Relevant bibliographies by topics / Nationalism in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Nationalism in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Nationalism in art"

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Tarwanto, Roni Desi, Dwi Susanto Susanto, and Wakit Abdullah Abdullah. "A Discourse of Theater Performance in Improving Nationalism in Surakarta." International Journal of Multicultural and Multireligious Understanding 8, no. 7 (2021): 718. http://dx.doi.org/10.18415/ijmmu.v8i7.2867.

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Indonesian nationalism is the manifestation of Indonesians’ love to their State and homeland based on Pancasila. Nationalism is now in new civilization vortex called globalization and encounters increasingly big challenge. The feeling of nationalism has been eroded now and faded gradually as time progresses. Therefore, many parties begin to revive nationalism spirit through some activities, one of which is through theatrical art. Theatrical art was expected to improve nationalism in Surakarta City. Surakarta City or so called Solo is an autonomous area with city status under Central Java Provi
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Boeva, Luc. ""Yet another book on nationalism." Enkele recente bijdragen tot de theorievorming." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 72, no. 1 (2013): 68–86. http://dx.doi.org/10.21825/wt.v72i1.15954.

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Deze bijdrage bespreekt aan de hand van een aantal recente publicaties drie thema's uit het actuele theoretisch debat rond nationalisme: de moderniteit van naties en nationalisme, nationale identiteit en de comparatieve methode. Over het eerste verscheen een boek dat een nieuwe, op historische bronnen gebaseerde, start voor de studie van het nationalisme wil betekenen, tegen het modernistisch paradigma in. Volgens auteur Caspar Hirschi ligt de oorsprong van nationalisme in de late Middeleeuwen, vroege vormen van nationalisme kwamen reeds tijdens de Renaissance voor en modern nationalisme kon e
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Rusnock, K. Andrea. "All the Folk Art News Fit to Print." Experiment 25, no. 1 (2019): 244–57. http://dx.doi.org/10.1163/2211730x-12341341.

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Abstract Neo-nationalism was concerned with a new aesthetic, not just in the fine arts but also in the crafts, particularly needlework. One way that this aesthetic was disseminated for needle art was through publications—magazines, pattern books, how-to-manuals, guides for schools, and the like. Publications on needlework were produced throughout the nineteenth century, and their output increased toward the end of the 1800s, with many portraying peasant imagery and patterns associated with this new style of Neo-nationalism. This article explores how needlework publications propagated Neo-natio
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Bromwich, David. "Comment: On Art and Nationalism." Yale Journal of Criticism 15, no. 1 (2002): 211–16. http://dx.doi.org/10.1353/yale.2002.0003.

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Dhuhri, Saifuddin, Hamka Hasan, Ahmad Sholeh Sakni, and Iffatul Umniati Ismail. "Passive Islamophobia and cultural national construction: a critical note on art curriculum." Indonesian Journal of Islam and Muslim Societies 11, no. 1 (2021): 1–27. http://dx.doi.org/10.18326/ijims.v11i1.1-27.

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This study aims to explore the passive Islamophobia in the arts and culture subjects on the KTSP and K-13 curriculum of secondary schools. Employing the representation theory, this article explores the relationship between marginality and Islamophobia integrated into the fine arts curriculum. Through content analysis of 2 textbooks for grades VII and VIII, some elements of marginalization in the Islamic cultural values were found. The conception of Indonesian nationality originates from various internal solidarity and contestation between Islamism, Hinduism and secularism in resistance to impe
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ÇOLAK, Erdem. "CONTEMPORARY ART AND THE CRITIQUE OF EVERYDAY NATIONALISM." Moment Journal 9, no. 2 (2022): 370–92. http://dx.doi.org/10.17572/mj2022.2.370-392.

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In discussions of everyday nationalism, bottom-up readings of nationalism that take into account human activities have brought a remarkable dynamism to the study of both nationalism and everyday life. However, since most of the studies on everyday nationalism focus on how ordinary people construct their national identities in everyday life, they do not sufficiently address the relations of production and distribution of critiques of nationalism produced in everyday life. This paper will discuss some artworks created by different artists from different countries around the world by intervening
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Hector, Tim. "The Steelband as Nationalism and Art." CLR James Journal 8, no. 1 (2000): 108–15. http://dx.doi.org/10.5840/clrjames2000/20018114.

