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Journal articles on the topic 'Nationalism and architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Salura, Purnama, Stephanie Clarissa, and Reginaldo Christophori Lake. "Reflecting the Spirit of Modern-Indonesia Through Architecture: The Icono-Symbolical Meanings of Jengki Architectural Style Case Studies: Bandung Polytechnic of Health Building and Bumi Sangkuriang Meeting Hall in Bandung, West Java, Indonesia." Journal of Design and Built Environment 20, no. 2 (2020): 13–26. http://dx.doi.org/10.22452/jdbe.vol20no2.2.

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The architectural discourse in Indonesia generally focuses on traditional architecture that represents specific regional icons, the synthesis of traditional architecture with European-style architecture, and modern architecture inspired by International Style. This research focuses on the architectural style in Indonesia which flourished in the 1950s, known as the Jengki architectural style. This architectural style is essential in the history of Indonesian architecture, considering that the style reflects the spirit of nationalism and post-colonial Indonesian. This research aims to explore th

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McNeill, Donald, and Mark Tewdwr-Jones. "Architecture, banal nationalism and re-territorialization." International Journal of Urban and Regional Research 27, no. 3 (2003): 738–43. http://dx.doi.org/10.1111/1468-2427.00479.

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Aydınlık, Sevil, and Hıfsiye Pulhan. "Education in Conflict: Postwar School Buildings of Cyprus." Open House International 44, no. 2 (2019): 68–76. http://dx.doi.org/10.1108/ohi-02-2019-b0009.

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The terms cyprus, conflict, crisis and war have been almost inextricably intertwined throughout the history of this Mediterranean island. The education system played an important role socially and school buildings played an important role visually first in the dissemination of nationalism when the ethno-nationalist movements within the turkish and greek-cypriot communities increased dramatically under British colonial rule (1878-1960), and later in the dissemination of internationalism in the mid-twentieth century. Despite the increased conflict and nationalism, which was reflected by neo-gree

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Lidin, Konstantin. "Glocal architecture." проект байкал, no. 69 (November 13, 2021): 16–23. http://dx.doi.org/10.51461/projectbaikal.69.1840.

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The article examines the concept of glocality in relation to architecture and urban planning. The notion of glocality is proposed as an embodiment of global trends in local forms, taking into account the historical, geographical and cultural characteristics of the given chronotope. The deviation of the balance towards globality leads to unification, erasure of local features and loss of cultural diversity. On the contrary, the predominance of the local aspect leads to "cultural nationalism", separation from the global information space and artistic barrenness.

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Fusinpaiboon, Chomchon, Thomas Coomans, and Pirasri Povatong. "Nationalism and the Modernisation of Thai Architectural Education at Chulalongkorn University in the 1920s and 1930s." Nakhara : Journal of Environmental Design and Planning 20 (December 1, 2021): 112. http://dx.doi.org/10.54028/nj202120112.

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This paper examines the modernization of Thai architecture through the establishment of Thailand’s first architecture school, its curriculum, its architecture, and the pivotal role of the first generation of Thai architecture professors, who had been educated in England and France. It demonstrates how the establishment of the Faculty of Architecture, Chulalongkorn University, Bangkok, stemmed from the Siamese government’s growing nationalism that aimed to end foreign domination in both Siam’s construction industry and international diplomacy. The process, however, involved the adoption of a we

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El-Ashmouni, Marwa. "INTERROGATING EGYPTIAN NATIONALISM: TRANSCULTURAL ARCHITECTURE AT THE RAGGED EDGE OF EMPIRE." International Journal of Architectural Research: ArchNet-IJAR 12, no. 1 (2018): 36. http://dx.doi.org/10.26687/archnet-ijar.v12i1.1309.

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This paper examines the discursivity of nationalism in Egypt during the late nineteenth century; a period of vibrant political and architectural transformation that manifests the ragged edge of British empire. To explore this discursive terrain, this paper examines the transnationalism of multiethnic intellectuals and architectural themes. Progressive intellectuals, including the Armenian and Jewish Italian Adib Ishaq, and Yaqub Sanu—all disciples of the originally Persian scholar Jamal al-Din al-Afghani—coincided with the design of ambivalent architectural themes. The architecture and urban c

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Myzelev, Alla. "Canadian Architecture and Nationalism: From Vernacular to Deco." Brock Review 11, no. 1 (2010): 28–42. http://dx.doi.org/10.26522/br.v11i1.137.

