from Copyright Law: The Aftermath of Cofemel." GRUR International, August 30, 2021. http://dx.doi.org/10.1093/grurint/ikab113.

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Abstract The recent Cofemel judgment of the Court of Justice of the European Union extended the European Union’s (EU) originality criterion (i.e. the author’s own intellectual creation) to the realm of works of applied art. The Court excluded ‘aesthetically significant visual effect’ as a condition of copyright protection. It was condemned as subjective and incompatible with the EU originality criterion. The decision may signal a shift in several national copyright laws, under which requirements relating to ‘aesthetics’ are laid down as a condition to acquire protection. This article will demo
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Sarı, Simay, and Onur Mengi. "The Role of Creative Placemaking." M/C Journal 25, no. 3 (2022). http://dx.doi.org/10.5204/mcj.2899.

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Introduction The evolution of creative city paradigm in the last three decades has dramatically changed the notion of placemaking and the meaning of art and design for urban development in the creative and cultural economy context. Very recently, a spontaneously emerging art district has been exploited by policy actions in many cities, resulting in its presence on the global stage at the UNESCO Creative City Network. The two most common approaches that drive art and design-based development policies are seen in the creative city approach and community development approach (Evans; Murdoch III e
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22

Stauff, Markus. "Non-Fiction Transmedia: Seriality and Forensics in Media Sport." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1372.

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At last year’s Tour de France—the three-week cycling race—the winner of one stage was disqualified for allegedly obstructing a competitor. In newspapers and on social media, cycling fans immediately started a heated debate about the decision and about the actual course of events. They uploaded photographs and videos, which they had often edited and augmented with graphics to support their interpretation of the situation or to direct attention to some neglected detail (Simpson; "Tour de France").Due to their competitive character and their audience’s partisanship, modern media sports continuous
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Thomas, Peter. "Anywhere But the Home: The Promiscuous Afterlife of Super 8." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.164.

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Consumer or home use (previously ‘amateur’) moving image formats are distinguished from professional (still known as ‘professional’) ones by relative affordability, ubiquity and simplicity of use. Since Pathé Frères released its Pathé Baby camera, projector and 9.5mm film gauge in 1922, a distinct line of viewing and making equipment has been successfully marketed at nonprofessional use, especially in the home. ‘Amateur film’ is a simple term for a complex, variegated and longstanding set of activities. Conceptually it is bounded only by the negative definition of nonprofessional (usually inte
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24

Morley, Sarah. "The Garden Palace: Building an Early Sydney Icon." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1223.

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IntroductionSydney’s Garden Palace was a magnificent building with a grandeur that dominated the skyline, stretching from the site of the current State Library of New South Wales to the building that now houses the Sydney Conservatorium of Music. The Palace captivated society from its opening in 1879. This article outlines the building of one of Sydney’s early structural icons and how, despite being destroyed by fire after three short years in 1882, it had an enormous impact on the burgeoning colonial community of New South Wales, thus building a physical structure, pride and a suite of memori
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Franks, Rachel. "A True Crime Tale: Re-imagining Governor Arthur’s Proclamation to the Aborigines." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1036.

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Special Care Notice This paper discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the process of colonisation. Content within this paper may be distressing to some readers. Introduction The decimation of the First Peoples of Van Diemen’s Land (now Tasmania) was systematic and swift. First Contact was an emotionally, intellectually, physically, and spiritually confronting series of encounters for the Indigenous inhabitants. There were, according to some early records, a few examples of peaceful interactions (Morris 84). Yet, the inevitable competition over r
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Kim, Chi-Hoon. "The Power of Fake Food: Plastic Food Models as Tastemakers in South Korea." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.778.

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“Oh, look at the size of that abalone!”“The beef looks really tasty!”“I really want to eat some!” I am standing in front of a glass case framing the entrance of a food court at Incheon International Airport, South Korea (henceforth Korea). I overhear these exclamations as I watch three teenage girls swarm around me to press their faces against the glass. The case is filled with Korean dishes served in the adjacent food court with brief descriptions and prices. My mouth waters as I lay my eyes on dishes such as bibimbap (rice mixed with meat, vegetables, and a spicy pepper paste called gochujan
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Franks, Rachel. "Before Alternative Voices: The Sydney Gazette and New South Wales Advertiser." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1204.

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IntroductionIn 1802 George Howe (1769-1821), the recently appointed Government Printer, published Australia’s first book. The following year he established Australia’s first newspaper; an enterprise that ran counter to all the environmental factors of the day, including: 1) issues of logistics and a lack of appropriate equipment and basic materials to produce a regularly issued newspaper; 2) issues resulting from the very close supervision of production and the routine censorship by the Governor; and 3) issues associated with the colony’s primary purposes as a military outpost and as a penal s
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Brien, Donna Lee, Leonie Rutherford, and Rosemary Williamson. "Hearth and Hotmail." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2696.

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 Introduction It has frequently been noted that ICTs and social networking applications have blurred the once-clear boundary between work, leisure and entertainment, just as they have collapsed the distinction between public and private space. While each individual has a sense of what “home” means, both in terms of personal experience and more conceptually, the following three examples of online interaction (based on participants’ interest, or involvement, in activities traditionally associated with the home: pet care, craft and cooking) suggest that the utilisation of onli
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Lee, Jin, Tommaso Barbetta, and Crystal Abidin. "Influencers, Brands, and Pivots in the Time of COVID-19." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2729.

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In light of the COVID-19 pandemic, where income has become precarious and Internet use has soared, the influencer industry has to strategise over new ways to sustain viewer attention, maintain income flows, and innovate around formats and messaging, to avoid being excluded from continued commercial possibilities. In this article, we review the press coverage of the influencer markets in Australia, Japan, and Korea, and consider how the industry has been attempting to navigate their way through the pandemic through deviations and detours. We consider the narratives and groups of influencers who
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