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1

Field, Garrett M. "Music for Inner Domains: Sinhala Song and the Arya and Hela Schools of Cultural Nationalism in Colonial Sri Lanka." Journal of Asian Studies 73, no. 4 (2014): 1043–58. http://dx.doi.org/10.1017/s0021911814001028.

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In this article, I juxtapose the ways the “father of modern Sinhala drama,” John De Silva, and the Sinhala language reformer, Munidasa Cumaratunga, utilized music for different nationalist projects. First, I explore how De Silva created musicals that articulated Arya-Sinhala nationalism to support the Buddhist Revival. Second, I investigate how Cumaratunga, who spearheaded the Hela-Sinhala movement, asserted that genuine Sinhala song should be rid of North Indian influence but full of lyrics composed in “pure” Sinhala. The purpose of this comparison is to critique Partha Chatterjee's notion of
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Silvestri, Michael. "“The Sinn Féin of India”: Irish Nationalism and the Policing of Revolutionary Terrorism in Bengal." Journal of British Studies 39, no. 4 (2000): 454–86. http://dx.doi.org/10.1086/386228.

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A recent article in the Calcutta magazine Desh outlined the exploits of a revolutionary fighting for “national freedom” against the British Empire. The article related how, during wartime, this revolutionary traveled secretly to secure the aid of Britain's enemies in starting a rebellion in his country. His mission failed, but this “selfless patriot” gained immortality as a nationalist hero. For an Indian—and particularly a Bengali—audience, the logical protagonist of this story would be the Bengali nationalist leader Subhas Chandra Bose. Bose, the former president of the Indian National Congr
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Ghosh, Sanmita. "‘Bharat Mata’ and ‘Ma Victoria’: Forms of Divine Motherhood in Colonial Bengal." Indian Historical Review 47, no. 2 (2020): 296–312. http://dx.doi.org/10.1177/0376983620968011.

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This article attempts to explore the cult of the ‘Bharat Mata’ that was born out of the patriotic fervour of Indian nationalist leaders who transformed their nationalist passion into an image of the nation as mother, and the widely promoted idea of Queen Victoria as a mother to her subjects in the nineteenth-century Bengal. The image of ‘Bharat Mata’ was conceived with the rising tide of nationalism in the nineteenth century, the impetus provided by the Bengali novelist Bankimchandra Chattopadhyay’s novel Anandamath (1882). The image of Queen Victoria as a mother to her Indian subjects found i
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Shamshad, Rizwana. "Bengaliness, Hindu nationalism and Bangladeshi migrants in West Bengal, India." Asian Ethnicity 18, no. 4 (2016): 433–51. http://dx.doi.org/10.1080/14631369.2016.1175918.

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Bayly, C. A. "South Asia and the ‘Great Divergence’." Itinerario 24, no. 3-4 (2000): 89–103. http://dx.doi.org/10.1017/s0165115300014510.

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Indian nationalism was born out of the notion that India's poverty and backwardness was not a natural result of technical inferiority or inefficient use of resources, but that it was a consequence of colonial rule. Even before the development of scientific nationalist economics in the 1890s, the moralists of Young Bengal had called for a protectionist ‘national political economy’ on the lines advocated by Friedrich List in Germany, whom they had read as early as 1850. Bholanath Chandra asserted in 1873 that India had once been the greatest textile producer in the world and had initiated the in
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Shastri, Sanjal. "Communal Violence in Twenty-first Century India: Moving Beyond the Hindi Heartland." Studies in Indian Politics 8, no. 2 (2020): 266–80. http://dx.doi.org/10.1177/2321023020963721.

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Using communal violence data between 2006 and 2017, this study challenges the idea that communal violence is primarily an issue in the Hindi Heartland. The data demonstrates how Karnataka and West Bengal are also witnessing rising levels of communal violence. The study goes on to take a closer look at the rise of the Bharatiya Janata Party (BJP) in Karnataka and West Bengal. It demonstrates how a combination of factors ranging from localized narratives of Hindu nationalism, caste coalitions, alliances with regional parties and the decline of the Communist Party of India (Marxist) (CPI[M]) in W
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Oishi, Takashi. "INDO-JAPAN COOPERATIVE VENTURES IN MATCH MANUFACTURING IN INDIA: MUSLIM MERCHANT NETWORKS IN AND BEYOND THE BENGAL BAY REGION 1900–1930." International Journal of Asian Studies 1, no. 1 (2004): 49–85. http://dx.doi.org/10.1017/s1479591404000051.