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The debates about national and local architecture in Canada go as far as the construction of the first permanent structures. The young country had to invent its native architectural tradition and at the same time to mitigate European influences. Introducing the notion of longing – or nostalgia – into the debate on Canadian design and architecture this study argues that European grandeur, innovations as well as financial and cultural magnitude often played an important role in the desire to create artistic projects including public and residential buildings. The interest in the Gothic revival a

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Akcan, Esra. "Architecture and Resettler Nationalism: Demographic Engineering during and after the Christian-Muslim Partition of 1923." Journal of Material Cultures in the Muslim World 4, no. 2 (2024): 253–78. http://dx.doi.org/10.1163/26666286-12340049.

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Abstract This article theorizes on resettler nationalism while discussing the architectural impacts of partitions and compulsory mass migrations that have drawn the borders of modern countries. It concentrates on the resettling process after the “Exchange of Populations” (Antallagi/Mübadele, 1923) between Greece and Turkey, which was in effect a partition dividing the Christian and Muslim communities of the Ottoman Empire. It argues that the national and international authorities treated land settlement as a top-down demographic engineering device and its architecture as a modern technological

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Nafde, Dr Mrs Tanuja. "Nationalism and Music." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (2021): 4982–84. http://dx.doi.org/10.22214/ijraset.2021.36040.

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It is a well-known fact, that music alone of all the arts and sciences has that dominating note of supreme mastership which compels unquestioned universal recognition. In painting, in sculpture, in architecture, in poetry, and in general literature in all its varying and varied moods and modes of expression, Indian music has won fame and occupied the highest place of appreciation in the world. It is admitted that Music is the last art to develop in any civilization, it must also be admitted that Indian civilization and culture have reached a point that would predicate a degree of development i

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Brown, Deidre. "Nga Paremata Maori: The Architecture of Maori Nationalism." Fabrications 12, no. 2 (2002): 1–17. http://dx.doi.org/10.1080/10331867.2002.10525166.

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Pantelić, Bratislav. "Nationalism and Architecture: The Creation of a National Style in Serbian Architecture and Its Political Implications." Journal of the Society of Architectural Historians 56, no. 1 (1997): 16–41. http://dx.doi.org/10.2307/991214.

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From the mid-nineteenth century until the late 1930s the dominant architectural mode in Serbia was a local historicist style termed Serbo-Byzantine. At first it was used only for churches but was soon extended to schools and then to all types of buildings. Although mostly based on academic revivalist forms, this idiom, which purportedly drew its inspiration from Balkan medieval architecture, did, on occasion, display distinctly local characteristics. Although part of a pan-European trend. Serbian historicism was detached from architectural developments elsewhere. Unlike other Romantic-era revi

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Açikyildiz, Birgül. "Ideology, Nationalism, and Architecture: Representations of Kurdish Sites in Turkish Art Historiography." International Journal of Islamic Architecture 11, no. 2 (2022): 323–53. http://dx.doi.org/10.1386/ijia_00082_1.

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This article discusses how the narrative of Turkish national historiography, crafted by Turkish elites in the 1930s in light of the official doctrine of the Turkish History Thesis and the Sun Language Thesis, attempted to Turkify the patronage of historical buildings constructed by diverse ethnic and religious communities of the country’s eastern region. I focus on the architectural production of the seven Kurdish dynasties that ruled a large area in the Middle East from the tenth to the mid-nineteenth century. Kurdish rulers constructed a large number of urban monuments bearing their names. T

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Hess, Janet Berry. "Imagining Architecture: The Structure of Nationalism in Accra, Ghana." Africa Today 47, no. 2 (2000): 34–58. http://dx.doi.org/10.2979/aft.2000.47.2.34.

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Hess, Janet Berry. "Imagining Architecture: The Structure of Nationalism in Accra, Ghana." Africa Today 47, no. 2 (2000): 35–58. http://dx.doi.org/10.1353/at.2000.0045.