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Tobin Stanley, Maureen. "La guerre est fini y/o ¿La guerra ha terminado?: El film de Alain Resnais y Jorge Semprún y su papel en la exposición permanente del Centro de Arte Reina Sofía." Image and Storytelling: New Approaches to Hispanic Cinema and Literature 1, no. 2 (2020): 133–61. http://dx.doi.org/10.5399/uo/peripherica.1.2.7.

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This article analyzes the ambiguity in the film La guerre est finie ([The War Is Over] 1966, director Alain Resnais, screenwriter Jorge Semprún) whose declarative title becomes a question in the title of the permanent exhibit at the Reina Sofía National Museum in Madrid: Is the War Over? Art in a Divided World (1945-1968). The works invite the viewer to question the nationalism that catapulted the Spanish Civil War, whose victory marked the first triumph for European fascisms and concomitant genocides. While the film entirely lacks symbols of irrefutable national identity, the paintings incorp
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Clark, Roland. "Orthodoxy and nation-building: Nichifor Crainic and religious nationalism in 1920s Romania." Nationalities Papers 40, no. 04 (2012): 525–43. http://dx.doi.org/10.1080/00905992.2012.685057.

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This article uses the early career of Nichifor Crainic (1889–1972) to show why Orthodox Christianity became a central element of Romanian ultra-nationalism during the 1920s. Most Romanian nationalists were atheists prior to the First World War, but state-sponsored nation-building efforts catalyzed by territorial expansion and the incorporation of ethnic and religious minorities allowed individuals such as Crainic to introduce religious nationalism into the public sphere. Examining Crainic's work during the 1920s shows how his nationalism was shaped by mainstream political and ideological curre
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Ramalho, Marcel. "Folkloric Nationalism and Essential Nationalism in José Siqueira’s Loanda and Maracatu." Per Musi, no. 42 (May 6, 2022): 1–24. http://dx.doi.org/10.35699/2317-6377.2022.38325.

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This article describes how Brazilian composer José Siqueira (1907-1985) used musical elements from the folkloric tradition known as Maracatu in the composition of the songs titled Loanda and Maracatu. A secondary goal is to suggest interpretative performance approaches that take into consideration the musical, textual, and sociocultural aspects of these songs. The methodology for the analyses was based on the categories and terms for examining the musical frameworks of art songs outlined by Carol Kimball in her two books about art song, as well as Siqueira’s own-devised Trimodal System. In Loa
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Dissertations / Theses on the topic "Nationalism in art"

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Warren, Richard. "Tacitus and nationalism in nineteenth-century art." Thesis, Durham University, 2014. http://etheses.dur.ac.uk/9502/.

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In the nineteenth century artists patronised by national, imperial and aristocratic elites in Europe turned to Tacitus and other classical sources for inspiration in defining the national and ethnic ideal of these patrons. This is a phenomenon that was particularly evident in the German-speaking countries of central Europe, where the figure of Arminius from Tacitus' Annals was represented in many different artistic media, from painting to monumental sculpture. In the German states themselves depictions often followed a similar prescription, which took their inspiration from the plays of Freidr
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Miller, Elizabeth M. "Nationalism and the birth of modern art in Egypt." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:84002959-dc3e-40ad-90b3-f9efcc8846f6.

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This dissertation covers the emergence of a tradition of the fine arts in Egypt during the first half of the twentieth century and its relationship to discourses of nationalism. Taking as a starting point the canon of the ‘pioneer’ generation as it is defined in the historiography, I follow the careers of the sculptor Mahmud Mukhtar and the painters Ragheb ‘Ayyad, Muhammad Nagi, and Mahmud Sa‘id, each of whom is treated in a full chapter. Narratives surrounding the life and work of these artists have tended to emphasize the ways in which the images they created participated in the definition o
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Seter, Ronit. "Yuvalim be-Israel : nationalism in Jewish-Israeli art music, 1940-2000 /." Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb40050015j.

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Adelpour, Adam. "Art, nationalism and a ‘once in a lifetime crisis of capitalism’." Thesis, The University of Sydney, 2012. http://hdl.handle.net/2123/14348.

