Relevant bibliographies by topics / Nationalisme – Japon – Histoire

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Academic literature on the topic 'Nationalisme – Japon – Histoire'

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Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Nationalisme – Japon – Histoire"

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Vickers, Edward. "Chine versus Japon : histoire et nationalisme." Outre-Terre 12, no. 3 (2005): 379. http://dx.doi.org/10.3917/oute.012.0379.

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Tikhonov, Vladimir. "Sin Ŏnjun (1904–1938) and Lu Xun's Image in Korea: Colonial Korea's Nationalist Transnationalism." Journal of Asian Studies 78, no. 1 (February 2019): 23–44. http://dx.doi.org/10.1017/s0021911818002577.

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Throughout the Japanese colonial period, Korea's reading public paid close attention to Chinese revolutions against Japanese and Western empires. Korean nationalists viewed China's revolutionary struggles as important for liberating Korea from Japan, a stance that reveals a transnational basis of Korean nationalism in the colonial era. One such nationalist was Sin Ŏnjun (1904–38),Tong'a Ilbo’s Shanghai-based correspondent, who played a critical role in conveying the momentous events in contemporary China to colonized Koreans. Drawing on Sin's example, this article shows how Sino-Korean transnationalism constituted Korea's left-wing, progressive nationalism in the 1930s. Although Sin Ŏnjun was a nationalist rather than a communist, he highlighted the communist struggles in China in his dispatches. He saw communism as the only viable way of solving China's internal and external problems, although he, at the same time, disapproved of Chinese communists’ “terrorist methods.” This article argues that this position also reflected his stance in favor of a broad communist-nationalist alliance in the Korean independence movement. He saw Korea's liberation agenda as closely related to the revolutionary events in China, thus accomplishing a synthesis between Korean nationalistic and social aspirations and an East Asia–wide transnational paradigm of a universal emancipatory struggle.
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Kim, Christine. "Politics and Pageantry in Protectorate Korea (1905–10): The Imperial Progresses of Sunjong." Journal of Asian Studies 68, no. 3 (August 2009): 835–59. http://dx.doi.org/10.1017/s0021911809990076.

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In the winter of 1909, at the height of Japan's informal rule in Korea, the protectorate government sent the Korean emperor Sunjong on an extended tour of the provinces. Applying the nation-building techniques of Meiji Japan, the residency-general had intended to promote unity and cooperation through the Korean royal house. Instead, the progresses sparked anti-Japanese nationalism and culminated in expressions of resistance. This article explores the political context of the progresses, the role of the newspapers in Korea and Japan in shaping public opinion, and the contest of official and popular nationalisms in Korea, defined by the symbols of the throne and the national flag.
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Seizelet, Éric. "Nationalisme et internationalisation au Japon." Vingtième Siècle, revue d'histoire 18, no. 1 (1988): 17–28. http://dx.doi.org/10.3406/xxs.1988.2913.

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Seizelet, Eric. "Nationalisme et internationalisation au Japon." Vingtième Siècle. Revue d'histoire, no. 18 (April 1988): 17. http://dx.doi.org/10.2307/3769820.

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Shimojō, Hisashi. "From “Ideal Social Model” to Reality." Journal of Vietnamese Studies 16, no. 1 (2021): 4–47. http://dx.doi.org/10.1525/vs.2021.16.1.4.

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This paper examines the development of Vietnamese studies in post–World War II Japan. During the Vietnam War, Vietnamese studies in Japan was developed by a young generation of academics who were shocked by war coverage. Some of these scholars viewed Vietnamese society and its nationalist spirit as their “ideal social model,” and dedicated themselves to research topics centered on Vietnam’s rural society, revolution, and nationalism. However, when fieldwork became possible in the 1990s after the Đổi Mới reforms, research subjects became diversified among scholars who came after the Vietnam War generation as they encountered the country’s diverse realities.
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Esteban, Mario. "The Management of Nationalism during the Jiang Era (1994–2002) and Its Implications On Government and Regime Legitimacy." European Journal of East Asian Studies 5, no. 2 (2006): 181–214. http://dx.doi.org/10.1163/157006106778869324.