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This paper discusses the role of Indian merchants, especially Muslims, in the match trade between Japan and India, and situates the cooperative ventures set up in the middle of the 1920s between Indian merchants and Japanese manufacturers in the context of the economy of the Bengal Bay region. Their inter-regional networks and partnerships were important not just for trade, but also for manufacturing based on the flow of technology, ideas, information, and natural resources. The paper also shows that such ventures unexpectedly caused conflicts with movements in India to promote domestic indust
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Baier, Karl. "Swami Vivekananda.Reform Hinduism, Nationalism and Scientistic Yoga." Interdisciplinary Journal for Religion and Transformation in Contemporary Society 5, no. 1 (2019): 230–57. http://dx.doi.org/10.30965/23642807-00501012.

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Abstract This article deals with Narendranath Datta (1863–1902) more known under his monastic name Swami Vivekananda. Vivekananda was a representative of the Bengal renaissance, a movement that is famous for its contribution to the modernization of India. Vivekananda became one of the architects of neo-Hinduism and a pioneer of modern yoga. His ideas also contributed to the rising Hindu nationalism. The article outlines his biography and religious socialization. A closer look will be given to his concept of religion and the way he relates it with India`s national identity. A second major part
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Chaudhuri, Rosinka. "‘On the Colonization of India’ (1829): Public meetings, debates and later disputes." Indian Economic & Social History Review 55, no. 4 (2018): 463–89. http://dx.doi.org/10.1177/0019464618796894.

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This article returns to the scene of excitement that comprised the topic labelled ‘On the Colonization of India’ in the newspapers and journals of 1829, an area explored once before by a group of established Left historians through debates on the specific issue of the ‘Bengal Renaissance’ in the mid-1970s. Beginning with the misreading by these historians of particular extracts from the Bengal Hurkaru in constructing their arguments for or against the place of Rammohun Roy in the making of modern India, I nevertheless draw back here from larger abstractions of categorisation to focus tightly i
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Chowdhury-Sengupta, Indira. "Mother India and Mother Victoria: Motherhood and Nationalism in Nineteenth-Century Bengal." South Asia Research 12, no. 1 (1992): 20–37. http://dx.doi.org/10.1177/026272809201200102.

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FULLER, C. J. "Anthropologists and Viceroys: Colonial knowledge and policy making in India, 1871–1911." Modern Asian Studies 50, no. 1 (2015): 217–58. http://dx.doi.org/10.1017/s0026749x15000037.

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AbstractThe anthropology of caste was a pivotal part of colonial knowledge in British India in the late nineteenth and early twentieth centuries. Denzil Ibbetson and Herbert Risley, then the two leading official anthropologists, both made major contributions to the study of caste, which this article discusses. Ibbetson and Risley assumed high office in the imperial government in 1902 and played important roles in policy making during the partition of Bengal (1903–5) and the Morley-Minto legislative councils reforms (1906–9); Ibbetson was also influential in deciding Punjab land policy in the 1
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SINHA, NITIN. "The World of Workers' Politics: Some Issues of Railway Workers in Colonial India, 1918–1922." Modern Asian Studies 42, no. 5 (2008): 999–1033. http://dx.doi.org/10.1017/s0026749x06002745.

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AbstractThis paper uses a study of strikes of railway workers in Bihar and Bengal from 1918 to 1922 to set out and examine the complexities of workers' politics. Three broad themes related with workers' politics,viz.racial ideology, actual ‘event’ of striking and the related activities of workers, and techniques of mobilization have been covered in this paper. In each of these cases, it has been argued that rigid categories like racialism or nationalism are of little help in unravelling the complexities of workers' choices and their politics. Their politics were more flexible than what meets t
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GHOSH, GAUTAM. "Nobility or Utility?Zamindars, businessmen, andbhadralokas curators of the Indian nation in Satyajit Ray'sJalsaghar (The Music Room)." Modern Asian Studies 52, no. 2 (2017): 683–715. http://dx.doi.org/10.1017/s0026749x16000482.