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Amid the economic fallout that has followed the 2008 Global Financial Crisis, governments in badly effected countries have often sought to heighten exclusionary forms of nationalism as a palliative for worsening social conditions. The studio art project that accompanies this dissertation responds critically to exclusionary nationalism in Australia, particularly as it is embodied in the Federal Government’s punitive treatment of asylum seekers. This dissertation employs a Marxist analysis to demonstrate the links between the global context and these local issues, and to examine the relationship
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Grewatz, Abby. "Folk Art, Nationalism, and Identity in a Kyiv, Ukraine Souvenir Market." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/17901.

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Since the collapse of the USSR independent Ukraine has used politics and culture to define a separate national identity, in contrast to Russia. Through a performance studies lens I describe Kyiv's largest souvenir market, Andriyivsky Uzviz, and place it in the context of nationalism and cultural promotion. I draw on Conquergood who situates the performing of culture at the intersection of history and identity, and Kapchan who notes that markets are key sites where ethnic identity is defined within sociopolitical frameworks. While profit and customer demand are important to vendors in the Uzviz
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Antrobus, Pauline. "Peruvian art of the Patria Nueva, 1919-1930." Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361029.

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Sethness, Maria Ángeles. "El costumbrismo pictórico y literario español : de la ilustración al romanticismo /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/8292.

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Rasmussen, Goloubeva Irina. "Between colonialism and nationalism : art, history, and politics in James Joyce's Ulysses /." Uppsala : Department of English, Uppsala University, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8273.

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Zimmerman, Linda Marie. "Representation of Stonehenge in British art, 1300-1900 : antiquity, ideology, and nationalism /." Ann Arbor : UMI dissertation services, 2001. http://catalogue.bnf.fr/ark:/12148/cb400869002.

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Van, der Watt Liese. "Art, gender ideology and Afrikaner nationalism : a history of the Voortrekker Monument tapestries." Master's thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/18377.

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Bibliography: pages 112-119.<br>This dissertation considers the role both verbal and visual culture played in the growth and articulation of Afrikaner nationalism. For this reason it focuses not only on the central topic under discussion, namely the Voortrekker tapestries, but also on the discourses that informed the production of these tapestries and the circumstances surrounding the decision to commission them. The Voortrekker tapestries were commissioned in 1952 by the Vrou-en Moederbeweging van die A1XV (Suid-Afrikaanse Spoorweё en Hawens) and presented to the Voortrekker Monument in 1960.
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Books on the topic "Nationalism in art"

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1959-, Leoussi Athena S., and Grosby Steven Elliott 1951-, eds. Nationality and nationalism. I.B. Tauris, 2004.

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Balai Seni Lukis Negara (Malaysia), ed. Seni dan nasionalisme =: Art & nationalism. Balai Seni Lukis Negara, 1998.

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A, Etlin Richard, Center for Advanced Study in the Visual Arts (U.S.), and Johns Hopkins University. Dept. of the History of Art., eds. Nationalism in the visual arts. National Gallery of Art, 1991.

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Henriksson, Minna. Contemporary art and nationalism: Critical reader. Institute for Contemporary Art "Exit", 2007.

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Allen, Traudi. Homesickness: Nationalism in Australian visual culture. Macmillan Art Pub., 2008.

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Hess, Janet Berry. Imagining culture: Art and nationalism in Ghana. Harvard University, 2002.

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Hess, Janet Berry. Imagining culture: Art and nationalism in Ghana. UMI Dissertation Services, 1999.

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Nakpil, Lisa Guerrero. Nationalism and the art of Jorge Pineda. Published by Januarius Holdings Inc., 2018.

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Allen, Traudi. Homesickness: Nationalism in Australian visual culture. Macmillan Art Pub., 2008.

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Mitter, Partha. Art and nationalism in colonial India: Occidental orientations. Cambridge University Press, 1995.

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Book chapters on the topic "Nationalism in art"

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Leoussi, Athena S. "Hellenism and Ethnographic Art." In Nationalism and Classicism. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230372689_4.

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Russell, Mark A. "Swimming symbols of German art and design?" In Steamship Nationalism. Routledge, 2020. http://dx.doi.org/10.4324/9780429027710-4.