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AbstractThis paper aims to provide a detailed explanation of how the promotion of different nationalist discourses in China entails distinct repercussions on both government and regime legitimacy, looking for the rationale of governmental appeal to both affirmative and assertive nationalism within the context of general legitimacy crisis suffered by communism in the last years.Through the analysis of case studies including the return of Hong Kong and Macao under Chinese sovereignty and the success of Beijing's bid for hosting the 2008 Olympic Games, this paper regards the rise of affirmative nationalism as beneficial for the legitimacy of both the Jiang government and the CCP regime as a whole. However, the increasing relevance of assertive nationalism, discussed with reference to the Diaoyu dispute with Japan, and the diplomatic crisis with the US after the bombing of the Chinese embassy in Belgrade and the unauthorised landing of a US surveillance plane on Hainan, has put a challenge on Jiang's government, since it has been effectively used by the leftist wing of the party for gaining more leverage within the CCP with regard to the reformists. At the same time, assertive nationalism has reinforced regime legitimacy, providing effective ammunition to criticise the liberals.
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FERLANTI, FEDERICA. "The New Life Movement in Jiangxi Province, 1934–1938." Modern Asian Studies 44, no. 5 (January 26, 2010): 961–1000. http://dx.doi.org/10.1017/s0026749x0999028x.

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AbstractThis paper discusses the origins and the implementation of the New Life Movement (NLM) in the Jiangxi Province between 1934 and 1938. Based upon primary sources produced during this period, it explores how the Nationalist Party utilised the NLM for the purposes of national reconstruction and social mobilisation. The first section analyses how elements of anti-communism, Christianity and state Confucianism came into play in the NLM; the second section analyses how the Nationalists reinforced the idea of ‘hygienic modernity’ by projecting it into the realms of state building and mass mobilisation; the third section discusses the changes introduced in society by the Nationalists with the creation of semi-governmental organisations; and the fourth section examines the involvement of the NLM with preparation for the war against Japan (1937–1945). The paper argues that the NLM had a lasting impact on Chinese society, and it contributed to shape citizenship and national identity.
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WAN, ZHAOYUAN, and DAVID A. PALMER. "The Cosmopolitan Moment in Colonial Modernity: The Bahá’í faith, spiritual networks, and universalist movements in early twentieth-century China." Modern Asian Studies 54, no. 6 (December 17, 2019): 1787–827. http://dx.doi.org/10.1017/s0026749x19000210.

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AbstractThis article outlines the spread of the Bahá’í religion—known in Chinese as Datong jiao 大同教)— as a form of religious cosmopolitanism in Republican China (1912–1949). Originating in Iran, its spread to China can be traced to links with the Ottoman empire, British Palestine, the United States, and Japan. By tracking the individuals, connections, and events through which knowledge of the Bahá’í movement spread in China, our study reveals an overlapping nexus of networks—intellectual reformers, liberal Christians, Esperantists, Confucian modernizers, redemptive society activists, and socialists—that shared cosmopolitan ideals. The Bahá’í connections thus serve as a thread that reveals the influence of a unique ‘cosmopolitan moment’ in Republican China, hitherto largely ignored in the scholarly literature on this period, which has focused primarily on the growth of modern Chinese nationalism. Leading nationalist figures endorsed these movements at a specific juncture of Asian colonial modernity, showing that nationalism and cosmopolitanism were seen as expressions of the same ideal of a world community. We argue that the sociology of cosmopolitanism should attend to non-secular and non-state movements that advocated utopian visions of cosmopolitanism, map the circulations that form the nexus of such groups, and identify the contextual dynamics that produce ‘cosmopolitan moments’ at specific historical junctures and locations.
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Sachs, William L. "‘Self-Support’: The Episcopal Mission and Nationalism in Japan." Church History 58, no. 4 (December 1989): 489–501. http://dx.doi.org/10.2307/3168211.