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AbstractThe Bengalibhadralokhave had an important impact on Indian nationalism in Bengal and in India more broadly. Their commitment to narratives of national progress has been noted. However, little attention has been given to how ‘earthly paradise’, ‘garden of delights’, and related ideas of refinement and nobility also informed their nationalism. This article excavates the idea of earthly paradise as it is portrayed in Satyajit Ray's 1958 Bengali filmJalsaghar, usually translated asThe Music Room.Jalsagharis typically taken to depict, broadly, the decadence and decline of aristocratic ‘feud
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Hyslop, Jonathan. "The world voyage of James Keir Hardie: Indian nationalism, Zulu insurgency and the British labour diaspora 1907–1908." Journal of Global History 1, no. 3 (2006): 343–62. http://dx.doi.org/10.1017/s1740022806003032.

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In 1907–1908, the British labour leader, James Keir Hardie, made a round-the-world tour, which included visits to India, Australasia and southern Africa. The support for Indian nationalism which he expressed precipitated a major international political controversy, in the course of which Hardie came under severe attack from the Right, both in Britain and in her colonies. In southern Africa, the issue, combined with Hardie’s earlier criticism of the repression of the 1906 Bambatha rising in Natal, sparked rioting against Hardie by British settlers during his visit. This article seeks to show ho
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AIYAR, SANA. "Fazlul Huq, Region and Religion in Bengal: The Forgotten Alternative of 1940–43." Modern Asian Studies 42, no. 6 (2008): 1213–49. http://dx.doi.org/10.1017/s0026749x07003022.

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AbstractIn the wake of the Government of India Act of 1935, provincial politics emerged as a challenge to the authority and legitimacy of all-India, centralised political parties. While the Congress and the Muslim League set up a binary opposition between secular and religious nationalism, provincial politicians refused to succumb to the singularity of either alternative. Partition historiography has been concerned with the interplay of national and communal ideologies in the 1940s, overshadowing this third trajectory of regional politics that was informed by provincial particularities. This a
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Fleming, K. E. "Nation and Religion." American Journal of Islam and Society 18, no. 4 (2001): 163–67. http://dx.doi.org/10.35632/ajis.v18i4.1991.

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This important new addition to the growing body of literature onnationalism, religion, and religious nationalism is the product of aconference on "Religion and Nationalism in Europe and Asia", held in1995 at the University of Amsterdam. Princeton University Press is in general hesitant when it comes to publishing edited volumes; it has donewell to make an exception for this one. While many edited collections,particularly those that grow out of conferences, are at best of inconsistentquality and at worst entirely lacking in coherence, van der Veer andLehmann's Nation and Religion is striking bo
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17

Chowdhury, Subhadeep. "MEDICINE AND COLONIAL PATENT LAW IN INDIA: A Study of Patent Medicines and the Indian Patents and Designs Act, 1911 in Early- Twentieth-Century India." Journal of the History of Medicine and Allied Sciences 75, no. 4 (2020): 408–28. http://dx.doi.org/10.1093/jhmas/jraa027.

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ABSTRACT This paper investigates the history of drugs sold as “patent medicines” in India in the early twentieth century. The paper investigates their legitimacy as patenting of medicines was forbidden by the Indian Patents and Designs Act, 1911 (IPDA). The paper argues that the instrument of letters patents functioning as the prerogative of the Crown that gave monopolistic rights to grantees to sell any compound without having to disclose its constituents was the reason behind this seemingly conflicting historical relationship between the law and the market. Colonial law-making left sufficien
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Chattopadhyay, Suchetana. "Workers and militant labour activists from Punjab in Bengal (1921-1934)." Socialist Studies/Études Socialistes 13, no. 2 (2018): 97. http://dx.doi.org/10.18740/ss27233.

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Sikh migrants joined post-war strike-waves, formed unions and turned left in the 1920s and early 1930s in and around Calcutta, in the South Bengal region under British rule. To them, an unofficial commemoration of Komagata Maru’s voyage and the militancy associated with the Ghadar movement during First World War, became inseparable from contemporary resistance to the domination of colonial capital and British colonial state in India. They engaged with, worked upon and simultaneously moved beyond the boundaries of ethno-linguistic and religious identities as well as the social content of anti-c
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19

Saha, Barnali. "The Language of Partition: A Study of the Narrative Structures of Selected Stories." SMART MOVES JOURNAL IJELLH 9, no. 7 (2021): 160–84. http://dx.doi.org/10.24113/ijellh.v9i7.11127.