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Mohammed, Sharifah Faizah Syed. "Threats to the Art World." In Musical Nationalism in Indonesia. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6950-4_14.

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Switzer, Terri. "Nationalism and the Myth of Hungarian Origin." In A Companion to Nineteenth-Century Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118856321.ch22.

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Mukhopadhyay, Mausumi. "The Work of Art, The Mirror of Time." In Performance and the Culture of Nationalism. Routledge India, 2023. http://dx.doi.org/10.4324/9781003146506-19.

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Sabella, Bernard. "Christian Contributions to Art, Culture, and Literature in the Arab-Islamic World." In Secular Nationalism and Citizenship in Muslim Countries. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71204-8_4.

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Wardhaugh, Jessica. "Folk Art, Faith, and Nationalism: Popular Theatre in the Provinces." In Popular Theatre and Political Utopia in France, 1870—1940. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59855-4_3.

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Hinojosa, Lynne Walhout. "The Connoisseur and the Spiritual History of Art: Morelli and Berenson." In The Renaissance, English Cultural Nationalism, and Modernism, 1860–1920. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620995_5.

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Tumbas, Jasmina. "Countering Persecution, Misconceptions, and Nationalism: Roma Identity and Contemporary Activist Art." In Shifting Corporealities in Contemporary Performance. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78343-7_6.

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Alfarez, Sidqi, Geizka Medina Rozal, Nakita Gunawan, and Alifi Nur Prasetia Nugraha. "The Use of Benjang Art Promoting Patriotic Nationalism for Indonesian Youths." In Proceedings of the International Conference of Social Science and Education (ICOSSED 2021). Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-55-8_10.

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Conference papers on the topic "Nationalism in art"

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Handayani, Sri, Sumarwati Sumarwati, and Budhi Setiawan. "Strengthening Nationalism Value and Nationality Spirit of Young Generation using Media Serat Tripama." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294715.

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Haohong, Ren, and Zhang Yixing. "Nationalism and Disintegration in the Birth of Modern Countries." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.040.

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Peng, Zishen, Yue Pu, and Yixiao Song. "From “Fans for Idols” to “Fans for Nation”: Review on Fandom Nationalism in China." In 2021 International Conference on Public Art and Human Development ( ICPAHD 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220110.196.

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Ki, Chan Hau, Anrui Li, and Tianran Wangchen. "The Concept of Nationalism in the French Revolution and Its Possible Relationship with the Pillnitz Declaration." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.003.

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Chupeska, Ana. "FROM ETHNOPOPULISM TO SECURITY RISKS." In SECURITY HORIZONS. Faculty of Security- Skopje, 2022. http://dx.doi.org/10.20544/icp.3.6.22.p13.

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Erin Jenne (2018), in her highly instructive article dedicated to ethnopopulism: Is Nationalism or Ethnopopulism on the Rise Today?, defines ethnopopulism as a “discourse that equates ‘the people’ with ‘the nation’ and holds that sovereignty should be an expression of the will of the ‘nation-people”30. She refers to Mudde’s notion of the populist radical right31, denoting the moment when he draws attention to the fact that in recent decades nationalist parties are experiencing their rise and most of these parties are taking on an ethnopopulist form.32 Populism33, as such, it is worth mentionin
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Swiecicki, Klaudiusz. "THEATRE AGAINST NON-HUMAN REALITY A FEW SENTENCES ABOUT THE THEATRE OF THE EIGHTH DAY." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.11.

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The Theatre of the Eighth Day from Poznan has been the phenomenon of the Polish independent theatre. It was founded in 1964 by students of the University of Adam Mickiewicz in Poznan. As the students theatre of poetry, for the first few years it operated under the direction of Tomasz Szymanski. The change of the stage form began two years after the group was founded, when Zbigniew Osinski became involved with him. He brought fascination of the Grotowski's method. The Theatre of the Eighth Day marked their disagreement with the communism reality. Stanislaw Baranczak, one of the most talented po
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Ageev, A. V., and A. I. Bobkov. "Russian Nationalism: Reconstruction of Genesis in the context of the problem of Social Truth." In III International Scientific and Practical Conference "In Search of Social Truth". Publishing House of Irkutsk State University, 2021. http://dx.doi.org/10.26516/978-5-9624-1985-5.2020.11.