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Japan offers a profound instance of the encounter between culture and Christian mission. From 1859 to 1940 American Protestant missionaries encountered powerful cultural shifts as Japan modernized. Public enthusiasm for Western ways in the late nineteenth century tempted missionaries and some Japanese to believe that Christianity was Japan's greatest resource for national development. However, the rise of nationalism made the role of churches and missionaries in Japanese life problematic. Scholars have not examined closely the Protestant missionary adaptation to Japanese nationalism. The missionaries of the Episcopal church provide an important instance of such response.
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Dissertations / Theses on the topic "Nationalisme – Japon – Histoire"

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Lavelle, Pierre. "Les textes et les thèmes fondamentaux du nationalisme des élites japonaises." Paris, INALCO, 1989. http://www.theses.fr/1989INAL0018.

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Morin, Marie-Andrée. "Histoire, identité et nationalisme japonais dans les films de Kurosawa Akira (1950-1990)." Mémoire, Université de Sherbrooke, 2014. http://savoirs.usherbrooke.ca/handle/11143/5287.

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En 1543, le Japon connut son premier contact avec les Occidentaux. Cependant, avec la rapide évangélisation et la révolte des paysans chrétiens, le Japon décida de restreindre, presque totalement, ses échanges avec les étrangers. Ce ne fut qu’au milieu du XIXe siècle que les Japonais allaient rouvrir leurs portes aux Occidentaux, suite à la menace des États-Unis. Cependant, l’arrivée des étrangers chamboula l’économie, la culture et l’identité des Japonais. Ces changements marquèrent le début de l’ère Meiji et du Japon moderne. Ces rapides transformations ébranlèrent l’identité traditionnelle du pays, ce qui poussa les Japonais à vouloir se bâtir une identité nationale japonaise. Dans ce mémoire, nous voulons proposer que Kurosawa, par ses films, participait, à sa manière, à l’élaboration d’une identité nationale naissante. Ses films puisaient dans les valeurs du passé et critiquaient certains aspects de la société moderne.
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Fauconnier, Brice. "Tenkō 転向 : va-et-vient, convergences et changements idéologiques dans le Japon des années 1920-1950." Paris, INALCO, 2012. http://www.theses.fr/2012INAL0001.

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Le phénomène de changement d’orientation idéologique appelé « tenkō » au Japon, a un double mérite par rapport aux cas européens influencés par l'idée de conversion. D'une part il est public (donc d’être immédiatement contrôlé, médiatisé et socialisé au sein de l’espace d’expression public), de l'autre il parcourt l’ensemble de la période des années vingt aux années cinquante (donc il interroge les continuités et discontinuités de l’avant à l’après seconde guerre mondiale chez les dirigeants, hors opportunisme). Il est le plus souvent utilisé péjorativement pour désigner l’abandon, par déclaration officielle, des idées ou de l’engagement marxiste dans les années trente, mais a pour origine les débats sur la réadaptation de la théorie aux nouvelles conditions sociales entre marxistes. Il concentre plus généralement, dans le discours interprétatif de nombreux Japonais, les difficultés des modifications de positionnement du Japon dans son environnement mondial : entre « pôle asiatique » et « pôle occidental ». Il offre ainsi une entrée privilégiée pour examiner, dans les limites du cadre du Japon moderne, l’évolution du rapport à l’étranger et l’intégration d’idées et techniques exogènes, considérées comme indispensables et/ou menaçantes. De la répression du marxisme aux thèses sur le "fascisme japonais", en passant par la continuité des élites, l'histoire des formulations du terme permettra ainsi d'élucider les rythmes des recompositions politiques, les enjeux intellectuels du patriotisme en temps de guerre et de paix ainsi que les silences et les recyclages effectués en coopération avec l'occupant américain, dont les conséquences légales se font encore sentir actuellement
Comparing with european cases largly influenced by religious conversions or recantations' idea, the ideological changes phenomenon called "tenkō " in Japan is valuable for two reasons. Firstable, it is public (therefore, immediatly controled, mediatized as a social and ordinary phenomenon through the public expression space), secondly, it lives through the twenties to the fifties (therefore, it represents the heart for rethinking continuity and dicontinuity among political elite from prewar to postwar). Mostly used pejoratively to mark out an official renunciation of marxist ideas or commitment in the thirties, it originally concerns marxits internal debate concerning the readaptation of the theoretical apparatus to new social and political conditions. The history of the word "tenkô", wich basically means "change of orientation", shows the developpement into ideological issues under the action the authorities from 1928 to the defeat and the difficulty for Japanese intellectuals to combine occidental heritage and patriotism. Qualifying "tenkō " the general evolution of Japan from the mobilization to total war in Asia-Pacific or the individual choices from 1945, amounts in many ways to denounce abrupt turnarounds or opportunism as lack of Resistance to "fascism" or a series of compromises with militarism and war worshiping. To avoid such simplification and in order to clarify postwar Japan discourses presuppositions concerning the war itself and the position of Japan in its international environment, this study intend to provide an historical overview on the reorientation of the 1920-1950 period
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Nuez, Pérez Maria Eugenia de la. "La création de l'identité nationale en Grèce et au Japon aux XVIIIème et XIXème siècles." Thesis, Bordeaux 3, 2013. http://www.theses.fr/2013BOR30050/document.