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The Partition of India in 1947 that resulted in the death and displacement of millions of people continues to inhabit the cognizance of the people of South Asia as a historical phenomenon laden with violence. Although the bequest of the Partition is palpable in episodes of religious tension, discourses on minority belonging, secularism, nation and nationalism in India, critical exploration of the phenomenon as a tension-ridden historical episode has largely been restricted. The present research paper deals with the stylistic aspects of a series of seven short fictional narratives from Bengal a
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LUDDEN, DAVID. "Spatial Inequity and National Territory: Remapping 1905 in Bengal and Assam." Modern Asian Studies 46, no. 3 (2011): 483–525. http://dx.doi.org/10.1017/s0026749x11000357.

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AbstractIn 1905, Viceroy Nathaniel Curzon applied well-worn principles of imperial order to reorganize northeastern regions of British India, bringing the entire Meghna-Brahmaputra river basin into one new administrative territory: the province of Eastern Bengal and Assam. He thereby launched modern territorial politics in South Asia by provoking an expansive and ultimately victorious nationalist agitation to unify Bengal and protect India's territorial integrity. This movement and its economic programme (swadeshi) expressed Indian nationalist opposition to imperial inequity. It established a
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Mukharji, Projit Bihari. "The Bengali Pharaoh: Upper-Caste Aryanism, Pan-Egyptianism, and the Contested History of Biometric Nationalism in Twentieth-Century Bengal." Comparative Studies in Society and History 59, no. 2 (2017): 446–76. http://dx.doi.org/10.1017/s001041751700010x.

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AbstractExtant South Asian histories of race, and more specifically biometrics, focus almost exclusively upon the colonial era and especially the nineteenth century. Yet an increasing number of ethnographic accounts observe that Indian scientists have enthusiastically embraced the resurgent raciology engendered by genomic research into human variation. What is sorely lacking is a historical account of how raciology fared in the late colonial and early postcolonial periods, roughly the period between the decline of craniometry and the rise of genomics. It is this history that I explore in this
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Chakravartty, Aryendra. "Understanding India: Bhadralok, Modernity and Colonial India." Indian Historical Review 45, no. 2 (2018): 257–85. http://dx.doi.org/10.1177/0376983617747999.

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This article explores the understandings of mid-nineteenth-century colonial India through the perceptions of Bholanauth Chunder, an anglicised Bengali bhadralok and his early attempt at seeing and experiencing a historical entity called India. The role played by the middle class in forging a sense of anti-colonial nationalism has received significant attention, but this focuses on late nineteenth and early twentieth centuries. By focusing on the perceptions and visions of an Indian middle class during the mid-nineteenth century, I provide an early articulation of nationalism which preceded the
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Chaudhury, Sarbani, and Bhaskar Sengupta. ""Macbeth" in Nineteenth-Century Bengal: A Case of Conflicted Indigenization." Multicultural Shakespeare: Translation, Appropriation and Performance 10, no. 25 (2013): 11–27. http://dx.doi.org/10.2478/mstap-2013-0002.

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Adaptation, a complex bilingual and bicultural process, is further problematised in a colonial scenario inflected by burgeoning nationalism and imperialist counter-oppression. Nagendranath Bose’s Karnabir (1884/85), the second extant Bengali translation of Macbeth was written after the First War of Indian Independence in 1857 and its aftermath – the formation of predominantly upper and middle class nationalist organisations that spearheaded the freedom movement. To curb anti-colonial activities in the cultural sphere, the British introduced repressive measures like the Theatre Censorship Act a
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SENGUPTA, JAYANTA. "Nation on a Platter: the Culture and Politics of Food and Cuisine in Colonial Bengal." Modern Asian Studies 44, no. 1 (2009): 81–98. http://dx.doi.org/10.1017/s0026749x09990072.

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AbstractThis paper examines themes related to cooking, food, nutrition, and the relationship between dietary practice and health in late-nineteenth century and early-twentieth century Bengal, and argues that food and cuisine represented a vibrant site on which a complex rhetorical struggle between colonialism and nationalism was played out. Insofar as they carried symbolic meanings and ‘civilisational attributes’, cooking and eating transcended their functionality and became cultural practices, with a strong ideological-pedagogical content. The Bengali/Indian kitchen, so strongly reviled in Eu
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Gupta, Swarupa. "The Idea of Freedom in Bengali Nationalist Discourse." Studies in History 29, no. 1 (2013): 21–40. http://dx.doi.org/10.1177/0257643013496685.