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Ratri, Annisa Meutia. "SPREADING NATIONALISM IN THE EARLY 1900S: MARCO KARTODIKROMO'S TYPICAL APPROACHES IN INDONESIA." Sejarah dan Budaya : Jurnal Sejarah, Budaya, dan Pengajarannya 13, no. 2 (2019): 239. http://dx.doi.org/10.17977/um020v13i22019p239-248.

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This writing aims to describe Marco Kartodikromo and his unique approach to spread an idea about nationalism in the early 1900s. By using historical research as a methodology, this paper consisted discussion about basic idea that led Marco to birth the writing, which is as strategy to influence the society. This writing also provided Marco’s expounded on nationalism and his several typical approaches to spread of nationalism such as bringing historical consciousness and using low Malay language. Marco was successfully creating threaten to colonizer an expressing the pain and suffering of the c

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Mathews, Jana. "The scrapbook as repurposed and transplanted illustration: The ABCs of medieval alphabet compilations in nineteenth-century England." Journal of Illustration 8, no. 2 (2021): 155–86. http://dx.doi.org/10.1386/jill_00043_1.

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The so-called Gothic Revival long has been viewed as a mode of resistance to the mechanization and mass production of culture wrought by industrialization. Throughout the nineteenth century, society’s nostalgic longing for the distant past manifests itself in the form of medieval-inspired art, architecture, theatre, fashion and interior design. It also involves the uniquely contemporaneous literary fad of extracting illuminated letters (elaborately decorated initials) from parchment bibles, books of hours and other medieval religious texts, and reassembling them into handmade alphabet scrapboo

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Storm, Eric. "When Did Nationalism Become Banal? The Nationalization of the Domestic Sphere in Spain." European History Quarterly 50, no. 2 (2020): 204–25. http://dx.doi.org/10.1177/0265691420910948.

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Inspired by Michael Billig’s Banal Nationalism, social scientists have begun to study the impact of nationalism on everyday life. However, Billig’s concept is far from clear. Actually, banal can refer to ‘mundane’ expressions of nationalism, to their ‘unconscious’ consumption or their ‘cold’ temperature. Moreover, on many occasions Billig referred to the state instead of the nation, thus in fact analysing ‘banal statism’. For historians it is often difficult to ascertain whether people consciously perceived certain expressions of nationalism or not. However, we can analyze when certain mundane

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HUSSAINI, Ibrahim Udale, Bukar Usman WAKAWA, Aminu UMAR, and Abbas Said ELNAFATY. "Architecture and the politics of nationalism in the era of globalization." Journal of Art and Architecture Studies 12 (June 15, 2023): 11–18. http://dx.doi.org/10.54203/jaas.2023.2.

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Architecture is a physical force and a communication medium that speaks to power of value and ideals of a society through effective communication of socio-political messages embedded in its physical configurations. It helps to create the physical as well as the political institutions of establishments in the society that embodies the civilization codes of “law and order.” However, the power of architecture as a political propaganda tool is reminiscent of nationalism in many facets and circumstances. In the past imperial establishments, the ruler used architecture as a control tool to influence

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NA, Amita Kanekar. "Architecture, Nationalism, and the Fleeting Heyday of the Goan Temple." Kritika Kultura, no. 38 (April 24, 2022): 455–81. http://dx.doi.org/10.13185/kk2022.003823.

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Fukuyama, Francis. "The New Nationalism and the Strategic Architecture of Northeast Asia." Asia Policy 3, no. 1 (2007): 38–41. http://dx.doi.org/10.1353/asp.2007.0004.

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Correa Fernández, Pedro. "An Imagined Race and its Architectural Defense. Modernism and Racial Discourse in Chile 1938-1941." Materia Arquitectura, no. 20 (December 25, 2020): 142–49. http://dx.doi.org/10.56255/ma.v0i20.487.

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This article explores some of the ways in which modern architecture was involved in the construction of a racial imaginary in Chile during the government of Pedro Aguirre Cerda, from 1938 to 1941. It attempts to reconstruct how the concept of ‘race’ was used by Aguirre Cerda’s state program ‘The Defense of the Race and the Good use of Free Time,’ and by Jorge Aguirre Silva, its leading architect. By situating architectural discourse alongside medical science, physical education, and eugenics in the development of Aguirre Cerda’s program, it attempts to show how its architecture was influenced

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Okawara, Kentaro. "A Critical and Theoretical Re-imagining of ‘Victimhood Nationalism’: The Case of National Victimhood of the Baltic Region." Baltic Journal of European Studies 9, no. 4 (2019): 206–17. http://dx.doi.org/10.1515/bjes-2019-0043.