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Russian nationalism as a phenomenon of social comprehension of the development of Russian society is contradictory in the assessment of the comprehension of its truth. There are statements about its imitative nature, conclusions about it as a different project of a different modernity, as well as about the untimeness of its development. Russian nationalism's ambiguous understanding allows us to speak both about the presence of the Russian nation and about its absence. The authors try to show the methodological inconsistency of the clip designation of the essence of Russian nationalism and its
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Barbas, Valeria. "Cultural and musical identity as a formative factor of the new national composition schools from the end of the XIX century." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.24.

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Analyzing the co-reporting of the concepts music - identity, music seems to be one of the key elements of identity, because it off ers a perception of the self, but also of the collectivity. Musical compositional creation that tended to embody tradition has served as a powerful cultural resource for nationalism since the XIX century. Th us, in the context of the national movements from the end of the XIX century, new national schools appeared. Th e compositional vector was directed, on the one hand, to get out of the crisis of the romantic music trend, and on the other hand, to strengthen the
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Hadzantonis, Michael. "Sustaining a Regional Dialect in Greece: Karpathos Island and its Linguistic Heritage." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.1-10.

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The island of Karpathos sits both geographically and socio-politically within a vortex. Geographically, the island has been instrumental over centuries as a gateway to Crete and Rhodes, which in turn have offered a haven for foreign occupation. Socio-politically, the case is not significantly devoid. Through occupation of Karpathos, the waves of intruders have attempted to gain some level of footing over both local and larger regions, in order to assert power. Consequent to these waves of occupation, the language and cultural heritages of Karpathos have been tumultuous and dynamic. Yet, ideolo
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Beris, Yeter, and İsmail Erim Gulacti. "Influences of Japanese prints on European printmaking (in the case of Degas-Manzi partnership)." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p69.

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Contemporary artists have included classical methods together with innovative digital printing technologies to their artistic manufactures and thus their technological production interactions have been reflected on current art as well. Today’s artists have also been in collaboration with each other by involving the digital printing technologies which kept advancing during the recent 20 years in their works of art just like Degas and Manzi did in their relationships of production partnerships in 19th Century. Besides, those opinions which originated from modernism ideas and movements consist of
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Reports on the topic "Nationalism in art"

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Kolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, 2024. http://dx.doi.org/10.32370/ia_2024_03_11.

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The article conceptualizes the development of ballet art in Soviet Ukraine from the late 1910s to the early 1930s. The active use of ballets of classical heritage (Corsair, Futile Warning, Swan Lake, etc.) in the repertoire of opera theaters of Kyiv, Kharkiv, Odesa and the penetration of modern features into the ballet stage (Flying Ballet) were demonstrated. It is noted that elements of modern dance were cultivated in the activities of private choreographic and theater studios. The collapse of modernism with the introduction of the method of socialist realism in art with a focus on ideology,
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Kolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, 2024. http://dx.doi.org/10.32370/ia_2024_01_11.

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The article conceptualizes the development of ballet art in Soviet Ukraine from the late 1910s to the early 1930s. The active use of ballets of classical heritage (Corsair, Futile Warning, Swan Lake, etc.) in the repertoire of opera theaters of Kyiv, Kharkiv, Odesa and the penetration of modern features into the ballet stage (Flying Ballet) were demonstrated. It is noted that elements of modern dance were cultivated in the activities of private choreographic and theater studios. The collapse of modernism with the introduction of the method of socialist realism in art with a focus on ideology,
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Gandzyuk, Vitaliy. KEYWORDS IN THE CONTEXT OF PUBLICATIONS OF THE JOURNAL «SUCHASNIST». Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12138.

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The article examines the publicistic texts of the journal «Suchasnist», which at various times of its existence developed the national idea, united Ukrainians, supported the patriotic spirit, oriented politically, informed about the events of cultural life, published new works of art by domestic writers, revealed to readers the names of those banned during the Soviet era talented representatives of the Ukrainian diaspora. The main problems of the journal in the last years of its operation have been clarified. The issue of the negative impact of the entire Russian and Soviet heritage on the dev
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McGinnity, Frances, Emma Quinn, Philip J. O'Connell, et al. Monitoring report on integration 2016. Edited by Alan Barrett, Frances McGinnitty, and Emma Quinn. ESRI, 2017. http://dx.doi.org/10.26504/bkmnext330.