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While the concept of freedom in India has mainly been seen through the lens of the freedom struggle/movement, this article conjoins the idea (concept) and practice (movement) of freedom as reflected in the Bengali nationalist discourse during the late nineteenth and early twentieth century. It argues that freedom was a multidimensional concept and contained many connotative strands. Indigenous lineages were linked to the political idea of freedom, expressed as swaraj. But this political term was not seen in terms of politics alone. Rather, it was an evocation and extension of the older idea of
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BOSE, NEILESH. "Purba Pakistan Zindabad: Bengali Visions of Pakistan, 1940–1947." Modern Asian Studies 48, no. 1 (2013): 1–36. http://dx.doi.org/10.1017/s0026749x12000315.

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AbstractThis paper details the history of the concept of Pakistan as debated by Bengali intellectuals and literary critics from 1940–1947. Historians of late colonial South Asia and analysts of Pakistan have focused on the Punjab along with colonial Indian ‘Muslim minority’ provinces and their spokesmen like Muhammed Ali Jinnah, to the exclusion of the cultural and intellectual aspects of Bengali conceptions of the Pakistan idea. When Bengal has come into focus, the spotlight has centred on politicians like Fazlul Huq or Hassan Shahid Suhrawardy. This paper aims to provide a corrective to this
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CHOUDHURY, D. K. LAHIRI. "Sinews of Panic and the Nerves of Empire: the Imagined State's Entanglement with Information Panic, India c.1880–1912." Modern Asian Studies 38, no. 4 (2004): 965–1002. http://dx.doi.org/10.1017/s0026749x0400126x.

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This is a narrative of events and panics in India in 1907: the fiftieth anniversary of 1857. After the East India Company's political ascendancy in 1757, the uprisings and insurrections of 1857 shook the very foundations of British rule in India. In the summer of 1907, several different strands of protest came together: the nearly all-India telegraph strike was barely over when a revolutionary terrorist network was unearthed, bringing the simmering political cauldron to the boil. The burgeoning swadeshi and boycott movement splintered, partly through the experience of Government repression, in
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Dasgupta, Probal. "Bongitude and the Specification of Freedom." Tattva - Journal of Philosophy 10, no. 2 (2018): 1–14. http://dx.doi.org/10.12726/tjp.20.1.

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Both swaraj and swadeshi emerged in the context of nationalist discourses that set independence as a universal goal. This notion of independence derived its meaning from the empires that co-constituted modernity, and meant decolonization. Despite metaphors and other extensions, the little nationalisms within the Indian trans-nation have proved unable to postulate any sort of semi-sovereignty within the larger republic as a credible goal. This Bengal-focused study argues that sustainable autonomy cannot be promoted if all sub-nations are stampeded into ‘one size fits all’. Any ethnic community
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Shahzadi Tahmina et al.,, Shahzadi Tahmina et al ,. "Indian Sub-Continental Nationalist and Japan`s Role for the Emergence of Bengali Nationalism." International Journal of History and Research 8, no. 1 (2018): 1–10. http://dx.doi.org/10.24247/ijhrjun20181.

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Heehs, Peter. "Foreign Influences on Bengali Revolutionary Terrorism 1902–1908." Modern Asian Studies 28, no. 3 (1994): 533–56. http://dx.doi.org/10.1017/s0026749x00011859.

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Writing to John Morley, the Secretary of State for India, a few days after the first terrorist bomb was thrown by a Bengali, the Viceroy Lord Minto declared that the conspirators aimed ‘at the furtherance of murderous methods hitherto unknown in India which have been imported from the West, and which the imitative Bengali has childishly accepted’.This notion later was taken up and developed by Times correspondent Valentine Chirol, who wrote that Bengalis had ‘of all Indians been the most slavish imitators of the West, as represented, at any rate, by the Irish Fenian and the Russian anarchist’.
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PAUL, SUBIN, and DAVID DOWLING. "Gandhi's Newspaperman: T. G. Narayanan and the quest for an independent India, 1938–46." Modern Asian Studies 54, no. 2 (2019): 471–501. http://dx.doi.org/10.1017/s0026749x18000094.