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Abstract There are many arguments to support the idea that the Baltic nations (and other “victimized” areas) adhere to ‘victimhood nationalism’, a form of nationalism that explains the region’s recognition of its history and the related problems. Since the start of the 21st century, memory and area studies experts have used the concept of ‘victimhood nationalism’. However, the framework of victimhood nationalism is critically flawed. Its original conceptual architecture is weak and its effectiveness as an explanatory variable requires critical examination. This paper presents a theoretical exa

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TOYOYAMA, AKI. "Visual Politics of Japanese Majolica Tiles in Colonial South Asia." Journal of Indian and Asian Studies 01, no. 02 (2020): 2050010. http://dx.doi.org/10.1142/s2717541320500102.

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This paper examines the political, socio-economic, and cultural aspects of Japanese decorative tiles or the so-called majolica tiles widely diffused in colonial South Asia in the early twentieth century. A tile became a popular building material in European countries by the first half of the nineteenth century, and European tiles spread over the world with the expansion of colonialism. Japan in the making of a modern nation established domestic manufacturing of tiles mainly after British models, and the industry’s rapid development was helped by the First World War (1914–1918) and the Great Ka

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Ardashnikova, Anna N., and Tamara A. Konyashkina. "Gender aspect in the ideology and practice of Iranian nationalism in the early 20th c." RUDN Journal of World History 16, no. 1 (2024): 64–79. http://dx.doi.org/10.22363/2312-8127-2024-16-1-64-79.

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Iranian history is one of those rare cases when the topic of women’s social status was raised by the ruling regimes twice - in the1920-1930s and 1970s. This fact shows firm connection of nationalist and gender discourses. Since gender issues were not only declared on behalf of the state, but were also widely discussed in the public sphere, the study uses sources of an artistic and journalistic origin, that traditionally in Iran play the role of ideological indicators. These include materials from the Iranian, mainly women’s press as well as the works of the literary corpus. The examples of pos

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Leslie, Stuart W. "Atomic structures: the architecture of nuclear nationalism in India and Pakistan." History and Technology 31, no. 3 (2015): 220–42. http://dx.doi.org/10.1080/07341512.2015.1124635.

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Maes, Fernanda Lucia. "Cultural Resistance and Collective Memory: The Impact of Nationalism of the Vargas Dictatorship on Hungarian Heritage in Jaraguá Do Sul - SC." Különleges Bánásmód - Interdiszciplináris folyóirat 10, Special Issue (2024): 71–82. http://dx.doi.org/10.18458/kb.2024.si.71.

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This work encompasses an analysis of the dictatorship experienced in Brazil between 1937 and 1945, during the Estado Novo (New State), the government of Getúlio Vargas, when there was an attempt to consolidate a fictitious homogeneity in the country, especially regarding culture. In a country where layers of different cultural influences converge, making it rich, unique, and celebrated for its diversity, cultural heritage is of extreme importance. During this period, in a contradictory manner, through repression and adaptation of culture to fit the interests of the State, the period witnessed

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Shan, Lin Lin, and Song Fu Liu. "Analysis on Creative Thinking of Contemporary Japanese Architects from the Angle of National Characters." Applied Mechanics and Materials 174-177 (May 2012): 1660–64. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1660.

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In Asia, contemporary Japanese architecture owns bright national characters, and meanwhile is geared to international standards. As an embodiment of nationalism, national characters have a direct influence on the creative thinking of architecture. Japanese people owns the double character of enlargement and reduction, as well as opening and closure, and the insularity character of delicacy and love of nature, thus contemporary Japanese architects own the nature of combining the “big” and the “small” as well as opening and closure, and the architecture form, aspiring after the creative thinking

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Poon, S. T. F. "CONTRIBUTION OF ECOLOGICAL DESIGN TO CRITICAL REGIONALISM: ANALYSING SUSTAINABILITY EFFECTIVENESS IN VERNACULAR URBAN BUILDING." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-4/W9 (September 30, 2019): 103–9. http://dx.doi.org/10.5194/isprs-annals-iv-4-w9-103-2019.