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Depuis toujours, les peuples ont éprouvé le besoin de se différencier les uns des autres et, en même temps de trouver ce qui leur était propre, c’est-à-dire leur identité (culturelle d’abord et puis nationale). Une première définition d’identité est faite grâce aux réflexions des savants du XVIIIe siècle même si cette définition répond essentiellement aux besoins des élites au sein desquelles elle est néé. Cette utilisation de la part des élites sera plus évidente au siècle suivant lors de la formation des Etats-nations. Dans ce contexte, ce qui auparavant était « identité culturelle » deviendra dans plusieurs cas « identité nationale ». En considérant l’identité nationale comme le résultat d’un processus de création plus que comme un sentiment inné à l’intérieur des communautés, nous pouvons entreprendre la comparaison de ce qui peut sembler à simple vue « incomparable ». Pour montrer que cette étude comparative est possible, voire intéressante, pour mieux comprendre la façon dans laquelle les Etats-nations ont créé le « mythe » de l’esprit national, nous avons choisi les exemples de la Grèce et du Japon parce que, malgré leurs différences et leur éloignement culturel et géographique, leur évolution est presque parallèle. Utilisant la langue, l’histoire, les croyances, la littérature et les « traditions » ainsi que des modèles extérieurs, les intellectuels grecs et japonais vont créer leurs propres réflexions sur l’identité culturelle au XVIIIe siècle ; une identité qui deviendra le fondement de leur identité nationale lorsque l’Etat-nation adviendra dans les deux territoires au XIXe siècle. Avec cette thèse notre objectif est de répondre à la question de la création identitaire en Grèce et au Japon en examinant les raisons, les auteurs, les éléments (aussi bien externes –éléments communs- qu’internes –éléments distinctifs-) et les résultats de ce processus
Since Antiquity, people have felt the need to establish difference between them employing various elements. At the time, they try to discover the common elements between them: that is, their identity. Thanks to the reflexion made by 18th century savants, the first definition of cultural identity was accorded. But this definition was born until the elite class and was employed by these elite in reaching their political objectives. However, elite have employed the elements that were common with the lower classes people as well.If we see the national identity as the outcome of a process thus we can compared it is “incomparable”. To montred that this comparative study is possible, we have choised the examples of Greece and Japan because they have specially interesting. Despite of geographical and cultural distance and political and historical difference, these territories showed parallel developpments in their reflexiion of identity. Employing language, history, beliefs, literature and external models, Japanese and Greel intellectuals created in 18th century their own reflexion on cultural identity. This reflexion become the fundament of the national identity at the middle of 19th century whem Japan and Greece become Nation-Etat.With this study, we can try to answer the question of identity creation by examining reasons, actors, elements both internal (distinctives elements) and external (common elements) and outcome into the process
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Blickby, Sebastian. "Japansk Nationalism : En tillämpning av fyra nationalismteorier på Japan under åren 1853-1939." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-33672.

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Denna uppsats är en teoristyrd litteraturstudie om japansk nationalism under perioden 1853-1939. Syftet med studien är att tillämpa fyra nationalismteorier på utvecklingen av nationalismen i Japan, för att undersöka vilken av de fyra nationalismteorierna som bäst stämmer överens med det japanska exemplet.
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Mizobe, Atsuko. "Nationalism in school textbooks : a comparative study of Britain and Japan, 1919-1955." Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387439.