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AbstractThe expansion of the colonial public sphere in India during the 1930s and 1940s saw the nation's English-language press increasingly serve as a key site in the struggle for freedom despite British censorship. This article examines the journalistic career of T. G. Narayanan, the first Indian war correspondent and investigative reporter, to understand the role of English-language newspapers in India's quest for independence. Narayanan reported on two major events leading to independence: the Bengal famine of 1943 and the Second World War. Drawing on Michael Walzer's concept of the ‘conne
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Jeeva C and Velumani P. "Portrayal of Traditional Indian Womanhood in R.K. Narayan’s The Dark Room." INTERNATIONAL JOURNAL OF SCIENCE TECHNOLOGY AND HUMANITIES 2, no. 2 (2015): 32–34. http://dx.doi.org/10.26524/ijsth50.

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The Indo-Anglican literature is different from the Anglo-Indian literature. The former is the genre written and created by the Indians through the English language; the latter is written by the Englishmen on themes and subjects related to India. The Indo-Anglican fiction owes its origin to the translations of various fictional works from the Indian languages into English, notably from Bengali into English. The Indo-Anglican writers of fiction write with an eye and hope on the western readers. This influenced their choice of the subject matter. In Indo-Anglican novels there are Sadhus, Fakirs,
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CHAUDHURI, ROSINKA. "Cutlets or Fish Curry?: Debating Indian Authenticity in Late Nineteenth-Century Bengal." Modern Asian Studies 40, no. 2 (2006): 257–72. http://dx.doi.org/10.1017/s0026749x06001740.

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Current discussions on the development of modern literary genres and aesthetic conventions in nineteenth-century colonial Bengal have tended, perhaps because of its relative neglect in the modern day, to ignore the seminal role of poetry in formulating the nationalist imagination. In academic discourse, the coming together of the birth of the novel, the concept of history and the idea of the nation-state under the sign of the modern has led to a collective blindness toward the forceful intervention of poetry and song in imagining the nation. Thus Dipesh Chakrabarty, in a chapter devoted to poe
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Rey-Schirr, Catherine. "The ICRC's activities on the Indian subcontinent following partition (1947–1949)." International Review of the Red Cross 38, no. 323 (1998): 267–91. http://dx.doi.org/10.1017/s0020860400091026.

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In 1945, at the end of the Second World War, the British government clearly stated its intention of granting independence to India.The conflict between the British and the Indian nationalists receded into the background, while the increasing antagonism between Hindus and Muslims came to the fore. The Hindus, centred round the Congress Party led by Jawaharlal Nehru, wanted to maintain the unity of India by establishing a government made up of representatives of the two communities. The Muslims, under the banner of the Muslim League and its President, Mohammed Ali Jinnah, demanded the creation o
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Festino, Cielo G. "Revisiting Rabindranath Tagore’s the Home and the World." Aletria: Revista de Estudos de Literatura 21, no. 2 (2011): 65–75. http://dx.doi.org/10.17851/2317-2096.21.2.65-75.

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The aim of this article is to make a critical reading of the novella The Home and the World (1915), by Rabindranath Tagore, focusing on the emancipation of Bengal and the new role of women at the beginning of the twentieth century during the Swadeshi movement: the boycott to English goods to back up Indian industry after the arbitrary division of Bengal by Lord Curzon (1905). This discussion is based on Tagore’s book on Nationalism (1917) as well as Walter Benjamin’s considerations on allegory (1928).
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MUKHERJEE, MANJARI. "From Classroom to Public Space: Creating a New Theatrical Public Sphere in Early Independent India." Theatre Research International 42, no. 3 (2017): 327–32. http://dx.doi.org/10.1017/s0307883317000621.

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Though India declared itself a sovereign nation only in 1947, after two hundred years of British rule, its people had unleashed the processes of ‘Indianization’ well before independence. While addressing the transition from colonial subjecthood to independent citizenship is intricately linked to efforts of decolonization, the role of English-medium education in the creation of a new emergent class of independent Indian citizens often gets overlooked. This essay analyses the immediate impact of independence (1947–50), and locates the educational spaces where Indians (predominantly elite Bengali
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Nikitin, Dmitrii. "Documents on the history of the Indian National Congress from the archive of viceroy of India Minto." Genesis: исторические исследования, no. 6 (June 2021): 86–94. http://dx.doi.org/10.25136/2409-868x.2021.6.33220.