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Abstract. Environmentalism as the overall concept of ecological architecture is defined as the inter-relations between people, and how built forms affect the surroundings through design, reflecting the impact of technology, human principles of living with nature, and of social connections in communities. Modern ecological designs have smart solutions in planning climatic zones, with optimised natural lighting to lower energy use, and reduce wastage. Passive thermal comfort methods and spatial alignment of buildings to sun orientation have brought the ideals of organic architecture full circle

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Chrzanowski, Tadeusz. "A Variety of Religious Architecture in Poland." Studies in Church History. Subsidia 6 (1990): 161–71. http://dx.doi.org/10.1017/s0143045900001253.

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Before I attempt a brief survey of the numerous and varied examples of religious architecture in Poland let me mention a few well-known facts. Poland, having grown out of a tribal community, and having early developed a national character, after the Union with Lithuania (first a personal union in 1386 and then a State union in 1569) began expanding rapidly. At the turn of the fifteenth century a new model of parliamentary monarchy was established, a model functioning in an already multinational, federal state, which ceased to be the ‘Republic of Two Nations’ and became instead the ‘Republic of

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Pechenkin, Ilia Evgen'evich. ""Russification" of the Soviet architecture in 1930-1940s: ideology, theory, practice." Российская история, no. 2 (April 15, 2023): 161–71. http://dx.doi.org/10.31857/s2949124x23020128.

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The article is dedicated to attempts to construct "national in form, socialist in content" architecture in the Stalinist USSR. In course of a campaign to appropriate the classical heritage, these attempts did not acquire the character of a clear and well-structured policy. However, being themselves a reflection of ideological trend towards Russian nationalism in the pre-war and war years, they influenced the ideas about the historical role of Russian architecture as well as the worldview of architects and the appearance of specific buildings.

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Greer, Alan. "Sir James Craig and the constrution of Parliament Buildings at Stormont." Irish Historical Studies 31, no. 123 (1999): 373–88. http://dx.doi.org/10.1017/s0021121400014218.

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Architecture has its political uses: public buildings being the ornament of a country; it establishes a nation, draws people and commerce, makes the people love their native country, which passion is the original of all great actions in a Commonwealth.Sir Christopher WrenWhen the prince of Wales formally opened the new Northern Ireland Parliament Buildings at Stormont on 16 November 1932, it brought to an end over ten years of controversy, delay, confusion, and wrangling over both finance and design. Although approval to build a new parliament house and administrative offices was given in the

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Suwannapuxdee, Supot, Supachai Singyabuth, and Ourarom Chantamala. "Uthaithong Chantakorn’s Buddhist Architecture: Maintaining Local Identity in Spite of Religious Nationalism." International Journal of Religion and Spirituality in Society 12, no. 1 (2021): 1–12. http://dx.doi.org/10.18848/2154-8633/cgp/v12i01/1-12.

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Suwannapuxdee, Supot, Supachai Singyabuth, and Ourarom Chantamala. "Uthaithong Chantakorn’s Buddhist Architecture: Maintaining Local Identity in Spite of Religious Nationalism." International Journal of Religion and Spirituality in Society 12, no. 1 (2021): 1–12. http://dx.doi.org/10.18848/2154-8633/cgp/v12i01/1-12.

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Kőrösi, Boglárka. "Judin, Hilton: Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital." Korall. Társadalomtörténeti folyóirat, no. 88 (2022): 152–56. http://dx.doi.org/10.52656/korall.2022.02.008.

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Park, Augustine SJ. "Racial-Nationalism and Representations of Citizenship: The Recalcitrant Alien, the Citizen of Convenience and the Fraudulent Citizen." Canadian Journal of Sociology 38, no. 4 (2013): 579–600. http://dx.doi.org/10.29173/cjs17939.