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Nationalism is now unfashionable among intellectuals, but before the Second World War it was a dominant ideology all over the world and had a great influence, directly and indirectly, on the formation of one's world view. The following study intends to examine how two nationalisms, British and Japanese, interpreted the world in school textbooks. Britain and Japan represent different kinds of nationalism, western and eastern respectively. The world has been described largely from the western point of view since the West has continued to be the centre of historical writing for these five hundred years. Yet, presumably, the rising sun on the eastern horizon should have had a different picture; and to correct this imbalance by adding a synchronistic viewpoint is one of the aims of this study. Before starting the textbook analysis, however, the distinctively different education systems Britain and Japan possess are explained in Chapter 1. This study is divided into three parts, following three aspects of nationalism: national tradition, national mission and national character in that order. There is in fact considerable overlap between them, but the first part concentrates on exploring where the national pride of the two countries originated from and how the idea of honour to one's country was implanted in young minds. In the second the raison d'etre of each nation in the world defined according to their national tradition is discussed. Then the last part compares the two national characters inherited from the past and thought to be necessary to carry out their historical missions. In each chapter, 'continuity' is also an important theme. Did any shift in emphasis or focus take place after the two world wars? Most significantly, Britain has never lost a war since 1776, and therefore it could be argued that she has never been urged to reflect upon her past seriously for she always could justify herself. On the other hand,. Japan accepted unconditional surrender in 1945 and her imperialism was condemned by the whole international community. How did these markedly different experiences affect the world view in textbooks?
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Wong-Lifton, Anyi. "Multinational Manga Memories: Osamu Tezuka’s Postwar Japanese Critique of Nationalism in Message to Adolf." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1196.

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Manga masterpiece Message to Adolf’s fictional narrative intertwines the Holocaust, romance, espionage, and friendship in its international World War II-focused narrative. Using theory on nationalism and Japanese memories of WWII, this thesis argues the violence the characters initiate and suffer blurs lines between perpetrator, hero, and victim to critique the power of nationalism. Its message concerning the danger of nationalism is as applicable for global audiences now as when it was published in 1985.
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Collins, Hannah Elisabeth. "An Unrelenting Past: Historical Memory in Japan and South Korea." Wright State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=wright1472296289.

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Pasquier, Aurélien. "L’influence de la résurgence des questions mémorielles sur la représentation du Japon dans les blockbusters sud-coréens : analyse de la répétition de l’Histoire dans « Fantôme » (1999), « 2009 Lost Memories » (2002) et « Péninsule » (2006)." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE3024.