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The subject of this research is the documents from the archive of the viceroy of India Minto, which contain the records about the Indian National Congress. The author examines the history of studying the archive of Minto in foreign scientific literature. Special attention is given to correspondence of Minto with the Secretary of State for India Lord John Morley and their deputies that covers the period from the first Partition of Bengal (1905), split in the Indian National Congress (1907), and draft of the Morley-Minto reform, which involved the members of the Indian National Congress. The art
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Southard, Barbara. "Colonial Politics and Women's Rights: Woman Suffrage Campaigns in Bengal, British India in the 1920s." Modern Asian Studies 27, no. 2 (1993): 397–439. http://dx.doi.org/10.1017/s0026749x00011549.

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The historian Geraldine Forbes, writing on the origins of the woman suffrage movement in India, stated: ‘the firm insistence of organized women—that they be treated as equals of men on the franchise issue—emerged not from the perceptions of the needs of the women in India, but as the result of the influence of certain British women, in the case of the first demand for the franchise, 1917, and as a response to the nationalist movement, in the case of the second demand for franchise, 1927–33.’
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Freitag, Sandria B. "The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, c. 1850–1920. By Tapati Guha-Thakurta. Cambridge: Cambridge University Press, 1992. xxvii, 351 pp. $85.00 (cloth). - Cinema and the Urban Poor in South India. By Sara Dickey. Cambridge: Cambridge University Press, 1993. xiv, 213 pp. £30.00 (cloth)." Journal of Asian Studies 55, no. 3 (1996): 750–52. http://dx.doi.org/10.2307/2646487.

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GUPTA, SWARUPA. "Notions of Nationhood in Bengal: Perspectives on Samaj, 1867–1905,." Modern Asian Studies 40, no. 2 (2006): 273–302. http://dx.doi.org/10.1017/s0026749x06002228.

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This paper explores and re-defines notions of nationhood as reflected in the Bengali literati's expressions of an empowered identity in tracts, pamphlets and articles in periodicals during the late colonial period. It shifts the focus from existing assumptions of the nation as an artefact of modernity by demonstrating that though ideas about nationhood acquired a coherent and articulated form in the late nineteenth century, its roots are to be traced back to the pre-modern era. By interrogating the relatively unexplored conceptual category of samaj (social collectivity) deployed by the literat
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Kundra, Nakul. "Vaishnava Nation and Militant Nationalism in Bankimacandra Chatterji’s Anandamath, or The Sacred Brotherhood." Journal of Religion and Violence 9, no. 1 (2021): 123–42. http://dx.doi.org/10.5840/jrv202142588.

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Anandamath, or The Sacred Brotherhood (hereinafter “Anandamath”) is a political novel. In this literary work, Vaishnavism, one of the major forms of modern Hinduism, lays the foundation of the Bengali Vaishnava nation and provides the Children with a moral justification for resorting to violence under the auspices of state-seeking nationalism, which is a sociopolitical phenomenon in which members of a nation try to attain “a certain amount of sovereignty” or “political autonomy” (Guichard 2010: 15). To justify militant nationalism, Bankimacandra Chatterji (hereinafter “Bankim”) creates a code
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Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th
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Basu, Basudhita. "Sports Education in Colonial Bengal: A Double-Edged Sword?" South Asia Research 38, no. 3 (2018): 268–86. http://dx.doi.org/10.1177/0262728018798966.

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Insufficient attention has been given to studies that relate sports, education and colonial policies in South Asia. Partly based on archival research, this article brings out different perspectives on the introduction of British sports into colonial Bengal as an educational device to produce obedient subjects. Several hegemonic and educational agenda intersected to formulate civilising ambitions. However, these turned out to be only partially successful, since the civilising aims of colonial sports education were constantly undercut by local acts of adaptation and modification. Dramatic eviden
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Saha, Ranjana. "Motherhood on display: The child welfare exhibition in colonial Calcutta, 1920." Indian Economic & Social History Review 58, no. 2 (2021): 249–77. http://dx.doi.org/10.1177/0019464621999308.