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This paper traces racial-nationalism through three recent sites of controversy relating to citizenship: the banning of face coverings while swearing the citizenship oath, the evacuation of Canadians abroad and the revocation of the citizenship of 1,800 alleged to have gained citizenship through fraudulent means. Racial-nationalism is an architecture of race-thinking defined by (1) cultural racism, which operates as a strategy of “sorting out” outsiders from insiders and (2) expulsion or what Hage refers to as the logic of pure exclusion. Through an interrogation of online reader commentary res

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Bauman, Whitney A. "Meaning-Making Practices, Copyrights, and Architecture in the Indonesian Archipelago." Worldviews 19, no. 2 (2015): 184–202. http://dx.doi.org/10.1163/15685357-01902007.

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This article examines the connections between meaning-making practices and how those practices are codified into institutions and structures that shape individual identities. The theoretical and geographical locus of this article is Indonesia where one can be Buddhist, Hindu, Muslim, Catholic, Protestant, or Confucian, but not outwardly an atheist. In practice, there are a lot of hybrid religious identities, and this is echoed in Indonesia’s economic and legal institutions, and even its architecture. In other words, what Tom Boellstorff identifies as an “archipelagic” understanding of the self

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KATZER, NIKOLAUS. "Introduction: sports stadia and modern urbanism." Urban History 37, no. 2 (2010): 249–52. http://dx.doi.org/10.1017/s0963926810000337.

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Despite the fact that sporting spaces reflect key shifts in thinking about town planning, sports architecture is still an underexplored area in the historiography of urban design. The architects, engineers and designers attempting to regenerate and rejuvenate cities after World War II were aware of the popular interest in competitive sports. Stadia and landscape design were intended to help erase the negative urban images of nationalism and totalitarianism. By starting a dialogue with the past, town planners questioned the grandeur and monumentalism prevalent in architecture since the late nin

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Wood, Peter. ""... from teat-jerk to quidnunc": A.R.D. Fairburn and the Formation of an Ideology of Architectural Nationalism in New Zealand." Architectural History Aotearoa 3 (October 30, 2006): 44–51. http://dx.doi.org/10.26686/aha.v3i.6799.

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In 1934 ARD Fairburn published the essay "Some Aspects of N.Z. Art and Letters" in the journal Art in New Zealand. In it he criticized Alan Mulgan's book Home: A Colonial's Adventure, which had been first published in 1927, and was reprinted in 1934. It was, in Fairburn's view, an account unacceptably steeped in romantic melancholy for a distant motherland that was no longer as germane as it had once been. Instead he proposed looking to the American Transcendentalists Twain and Thoreau for direction. Also published in 1934 was a small book from the New Zealand Institute of Architects cal

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Whelan, Debbie. "Review: Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital." Journal of the Society of Architectural Historians 81, no. 4 (2022): 525–26. http://dx.doi.org/10.1525/jsah.2022.81.4.525.

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Sari, Novianti Mawar, and Kemas Ridwan Kurniawan. "Architectural Representation of Postcolonial in New Order Era Case Study: Padepokan Pencak Silat Indonesia." International Journal of Built Environment and Scientific Research 5, no. 2 (2021): 85. http://dx.doi.org/10.24853/ijbesr.5.2.85-96.

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The aim and objective of this research is to elaborate on architectural representation in postcolonial practices in the New Order era. I describe the term postcolonial in this research as practices followed by leadership in society. The method of this research is using qualitative method with historical explanation starting from the architecture itself, then to the representation, space, nationalism, and power relations. The final of this research I explain with Padepokan Pencak Silat Indonesia as a case study in the New Order era. Later in this research I found that Padepokan Pencak Silat Ind

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de Carvalho, Rita Almeida. "Ideology and Architecture in the Portuguese ‘Estado Novo’: Cultural Innovation within a Para-Fascist State (1932–1945)." Fascism 7, no. 2 (2018): 141–74. http://dx.doi.org/10.1163/22116257-00702002.

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This article challenges the common assumption of the fascist nature of the Portuguese Estado Novo from the thirties to mid-forties, while recognizing the innovative, modernizing dynamic of much of its state architecture. It takes into account the prolix discourse of Oliveira Salazar, the head of government, as well as Duarte Pacheco’s extensive activity as minister of Public Works, and the positions and projects of the architects themselves. It also considers the allegedly peripheral status of architectural elites, and the role played by decision makers, whether politicians or bureaucrats, in

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Raina, Asif Rashid, and Anoop Singh. "Impact of Buddhist thoughts on Cultural Nationalism of India." Sprin Journal of Arts, Humanities and Social Sciences 2, no. 01 (2023): 01–07. http://dx.doi.org/10.55559/sjahss.v2i01.73.