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Ce travail explore la figure de la répétition de l’Histoire entre la Corée (du Sud) et le Japon dans plusieurs blockbusters sud-coréens depuis 1998. Les années 1990 qui devaient voir la désintégration de l’État-nation sont celles qui marquent le retour des « nationalismes ethniques ». Ce retour des nationalismes qui suit la fin de l’affrontement des deux blocs se manifeste par une résurgence des questions mémorielles entre la Corée du Sud et le Japon. Dans notre première partie, nous analysons comment les problèmes liés à la colonisation qui ressurgissent dès le début des années 1990 transforment le Japon en nouvel « ennemi national » de la Corée du Sud, au moment où les relations entre les deux pays se développent et que la consommation des produits culturels de l’autre est sans précédent. La réaffirmation de l’État dans certains secteurs qui accompagne le nationalisme sud-coréen des années 1990 se concrétise par la mise en place de politiques en faveur du développement de l’industrie cinématographique nationale. L’alliance de l’État et de plusieurs chaebol (conglomérats sud-coréens) permet à l’industrie cinématographique sud-coréenne de redevenir populaire grâce à la production de blockbusters sud-coréens. Après avoir mis en évidence la proximité existante entre les superproductions hollywoodiennes, chinoises, argentines et les superproductions sud-coréennes, nous établissons l’existence de ce que nous nommons une « Aura nationale » au centre de la consommation de ces films et qui permet de les considérer comme des films nationaux, car malgré son caractère fictif, la nation a une réalité effective sur les populations des États-nations. Ayant mis en évidence que les blockbusters sud-coréens qui mettent en scène l’histoire nationale sont devenus le miroir du spectacle national et nous consacrons notre dernière partie à la représentation de la répétition de l’Histoire dans les trois films au centre de notre problématique. L’analyse de ces trois superproductions nous permet de comprendre que la lutte pour défendre l’histoire nationale dans la résurgence des questions mémorielles s’inscrit, à l’image de Louis Bonaparte décrit par Karl Marx, dans les luttes passées pour la défense de la souveraineté nationale
This work explores the pattern of the repetition of the history between (South) Korea and Japan in several South Korean blockbusters since 1998. The 1990s, which was prophetised to mean the disintegration of the nation-state, marked the return of "ethnic nationalisms". The comeback of nationalisms that follows the end of the confrontation of the two blocs is manifested in the case of South Korea and Japan by a resurgence of memorial issues between the two countries. In the first part, we analyze how the issues from the colonial period that reappeared in the early 1990s transformed Japan into the new "national enemy" of South Korea at a time when relations between the two countries are developing and the consumption of cultural goods producted by the other side is unprecedented. The reaffirmation of the state in certain sectors that accompanies the South Korean nationalism of the 1990s is realized, among other things, by the establishment of policies in favor for the development of the national film industry. The alliance of the state and several chaebol (South Korean family conglomerates) allows the South Korean film industry to regain popularity through the production of South Korean blockbusters. After brought to light the proximity between Hollywood, Chinese, Argentinean blockbusters and South Korean blockbusters, we establish the existence of what we call a "national aura" at the center of the consumption of these films and which makes it possible to consider them as national films, for in spite of its fictitious character, the nation has real effects on the populations of the nation-states. The South Korean blockbusters staging the national history have become the mirror of the national spectacle and we devote our last part to the representation of the repetition of history in the three films at the center of our problematic. The analysis of the films allows us to understand that the struggle to defend national history in the resurgence of memorial issues is staged, like Louis Bonaparte described by Karl Marx, in the past struggles for the defense of sovereignty National level
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Odo, David. "The edge of the field of vision : defining Japaneseness and the image archive of the Ogasawara Islands." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:f76fb540-7b9a-4e96-989c-2492576d7d6f.

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This thesis examines the image archive of photographs of the Ogasawara (Bonin) Islands of Japan within the framework of historically informed visual anthropology. It is argued that investigating the photography of Ogasawara, which has an ethnically diverse population of descendants of the pre-Japanese, nineteenth-century settlement, exposes the processes that have configured modern 'Japaneseness'. Towards this end, the major areas explored are early Japanese photographic practice, visual aspects of Japanese colonialism, Japanese domestic tourism and the use of photography in the creation and maintenance of ideas about Japanese culture. Extremely rare imperial, government and commercial images, including albumen prints, cartes de visite and postcards, from museums, archives and private collections are examined in this study. The trajectories of these images through the 'visual economy' are traced as they are produced, circulated and gather meanings in a variety of contexts, from early colonial encounters to contemporary tourist engagements. These processes are exposed through an investigation of early Japanese photographic practice, colonial expeditions to Ogasawara, the shifting location of Islanders as 'slippery' internal others within configurations of Japaneseness, Japanese domestic tourism and the tourist discourse in contemporary Ogasawara. This has enabled the development of an alternative history of early Japanese photographic practice and a new understanding of Japanese domestic tourism. These new ways of conceptualising photography and tourism in Japan, together with insights gained from ethnographic investigations of the Ogasawaran image archive, demonstrate that photography played a major role in the construction of modern Japaneseness, rather than merely being a by-product of modernisation. Through an examination of images from the archive of photographs of the Ogasawara Islands, one gains an understanding of modern Japan as a society more diverse than the mostly homogeneous nation it is generally represented as, and more fluid in its definitions of Japaneseness than previously thought.
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Books on the topic "Nationalisme – Japon – Histoire"

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Ueno, Chizuko. Nationalism and gender. Melbourne, Vic: Trans Pacific, 2004.

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Marxist history and postwar Japanese nationalism. London: RoutledgeCurzon, 2002.

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Science for the empire: Scientific nationalism in modern Japan. Stanford, Calif: Stanford University Press, 2009.