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This article focuses on the Health and Child Welfare Exhibition held in colonial Calcutta in 1920. Despite a few scholarly references, however, there has been no detailed study till date. The vicereines of India launched child welfare exhibitions motivated by the transnational exhibitory baby health week propaganda initiative to curb infant mortality. These exhibitions were also locally organised and collaborative in nature with an urgent nationalist appeal. The study critically engages with select Exhibition lectures about so-called ‘clean’ midwifery and ‘scientific’ motherhood given by famou
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Siegel, Benjamin. "Beneficent destinations: Global pharmaceuticals and the consolidation of the modern Indian opium regime, 1907–2002." Indian Economic & Social History Review 57, no. 3 (2020): 327–62. http://dx.doi.org/10.1177/0019464620930886.

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This article traces the twentieth-century ‘afterlife’ of Indian opium, following the global trajectories of the commodity beyond the decades of prohibition, when its international trade was broadly viewed as being in terminal decline. The article demonstrates how opium from Malwa, Bengal and Bihar was brought into the ambit of Western pharmaceuticals during the two World Wars. In spite of the scepticism of temperance-minded nationalists, it foregrounds the crop’s regular integration into these commodity chains in the early decades of Indian independence and its ascent as the key raw material i
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Jelnikar, Ana. "Srečko Kosovel and Rabindranath Tagore: Points of Departure and Identification." Asian Studies, no. 1 (December 1, 2010): 79–95. http://dx.doi.org/10.4312/as.2010.-14.1.79-95.

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In this paper I explore some of the connections the Slovene poet Srečko Kosovel (1904–1926) surmised between himself and the Indian poet Rabindranath Tagore (1861–1941). I argue that what linked the two poets into a joint framework across the vastly different cultural and politico-geographic space was not just the fact that Kosovel read Tagore and took inspiration from the Bengali poet at the height of Tagore’s reputation in continental Europe, but that they shared a number of preoccupations, informed by their respective historical positioning. Both wrote from a profound awareness of their reg
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Tronicke, Marlena. "Terror by Candlelight: The Affective Politics of Fear in Tanika Gupta’s Lions and Tigers." Journal of Contemporary Drama in English 7, no. 1 (2019): 58–71. http://dx.doi.org/10.1515/jcde-2019-0005.

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Abstract In 2017, Tanika Gupta’s Lions and Tigers premiered at London’s candle-lit, neo-Jacobean Sam Wanamaker Playhouse, which, at first glance, seems ill suited to house a play which is set in pre-Partition Bengal and which depicts both rioting mobs and machine gun shootings. This essay looks at the ways in which, contrary to such initial associations, text and performance space supplement each other. In this case, supposedly cosy candlelight and close proximity to the audience engender feelings of fear and anxiety that can be framed with Sara Ahmed’s notion of the ‘affective politics of fea
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Nigam, Aditya. "Book reviews and notices : PRADIP KUMAR DATTA, Carving blocs: Communal ideology in early twentieth century Bengal. New Delhi: Oxford University Press, 1999. 312 pp. Index. Rs. 495. AND THOMAS BLOM HANSEN, The saffron wave: Democracy and Hindu nationalism in modem India. Princeton, N.J.: Princeton University Press, 1999. vi + 293 pp. Notes, bibliography, glossary, index. $17.95 (paperback)." Contributions to Indian Sociology 35, no. 3 (2001): 406–8. http://dx.doi.org/10.1177/006996670103500306.

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Bhattacharya, Nandini. "Ecce Homo—Behold the Human! Reading Life-Narratives in Times of Colonial Modernity." Religions 11, no. 6 (2020): 300. http://dx.doi.org/10.3390/rel11060300.

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The essay explores Bankimchandra Chatterjee’s Krishnacaritra—published in 1886—the life of a humanised god, as engaged in cross cultural dialogues with John Robert Seeley’s Ecce Homo, Natural Religion, and The Expansion of England in particular, and the broader European tendency of naturalising religions in general. It contends that the rise of historicised life writing genres in Europe was organically related to the demythologised, verifiable god-lives writing project. Bankimchandra’s Krishnacarita is embedded within a dense matrix of nineteenth century Indian secular life writing projects an
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Ilahi, Shereen. "Policing “Bengali Terrorism” in India and the World: Imperial Intelligence and Revolutionary Nationalism, 1905–1939. By Michael Silvestri. Cham, Switzerland: Palgrave Macmillan, 2019. xiii, 362 pp. ISBN: 9783030180416 (cloth)." Journal of Asian Studies 80, no. 1 (2021): 223–25. http://dx.doi.org/10.1017/s0021911820003988.

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