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This report examines migrant integration in Ireland in the areas of employment, education, social inclusion and active citizenship, and includes a special theme on migrant skills and competencies.The report presents a range of findings, including that a significant proportion of immigrants in Ireland are now Irish citizens, income poverty is higher among non-Irish groups than Irish, and employment rates are lower among African nationals than any other nationality grouping. The report uses indicators to measure different aspects of immigrant inclusion in Irish society, using the most recently a
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Bidner, Natalie. Hindu nationalism fueling strife: How India’s citizenship amendment act impacts the Indo-Pakistani Kashmir conflict. Iowa State University, 2020. http://dx.doi.org/10.31274/cc-20240624-828.

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Tymoshyk, Mykola. LONDON MAGAZINE «LIBERATION WAY» AND ITS PLACE IN THE HISTORY OF UKRAINIAN JOURNALISM ABROAD. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11057.

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One of the leading Western Ukrainian diaspora journals – London «Liberation Way», founded in January 1949, has become the subject of the study for the first time in journalism. Archival documents and materials of the Ukrainian Publishing Union in London and the British National Library (British Library) were also observed. The peculiarities of the magazine’s formation and the specifics of the editorial policy, founders and publishers are clarified. A group of OUN members who survived Hitler’s concentration camps and ended up in Great Britain after the end of World War II initiated the foundati
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7

Pauwels, Teun. The impact of the Russia–Ukraine War on ties between the Vlaams Belang in Belgium and the Putin regime. European Center for Populism Studies (ECPS), 2023. http://dx.doi.org/10.55271/rp0013.

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The populist Radical Right party, Vlaams Belang (VB), has consistently proved itself a successful electoral competitor in Belgian politics. Already in 2004, the party obtained 24% of the vote in Flanders, focusing on issues such as immigration, Flemish nationalism, crime and law and order. As of 2007, however, the party faced increasing competition from the Flemish nationalist party Nieuw-Vlaamse Alliantie (N-VA), which has been able to present itself as a democratic alternative to the populist VB. In recent years, the VB has tended to radicalize rather than moderate its tone to differentiate
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8

Ross, Daniel E. Waffen SS: Friend or Foe? The 1978 Holtzman Amendment to the Immigration and Nationality Act. Defense Technical Information Center, 1989. http://dx.doi.org/10.21236/ada209531.

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9

Yilmaz, Ihsan, and Nicholas Morieson. Nationalism, Religion, and Archaeology: The Civilizational Populism of Benjamin Netanyahu and Likud. European Center for Populism Studies (ECPS), 2022. http://dx.doi.org/10.55271/pp0015.

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This paper examines civilizational populism in Israel and focuses on the largest and most powerful party in Israel since the 1980s, National Liberal Movement (Likud), and its most significant leader of the past twenty years, the populist politician Benjamin Netanyahu. We show how Netanyahu incorporates ‘civilizationism’ into his populist discourses by, first, using the notion that Jewish civilization predates all others in the region to establish the legitimacy of the state of Israel, the hegemony of Jewish culture within Israel, and at times his own political decisions. Second, through his po
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Pretorius, Philip Christo. Various Facets of Populist, Authoritarian and Nationalist Trends in Japan and Taiwan. European Center for Populism Studies (ECPS), 2024. http://dx.doi.org/10.55271/rp0052.

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This report provides a brief overview of the tenth event in ECPS’s monthly Mapping European Populism (MEP) panel series, titled "Various Facets of Populist, Authoritarian and Nationalist Trends in Japan and Taiwan" held online on February 29, 2024. Moderated by Dr. Dachi Liao, Emeritus Professor at the Institute of Political Science at National Sun Yat-sen University in Taiwan, the panel featured speakers Dr. Yoshida Toru, Full Professor of Comparative Politics at Doshisha University in Japan, Dr. Airo Hino, Professor, School of Political Science and Economics, Waseda University, Dr. Szu-Yun H
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