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Safier, Joshua. Yasukuni Shrine and the constraints on the discourses of nationalism in twenthieth-century Japan. [S.l.]: Dissertation.com, 1997.

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Huffman, James. The Rise and Evolution of Meiji Japan. GB Folkestone: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9781898823940.

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Considered a doyen of Meiji studies, particularly in the field of the newspaper press in Japan, former journalist Jim Huffman and H. Orth Hirt Professor of History [Emeritus] at Wittenberg University, was recently honoured (2017) with the Distinguished Service Award by the Association of Asian Studies (AAS), marking his outstanding scholarship and service in the field of Asian Studies. Huffman is the author of eight acclaimed books, including Creating a Public: People and Press in Meiji Japan, A Yankee in Meiji Japan : The Crusading Journalist Edward H. House, Japan: A History in Documents and most recently Down and Out in Late Meiji Japan. Supported by an introductory mini memoir, this collection of Huffman’s writings comprises thirty journal papers and scholarly essays, thematically structured under (1) Media, (2) Society, Culture and Environment, and (3) Democracy, Government and Nationalism. Part 4 offers a selection from his portfolio of book reviews. The Rise and Evolution of Meiji Japan provides a valuable one-stop access to the scholarship of Jim Huffman that both complements and enhances his existing published works.
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Sato, Shigeki. The politics of nationhood in Germany and Japan. [s.l: s.n.], 1998.

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Ruffians, yakuza, nationalists: The violent politics of modern Japan, 1860-1960. Ithaca: Cornell University Press, 2008.

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8

B, Cribb R., ed. Imperial Japan and national identities in Asia, 1895-1945. London: Routledge, 2003.

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9

Nationalism, political realism and democracy in Japan: The thought of Masao Maruyama. New York: Routledge, 2012.

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10

Roberts, Luke Shepherd. Mercantilism in a Japanese domain: The merchant origins of economic nationalism in 18th-century Tosa. Cambridge: Cambridge University Press, 1998.

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Book chapters on the topic "Nationalisme – Japon – Histoire"

1

Nishino, Ryota. "Cultural Identity and Textbooks in Japan: Japanese Ethnic and Cultural Nationalism in Middle-School History Textbooks." In The Palgrave Handbook of Ethnicity, 1465–81. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-2898-5_111.

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Nishino, Ryota. "Cultural Identity and Textbooks in Japan: Japanese Ethnic and Cultural Nationalism in Middle-School History Textbooks." In The Palgrave Handbook of Ethnicity, 1–17. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-0242-8_111-1.

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Nishino, Ryota. "Cultural Identity and Textbooks in Japan: Japanese Ethnic and Cultural Nationalism in Middle-School History Textbooks." In The Palgrave Handbook of Ethnicity, 1–17. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-0242-8_111-2.

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"Nationalism and history in contemporary Japan." In Asian Nationalisms Reconsidered, 188–201. Routledge, 2015. http://dx.doi.org/10.4324/9781315739601-24.

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"III. Varieties of Premodern Nationalism." In Studies in Intellectual History of Tokugawa Japan, 341–68. Princeton University Press, 1989. http://dx.doi.org/10.1515/9781400847891.341.

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"I. Introduction: The Nation and Nationalism." In Studies in Intellectual History of Tokugawa Japan, 323–26. Princeton University Press, 1989. http://dx.doi.org/10.1515/9781400847891.323.

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"Chapter Two. The Preconditions Of Japanese Nationalism." In A History of Nationalism in Modern Japan, 36–82. BRILL, 2007. http://dx.doi.org/10.1163/ej.9789004155985.i-292.9.

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"CHAPTER THREE. TENNŌ." In A History of Nationalism in Modern Japan, 83–126. BRILL, 2007. http://dx.doi.org/10.1163/ej.9789004155985.i-292.12.

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"Chapter Fours. Hakai." In A History of Nationalism in Modern Japan, 127–63. BRILL, 2007. http://dx.doi.org/10.1163/ej.9789004155985.i-292.17.

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"Preliminary Material." In A History of Nationalism in Modern Japan, i—xii. BRILL, 2007. http://dx.doi.org/10.1163/ej.9789004155985.i-292.2.

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