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The colonized nations saw a rise in nationalistic feelings during the height of colonialism in the middle of the 19th century, putting special stress on the concept of shared ancestry, culture, and language. It is important to note that this idea has strong roots in India, where there is a plethora of ancient literature that emphasizes on cultural nationalism, whether it is Vedic, Jain, or Buddhist. In most regions of the continent, Buddhism has had a major geographic and historical presence often for very long times. Additionally, it has had a significant impact on the creation of particular

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Davis, Charles L. "Louis Sullivan and the Physiognomic Translation of American Character." Journal of the Society of Architectural Historians 76, no. 1 (2017): 63–81. http://dx.doi.org/10.1525/jsah.2017.76.1.63.

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Louis Sullivan and the Physiognomic Translation of American Character examines the racial politics of Louis Sullivan's democratic vision for American architecture, as manifest in his interpretations of physiognomic character in people and the built environment and in his reflections on U.S. nationalism. Charles L. Davis II argues that while Sullivan believed that ordinary Americans would produce an indigenous culture reflective of democratic ideals, his assimilationist conception of American citizenship excluded recent white immigrants and resident nonwhite peoples and limited his democratic a

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Mahatmanto. "PERKEMBANGAN WACANA IDENTITAS ARSITEKTUR DALAM JURNAL-JURNAL ARSITEKTUR DI AWAL ABAD XX DI HINDIA BELANDA." Jurnal Koridor 9, no. 2 (2018): 299–306. http://dx.doi.org/10.32734/koridor.v9i2.1371.

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The transition of the 19th century to the 20th century known as the flowering period of the printed mass media in the West and the colonies. Similarly, in the Dutch East Indies, in the turn of the century, many publications are created, written and read by the architects who come to enjoy this print technology development in order to always be able to follow the progress in the Netherlands. At the turn of the century it was known four publications that circulated among architects in the Indies. Ideologies and interests with each of them carrying, mixing, and developed the ideas of architecture

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Eggener, Keith L. "Nationalism, Internationalism and the ‘Naturalisation’ of Modern Architecture in the United States, 1925–1940." National Identities 8, no. 3 (2006): 243–58. http://dx.doi.org/10.1080/14608940600842540.

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Weingarden, Lauren S. "Naturalized Nationalism: A Ruskinian Discourse on the Search for an American Style of Architecture." Winterthur Portfolio 24, no. 1 (1989): 43–68. http://dx.doi.org/10.1086/496399.

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Houston, Christopher. "Historical Agency, Nationalism, Architecture: Some Reflections on the Anthropology of Turkey in the Nineties." Die Welt des Islams 46, no. 1 (2006): 61–75. http://dx.doi.org/10.1163/157006006776562200.

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Mansbach, S. A. "Modernist Architecture and Nationalist Aspiration in the Baltic: Two Case Studies." Journal of the Society of Architectural Historians 65, no. 1 (2006): 92–111. http://dx.doi.org/10.2307/25068240.

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Modern art developed comparatively late in the eastern Baltic, with a variety of meanings, political purposes, and national references different from those to be found elsewhere in Europe and the Americas. Shaped by specific historical events and determined by distinctive local interests, Baltic modern architecture and art of the early twentieth century was charged with a national mission to reflect the political aspirations of the emergent new states of Estonia, Latvia, and Lithuania. The present article investigates this charged nationalism within the modern art in the Baltic by focusing on

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Dutta, Arindam. "Representing Calcutta: Modernity, Nationalism and the Colonial Uncanny." Journal of Architectural Education 63, no. 2 (2010): 167–69. http://dx.doi.org/10.1111/j.1531-314x.2010.01082.x.

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Liscombe, Rhodri Windsor. "Nationalism or Cultural Imperialism?: The Chateau Style in Canada." Architectural History 36 (1993): 127. http://dx.doi.org/10.2307/1568587.

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